2016 Bach: Mass in B Minor
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The Lord's Supper
The Doctrine of Communion Trinity Baptist Church Discipleship Training (June, 2004) Introduction: The Lord’s Supper is one of the two ordinances of the Christian Church. Like baptism, it is also a doctrine that is surrounded by disagreement and controversy among believers. We should never consider the Lord’s Supper a minor issue of doctrine. The purpose of this study is to examine the Biblical doctrine of the Lord’s Supper. Bibliography: Calvin, John, Institutes of the Christian Religion, translated by Henry Beveridge. Grand Rapids, Wm. B. Eerdmans Publishing Co., 1983 Dagg, John L. Manual of Theology, Second Part: A Treatise on Church Order. Harrisonburg: Gano Books, 1990 Elwell, Walter A. Evangelical Dictionary of Theology, Grand Rapids: Baker Book House, 1985 Gray, Andrew. The Works of Andrew Gray, Ligonier: Soli Deo Gloria Publications, 1992 Hodge, Charles. Systematic Theology, Grand Rapids: Eerdmans, 1986 House, H. Wayne. Charts of Christian Theology and Doctrine. Grand Rapids: Zondervan Publishing House, 1992. Kauffman, Donald T. The Dictionary of Religious Terms. Westwood: Fleming H. Revell Co., 1967 Phillips, Richard D, What is the Lord’s Supper?, Phillipsburgburgh: Presbyterian and Reformed Publishing, 2005) Watson, Thomas, The Lord’s Supper, Edinburgh: The Banner of Truth Trust, 2004 Part I -- Main Views Held in Christianity Transubstantiation, Consubstantiation, Reformed, Memorial I. Transubstantiation A. View Described - The elements of communion are consecrated by the priest and literally change to the body and blood of Christ. Christ is truly and substantially present in the elements of the supper. B. This view was adopted as the doctrine of the Catholic Church in 1059 although the term was not used until the Fourth Lateran Council of 1215 under Pope Innocent III. -
The Five Solas of the Reformation
The Five Solas of the Reformation Contents Background ...................................................................................................................................... 3 Sola Gratia ........................................................................................................................................ 6 Indulgences .................................................................................................................................. 6 Definition of Grace ...................................................................................................................... 7 Grace Alone ................................................................................................................................. 9 Grace is Part of the Character of God ...................................................................................... 9 Grace is Clearly Displayed by the Cross of Jesus .................................................................. 11 Grace is Expressed in Different Ways ................................................................................... 12 Grace is Pure .......................................................................................................................... 14 Grace is Sovereign ................................................................................................................. 14 Grace in Relation to the Law ................................................................................................. 16 Grace is Given -
Bernsteincelebrating More Sides of the Story
BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door A collection will be held in aid of The Royal Marsden Cancer Charity One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and drawing on jazz rhythms and harmonies, the Psalms Music Director: include an exuberant setting of ‘O be joyful In the Lord all Mark Forkgen ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord is my shepherd’, as well as some menacing material cut Nathan Mercieca from the score of the musical. countertenor In 1988 Bernstein revisited the incidental music in Richard Pearce medieval style that he had composed in 1955 for organ The Lark, Anouilh’s play about Joan of Arc, and developed it into the vibrant Missa Brevis for unaccompanied choir, countertenor soloist and percussion. Anneke Hodnett harp After three contrasting solo songs, the concert is rounded off with a selection of favourite numbers from Sacha Johnson and West Side Story, including Tonight, Maria, I Feel Pretty, Alistair Marshallsay America and Somewhere. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Literaturverzeichnis in Auswahl1
Literaturverzeichnis in Auswahl1 A ADAMS, THOMAS: An Exposition upon the Second Epistle General of St. Peter. Herausgegeben von James Sherman. 1839. Nachdruck Ligonier, Pennsylvania: Soli Deo Gloria, 1990. DERS.: The Works of Thomas Adams. Edinburgh: James Nichol, 1862. DERS.: The Works of Thomas Adams. 1862. Nachdruck Eureka, California: Tanski, 1998. AFFLECK, BERT JR.: „The Theology of Richard Sibbes, 1577–1635“. Doctor of Philosophy-Dissertation: Drew University, 1969. AHENAKAA, ANJOV: „Justification and the Christian Life in John Bunyan: A Vindication of Bunyan from the Charge of Antinomianism“. Doctor of Philosophy-Dissertation: Westminster Theological Seminary, 1997. AINSWORTH, HENRY: A Censure upon a Dialogue of the Anabaptists, Intituled, A Description of What God Hath Predestinated Concerning Man. & c. in 7 Poynts. Of Predestination. pag. 1. Of Election. pag. 18. Of Reprobation. pag. 26. Of Falling Away. pag. 27. Of Freewill. pag. 41. Of Originall Sinne. pag. 43. Of Baptizing Infants. pag. 69. London: W. Jones, 1643. DERS.: Two Treatises by Henry Ainsworth. The First, Of the Communion of Saints. The Second, Entitled, An Arrow against Idolatry, Etc. Edinburgh: D. Paterson, 1789. ALEXANDER, James W.: Thoughts on Family Worship. 1847. Nachdruck Morgan, Pennsylvania: Soli Deo Gloria, 1998. ALLEINE, JOSEPH: An Alarm to the Unconverted. Evansville, Indiana: Sovereign Grace Publishers, 1959. DERS.: A Sure Guide to Heaven. Edinburgh: Banner of Truth Trust, 1995. ALLEINE, RICHARD: Heaven Opened … The Riches of God’s Covenant of Grace. New York: American Tract Society, ohne Jahr. ALLEN, WILLIAM: Some Baptismal Abuses Briefly Discovered. London: J. M., 1653. ALSTED, JOHANN HEINRICH: Diatribe de Mille Annis Apocalypticis ... Frankfurt: Sumptibus C. Eifridi, 1627. -
Home Study Mark 5:21-43 SCRIPTURE
SOLI DEO GLORIA CHURCH May 3, 2020 - Home Study Mark 5:21-43 SCRIPTURE Psalm 9 (Read Aloud) I will give thanks to the Lord with my whole heart I will recount all of your wonderful deeds. I will be glad and exult in you I will sing praise to your name, O Most High. When my enemies turn back, they stumble and perish before your presence. For you have maintained my just cause; you have sat on the throne, giving righteous judgment. You have rebuked the nations; you have made the wicked perish; you have blotted out their name forever and ever. The enemy came to an end in everlasting ruins; their cities you rooted out; the very memory of them has perished. But the Lord sits enthroned forever; he has established his throne for justice, and he judges the world with righteousness; he judges the peoples with uprightness. The Lord is a stronghold for the oppressed, a stronghold in times of trouble. And those who know your name put their trust in you, for you, O Lord, have not forsaken those who seek you. Sing praises to the Lord, who sits enthroned in Zion! Tell among the peoples his deeds! For he who avenges blood is mindful of them; he does not forget the cry of the aicted. Be gracious to me, O Lord! See my aiction from those who hate me, O you who lift me up from the gates of death, that I may recount all your praises, that in the gates of the daughter of Zion I may rejoice in your salvation. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Soli Deo Gloria: the Relationship Between Christianity and the Arts Frederic Baue Concordia Seminary, St
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Masters of Divinity Thesis Concordia Seminary Scholarship 11-1-1980 Soli Deo Gloria: The Relationship Between Christianity and the Arts Frederic Baue Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: http://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Baue, Frederic, "Soli Deo Gloria: The Relationship Between Christianity and the Arts" (1980). Masters of Divinity Thesis. 39. http://scholar.csl.edu/mdiv/39 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Masters of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. 132786 CONTENTS Introduction 1 I The Biblical Basis for Creativity 3 God as Creator 3 Man as Creative 6 Christians as Creative 8 The Tabernacle 9 David and Solomon 14 The Temple 19 New Testament Guidelines 26 II The Relationship Between Christianity and the Arts in Western Civilization 33 ;Greek and Roman Sources 33 Christendom 34 Two Streams 36 The State of the Arts in American Lutheranism 40 III Current Work of Christian Artists 46 An Ecclesiastical Magician 46 A Musical Poet 52 A Club Near the Old Vic 54 IV Conclusions and a Look Ahead 60 Potential in the LC-MS 62 Three Options 68 A Society 68 A Synodical Board 70 A Congregational Initiative 73 Some Suggestions 78 Bibliography 81 CONCORDIA SEMINARY LIBRARY ST. LOUIS. MISSOURI SOLI DEO GLORIA: THE RELATIONSHIP BETWEEN CHRISTIANITY AND THE ARTS INTRODUCTION Lord, shall we not bring these gifts to Your service? The Lord who created must wish to create, And employ our creation again in His service. -
Leonard Bernstein
chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins. -
INAUGURAL CONCERT Wolfgang Amadeus Mozart: MISSA BREVIS in D, K194, Classics & Spirituals
The Choral Foundation in the Midwest Presents the INAUGURAL CONCERT Wolfgang Amadeus Mozart: MISSA BREVIS IN D, K194, Classics & Spirituals The Summer Singers of Lee’s Summit & Chamber Orchestra Lynn Swanson & William O. Baker, DMA, Music Directors Steven McDonald, DMA, Organist Christine Freeman, soprano Jamea Sale, alto David White, tenor Michael Carter, bass Sunday Afternoon, 27 July 2014 St. Paul’s Episcopal Church Lee’s Summit, Missouri www.FestivalSingers.org The Summer Singers of Lee’s Summit William O. Baker, DMA Joseph Alsman Jennie Murphy Co-Music Director, Lee’s Summit David Armstrong Taura Owens Founder of the Choral Foundation Frances Armstrong Rebecca Palmer Nikki L. Banister Marjorie Peterson Lynn Swanson Michael Barnes Ruth Ann Phares Co- Music Director, Lee’s Summit Executive Associate of the Choral Foundation Toni Boehm Bruce Quaile *Jocelyn Botkin Charlotte Reynolds Christine Freeman Bridget Brown Carol Rothwell Associate Music Director/Senior Vocal Coach Mary K. Burrington Carole Runnenberger Darryl Chamberlain Vaughn Scarcliff Scott C. Smith Donna Chavez *Jim Schrock Choral Associate & Administrator, Atlanta Rachel Cheslik *Cindy Sheets Carl Chinnery Sarah Spilman Jamea Sale Amy Chinnery-Valmassei Nancy Stacy-Barrows Choral Assistant, Kansas City Carolyn Conner Joseph M. Steffen Charles Nelson Helen Darby Sandra Strawn Director, Northwest Georgia Summer Singers Pat DeMonbrun *Stephanie Sullivan Suzanne Fischer Lessie J. Thompson Amy Thropp Kenneth M. Frashier Don Thomson Director, Zimria Festivale Atlanta Linda Rene -
“Pondering the Solas, Part V, Soli Deo Gloria”: a Sermon for Trinity United
“Pondering the Solas, Part V, Soli Deo Gloria ”: A Sermon for Trinity United Church (Nanaimo, B.C.) for November 4 th 2017 (22 nd Sunday after Pentecost/Remembrance Sunday) by Foster Freed Psalm 150 To make the move that we are making this morning, to the fifth and final sola — soli Deo Gloria, for the Glory of God alone: so to move is to find ourselves shifting ever so slightly from the realm of Lutheranism—the realm of Martin Luther—and entering the realm of Calvinism—the realm of John Calvin: founder of the Reformed Churches and, in effect, the initiator of the movement that gave birth to the Scottish Presbyterian Churches to which we in the United Church of Canada trace at least some of our roots. Mind you… …mind you: it’s not that there is any contradiction between this fifth and final sola and any of the others. On the contrary: the spirit of soli Deo Gloria is a spirit with which Martin Luther most certainly would have been fully at home. Go no further than the first of the solas: sola gratia, by grace alone. The logic of that sola, which clearly credits God and God’s grace with human salvation, is a logic that pretty much leaves no choice but to recognize that it is to God—and to none other—that glory ought to be offered. And yet! Calvin was a significantly more systematic thinker than Luther. Most of what we have from Luther takes the form of Biblical commentaries, thematic essays, and table talk. -
David Vandrunen – Soli Deo Gloria Welcome Again to Books at A
David Vandrunen – Soli Deo Gloria Welcome again to Books At a Glance! I’m Fred Zaspel, and we’re continuing our series of brief discussions highlighting the leading features of the Protestant Reformation in this its five hundredth anniversary year. Today we’re talking to Dr. David VanDrunen about another of the famous Reformation slogans, soli Deo Gloria. Dr. VanDrunen is the author of the book God’s Glory Alone: The Majestic Heart of Christian Faith and Life: What the Reformers Taught…and Why It Still Matters. It’s one of the titles in Zondervan’s The Five Solas series that we have featured here. David – Welcome! And thanks for talking to us today! VanDrunen: Thank you, it’s good to be here. Zaspel: Just what is meant by soli Deo Gloria? In particular, what is meant by this with reference to the theology of the Reformers? VanDrunen: Well, soli Deo Gloria is, of course, a Latin term, and it means glory to God alone. The basic translation is very simple, and the idea is that God alone possesses glory in and of himself. He alone is majestic and worthy of all honor and adoration and praise in and of himself. Though, it is the case that there are things in this creation which are glorious in a way that anything that is genuinely glorious in this world, ultimately reflects God’s own glory. And, I think, as we think about this with reference to the Reformers, it is important to mention and perhaps as you’ve talked to other authors in the series about this, they’ve mentioned this too, but these five Reformation solas – soli Deo Gloria, of course, and faith alone, grace alone, Christ alone, Scripture alone – these were not mottos or themes that the Reformers themselves emphasized.