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The Choral Cycle
THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American -
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ASS of the M HILDREN Cand other sacred music by JOHN RUTTER 2 3 institution of special significance to me. I will sing with the spirit (1994) is dedicated to MASS of the CHILDREN and other sacred music another institution, the Royal School of Church Music, who requested a simple anthem to serve as a theme song for their anniversary appeal. Mass of the Children was written in late 2002 and early 2003. The occasion of its first The final three pieces on the album form a group insofar as they are all for choir without performance in February 2003 was a concert in New York’s Carnegie Hall involving orchestra and on a more demanding level chorally. Musica Dei donum (1998), which has children’s choir, adult choir, soprano and baritone soloists, and orchestra. I had always wanted an important part for solo flute, is a setting of an anonymous text first set by Lassus in 1594 to write a work combining children’s choir with adult performers, not only because I find the that speaks of the power of music to draw, to soothe, and to uplift. Originally written for the sound of children’s voices irresistible but also because I wanted to repay a debt. As a boy choir of Clare College, this piece was subsequently included in A Garland for Linda, a cycle of soprano in my school choir I had been thrilled whenever our choir took part in adult works nine choral pieces by different composers in memory of Linda McCartney. I my Best- with children’s choir parts, such as the Mahler Third Symphony and the Britten War Requiem, Beloved’s am (2000) was written for the BBC Singers and first performed by them at a con- and years later I remembered this experience and wanted to write something that would give cert in Canterbury Cathedral on the theme of the seven sacraments. -
Program KYRIE 1
Program KYRIE 1. Kyrie GLORIA 2. Gloria 3. Laudamus te 4. Gratias 5. Domine 6. Qui tollis 7. Quoniam 8. Jesu Christe / Cum sancto spiritu h h Intermission CREDO 9. Credo 10. Et incarnatus est 11. Crucifixus 12. Et resurrexit 13. Et in Spiritum Sanctum 14. Et unam sanctam 15. Et vitam venturi h h Pause Program Notes SANCTUS Requiem While many people are familiar with the story of Wolfgang Amadeus Mozart’s , K. 626, which was Mass left in C unfinished minor upon Mozart’s death, far fewer people are aware that Mozart left an even more Requiem BENEDICTUS16. Sanctus ambitious vocal work, the “Great” , K. 427 (K. 417a), incomplete as well. If the tale of the Mass in C is minor the basis of great drama—as demonstrated in the 1984 Academy Award-winning flm 17. Benedictus Amadeus—then the mystery of the is its musical AGNUS DEI equivalent. After two hundred years of sleuthing and speculation, it remains unclear why Mozart composed the mass, as well as why he never comple ted it. 18. Agnus Dei Although Mozart had written a number of masses while employed by 19. Dona nobis pacem the Prince Archbishop of Salzburg, Hieronymus von Colloredo, he was Mass in C minor hh gone from the prince’s court for over a year when he began to compose the in the summer of 1782. Mozart’s single piece of correspondence concerning the mass only adds to the mystery. In a letter dated January 14, 1783, to his father Leopold, Mozart wrote elliptically that “the score of half of a mass, which is still lying here waiting to be finished, is the best proof that I really made the promise.” While the promise Mozart alluded to in the letter has traditionally been interpreted as an olive branch to his father, who had not approved of Mozart’s recent marriage, or as an ode of thanksgiving to his wife Constanze, recent research hints that Mozart had promised his father that he would reconcile with Archbishop Colloredo. -
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John Rutter writes . impressed by the ease with which we came together musically, and by coincidence I was shortly afterwards asked by a US-based record company to make an album of my church music with hen I formed the Cambridge Singers in the early 1980s as a professional mixed the Gloria as the centrepiece, so the group was assembled once again to make the recording. chamber choir with recording rather than public performance as its principal focus, The Gloria album, released in 1984, marked the recording début of the Cambridge Singers. Wthe idea was a new one, and I never dreamed that we would still be recording – albeit Its unexpected success encouraged us to continue, and the Fauré Requiem, in its hitherto with changing though still Cambridge-leaning membership – thirty years later. little-known chamber version which I had edited from the composer’s manuscript, soon The seeds of the idea were sown during my days in the late 1970s as Director of Music at followed; it won a Gramophone magazine award. Through no one’s fault, there were constraints Clare College, Cambridge. It was an exciting period of change in the choral life of Cambridge and obstacles with both the labels to which these two recordings were contracted, and it seemed University: in 1972 three of our 25 or so men’s colleges, including Clare, began to admit women like the right moment to start a new record label as a permanent home for me and the students for the first time in the university’s 750-year history. -
[Program Notes for the Gift of Life, by Pamela Grooms] John Rutter Was Born in London in 1945 and Received His First Musical
[Program notes for The Gift of Life, by Pamela Grooms] John Rutter was born in London in 1945 and received his first musical education as a chorister at Highgate School. He went on to study music at Clare College, Cambridge, where he wrote his first published compositions and conducted his first recording while still a student. His compositional career has embraced both large and small-scale choral works, orchestral and instrumental pieces, a piano concerto, two children’s operas, music for television, and specialist writing for such groups as the Philip Jones Brass Ensemble and the King’s Singers. His larger choral works, Gloria (1974), Requiem (1985), Magnificat (1990), Psalmfest (1993) and Mass of the Children (2003) have been performed many times in Britain, North America, and a growing number of other countries. From 1975 to 1979 he was Director of Music at Clare College, whose choir he directed in a number of broadcasts and recordings. After giving up the Clare post to allow more time for composition, he formed the Cambridge Singers as a professional chamber choir primarily dedicated to recording, and he now divides his time between composition and conducting. In 1996 the Archbishop of Canterbury conferred a Lambeth Doctorate of Music upon him in recognition of his contribution to church music. He was honored in the 2007 Queen’s New Year Honours List, being awarded a CBE for services to music. (www.johnrutter.com) John Rutter’s long-awaited new major work The Gift of Life is a six-movement choral celebration of the living earth, of creation, and of life itself, offering a kaleidoscope of moods from contemplative and prayerful to majestic and inspirational. -
Number Composer Arranger Title Publisher Instrumentation Inventory 504 Don't Sit Under the Apple Tree MS 9 651 Carols for Choirs
number composer arranger title publisher instrumentation inventory 504 Don't sit under the apple tree MS 9 Oxford 651 Carols for choirs 3. The Oxford Book - SATB 13 University Press Oxford 650 Carols for choirs 1,The Oxford Book - SATB 140 University Press Paulus 957 Pilgrims' Hymn (from the Church Opera The Three Hermits) Publications SATB a cappella 56 SP101 Jenson Distinctive 647h Dale Warland Christmas editions, Vol. II Publications 419- accompaniment 57 23054/Vol II s 73 Adamo, Mark Supreme Virtue, No. 10 MS - 1 copy only Double choir 1 906 Aguiar, Ernani Psalm 150 (Salmo 150) earthsongs SATB a cappella 54 983 Albright, William Chichester Mass (Agnus Dei, Gloria, Kyrie, Sanctus) Editions Peters SATB 43 Walton Music Corporation WGK-111; AB 26 Alfven, Hugo Maiden is in a Ring, A (Och jungfrun hon gar I ringen) SATB a cappella 37 Carl Gehrmans Musikforlag. Stockholm 55 Alfven, Hugo Aftonen Walton Music 51 Augsburg 382 Alwes, Chester Let all the people praise thee SATB 8 Publishing 358 Anonymous Verbum caro: dies est laetitiae MS 44 357 Anonymous Nova, nova MS 46 399 Anonymous Ave maria (Gregorian chant) MS SATB 17 Boosey & SATB, 172 Argento, Dominick I Hate and I Love 51 Hawkes percussion SATB, Boosey & 847 Argento, Dominick Toccata of Galuppi's, A harpsichord, 41 Hawkes string quartet Boosey & 239 Argento, Dominick Peter Quince at the clavier SATB, piano 40 Hawkes Boosey & 480 Argento, Dominick Gloria (from The Masque of Angels) SATB 96 Hawkes Boosey & SSA Harp and 63 Argento, Dominick Tria Carmina Paschalia Hawkes B.H. Bk. 21 Guitar -
REPERTOIRE 1984 to 2020
REPERTOIRE Title Composer Arranger/Editor A Birthday Greeting Zoltan Kodaly Robert A. Boyd A Christmas Round John Tavener A Fancy of Folk Songs Traditional Cecilia McDowall 1. Green Bushes 2. The Rambling Sailor 3.The Crystal Spring "4. O No, John! " A Gaelic Blessing John Rutter A Hymn to the Mother of God John Tavener A Hymn of the Nativity Richard Crashaw/Kenneth Leighton A Hymn to the Virgin Benjamin Britten A Little Christmas Music Daryl Runswick A Nightingale Sang in Berkley Square Traditional Gene Puerling A Spotless Rose Ola Gjeilo A Spotless Rose Herbert Howells A Virgin Most Pure Martin Shaw "A Virgin Unspotted, By Prophet Fortold" William Billings Abendlied Josef Rheinberger "Ach elslein, liebes elslein" Ludwig Senfl Adam lay Ybounden Boris Ord "Adieu, Sweet Amaryllis" John Wilbye African Noel African Melody Andre Thomas Afton Water English Folksong David Willcocks Aftonen Hugo Alfven African Carol Andre J. Thomas Agnus Dei Samuel Barber Ah! Dear Heart Orlando Gibbons Robert A. Boyd Ain'-a that Good News Spiritual William Dawson All Creatures Now are Merry Minded John Bennet Robert A. Boyd All My Heart this Night Rejoices Johann Eberling All My Trials Bahamian Spiritual Norman Luboff Alleluia Jakob Obrecht Alleluia Randall Thompson "Allon, Gay Bergeres" Guillaume Costeley Alice Parker/Robert Shaw Alma Dei creatoris K.277 W.A. Mozart Alma Redemptoris Giovanni Palestrina Alma Redemptoris Mater Tomas Luis de Victoria Almighty and Everlasting God Orlando Gibbons "Among the Leaves So Green, O" John Byrt "Angel Gabriel from Heaven -
RUTTER Mass of the Children the Choir of Clare College, Cambridge Farnham Youth Choir Timothy Brown
557922bk Rutter US 14/2/06 4:46 pm Page 12 Also Available RUTTER Mass of the Children The Choir of Clare College, Cambridge Farnham Youth Choir Timothy Brown 8.555869 8.557200 8.557922 12 557922bk Rutter US 14/2/06 4:46 pm Page 2 John Rutter (b. 1945) To serve her, to please her, # VII - Close thine eyes Mass of the Children • Shadows • Wedding Canticle that time I did endeavour, Close thine eyes, and sleep secure; But, when I awoke, there was but I alone. Thy soul is safe, thy body sure. He that guards thee, he thee keeps Mass of the Children 35:43 Such goodly sports all night endured I Who never slumbers, never sleeps. for mixed choir, children’s choir, soprano and baritone soloists, chamber ensemble and organ Unto the morrow, that day came to spring. A quiet conscience in a quiet breast 1 Kyrie 6:40 So glad I was of my dream, verily, Has only peace, has only rest. That in my sleep loud I began to sing. The music and the mirth of kings 2 Gloria 7:16 And when I awoke, by Heaven King, Are out of tune unless she sings. 3 Sanctus and Benedictus 6:48 I went after her, and she was gone; Then close thine eyes in peace, and rest secure, 4 Agnus Dei 6:02 I had nothing but my pillow in my arms lying, No sleep so sweet as thine, no rest so sure. 5 Finale (Dona nobis pacem) 8:57 For, when I awoke, there was but I alone. -
John Rutter Conducting His Own Magnificat Mass of the Children and Requiem with the Oxford Philharmonic in Southwark Cathedral London, Uk
MIDAM INTERNATIONAL OF NYC PETER TIBORIS, GENERAL MUSIC DIRECTOR presents CONDUCTOR & COMPOSER JOHN RUTTER CONDUCTING HIS OWN MAGNIFICAT MASS OF THE CHILDREN AND REQUIEM WITH THE OXFORD PHILHARMONIC IN SOUTHWARK CATHEDRAL LONDON, UK CONCERT: WEDNESDAY, JUNE 30, 2021 • 8PM RESIDENCY: THURSDAY, JUNE 24 - SATURDAY, JULY 3, 2021 four guided tours & a grand finale dinner plus a second concert on june 28 in st. paul’s church featuring solo performances by the american choirs “Some of the most inspiring moments in my lifetime as a conductor have been in Carnegie Hall, directing a MidAmerica chorus and orchestra. Te contribution of Peter Tiboris and his marvelous team to the musical life of America has been incalculable. His company was the "rst, and is still the best, in the "eld. We have all been raised up by the music that he has encouraged us to make. All best, For more information, contact Eric Spiegel, Director of Program Development, at (212) 239-0205 ext. 201 or at [email protected]. CHORAL REGISTRATION DEADLINE: November 15, 2020 Subject to change without notice. midamerica-music.com | petertiboris.com Peter Tiboris, General Music Director and Artistic Director P R E S E N T S The Second Annual UK Residency LONDON Thursday, June 24 – Saturday, July 3, 2021 John Rutter conducts his REQUIEM, MAGNIFICAT and MASS OF THE CHILDREN with the Oxford Philharmonic and world-class soloists in the HISTORIC SOUTHWARK CATHEDRAL, LONDON Open to all choirs from the USA, Canada, Europe and Asia (Choirs choose to prepare & perform either one of the works above) The Historic Southwark Cathedral, London Registration Deadline: November 15, 2020 Early Registration: July 1, 2020 (For additional complimentary land residency packages) Subject to change without notice; published on March 27, 2020. -
Ravel US 5/1/09 20:53 Page 16
660215 bk Ravel US 5/1/09 20:53 Page 16 Also available: RAVEL L’Enfant et les sortilèges (The Child and the Spells) Boulianne • Després • Gunlogson • Castagner Greenlaw • Short • Martel • Prévost • Cox Chicago Symphony Chorus • Chattanooga Boys Choir Nashville Symphony Orchestra and Chorus • Willis 8.660209-10 8.660116-17 8.660215 16 660215 bk Ravel US 5/1/09 20:53 Page 2 Maurice Alastair Willis RAVEL Alastair Willis served as Resident Conductor of the Seattle (1875-1937) Symphony from 2002-2003, after having held the post of L’Enfant et les sortilèges Assistant Conductor of that orchestra since September 2000. He (The Child and the Spells) previously held the position of Assistant Conductor with the Fantaisie lyrique Cincinnati Symphony and Pops Orchestras and Music Director of the Cincinnati Symphony Youth Orchestra. He has appeared with Libretto: Collette (1873-1954) many of the major American orchestras, including the New York Philharmonic, the San Francisco Symphony, the Chicago L’Enfant (The Child) . Julie Boulianne, Mezzo-soprano Symphony, the St. Louis Symphony, the Detroit Symphony, the Maman, La Libellule, L’Ecureuil (Mother, The Dragonfly, Indianapolis Symphony, the Philadelphia Orchestra and the The Squirrel) . Geneviève Després, Mezzo-soprano Nashville Symphony. Born in Acton, Massachusetts, Alastair La Tasse chinoise, Un Pâtre, La Chatte (The Chinese Cup, A Shepherd, Willis received his Bachelor’s degree with honours from The White Cat) . Kirsten Gunlogson, Mezzo-soprano England’s Bristol University and continued his studies at Kingston La Théière, Le Petit Vieillard, La Rainette (The Teapot, The Little Old Man University, where he earned a post-graduate Certificate of Education degree. -
Summer Choir Program the WMU Is Collecting Money to Purchase School Supplies for the Low- “Anthems of John Rutter” Income Children at Woodbrook Elementary School
SERVICE OF HOLY WORSHIP July 15, 2018 JulyThe 10, 2018 Word Vol. 70, No. 27 11:00 am UNIVERSITY BAPTIST CHURCH CHARLOTTESVILLE, VA Sermon: “Keeping Faith” Sue Walton Retires Dr. Matthew Tennant Over the past 34 years, University Over the years, Sue worked with con- Baptist Church has enjoyed the con- fidential information, including the Scripture: sistent, quiet blessing of Sue Walton, contribution records of everyone who Mark 6:14-29 our Office Manager. Family responsi- gave money to UBC. She was protec- bilities have begun to require tive of this information and Anthem: more of her time and energy, always honored the trust We Walk by Faith — Leggett and after carefully considering placed in her. Other infor- her family’s needs, she came to mation, including confidential Deacons: *Alan Hendricks, Carolyn & the difficult conclusion that it is prayer requests, was given Ed Lowry, Alice Batten, Ray Gaines, time to retire. She will work in this same respect. For her Scott Miller the office part time over the diligence and thoughtfulness, next several months as we seek we give Sue our thanks. Nursery Workers: Aimee Marshall, to fill the incredible void she leaves. Debra Bryant, Lindsay Marshall, Sue has always expressed her love and Take this time to thank Sue for all she concern for her parents and siblings, Carter Groff has meant to this church and let her her extended family, and her own Children’s Church: Cindy Bryant, Joey know how much you will miss her. church family. This regard and care Hamel Sue did not push the envelope or make were also extended to the UBC family. -
Choir Performances 131219
DATE PLACE PROGRAMME SOLOISTS MUSICIANS CONDUCTOR Rio Cinema Joan Alexander, Helen Cochrane Glasgow Chamber Orchestra 18-12-68 Handel - Messiah (1st ) Harry D. MacGill Bearsden Clifford Hughes, Peter Morrison Led by Sam Murdoch Glasgow Recital: Linda Esther Gray, Claire Orchestra leader: Graeme 19-06-69 Cathedral, Mozart: Fantasia in F minor Livingstone, Alexander Morrison, Wilson Stewart Robertson Glasgow Haydn: Nelson Mass Raymond Wylie Organ: John R Turner Rio Cinema Ronald Morrison, Kirsteen Grant Orchestra led by Robin Barr 29-10-69 Mendelssohn - Elijah Robin McEwan Bearsden Claire Livingstone, James Anderson Cello: Elizabeth Ramsay Handel - Messiah (2nd ) Rio Cinema Patricia MacMahon, Moyra Paterson 21-01-70 Orchestra led by John Rowlet Robin Mc Ewan Bearsden Walter Anderson, John Graham Bearsden 23-03-70 Coffee Evening to raise funds following a loss of £120 at the Messiah concert. Burgh Hall Rio Cinema Spring Concert (1st ) Clydebank Burgh Band Anthony Clucas 15-04-70 Helen McArthur acc Jill Stewart Bearsden Lyric Accompanist Linda Brown Robin McEwan Bach: Fugue in G New Kilpatrick Mozart: Adagio and Allegro in Jennie Innes, Ruth Garden Orchestra led by Robin Barr 14-10-70 Stanley Thomson Church F Minor Peter Wilson, Colin Fox Organ: John Langdon Haydn - Nelson Mass Orchestra led by Andrew McGee Rio Cinema Anne Linstrum, Sheila Laing 16-12-70 Handel - Messiah (3rd ) Harpsichord Continuo: Stanley Thomson Bearsden Neil Mackie, Peter Morrison George McPhee Trumpet: Harry McAnespie Rio Cinema Spring Concert (2nd ) 31-03-71 Bill McCue acc Penelope Smith Accompanist: Walter Blair Alexander Graham Bearsden Lyric Dunbeth Good Friday Service Dorothy Miller, Norma Docherty 09-04-71 Church Organist James McAdam Alexander Graham Handel - Messiah Excerpts Alex.