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Psalms and Songs for the New Year JAMES M

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01-15 DCINY alt_GP 1/6/12 12:04 PM Page 1 Sunday Afternoon, January 15, 2012, at 2:00 Distinguished Concerts International New York (DCINY) Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director Presents Distinguished Concerts Orchestra International Distinguished Concerts Singers International Psalms and Songs for the New Year JAMES M. MEADERS, Guest Conductor RANDOL BASS Gloria (7:00) LEONARD BERNSTEIN Chichester Psalms (18:30) I. Psalm 108, vs. 2 Psalm 100, entire II. Psalm 23, entire Psalm 2, vs. 1-4 III. Psalm131, entire Psalm 133, vs. 1 ERIC S. BRENNER, Countertenor Intermission JOHN RUTTER Mass of the Children (37:00) I. Kyrie II. Gloria III. Sanctus and Benedictus IV. Agnus Dei V. Finale (Dona nobis pacem) KRISTEN JOHNSON, Soprano JAY CARR, Bass-baritone Please hold your applause until after the final movement. Avery Fisher Hall Please make certain your cellular phone, pager, or watch alarm is switched off. 01-15 DCINY alt_GP 1/6/12 12:04 PM Page 2 Lincoln Center Notes on the Program Gloria with a master’s degree in choral conducting, RANDOL BASS and further studies in conducting at Ohio Born in 1953 State University and the Robert Shaw Institute, where John Williams was among Randol Bass composed his Gloria in 1990 for his teachers. He sees as one of his main the New York Pops Orchestra, which pre - tasks in life the furthering of non-musician’s miered it under Skitch Henderson. It is a syl - understanding and appreciation of the labic rendering of the Gloria with no repeats musical arts. In addition to many guest in the text, in which Bass adapts the musical appearances as conductor and performer style to the meaning of each phrase. worldwide, he is currently serving as conductor of the community-based Composer, arranger, conductor, singer, and Metropolitan Winds of Dallas. pianist Bass received his musical education at the Conservatory of Music in Cincinnati —Note by Joseph and Elizabeth Kahn Text and translation of Gloria Gloria in excelsis deo, Glory to God in the highest, et in terra pax hominibus bonae voluntatis. and on earth peace to people of good will. Laudamus te. Benedicimus te. Adoramus te. We praise you. We bless you. We adore you. Glorificamus te. We glorify you. Gratias agimus tibi propter magnam We give thanks to you for your great glory. gloriam tuam. Domine Deus, Rex caelestis, Deus Pater Lord God, Heavenly King, God Almighty omnipotens. Father. Domine fili unigenite, Jesu Christe. Lord Only-begotten Son, Jesus Christ. Domine Deus, Agnus Dei, Filius patris. Lord God, Lamb of God, Son of the Father. Qui tollis peccata mundi, miserere nobis. You who take away the sins of the world have mercy on us. Qui tollis peccata mundi suscipe You who take away the sins of the world deprecationem nostram. hear our prayer. Qui sedes ad dexteram patris miserere You who sit at the Father’s right hand, nobis. have mercy on us. Quoniam tu solus sanctus. For you alone are holy. You alone, Lord. Tu solus Dominus. Tu solus Altissimus, You alone the Most High, Jesus Christ. Jesu Christe. Cum Sancto Spiritu in gloria Dei Patris. With the Holy Spirit in the glory of God the Amen. Father. Amen. Chichester Psalms selected the 1964 –65 season as a well- LEONARD BERNSTEIN earned sabbatical from his position as music Born in 1918; Died in 1990 director of the New York Philharmonic. It was supposed to be time for reduced activity, Composer, conductor, and pianist Leonard but he was constitutionally unable to wind Bernstein was one of the most frenetic down. His level of activity barely varied musicians of the last century. But he from that of other years. 01-15 DCINY alt_GP 1/6/12 12:04 PM Page 3 Lincoln Center One of the products of the year of “idleness” singing the verses from Psalm 2: “Why do was Chichester Psalms , commissioned by the nations rage?” The female voices reply the dean of the Cathedral of Chichester in with a variation of the boy’s melody, initially Sussex, England. It is a setting in Hebrew overpowering the men—Bernstein writes for boy soprano or countertenor (not by a in the score, “Blissfully unaware of the woman), chorus, and orchestra of three threat,”—but the orchestra concludes with complete Psalms, along with verses from the men’s theme. Peace is still elusive. three others. Originally scored for trumpets, trombones, timpani, harp, percussion, strings, Part III opens with a meditative instrumental and organ, Bernstein later re-orchestrated it prelude, a variation of the theme of the for harp and percussion. opening Psalm 108. Gradually the orchestra becomes hushed as the chorus enters with Part I opens with Psalm 108, verse 2: the tranquil Psalm 131. Finally, the unaccom - “Awake, psaltery and harp! I will rouse the panied chorus sings Psalm 133, verse 1: dawn!” All the settings are replete with tone “Behold, how good and pleasant it is for painting as in the following psalm, “Make a people to dwell together as brothers.” joyful noise unto the Lord” where a battery of percussion instruments and the dynamic One cannot help but compare Chichester rhythms conjure both the “joyful noise” and Psalms to Stravinsky’s Symphony of Psalms . King David’s dancing before the Ark. Stravinsky’s work is decidedly more aus - tere and abstract, while Bernstein presents In the serene, ethereal Psalm 23 in Part II, different facets of the human relationship the boy soloist, David the shepherd, is with God. accompanied by the harp. The psalm is interrupted violently by the male voices —Note by Joseph and Elizabeth Kahn Text and translation of Chichester Psalms PART I Psalm 108, verse 2 Urah, hanevel, v’kinor! Awake, psaltery and harp! A’irah shachar! I will rouse the dawn! Psalm 100 Harimu l’Adonai kol ha’aretz. Make a joyful noise unto the Lord all ye lands. Iv’du et Adonai b’simcha. Serve the Lord with gladness. Bo’u l’fanav bir’nanah. Come before his presence with singing. D’u ki Adonai Hu Elohim. Know ye that the Lord, He is God. Hu asanu, v’lo anachnu. It is He that hath made us, and not we ourselves Amo v’tson mar’ito. We are His people and the sheep of His pasture. Bo’u sha’arav b’todah, Enter into His gates with thanksgiving, Chazeirotav bit’hilah, And into His courts with praise. Hodu lo, bar’chu sh’mo. Be thankful unto Him, and bless His name. Ki tov Adonai, l’olam has’do, For the Lord is good, His mercy is everlasting. V’ad dor vador emunato. And His truth endureth to all generations. 01-15 DCINY alt_GP 1/6/12 12:04 PM Page 4 Lincoln Center PART II Psalm 23 Adonai roi, lo echsar. The Lord is my shepherd, I shall not want. Bin’ot deshe yarbitseini, He maketh me to lie down in green pastures, Al mei m’nuchot y’nahaleini, He leadeth me beside the still waters, Naf’shi y’shovev, He restoreth my soul, Yan’cheini b’ma’aglei tsedek, He leadeth me in the paths of righteousness, L’ma’an sh’mo. For His name’s sake. Gam ki eilech Yea, though I walk B’gei tsalmavet, Through the valley of the shadow of death, Lo ira ra, I will fear no evil, Ki Atah imadi. For Thou art with me. Shiv’t’cha umishan’techa Thy rod and Thy staff Hemah y’nachamuni. They comfort me. Ta’aroch l’fanai shulchan Thou preparest a table before me Neged tsorerai In the presence of mine enemies, Dishanta vashemen roshi Thou anointest my head with oil, Cosi r’vayah. My cup runneth over. Ach tov vachesed Surely goodness and mercy Yird’funi kol y’mei chayai Shall follow me all the days of my life, V’shav’ti b’veit Adonai And I will dwell in the house of the Lord L’orech yamim. Forever. Psalm 2, verses 1 –4 Lamah rag’shu goyim Why do the nations rage, Ul’umim yeh’gu rik? And the people imagine a vain thing Yit’yats’vu malchei erets, The kings of the earth set themselves, V’roznim nos’du yachad And the rulers take counsel together Al Adonai v’al m’shicho. Against the Lord and against His anointed. N’natkah et mos’roteino, Saying, let us break their bonds asunder, Yoshev bashamayim He that sitteth in the heavens Yis’chak, Adonai Shall laugh, and the Lord Yil’ag lamo! Shall have them in derision! PART III Psalm 131 Adonai, Adonai, Lord, Lord, Lo gavah libi, My heart is not haughty, V’lo ramu einai, Nor mine eyes lofty, V’lo hilachti Neither do I exercise myself Big’dolot uv’niflaot In great matters or in things Mimeni. Too wonderful for me to understand. Im lo shiviti Surely I have calmed V’domam’ti, And quieted myself, Naf’shi k’gamul alei imo, As a child that is weaned of his mother, 01-15 DCINY alt_GP 1/6/12 12:04 PM Page 5 Lincoln Center Kagamul alai naf’shi. My soul is even as a weaned child. Yachel Yis’rael el Adonai Let Israel hope in the Lord Me’atah v’ad olam. From henceforth and forever. Psalm 133, verse 1 Hineh mah tov, Behold how good, Umah nayim, And pleasant it is, Shevet achim For brethren to dwell Gam yachad. Together in unity. Mass of the Children is to say a Mass without a Credo section) is JOHN RUTTER mainly sung by the adult choir or the Born in 1945 soloists.
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