Number Composer Arranger Title Publisher Instrumentation Inventory 504 Don't Sit Under the Apple Tree MS 9 651 Carols for Choirs
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Sunday, Sept. 2, 2018
Canticle Sung at 10 am. Henry Aldritch (1647-1710) Hymn 26 Sung at 6 pm. O gracious Light (Conditor alme siderum) 2 v Canticle season after pentecost at Trinity Church Boston Welcome to the season after Pentecost at Trinity Church We are so glad you are here to pray with us today. This booklet will be your guide for Sunday worship here through the summer. We are now in the longest liturgical season of the year: the time of the formation of the church. Having walked and prayed and sung—through the Advent of Jesus, the Epiphany manifestations of God in Christ, the penitential pilgrimage of preparation in Lent, the intensity of the Passion in Holy Week, and the joyous season of the mystery of the resurrection in Eastertide—we come now to the time where we, the Lord’s people, are learning to be the body of Christ. At Trinity, we mark the liturgical seasons with predictable variations. For the summer, the congregation and summer choirs will speak the psalms and sing the Sanctus, Lord’s Prayer, and Agnus Dei (which can be found on the back cover) together. And always, please sing the hymns with courage! You’ll find the psalms on the scripture insert, handed out each Sunday. The hymns are found in the blue Hymnal. Please stand and sing for all hymns. The prayer for the Eucharist is found in the Book of Common Prayer. The order of service and music selections for each Sunday may be found on the page for the day. This booklet is designed to be reused each week. -
Pacific Southern Chapter the COLLEGE MUSIC SOCIETY
Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY 20th Regional Conference March 17–18, 2006 California State University – Los Angeles Los Angeles, California Pacific Southern Chapter THE COLLEGE MUSIC SOCIETY ACKNOWLEDGEMENTS The CMS Pacific Southern Chapter gratefully acknowledges all of those who have worked tirelessly to make this conference such a tremendous success: David Connors, Chair, Cal State L.A. Department of Music John M. Kennedy, Director, Cal State L.A. New Music Ensemble and Program co-chair Cathy Benedict, Program co-chair CMS Pacific Southern Chapter Executive Board President: Jeffrey Benedict (California State University - Los Angeles) Vice-President: Cathy Benedict (New York University) Treasurer: William Belan (California State University - Los Angeles) Secretary: Elizabeth Sellers (California State University - Northridge) CMS Pacific Southern Chapter Conference Committee John Kennedy Cathy Kassell Benedict Jeff Benedict March 17, 2006 Dear CMS Colleagues: On behalf of my colleagues at the California State University, Los Angeles, I would like to welcome you to the 2006 College Music Society Southern Pacific Chapter Conference. As always, we have an exciting slate of performances and presentations, and I am sure it will prove to be an intellectually stimulating event for all of us. I look forward to the free exchange of ideas that has become the hallmark of our chapter conferences. I would especially like to welcome Dr. Andrew Meade, who has graciously accepted our invitation to be the keynote speaker. Again, welcome, and I hope that you all have a fabulous conference her at Cal State L.A. Jeff Benedict CMS Pacific-Southern Chapter President 2006 Conference Host S TEINWAY IS THE OFFICIAL PIANO of THE COLLEGE MUSIC SOCIETY’S NATIONAL CONFERENCE New from2 Forthcoming! BEYOND TALENT RESEARCHING THE SONG Creating a Successful Career in Music A Lexicon ANGELA MYLES BEECHING SHIRLEE EMMONS and WILBUR WATKINS LEWIS, Jr. -
Why We Are Singing Gregorian Chant
Why We Are To further the reforms of the response to a desire which the council, the Vatican came out Holy Father had frequently Singing with an instruction on liturgical expressed, that all the faithful Gregorian Chant music in 1967 called Musicam should know at least some Latin Sacram. Obviously allowing for Gregorian chants, such as, for By Fr. Lawrence Donnelly the use of the mother tongue at example, the 'Gloria', the St. Jude's Catholic Church, Mass, it also quotes Vatican II: 'Credo', the 'Sanctus', and the Vancouver, British Columbia "According to the Constitution 'Agnus Dei'. It gives me great on the Liturgy, 'the use of the pleasure to send you a copy of Dear Brothers and Sisters in Latin language, with due it, as a personal gift from His Christ, respect to particular law, is to Holiness, Pope Paul VI. May I be preserved in the Latin rites.'" take this opportunity of re- I have written and spoken to and orders that: "Pastors of commending to your pastoral you about Gregorian chant souls should take care that solicitude this new initiative, before and the reason why we besides the vernacular 'the whose purpose is to facilitate sing it in our parish. Here are faithful may also be able to say the observance of the some excerpts from Vatican or sing together in Latin those recommendation of the Second documents that make clear the parts of the Ordinary of the Vatican Council '...steps must mind of the Church. At the Mass which pertain to them.'" be taken to ensure that the Vatican Council II, in 1964, (n.47). -
Leaflet (Bulletin)
The Third Sunday of Easter: EARTH DAY the holy eucharist april 26, 2009 at eleven fifteen am washington national cathedral The Reverend Canon Preston B. Hannibal, presider The Reverend Canon Stephen Huber, gospeller The Reverend Gwendolyn W. Tobias, assistant The Reverend Canon Carol L. Wade, preacher The Cathedral Choir of Men and Girls carillon prelude Joyful, joyful, we adore thee Hymn to Joy; arr. Carol J. Lens organ voluntary Choral, from Symphonie VII, Op. 42 Charles-Marie Widor (1844–1937) welcome The Entrance Rite introit Jubilate Deo Orlando Lassus (1532–1594) Jubilate Deo omnis terra: servite Domino in laetitia. Intrate in conspectus eius in exsultatione. Quia Dominus ipse est Deus. Let all the earth rejoice in God, serve him with gladness, enter his presence with joy, for the Lord is God indeed. hymn at the procession - 376 Sung by all, standing. Joyful, joyful, we adore thee Hymn to Joy opening acclamation Alleluia! Christ is risen! The Lord is risen indeed! Alleluia! song of praise O praise ye the Lord Laudate Dominum the collect for the day The Lord be with you. And also with you. Let us pray. The presider prays the collect, and the people respond Amen. The Word of God The people are seated for the reading and psalm. the reading Isaiah 55:6–56:1 Seek the Lord while he may be found, call upon him while he is near; let the wicked forsake their way, and the unrighteous their thoughts; let them return to the Lord, that he may have mercy on them, and to our God, for he will abundantly pardon. -
SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12Th Century, Paris, Bibl
SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12th century, Paris, Bibl. Nat., ms . lat. 17,328) SACRED MUSIC Volume 99, Number 1 , Spring 1972 BERNSTEIN'S MASS 3 Herman Berlinski TU FELIX AUSTRIA 9 Reverend Robert Skeris MUSICAL SUPPLEMENT 13 REVIEWS 20 FROM THE EDITOR 25 NEWS 26 SACRED MUSIC Continuation of Caeci/ia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne sota 55103. Editorial office: Route 2, Box I, Irving, Texas 75062. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Msgr. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75062 News: Rev. Msgr. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 AdvertisinR: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I. -
Four Twentieth-Century Mass Ordinary Settings Surveyed Using the Dictates of the Motu Proprio of 1903 As a Stylistic Guide
The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 8-2008 Four Twentieth-Century Mass Ordinary Settings Surveyed Using the Dictates of the Motu Proprio of 1903 as a Stylistic Guide Jonathan Candler Kilgore University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Catholic Studies Commons, Composition Commons, Liturgy and Worship Commons, and the Other Music Commons Recommended Citation Kilgore, Jonathan Candler, "Four Twentieth-Century Mass Ordinary Settings Surveyed Using the Dictates of the Motu Proprio of 1903 as a Stylistic Guide" (2008). Dissertations. 1129. https://aquila.usm.edu/dissertations/1129 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi FOUR TWENTIETH-CENTURY MASS ORDINARY SETTINGS SURVEYED USING THE DICTATES OF THE MOTU PROPRIO OF 1903 AS A STYLISTIC GUIDE by Jonathan Candler Kilgore A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts August 2008 COPYRIGHT BY JONATHAN CANDLER KILGORE 2008 The University of Southern Mississippi FOUR TWENTIETH-CENTURY MASS ORDINARY SETTINGS SURVEYED USING THE DICTATES OF THE MOTU PROPRIO OF 1903 AS A STYLISTIC -
Music Festival Sunday a Festival of Hymns, Anthems & Readings
MUSIC FESTIVAL SUNDAY A FESTIVAL OF HYMNS, ANTHEMS & READINGS Sunday, November 20, 2016 11:00 am St. John’s Episcopal Church 3240 O Street, NW Washington DC 20007 202-338-1796 www.stjohnsgeorgetown.org MUSIC FESTIVAL SUNDAY A Festival of Hymns, Anthems and Readings November 20, 2016 at 11 am Voluntary: The Peace may be exchanged from Rubrics Dan Locklair Processional Hymn 290 Come, ye thankful people, come St. George’s Windsor Opening Acclamation: (standing) Priest: Sing to the Lord a new song; People: Sing to the lord, all the whole earth. Priest: Sing to the Lord and bless his name; People: Proclaim the good news of his salvation from day to day. Priest: Declare God’s glory among the nations; People: And the wonders among all peoples. Priest: Shout with joy to the Lord, all you lands; People: Lift up your voice, rejoice and sing! Please be seated. The Reading: Colossians 3:12-17 Read by Elizabeth Powell A Reading from the Book of Colossians: Therefore, as God's chosen people, holy and dearly loved, clothe yourselves with compassion, kindness, humility, gentleness and patience. Bear with each other and forgive whatever grievances you may have against one another. Forgive as the Lord forgave you. And over all these virtues put on love, which binds them all together in perfect unity. Let the peace of Christ rule in your hearts, since as members of one body you were called to peace. And be thankful. Let the word of Christ dwell in you richly as you teach and admonish one another with all wisdom, and as you sing psalms, hymns and spiritual songs with gratitude in your hearts to God. -
Maurice Duruflé Requiem Joseph Jongen Mass
Joseph Jongen Mass Maurice Duruflé Requiem San Francisco Lyric Chorus Robert Gurney, Music Director Jonathan Dimmock, Organ Saturday, August 23 & Sunday, August 24, 2014 Mission Dolores Basilica San Francisco, California San Francisco Lyric Chorus Robert Gurney, Music Director Board of Directors Helene Whitson, President Julia Bergman, Director Karen Stella, Secretary Jim Bishop, Director Bill Whitson, Treasurer Nora Klebow, Director Welcome to the Summer 2014 Concert of the San Francisco Lyric Chorus. Since its formation in 1995, the Chorus has offered diverse and innovative music to the community through a gathering of singers who believe in a commonality of spirit and sharing. The début concert featured music by Gabriel Fauré and Louis Vierne. The Chorus has been involved in several premieres, including Bay Area composer Brad Osness’ Lamentations, Ohio composer Robert Witt’s Four Motets to the Blessed Virgin Mary (West Coast premiere), New York composer William Hawley’s The Snow That Never Drifts (San Francisco premiere), San Francisco composer Kirke Mechem’s Christmas the Morn, Blessed Are They, To Music (San Francisco premieres), and selections from his operas, John Brown and The Newport Rivals, our 10th Anniversary Commission work, the World Premiere of Illinois composer Lee R. Kesselman’s This Grand Show Is Eternal, Robert Train Adams’ It Will Be Summer—Eventually and Music Expresses (West Coast premieres), as well as the Fall 2009 World Premiere of Dr. Adams’ Christmas Fantasy. Please sign our mailing list, located in the foyer. The San Francisco Lyric Chorus is a member of Chorus America. We are recording this concert for archival purposes Please turn off all cell phones, pagers, and other electronic devices before the concert Please, no photography or audio/video taping during the performance Please, no children under 5 Please help us to maintain a distraction-free environment. -
The Choral Cycle
THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American -
Download CD Booklet
John Rutter writes . impressed by the ease with which we came together musically, and by coincidence I was shortly afterwards asked by a US-based record company to make an album of my church music with hen I formed the Cambridge Singers in the early 1980s as a professional mixed the Gloria as the centrepiece, so the group was assembled once again to make the recording. chamber choir with recording rather than public performance as its principal focus, The Gloria album, released in 1984, marked the recording début of the Cambridge Singers. Wthe idea was a new one, and I never dreamed that we would still be recording – albeit Its unexpected success encouraged us to continue, and the Fauré Requiem, in its hitherto with changing though still Cambridge-leaning membership – thirty years later. little-known chamber version which I had edited from the composer’s manuscript, soon The seeds of the idea were sown during my days in the late 1970s as Director of Music at followed; it won a Gramophone magazine award. Through no one’s fault, there were constraints Clare College, Cambridge. It was an exciting period of change in the choral life of Cambridge and obstacles with both the labels to which these two recordings were contracted, and it seemed University: in 1972 three of our 25 or so men’s colleges, including Clare, began to admit women like the right moment to start a new record label as a permanent home for me and the students for the first time in the university’s 750-year history. -
Vocal Catalogue.Pdf
Vocal Catalogue Encore m u s i c s e r v i c e s _____________________________ orchestral sets • operas • masses • shows • madrigals • part songs Cover Image ©Microsoft Corporation Vocal catalogue This catalogue contains a complete list of vocal music sets available from Encore Music Services. The catalogue is arranged alphabetically by composer. For items with no named composer or a variety of composers, the name of the arranger or editor common to the entire volume has been used. Titles that have no named or common composer, arranger or editor are listed at the beginning of the catalogue. An Orchestral Catalogue is also available on request. Loan of sets Sets may be borrowed by individuals and groups from anywhere in the UK mainland and may be collected in person or dispatched by courier (for which a charge is made). Sets will be loaned for a period to suit the borrower, normally adjusted to reflect performance dates, up to a maximum of one year. A return date will be fixed prior to commencement of the loan. Advance bookings are welcome. Please contact Encore Music Services for details of current loan charges. Viewing the collection Appointments can be made to view the collection. Please contact Encore Music Services for details of current arrangements. Contact Encore Music Services Hull Central Library Albion Street Hull HU1 3TF Tel: 01482 616852 Fax: 01482 616827 Email: [email protected] Jan 2020 Encore Music Services is a consortium of Kingston upon Hull City Council and North East Lincolnshire Council. Vocal Catalogue PAGE -
Bärenreiter Chormusik Eine Auswahl 2019/2020
Y O U R N E X T P E R F O R M A N C E I S W O R T H I T Bärenreiter Chormusik Eine Auswahl 2019/2020 Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG · Heinrich-Schütz-Allee 35–37 · 34131 Kassel · Germany Discover baerenreiter.com 1 [email protected] · www.baerenreiter.com · SPA 481 INHALT GEMISCHTER CHOR Gemischter Chor Komponisten Johannes-Passion Matthäus-Passion BWV 245 für Soli (T [Evangelist], BWV 244 für Soli (T [Evangelist], Komponisten und ihre Werke in alphabetischer Folge ..................4 B [Jesus], SATB), Chor (SATB), B [Jesus], SATB), zwei Chöre Sammlungen .............................................................................................42 Altenburg, Michael Orchester und Orgel. Nach dem (SATB+SATB) und Orchester. (1584–1640) Für 3 Stimmen .......................................................................................... 46 Urtext der Neuen Bach-Ausgabe Nach dem Urtext der Neuen Ed. A. Mendel (4) ° Bach-Ausgabe. Ed. A. Dürr, BA 5037-01 Partitur Ln € 114,– Vorarbeiten M. Schneider (4) ° Männerchor .........................................................................................47 BA 5037-02 BA 5038-01 Partitur Ln € 124,– Dirigierpartitur kart. € 69,– BA 5038-02 Dirigierpart. kart. KlA von W. H. Bernstein (Durch- ET: Oktober 2019 ca. € 79,– 49 Frauenchor .......................................................................................... sicht u. Überarbeitung von A. Köhs) KlA von E. Müller (Durchsicht BA 5037-90 u. Überarbeitung von A. Köhs) KlA rev. (dt/engl) € 15,50 Kinderchor .......................................................................................... 53 BA 5038-90 BA 5037-96, -97, -98, -99 KlA rev. (dt/engl) € 17,50 ChSt (dt/engl) je € 4,95▼ 55 BA 5038-96, -97, -98, -99 Musikbücher ..................................................................................... TP 197 € 21,95 ▼ Faksimiles ........................................................................... 59 ChSt (dt/engl) je € 6,50 Werkeinführung S. 57 TP 196 € 21,95 Werkeinführung S. 57 Magnificat D-Dur Register Faksimile S.