The Glamour of China's Drama
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Annual Report 2019 Annual Report
Annual Report 2019 Annual Report 2019 For more information, please refer to : CONTENTS DEFINITIONS 2 Section I Important Notes 5 Section II Company Profile and Major Financial Information 6 Section III Company Business Overview 18 Section IV Discussion and Analysis on Operation 22 Section V Directors’ Report 61 Section VI Other Significant Events 76 Section VII Changes in Shares and Information on Shareholders 93 Section VIII Directors, Supervisors, Senior Management and Staff 99 Section IX Corporate Governance Report 119 Section X Independent Auditor’s Report 145 Section XI Consolidated Financial Statements 151 Appendix I Information on Securities Branches 276 Appendix II Information on Branch Offices 306 China Galaxy Securities Co., Ltd. Annual Report 2019 1 DEFINITIONS “A Share(s)” domestic shares in the share capital of the Company with a nominal value of RMB1.00 each, which is (are) listed on the SSE, subscribed for and traded in Renminbi “Articles of Association” the articles of association of the Company (as amended from time to time) “Board” or “Board of Directors” the board of Directors of the Company “CG Code” Corporate Governance Code and Corporate Governance Report set out in Appendix 14 to the Stock Exchange Listing Rules “Company”, “we” or “us” China Galaxy Securities Co., Ltd.(中國銀河證券股份有限公司), a joint stock limited company incorporated in the PRC on 26 January 2007, whose H Shares are listed on the Hong Kong Stock Exchange (Stock Code: 06881), the A Shares of which are listed on the SSE (Stock Code: 601881) “Company Law” -
CENTER for the HUMANITIES UC BERKELEY September 2006
TOWNSENDCENTER FOR THE HUMANITIES UC BERKELEY September 2006 UPCOMING EVENTS 16 Scottish Romanticism in World Literatures THE CENTER FOR BRITISH STUDIES/ ENGLISH 20 Asia by Means of Performance THEATER, DANCE AND PERFORMANCE STUDIES Peony Pavilion 21 Ethical Worlds of Stem Cell Medicine THE SCIENCE, TECHNOLOGY AND SOCIETY CENTER Night of the Dead in Ihuatzio, Michoacán TOWNSEND NEWSLETTER The Doreen B. Townsend Center for the Humanities SEPTEMBER 2006 at the University of California, Berkeley TABLE OF CONTENTS STAFF DIRECTOR 3 “Opening Lines” Anthony J. Cascardi, Professor of Comparative Literature, Director Anthony J. Cascardi offers an Rhetoric, and Spanish and Portuguese invitation to help re-articulate the space of the humanities on campus and in public life. ASSOCIATE DIRECTOR Teresa Stojkov 5 “The Humanities, Plural” FACULTY DIRECTOR OF PROGRAMS Celeste Langan, Associate Professor of Celeste Langan, Associate Professor of English English and Faculty Director of Programs at FELLOWSHIPS/PUBLICATIONS COORDINATOR the Townsend Center, argues for the porous Aileen Paterson nature of the humanities. FINANCIAL COORDINATOR Ahva Davis 8 “Social Practices in Art and Human Environments” Shannon Jackson, Chair and Professor of FACULTY ADVISORY COMMITTEE Theater, Dance and Performance Studies, describes a new GROUP course on art and Stephen Best, English social practice for undergraduates. Janet Broughton, Philosophy, and Dean of the Division of Arts and Humanities (ex oficio) 11 New Faculty in the Humanities Judith Butler, Rhetoric and Comparative -
Distinction in China— the Rise of Taste in Cultural Consumption
The London School of Economics and Political Science Distinction in China— the rise of taste in cultural consumption Gordon C. Li A thesis submitted to the Department of Sociology of the London School of Economics and Political Science for the degree of Doctor of Philosophy, London, May 2020 Distinction in China—the rise of taste in cultural consumption 2 Declaration I certify that the thesis I have presented for examination for the Ph.D. degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others. The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgment is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 90,363 words. Distinction in China—the rise of taste in cultural consumption 3 Abstract This research studies how cultural consumption draws cultural distinctions in the most developed megacities in China. This research examines the pattern of music consumption to examine distinction—which types of music are used, how they are used, who are using them, and what are the sources of those tastes. Although some theories, such as the cultural omnivore account, contend that the rise of contemporary pop culture implies a more open-minded pursuit of taste, this research argues that popular culture draws distinction in new ways. -
Modernity Through Syncretism and Eclecticism: Wu Guanzhong's Artistic Practice in the Cultural and Political Environment of Th
0 MODERNITY THROUGH SYNCRETISM AND ECLECTICISM: WU GUANZHONG’S ARTISTIC PRACTICE IN THE CULTURAL AND POLITICAL ENVIRONMENT OF THE PRC (1949 -1989) BY WENWEN LIU A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2019 Acknowledgments I wish to express my great gratitude to my supervisors Dr Luo Hui and Dr Dennitza Gabrakova for their wise guidance and full-hearted support. I also wish to express my great appreciation to Dr Rebecca Rice, Dr Ellen Soulliere and Dr Lidu Yi for their detailed and insightful comments on this thesis. I owe my special thanks to Professor Yiyan Wang, Professor Clunas Craig, Dr Keren Chiaroni, Dr Catherine Churchman, and Peter HaJecek for their helpful suggestions. This thesis is dedicated to my husband Liu Xin. Had it not been his love, this thesis would not have come to fruition. Abstract This thesis examines Wu Guanzhong’s 吴冠中 (1919-2010) art and art theory in the context of socialist and post-socialist China. Wu’s art came to maturation through a sophisticated syncretism of Chinese and Western painting styles and techniques. Aesthetic considerations notwithstanding, each of Wu’s artistic breakthroughs was also a direct response to the cultural policies of the Chinese Communist Party or to the larger cultural and political currents at important junctures of twentieth-century China. Mirroring the syncretistic style and political nature of his artwork, Wu’s art theory is characterised by an eclecticism that mediates between Chinese and Western artistic concepts and walks a thin line between creative agency and political correctness. -
(One Hundred Pieces of Kunqu, Master Performers Talk About Their Scenes): a Review Essay
CHINOPERL Journal of Chinese Oral and Performing Literature ISSN: 0193-7774 (Print) 2051-6150 (Online) Journal homepage: https://www.tandfonline.com/loi/ychi20 Kunqu baizhong, Dashi shuoxi (One hundred pieces of Kunqu, Master performers talk about their scenes): A Review Essay Kim Hunter Gordon To cite this article: Kim Hunter Gordon (2016) Kunqubaizhong,Dashishuoxi (One hundred pieces of Kunqu, Master performers talk about their scenes): A Review Essay, CHINOPERL, 35:2, 143-152, DOI: 10.1080/01937774.2016.1242835 To link to this article: https://doi.org/10.1080/01937774.2016.1242835 Published online: 23 Dec 2016. Submit your article to this journal Article views: 56 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=ychi20 CHINOPERL: Journal of Chinese Oral and Performing Literature 35.2 (December 2016): 143–152 KUNQU BAIZHONG, DASHI SHUOXI (ONE HUNDRED PIECES OF KUNQU, MASTER PERFORMERS TALK ABOUT THEIR SCENES): A REVIEW ESSAY KIM HUNTER GORDON Royal Holloway, University of London, UK Kunqu baizhong, Dashi shuoxi 崑曲百種, 大師說戲 (One hundred pieces of Kunqu, Master performers talk about their scenes). 110 DVDs and an introductory booklet (55 pp.). Changsha: Hunan dianzi yinxiang and Yuelu shushe, 2014. RMB 1400. Kunqu baizhong, Dashi shuoxi 崑曲百種, 大師說戲. 5 vols. Changsha: Hunan dianzi yinxiang and Yuelu shushe, 2014. 1694 pp. Simplified character edition. Paper RMB 1000. Regular character edition. Paper RMB 1400. These volumes contain written versions of the lectures. Biaoyan yishu jia shuo biaoyan yishu 表演藝術家說表演藝術 (Performance artists talk about their performance art). Changsha: Hunan dianzi yinxiang and Yuelu shushe, 2014. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. A Peony Transplanted: Pai Hsien-yung and the Preservation of Chinese Kunqu Wei Zhou PhD The University of Edinburgh 2011 1 DECLARATION I hereby declare that this dissertation is a presentation of my own work and that it has not been submitted for any other degree or qualification. All materials obtained from other sources have been duly acknowledged. ____________________________ (Wei Zhou) 2 ABSTRACT This dissertation examines the preservation of Chinese kunqu, one of China’s indigenous operatic genres, in recent years with a special focus on renowned writer Pai Hsien-yung’s new adaptation of classic kunqu play The Peony Pavilion (Mudan ting). I use this adaptation as a case study to demonstrate how the actual shape of a stage production can be determined by a producer’s choice between tradition and innovation. -
(FLOWER SONGS) in NORTHWEST CHINA by Meng Ren BA
WHY ARE THE FLOWERS SO “RED”: SCHOLARSHIP AND POLICY CHANGES ON HUA’ER (FLOWER SONGS) IN NORTHWEST CHINA by Meng Ren B.A. (German & Music), National University of Ireland, Maynooth, 2006 M.A. (Musicology), National University of Ireland, Maynooth, 2007 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Meng Ren It was defended on March 30, 2012 and approved by Adriana Helbig, Assistant Professor, Department of Music Deane L. Root, Professor, Department of Music Thesis Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Meng Ren 2012 iii WHY ARE THE FLOWERS SO “RED”: SCHOLARSHIP AND POLICY CHANGES ON HUA’ER (FLOWER SONGS) IN NORTHWEST CHINA Meng Ren, M.A. University of Pittsburgh, 2012 Hua’er, literally “flowers,” is a folk-song tradition in Northwest China named after the custom of comparing female beauty to flowers in the lyrics with most songs written about love and sex. Shared by people of over nine different ethnic groups in the northwestern region—Han, Hui, Tibetan, Bao’an, Dongxiang, Sala, Tu, Yugu, and Mongol—hua’er is recognized by the people that practice or research on it as an important artistic medium of cultural expression and communication. The ups and downs of hua’er, influenced by various socio-political climates since the establishment of the People’s Republic of China (PRC) in 1949, are directly embodied in the development of the hua’er scholarship in the Northwest of China. -
Peony Notes.Indb
Cal Performances Presents Friday, September , , pm Saturday, September , , pm Sunday, September , , pm Zellerbach Hall Th e Peony Pavilion Th e Young Lovers’ Edition United States Premiere © Hsu Pei-Hung Suzhou Kun Opera Th eatre of Jiangsu, China Starring Yu Jiu-Lin and Shen Fengying Kenneth Pai, writer & producer Wang Shiyu, artistic & production director Th e University of California tour of Th e Peony Pavilion is sponsored by Trend Micro Education Foundation, the Richard Liu Foundation Limited, the Peony Pavilion Performing Arts Foundation, and the Institute of East Asian Studies, the Center for Chinese Studies, the Berkeley China Initiative and the Consortium for the Arts at UC Berkeley. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 1 Program © Hsu Pei-Hung Book I: Th e Dream of Love Friday, September , , pm Book II: Romance and Resurrection Saturday, September , , pm Book III: Reunion and Triumph Sunday, September , , pm Cast Th e young scholar, Liu Mengmei Yu Jiuling Th e young woman, Du Liniang Shen Fengying Th e priestess, Sister Stone Tao Hongzhen Th e tutor, Chen Zui-Liang Shen Zhiming Th e old gardener, Hunchback Guo Lu Fuhai Du Liniang’s father, prime minster Du Bao Qu Binbin Du Liniang’s mother, Madam Zhen Chen Lingling Th e maid, Chunxiang Shen Guofang Th e Infernal Judge Tang Rong Th e rebel duchess, Lady Yang Lu Jia Th e Emperor of Song Zhou Xuefeng Th e Envoy of Jin Fang Jianguo Running time for each Book is approximately three hours with a -minute intermission. 2 CAL PERFORMANCES Cast Th e -
Project Victory
IMPORTANT NOTICE NOT FOR DISTRIBUTION TO ANY PERSON OR ADDRESS IN THE UNITED STATES. THIS OFFERING IS AVAILABLE ONLY TO INVESTORS WHO ARE ADDRESSEES OUTSIDE OF THE UNITED STATES. IMPORTANT: You must read the following disclaimer before continuing. The following disclaimer applies to the attached offering circular. You are advised to read this disclaimer carefully before accessing, reading or making any other use of the attached offering circular. In accessing the attached offering circular, you agree to be bound by the following terms and conditions, including any modifications to them from time to time, each time you receive any information from us as a result of such access. Confirmation of Your Representation: This offering circular is being sent to you at your request and by accepting the e-mail and accessing the attached offering circular, you shall be deemed to represent to BOCI Asia Limited (“BOCI” or the “Sole Global Coordinator”) and The Hongkong and Shanghai Banking Corporation Limited (“HSBC”, and together with BOCI, the “Joint Lead Managers”) that (1) you and any customers you represent are not US persons (as defined in Regulation S under the US Securities Act of 1933, as amended (the “Securities Act”)) and that the e-mail address that you gave us and to which this e-mail has been delivered is not located in the United States, its territories or possessions, and (2) that you consent to delivery of the attached offering circular and any amendments or supplements thereto by electronic transmission. The attached offering circular has been made available to you in electronic form. -
SDEP II Consolidated Environmental
E1334 v 2 SDEP II Consolidated Environmental Public Disclosure Authorized Assessment Report - February 2006 Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized 1 INTRODUCTION 7$%/(2)&217(176 SDEP II CONSOLIDATED ENVIRONMENTAL ASSESSMENT REPORT - FEBRUARY 2006............................................................................................... 1 1 Introduction.......................................................................................................................................7 1.1 Shandong Second Environment Project (SDEP II)....................................................................7 1.2 Background to the Environmental Assessment (EA)...............................................................12 1.3 Layout of the Consolidated EA Report....................................................................................14 2 Institutional and Regulatory Framework for EIA .......................................................................15 2.1 Environmental institutions and roles .......................................................................................15 2.2 Applicable laws and regulations ..............................................................................................16 2.3 World Bank Safeguards...........................................................................................................19 3 Environmental Policy Framework.................................................................................................21 -
Chengdu, China 18
2010 4th International Conference on Bioinformatics and Biomedical Engineering (iCBBE 2010) Chengdu, China 18 – 20 June 2010 Volume 1 Pages 1-509 IEEE Catalog Number: CFP1029C-PRT ISBN: 978-1-4244-4712-1 1/14 TABLE OF CONTENTS SIMULATION AND ANALYSIS OF THE NETWORK MODEL OF THE QUORUM SENSING PROCESS DURING BIOFILM CREATION ....................................................................................................................................................................1 Ruixuan Zhao, Mingzhi Mao A CELLULAR AUTOMATON MODEL FOR THE TRANSMISSION DYNAMICS OF SCHISTOSOMIASIS................................5 Yun Liu, Kai Chu, Xiaoli Xu, Haiwei Wu, Cheng Wan THREE-DIMENSIONAL NUMERICAL MODELING FOR WIND-DRIVEN CIRCULATION AND POLLUTANT TRANSPORT IN A LARGE-SCALE LAKE .......................................................................................................................9 Zhuo Zhang, Zhi-Yao Song MULTI-TISSUE TETRAHEDRAL MESH GENERATION FROM MEDICAL IMAGES..................................................................16 Ping Hu, Hui Chen, Wen Wu, Pheng-Ann Heng NUCLEOTIDE FLUCTUATION ANALYSIS OF DIM-LIGHT VISION RHODOPSIN GENE AND MRNA SEQUENCES IN VERTEBRATES ...............................................................................................................................................................20 Todd Holden, Ni. Gadura, E. Cheung, J. Rada, P. Schneider, G. Tremberger Jr., D. Sunil, D. Lieberman, T. Cheung EXTRACTING BIOMARKER INFORMATION APPLYING NATURAL LANGUAGE PROCESSING AND MACHINE -
(USCR) Is the Official Publication of the US-China Peoples Friendship Association
INTRODUCTION The US-China Review (USCR) is the official publication of the US-China Peoples Friendship Association. Its predecessor, New China, was created by USCPFA-New York in 1973 and sold by subscription. When New China discontinued publication in 1979, the USCR was already in existence as a broadside newsletter. After New China’s demise, it was upgraded to magazine form. This index covers the years from 1981 through 2012, Volumes V-XXXVI. It does not include letters to the editor, Newsbriefs or the section’s successor China Currents, Travel Notes or resource listings. Exceptions have been made for longer Travel Notes pieces. Over the years under different editors, formatting for titles of articles (use of capital letters and punctuation, for example) has changed. The index reflects these changes except in cases where additional punctuation was added for clarification. The index will be available on line for use by USCR editors and researchers. It should be noted that Yale University houses a complete run of the USCR, and updated indices will be added to that collection annually. Beginning with the winter 2013 issue, USCR editors are responsible for updating to the index. Several people contributed much needed assistance during the preparation of the index. Barbara Cobb, USCR Coordinator; Marci Duryea, USCR Production Coordinator; Richard Pendleton, USCPFA-New England; Douglas Reynolds, Co-president, USCPFA- Atlanta; Bart Trescott, USCPFA-Carbondale; and Kitty Trescott, USCPFA-Carbondale and Director of the Center for Teaching about China provided information and advice, and loaned back issues of the USCR. Any mistakes and/or erroneous judgment calls are the compiler’s alone.