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Bernsteincelebrating More Sides of the Story
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door A collection will be held in aid of The Royal Marsden Cancer Charity One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and drawing on jazz rhythms and harmonies, the Psalms Music Director: include an exuberant setting of ‘O be joyful In the Lord all Mark Forkgen ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord is my shepherd’, as well as some menacing material cut Nathan Mercieca from the score of the musical. countertenor In 1988 Bernstein revisited the incidental music in Richard Pearce medieval style that he had composed in 1955 for organ The Lark, Anouilh’s play about Joan of Arc, and developed it into the vibrant Missa Brevis for unaccompanied choir, countertenor soloist and percussion. Anneke Hodnett harp After three contrasting solo songs, the concert is rounded off with a selection of favourite numbers from Sacha Johnson and West Side Story, including Tonight, Maria, I Feel Pretty, Alistair Marshallsay America and Somewhere. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
INAUGURAL CONCERT Wolfgang Amadeus Mozart: MISSA BREVIS in D, K194, Classics & Spirituals
The Choral Foundation in the Midwest Presents the INAUGURAL CONCERT Wolfgang Amadeus Mozart: MISSA BREVIS IN D, K194, Classics & Spirituals The Summer Singers of Lee’s Summit & Chamber Orchestra Lynn Swanson & William O. Baker, DMA, Music Directors Steven McDonald, DMA, Organist Christine Freeman, soprano Jamea Sale, alto David White, tenor Michael Carter, bass Sunday Afternoon, 27 July 2014 St. Paul’s Episcopal Church Lee’s Summit, Missouri www.FestivalSingers.org The Summer Singers of Lee’s Summit William O. Baker, DMA Joseph Alsman Jennie Murphy Co-Music Director, Lee’s Summit David Armstrong Taura Owens Founder of the Choral Foundation Frances Armstrong Rebecca Palmer Nikki L. Banister Marjorie Peterson Lynn Swanson Michael Barnes Ruth Ann Phares Co- Music Director, Lee’s Summit Executive Associate of the Choral Foundation Toni Boehm Bruce Quaile *Jocelyn Botkin Charlotte Reynolds Christine Freeman Bridget Brown Carol Rothwell Associate Music Director/Senior Vocal Coach Mary K. Burrington Carole Runnenberger Darryl Chamberlain Vaughn Scarcliff Scott C. Smith Donna Chavez *Jim Schrock Choral Associate & Administrator, Atlanta Rachel Cheslik *Cindy Sheets Carl Chinnery Sarah Spilman Jamea Sale Amy Chinnery-Valmassei Nancy Stacy-Barrows Choral Assistant, Kansas City Carolyn Conner Joseph M. Steffen Charles Nelson Helen Darby Sandra Strawn Director, Northwest Georgia Summer Singers Pat DeMonbrun *Stephanie Sullivan Suzanne Fischer Lessie J. Thompson Amy Thropp Kenneth M. Frashier Don Thomson Director, Zimria Festivale Atlanta Linda Rene -
Celebrating Bernstein Flyer.Pdf
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and Music Director: drawing on jazz rhythms and harmonies, the Psalms Mark Forkgen include an exuberant setting of ‘O be joyful In the Lord all ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord Nathan Mercieca is my shepherd’, as well as some menacing material cut countertenor from the score of the musical. Richard Pearce In 1988 Bernstein revisited the incidental music in organ medieval style that he had composed in 1955 for The Lark, Anouilh’s play about Joan of Arc, and developed Daniel de-Fry it into the vibrant Missa Brevis for unaccompanied choir, harp countertenor soloist and percussion. After three contrasting solo songs, the concert is Sacha Johnson and rounded off with a selection of favourite numbers from Alistair Marshallsay West Side Story, including Tonight, Maria, I Feel Pretty, percussion America and Somewhere. -
Leonard Bernstein (1918-1990) 1 1
AMERICAN CLASSICS BERNSTEIN Symphony No. 3 ‘Kaddish’ Claire Bloom, Narrator Kelley Nassief, Soprano The São Paulo Symphony Choir The Maryland State Boychoir The Washington Chorus Baltimore Symphony Orchestra Marin Alsop Missa Brevis (1988) 10:31 Leonard Bernstein (1918-1990) 1 1. Kyrie 0:54 Missa Brevis • Symphony No. 3 ‘Kaddish’ • The Lark 2 2. Gloria 2:52 3 3. Sanctus 1:17 In the original version of Leonard Bernstein’s Symphony Symphony Orchestra celebrating the orchestra’s 75th No. 3, the speaker – reciting words that no doubt came anniversary in 1955. The mid-fifties were a remarkably 4 4. Benedictus 1:22 directly from the composer’s heart – proclaims, “As long busy time for Bernstein – between 1953 and 1957 he 5 5. Agnus Dei 1:57 as I sing, I shall live.” Singers, both solo and choral, figure composed a film score, incidental music for The Lark, 6 6. Dona nobis pacem 2:09 prominently in many of Bernstein’s works; clearly he three musicals and a violin concerto. He also assumed considered the human voice one of the most expressive musical directorship of the New York Philharmonic in Symphony No. 3 ‘Kaddish’ (Original version, 1963) 42:32 instruments in a composer’s arsenal. This program 1958, so the delay in composing the symphony was not 7 Ia. Invocation 3:15 features three examples of his vocal art. surprising. He began work in earnest during the summer 8 Ib. Kaddish 1 4:58 Bernstein first considered turning the choruses he of 1961 on Martha’s Vineyard, and continued during the 9 IIa. -
The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992
THE SECULARIZATION OF THE REPERTOIRE OF THE MORMON TABERNACLE CHOIR, 1949-1992 Mark David Porcaro A dissertation submitted to the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music (Musicology) Chapel Hill 2006 Approved by Advisor: Thomas Warburton Reader: Severine Neff Reader: Philip Vandermeer Reader: Laurie Maffly-Kipp Reader: Jocelyn Neal © 2006 Mark David Porcaro ALL RIGHTS RESERVED ii ABSTRACT MARK PORCARO: The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992 (Under the direction of Thomas Warburton) In 1997 in the New Yorker, Sidney Harris published a cartoon depicting the “Ethel Mormon Tabernacle Choir” singing “There’s NO business like SHOW business...” Besides the obvious play on the names of Ethel Merman and the Mormon Tabernacle Choir, the cartoon, in an odd way, is a true-to-life commentary on the image of the Salt Lake Mormon Tabernacle Choir (MTC) in the mid-1990s; at this time the Choir was seen as an entertainment ensemble, not just a church choir. This leads us to the central question of this dissertation, what changes took place in the latter part of the twentieth century to secularize the repertoire of the primary choir for the Church of Jesus Christ of Latter-day Saints (LDS)? In the 1860s, when the MTC began, its sole purpose was to perform for various church meetings, in particular for General Conference of the LDS church which was held in the Tabernacle at Temple Square in Salt Lake City. From the beginning of the twentieth century and escalating during the late 1950s to the early 1960s, the Choir’s role changed from an in-house choir for the LDS church to a choir that also fulfilled a cultural and entertainment function, not only for the LDS church but also for the American public at large. -
Stylistic Features of the Compositions of the Modern American Composer Peter Williams, Particularly As Found in His Missa Brevis
Stylistic Features of the Compositions of the Modern American Composer Peter Williams, Particularly as Found in His Missa Brevis Item Type text; Electronic Dissertation Authors Wachsman, Todd Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 01:57:30 Link to Item http://hdl.handle.net/10150/645789 STYLISTIC FEATURES OF THE COMPOSITIONS OF THE MODERN AMERICAN COMPOSER PETER WILLIAMS, PARTICULARLY AS FOUND IN HIS MISSA BREVIS by Todd Wachsman ________________________________________ Copyright © Todd Wachsman 2020 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Document Committee, we certify that we have read the document prepared by: Todd Wachsman titled: Stylistic Features of the Compositions of the Modern American Composer Peter Williams, Particularly as Found in His Missa Brevis, and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 19, 2020 Bruce Chamberlain _________________________________________________________________ Date: ____________Jul 29, 2020 John T. Brobeck _________________________________________________________________ Date: ____________Aug 19, 2020 Matthew Mugmon Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. -
Leonard Bernstein
Leonard Bernstein Dream With Me Leonard Bernstein, arranged by Larry Moore 1950 arranged for TTBB chorus TTBB chorus Availability: This work is available from Boosey & Hawkes for the world Dream With Me Leonard Bernstein, arranged by Larry Moore Leonard Bernstein photo © Susech Batah, Berlin (DG) 1950 4 min 30 sec arranged for SATB chorus CHORAL SATB chorus Availability: This work is available from Boosey & Hawkes for the world Candide 'if you can't eat you got to' Life is Happiness Indeed Leonard Bernstein, arranged by Robert Page 1973, rev.1977 2 min 16 sec 1956 2 min 30 sec for tenor solo, men's voices, and optional string bass and percussion arranged for SATB chorus string bass and perc:BD/SD/cym/tgl 9790051460434 Tenor Solo, TTBB SATB chorus Availability: This work is available from Boosey & Hawkes for the world Availability: This work is available from Boosey & Hawkes for the world Candide The Lark Make Our Garden Grow 1955 11 min Leonard Bernstein, arranged by Robert Page for SATB chorus with countertenor solo or septet of solo voices a cappella 1956 6 min (with ad lib percussion) 9790051321605 SATB (Vocal Score) for SATB chorus and piano 9790051321506 SATB (Vocal Score) 9790051462223 SATB 9790051324002 (Choral Score) Availability: This work is available from Boosey & Hawkes for the world 9790051466252 SATB Chichester Psalms 9790051466245 SATB 9790051466238 SATB 1965 19 min for mixed chorus (or male chorus), boy soloist, organ, percussion and harp Mass organ-perc (1):BD/SD/3bongos/tgl/cym/susp.cym-harp Almighty Father 9790051321407 SATB (Vocal Score) 1971 9790051246229 Organ, Harp, Percussion (score) for SATB chorus a cappella 9790051463572 SATB 9790051463428 TTBB CHORAL 1 CHORAL 1 Mass Peter Pan Concert Selections for Soloists and Choruses Stage Version Leonard Bernstein, arranged by Doreen Rao Leonard Bernstein, arranged by Sunderland 1971, 2007 35 min 1950, arr. -
Psalms and Songs for the New Year JAMES M
01-15 DCINY alt_GP 1/6/12 12:04 PM Page 1 Sunday Afternoon, January 15, 2012, at 2:00 Distinguished Concerts International New York (DCINY) Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director Presents Distinguished Concerts Orchestra International Distinguished Concerts Singers International Psalms and Songs for the New Year JAMES M. MEADERS, Guest Conductor RANDOL BASS Gloria (7:00) LEONARD BERNSTEIN Chichester Psalms (18:30) I. Psalm 108, vs. 2 Psalm 100, entire II. Psalm 23, entire Psalm 2, vs. 1-4 III. Psalm131, entire Psalm 133, vs. 1 ERIC S. BRENNER, Countertenor Intermission JOHN RUTTER Mass of the Children (37:00) I. Kyrie II. Gloria III. Sanctus and Benedictus IV. Agnus Dei V. Finale (Dona nobis pacem) KRISTEN JOHNSON, Soprano JAY CARR, Bass-baritone Please hold your applause until after the final movement. Avery Fisher Hall Please make certain your cellular phone, pager, or watch alarm is switched off. 01-15 DCINY alt_GP 1/6/12 12:04 PM Page 2 Lincoln Center Notes on the Program Gloria with a master’s degree in choral conducting, RANDOL BASS and further studies in conducting at Ohio Born in 1953 State University and the Robert Shaw Institute, where John Williams was among Randol Bass composed his Gloria in 1990 for his teachers. He sees as one of his main the New York Pops Orchestra, which pre - tasks in life the furthering of non-musician’s miered it under Skitch Henderson. It is a syl - understanding and appreciation of the labic rendering of the Gloria with no repeats musical arts. -
Download Curriculum Vitae
Jon Hurty 1312 33rd Avenue • Moline • Illinois • 61265 • 309.736.9147 Employment and Professional Experience Academic Professor, Director of Choral Activities, Co-Chair of Music Department Augustana College, Rock Island, Illinois 1996-present Current teaching, research and administrative activities include: • Conduct the Augustana Choir, Augustana Chamber Singers • Teach Choral Conducting and Literature • Administer choral program consisting of eight choirs • Research areas include Renaissance partbooks, and choral improvisation • Administer various departmental and choral area activities including budget, facilities and faculty issues Associate Professor, Director of Choral Activities Concordia University, Irvine, California 1990-1996 Graduate Teaching Assistant, Director of University Chorus University of Illinois, Urbana, Illinois 1988-89 Graduate Assistant, Northridge Singers and Chamber Singers California State University Northridge 1983-85 Community Conductor and Music Director, Handel Oratorio Society Augustana College, Rock Island, Illinois 1996-present In this position I conduct major choral/orchestral works each year. In addition to conducting performances, I also prepare choruses for various conductors and ensembles. See attached list of major works. Music Director and Conductor of Quad City Choral Arts Rock Island, Illinois 1997-present. This community-based ensemble consists of 50 singers, mostly music teachers and recent music graduates. The group has an annual concert season and collaborates with the Handel Oratorio Society and Quad City Symphony. Artistic Director and Conductor of A Christmas Homecoming Filmed in the Quad Cities, October and November 2001. Video production including ensembles from Augustana and the Quad City Community. Was aired on National PBS to over 180 cities throughout the United States during the 2002 and 2003 Christmas seasons.