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Shivers on Speed (((2013(20132013)))) for Bass Flute, Bass Clarinet, Violin, Violoncello and Piano

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Shivers on Speed (((2013(20132013)))) for Bass Flute, Bass Clarinet, Violin, Violoncello and Piano Brigitta Muntendorf shivers on speed (((2013(20132013)))) for bass flute, bass clarinet, violin, violoncello and piano score shivers on speed (((2013(20132013)))) for bass flute, bass clarinet, violin, violoncello and piano commissioned by musikFabrik Instruments bass flute Bassflöte bass clarinet in B b Bassklarinette in Bb violin Violine violoncello Violoncello piano (+ mini vibrator made of rubber) Piano (+ Minivibrator aus Gummi) The score is transposed. Flute: the voice is written as sounding. Explanation of symbols Legende General instructions Allgemeine Spielanweisungen trembling/shivering: think of trembling hands or a trembled zittern/beben: diese Abschnitte sollen im wahrsten Sinne des voice – these parts have to played with trembling hands, Wortes “zittern” – Assoziationen an zitternde Hände oder eine with a shivering air stream. The musical result is an zittrige Stimme sollen musikalisch umgesetzt werden. Hier bei irregular and erratic repetition which is not controlled. Find entsteht eine unregelmäßige und unkontrollierbare Repetition, your own method to realize shivering notes. für die jeder Spieler seine eigene Methode entwickeln soll. vl./vc.: for example a mix between trem., salt., cl., Vl./Vlc: z. B. durch eine Kombination von trem. / salt. / cl. fl./clar.: for example irregular double/triple tounge with a Fl./Klar.: z. B. durch unregelmäßgie Doppel-, Trippelzunge lot of air mit möglichst viel Luft pno.: for example irregular repetitions by pressure/tense of Pno.: z. B. durch Fixierung des Handgelenks bei the wrist/forearm gleichzeitigem Anspannen des Unterarms. Dynamikangaben in Anführungs-zeichen geben immer die " " Volume indications in quotation marks indicate the intensity Intensität der Aktion an, nicht die resultierende Lautstärke. f of the action and not the resulting absolute volume of the action. Eight tone higher / lower Achtelton höher / tiefer Quarter tone higher / lower Viertelton höher / tiefer bass flute Bassflöte Flageolet glissando by overblowing the notated pitches Durch Überblasen der angegebenen Tonhöhen soll ein (trem.). A very fast tremolo causes a fluttering sound. Obertonglissando erreicht werden. Ein schnelles Tremolieren der Grundtöne erzeugt einen flatternden, schnell auf- und absteigenden Klang. „Hund“: Dieser Sound klingt wie das Bellen eines Hundes und wird “doggy sound”: This sound reminds of a barking dog. The dadurch erzeugt, dass der Spieler einen hohen Ton singt/bellt und player has to shout/bark a loud high tone and combines gleichzeitig den gleichen Ton mit Flatterzunge spielt. Die Tonhöhen this with a flutter tongue note of the same pitch. This pitch is sind im Stimmensystem angegeben, jedoch überwiegt der Gestus defined, but it’s more a high shout, than a defined pitch. eines Schreis. Lippenpizzicato: Die zusammengepressten Lippen werden mit Hilfe lip pizzicato: to produce this effect, the lips are first pressed eines starken Luftstroms auseinandergerissen und erzeugen diesen tightly together, thenexplosively ripped aoart by a strong je perkussiven Klang of air Klappengeräusch ohne Ton / mit Ton key click without tone / with tone bass clarinet Bassklarinette By overblowing the defined pitches while playing a tremolo Durch Überblasen der angegebenen Tonhöhen im Tremolo entstehen produce a tremolo of high flageolets. The flageolets which hohe, tremolierte Flageoletts. Die Flageoletts, die erklingen sollen, sind should sound are defined in the score. You should only hear in der Partitur angegeben, die tremolierten Grundtöne sollten dabei the flags. kaum hörbar sein. Slap with tone / without tone Slap mit Ton / ohne Ton Teeth on reed: produced by pressing the teeth against the Zahntöne: Diese Töne entstehen, indem die Zähne gegen das reed. The player should attempt to hit the notated pitches. Rohrblatt gepresst werden. Die angegebenen Tonhöhen sollten trotz der Instabilität versucht werden, zu erreichen. loud and growling sound: shout a sound like “rao” into the Lauter und röhrender Klang: Ein lauter Schrei (klingt wie „rao“) wird instrument and mix it with the notated pitches, which are durch das Instrument geschickt während parallel die angegebene played at the same time. Tonhöhe gespielt wird. sound with natural overtones of the fundamental tone. It’s Grundton mit natürlichen Flageoletts – hierbei kommt es darauf an, necessary to reach the highest defined overtone, always try den höchsten notierten Ton zu erreichen und einen satten, rauen Klang to get a full and rough sound. zu erzeigen. strings Streicher Overbowing with a lot of pressure. If nothing is defined Übermäßiger Bogendruck. Wenn der resultierende Klang nicht (pitch/less pitch), always try to get a full, deep and rough beschrieben ist (mit Tonhöhe/mit wenig Tonhöhe/etc.) soll immer ein sound. The strings are always muted (crossed note head) voller, dunkler und rauher Klang erzeugt werden. Changing bow pressure gradually. Bogendruck allmählich ändern batt.v. „battuto violent“: an extreme version of battuto arco. It „battuto violent“: eine Extremversion des battuto arco, bei der das Holz should be played sul tasto so that the wood of the bow slap des Bogens auf das Griffbrett treffen soll (hölzerner Klang, immer against the fingerboard (always muted strings). abgedämpfte Saiten). Hit with the left hand on the muted strings on the Mit der linken Hand auf die gedämpften Saiten am Griffbrett schlagen. fingerboard. You should hear just a percussive sound. Es sollte ein rein perkussiver Klang entstehen. Piano Piano prepared string with modelling material: only noise, no pitch. Mit Knetmasse vollständig präparierte Saite, die Tonhöhe soll nicht hörbar sein. MMM This M (“METALL”) is just for orientation and signifies the Das M für „Metall“ dient nur der Orientierung und zeigt an, wann der rattling sound of the vibrator touching the metal Vibrator an die Stimmstifte gehalten werden soll. Small pocket vibrator with/without a napkin. The vibrator has Kleiner Taschenvibrator mit/ohne Serviette. Der Vibrator wird an die to be placed on the strings of a special pitch (backend or angegebene Saite gehalten (entweder am Ende der Saite oder an den metal parts – without pressure). The napkin mutes the sound Stimmstiften - locker, nicht drücken). of the strings. If you put the vibrator on the metal parts of the Die Papierserviette dämpft den Saitenklang. Wird der Vibrator an die backend you get a percussive rattle sound. Stimmstifte gehalten, entsteht ein ratternder, perkussiver Klang. This shows you where to place the vibrator and the napkin. Die Grafik zeigt, an welcher Stelle der Vibrator / die Serviette die Saite Behind the metal parts the pitch of the string is up to two berührt. Hinter den Stimmstiften klingt die Saite eine Oktave höher. octaves higher. $ s.p. # ¦ ¦ ¦ ¦ ¦ Brigitta Muntendorf Brigitta ¦ ¦ ¦ ¦ # ¦ ¦ ¦ [shivering, trembling] " ¥ ¦ ord. ! ¦ ¦ ¦ ¦ [short shiver] salt. poco poco s.p. ! shivers on speed (2013) on speed shivers for flute, clarinet, violin, violoncello violin, piano clarinet, and flute, for ¦ IV ¦ ¦ ¦ 7 7 ord. ¦ ¦ § © ¦ ¦ ¦ ¦ ¦ va ft. § 8 ¤ ¨ ¨ ¨ ¨ ¨ 4 4 4 4 4 4 4 4 4 4 4 4 =76 8 ¡ ¡ ¡ ¢ ¢ £ A score Piano violin bass flute bass violoncello bass clarinet B clarinet bass ¦ + ¦ ¦ ¦ ¦ ¦ ¦ s.p. " # $ ¦ " ¦ ¦ " ¦ # ¦ ¦ ! " ¦ ¦ " ¦ ¦ " ¦ ¦ " $ ¦ " s.p. ord. ¦ ¦ " ¦ # ¦ " ¦ $ ¦ " # ¦ ¦ " ¦ ¦ " # ¦ " ¦ ! - ¦ ¦ ¦ ¦ ¦ unregular mixedstaccato air with [shivering, trembling] (forte of violin) " " / " / " ord. (ord.) ¦ ¦ ¦ ¦ ft. / poco poco s.p. salt. ¦ ¦ ¦ " " * III ¦ § (tongue ram) " ¨ , " ¦ § ord. - + ¦ IV . ¦ ¦ ¦ ¨ + ¨ § § simile ¨ * ¨ 7 l.h. pizz. l.h. ) ¦ ¦ (l.h.) r.h. 7 ) ¦ ( B 4 4 4 4 4 4 4 4 4 4 4 4 § © ft. § ¤ ¨ ¨ ¨ va ¨ ¨ 8 3 4 3 4 3 4 3 4 3 4 3 4 ¦ ¦ 3 ¦ salt. ¡ ¡ ¡ ¢ ¢ £ 0 6 6 ( ' vc. & vln. b. fl. b. % b. cl. b. 8 " " " ! , § § " ! + ord. ¨ ¦ ¦ - . ¦ IV III ¦ § ¦ $ § s.p. ord. 7 * ¨ ¨ ¦ ¦ ¦ $ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ! ! ¨ # ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ 7 ¦ r.h. ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ § § § § like alike lion! 1 ¦ * ¦ ¨ l.h. pizz. l.h. § ¦ 1 4 ¦ ) ¦ ¦ 1 § ¨ ( ¥ 1 " 1 § 5 " 3 1 § 1 § 1 § 1 ¦ ¦ ¦ ¦¦ ¦ " § 1 § 5 ¤ " 6 ¨ ¨ 2 ¨ ¨ 3 4 3 4 3 4 3 4 3 4 3 4 C ¦ ¦ ¥ 5 4 5 4 5 4 5 4 5 4 5 4 # ¦ ¦ ¦ + ¦ ¦ ¦ # ¦ ¦ ¦ ¦ # ¦ ¦ # ¦ ¡ ¡ ¡ ¢ ¢ £ 11 11 ( ' vc. & vln. b. fl. b. % b. cl. b. ¦ > ) * ! ¦ 7 high high ricochet mutet) (string > > ) * * (mute strings) (mute 4 4 4 4 4 4 4 4 4 4 4 4 ¦ ¦ # ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ # mix oftrem/saltando mix [shivering, trembling] ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ ¦ § ¦ ¦ . 2 4 2 4 2 4 2 4 2 4 2 4 ¦ ¦ § ¦ ¦ ¦ § ¦ ¦ ¦ # # ¦ ¦ # § ¦ . ¦ ¦ ¦ ¦ ¦ ¦ § ¦ ¦ . ¦ ¦ ¦ ¦ ¦ ¦ < 9 : § # ¦ . ; ¦ ¦ 9 II ¦ ¦ ¦ # ¦ (forte of strings) " " , = / " / poco poco s.p. / " - ft. ¦ ¦ < ¦ : " 9 § " + III . ; 9 ¦ ¦ ¦ ¦ ¦ ! ¦ ¦ ¦ ¦ " " ¡ ¡ ¡ ¢ ¢ £ ? 16 16 ( ' vc. & vln. b. fl. b. % b. cl. b. _ > > * ¨ pizz. ¨ (I) 7 § ¦ ¦ ¦ ¦ © T § ) ¨ ¦ ¦ # 7 7 ] U ¦ W \ G ^ / G G G G / ¨ G (I) G G G ¦ ¦ ¦ ¦ ¦ G G § § § § ¦ ¦ G W " > > as noisy asas possible noisy G G ¨ ¨ G G G G G Z Z 8 G £ G M G M G M M G G 1 M M G G M M G G M M G G 1 § § M G M G M G M N G G M M G Q G 1 G M M G M G M G M M G N G G Y 1 § M M W R G P N G G 1 G va 6 rather shrieking
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