Download Curriculum Vitae

Total Page:16

File Type:pdf, Size:1020Kb

Download Curriculum Vitae Jon Hurty 1312 33rd Avenue • Moline • Illinois • 61265 • 309.736.9147 Employment and Professional Experience Academic Professor, Director of Choral Activities, Co-Chair of Music Department Augustana College, Rock Island, Illinois 1996-present Current teaching, research and administrative activities include: • Conduct the Augustana Choir, Augustana Chamber Singers • Teach Choral Conducting and Literature • Administer choral program consisting of eight choirs • Research areas include Renaissance partbooks, and choral improvisation • Administer various departmental and choral area activities including budget, facilities and faculty issues Associate Professor, Director of Choral Activities Concordia University, Irvine, California 1990-1996 Graduate Teaching Assistant, Director of University Chorus University of Illinois, Urbana, Illinois 1988-89 Graduate Assistant, Northridge Singers and Chamber Singers California State University Northridge 1983-85 Community Conductor and Music Director, Handel Oratorio Society Augustana College, Rock Island, Illinois 1996-present In this position I conduct major choral/orchestral works each year. In addition to conducting performances, I also prepare choruses for various conductors and ensembles. See attached list of major works. Music Director and Conductor of Quad City Choral Arts Rock Island, Illinois 1997-present. This community-based ensemble consists of 50 singers, mostly music teachers and recent music graduates. The group has an annual concert season and collaborates with the Handel Oratorio Society and Quad City Symphony. Artistic Director and Conductor of A Christmas Homecoming Filmed in the Quad Cities, October and November 2001. Video production including ensembles from Augustana and the Quad City Community. Was aired on National PBS to over 180 cities throughout the United States during the 2002 and 2003 Christmas seasons. Music Director and Conductor of Kantorei Orange County, California. 1995-1996 Choral Conductor Kankakee Valley Symphony Chorus, Kankakee, Illinois 1989-1990 Voice Teacher Private voice studio, Urbana, Illinois 1988-1990 Church Director of Chorale St. Paul Lutheran Church, Davenport, Iowa 2001-present In this position, I prepare sacred choral music from all style periods for weekly services. The choir consists of about 70 singers. Director of Sanctuary Choir Christ Lutheran Church, Costa Mesa, California 1995-1996 Director of Music Ministries Red Hill Lutheran Church, Tustin, California 1993-1994 Jon Hurty, Page 1 of 18 Music Director St. Matthew’s Lutheran Church, Urbana, Illinois 1987-1990 Music Director St. Stephen Presbyterian Church, Chatsworth, California 1986-87 Music Director Lutheran Church in the Foothills, La Canada, California 1983-85 Conductor of Chancel and Handbell Choir First Lutheran Church, Oakland, California 1982-83 Music Director Assaria Lutheran Church, Assaria, Kansas 1978-80 Education Doctor of Musical Arts in Choral Conducting and Literature University of Illinois, Urbana-Champaign, Illinois, January 1994 Studied under University Fellowship 1987-88; Graduate Conducting Assistantship 1988-89. Dissertation - A Study and Critical Edition of Melchior Franck’s Rosetulum Musicum (1628) received Julius Herford Prize for Distinguished Doctoral Research in Choral Music - Honorable Mention 1993. Master of Arts in Choral Conducting California State University, Northridge, May 1985, With Distinction Bachelor of Arts in Vocal Music Performance Bethany College, Lindsborg, Kansas, May 1981, summa cum laude Lutheran Teaching Colloquy Concordia University, Irvine, California, May 1993 Music and Language Studies Düsseldorf, West Germany 1985-86 General Music Studies California State University, Hayward 1977-78 Professional Training Choral Conducting • Don V Moses, University of Illinois • Ann Howard Jones, University of Illinois • John Alexander, California State University, Northridge • Elmer Copley, Bethany College, Lindsborg, Kansas • Robert Shaw, Choral Training Workshops January 1997 and January 1998 • Paul Christiansen, Summer Workshop 1978 Instrumental Conducting • Paul Vermel, University of Illinois • Lawrence Christiansen, California State University, Northridge • Denis De Coteau, California State University, Hayward Voice • Ronald Hedlund, University of Illinois • Elmer Copley, Bethany College • Edwin Barlow, California State University, Hayward Instruments • Lambert Dahlsten, Piano, Bethany College • Roger Thorstenberg, French Horn, Bethany College Jon Hurty, Page 2 of 18 Professional Activities Workshops, Guest, Conducting, Adjudication, Festival Conducting • Conductor, Senior High Chorus, Illinois Music Educators Association District VIII Festival, November 2011 • Conductor, Senior High Chorus, Illinois Music Educators Association District VII Festival, November 2011 • Guest Conductor, Tian Kong Choir, Music School of Huazhong Normal University, Wuhan, China, June 2011 • Guest Professor, Renaissance Music and Western Choral Music for Graduate Students, Music School of Huazhong Normal University, Wuhan, China, June 2011 • Guest Conductor, Carmina Burana, Mid-American Productions, Carnegie Hall, New York, May 2011 • Central Division Choral Audition Committee, ACDA, May 2011 • Festival Conductor, Lutheran Choir of Chicago Choral Festival, November 2010 • Clinician and Conductor, Choral Workshop Christ Church of Oak Brook, Oak Brook, IL, October 2010 • Conductor, Augustana (Synod) Heritage Association Gathering, June 2010 • Guest Conductor, Quad City Symphony Orchestra (Subscription Series Concert), February 2010 • Conductor, Illinois All-State Honors Choir, Illinois Music Educators Association, January 2010 • Clinician, Augustana HS IMEA Audition Preparation Clinic, September 2009 • Clinician, Illinois ACDA ReTreat, All-State Reading Session, July 2009 • Clinician, SCA Clinic--Improvisation Techniques for Concert Choirs, Millikin University, June 2009 • Conductor, Fox Valley Music Festival, April 2009 • Conductor, Senior High Chorus, Illinois Music Educators Association District V Festival, November 2008 • Clinician, Sacred Music Reading Session, American Choral Directors Assoc. State Convention, October 2008 • Clinician, Illinois ACDA Summer Retreat, Conducting Masterclass, July 2008 • Adjudicator, Concert Choirs, Great River Festival, Davenport, IA, February 2008 • Clinician, Illinois Music Educators Association All-State Conference, January 2008 • Clinician, American Guild of Organists, Conducting Workshop, Rock Island, IL, January 2008 • Festival Clinician, Western Sun Choral Festival, Rochelle, IL, March 2007 • Festival Conductor, ILLOWA Coalition Hymn Festival, Rock Island, IL, February 2006 • Festival Conductor, Metro Music Festival, Bettendorf, IA, October 2005 • Organizer/Conductor, Augustana College High School Chamber Choir Festival, October 2005 - present • Festival Conductor, Churches United Choral Festival, May 2005 • Clinician, Grace Lutheran Church Choir, River Forest, IL, September 2003 • Clinician, Illinois Music Educators Association State Summer Convention, July 2003 • Clinician and Judge, Great River Concert Choir Competition, Davenport, IA, February 2003 • Clinician, Illinois Music Educators Association All-State Conference, January 2003 • Clinician and Festival Conductor, Suburban-Prairie Conference Choral Festival, Oswego, IL, November 2002 • Festival Conductor, North Olympic Conference Choral Festival, November 2002 • Clinician, Lectures in Church Music, Concordia University, River Forest, October 2002 • Conductor, Senior High Chorus, Illinois Music Educators Association District II Festival, November 2001 • Festival Choir Director, Gather in Christ 2000, The ILLOWA Lutheran Coalition, Moline, IL, October 2000 • Festival Choir Director, Augustana Heritage Gathering, 2000, Rock Island, IL, June 2000 • Conductor, Senior High Chorus, Illinois Music Educators Association District VII Festival, November 1999 • Conductor, Senior High Chorus, Illinois Music Educators Association District VIII Festival, November 1999 • Guest Rehearsal Conductor, Sinsinawa Mound Messiah, November 1999 • Clinician, Highland College Fall Choral Festival, Freeport, IL, October 1999 • Clinician, SICA High School Choral Festival, Argo, IL, March 1999 • Conductor, Tri-Choir Choral Festival, Oregon, IL, February 1999 • Judge, Illinois Music Educators Association Composition Competition, November 1998 • Festival Conductor/Clinician, Fall Festival of Song, Lutheran Choir of Chicago, Roselle, IL, November 1998 • Festival Choir Director, Augustana Heritage Sesquicentennial Gathering, Chautauqua, NY, September 1998 • Festival Conductor, Southeast Iowa Superconference Choral Festival, Kalona, IA, March 1998 Jon Hurty, Page 3 of 18 • Clinician, Illinois Music Educators Association District II Reading Session, November 1997 • Clinician, United Township High School Choir, October 1997 • Choir Director, Blackhawk Chapter of the American Guild of Organists Performance, October 1997 • Festival Conductor, Metro Music Festival, Davenport, IA, September 1997 • Clinician, ALCM National Conference, Valparaiso, IN, July 1997 • Conductor, Geneseo Music Festival Conductors Concert, April 1997 • Clinician, ALCM Organ and Choral Workshop, Irvine, CA, October 1995 • Adjudicator and Clinician, Choral Conductor’s Guild Choral Festival, Irvine, CA, March 1995 • Clinician, Lutheran Churches Choral Festival, Irvine, CA, February 1995 • Director of Festival Worship, Lutheran Educators Conference, Palm Desert, CA, November 1994 • Conference Choir Director and Clinician, ALCM Regional
Recommended publications
  • Music for the Christmas Season by Buxtehude and Friends Musicmusic for for the the Christmas Christmas Season Byby Buxtehude Buxtehude and and Friends Friends
    Music for the Christmas season by Buxtehude and friends MusicMusic for for the the Christmas Christmas season byby Buxtehude Buxtehude and and friends friends Else Torp, soprano ET Kate Browton, soprano KB Kristin Mulders, mezzo-soprano KM Mark Chambers, countertenor MC Johan Linderoth, tenor JL Paul Bentley-Angell, tenor PB Jakob Bloch Jespersen, bass JB Steffen Bruun, bass SB Fredrik From, violin Jesenka Balic Zunic, violin Kanerva Juutilainen, viola Judith-Maria Blomsterberg, cello Mattias Frostenson, violone Jane Gower, bassoon Allan Rasmussen, organ Dacapo is supported by the Cover: Fresco from Elmelunde Church, Møn, Denmark. The Twelfth Night scene, painted by the Elmelunde Master around 1500. The Wise Men presenting gifts to the infant Jesus.. THE ANNUNCIATION & ADVENT THE NATIVITY Heinrich Scheidemann (c. 1595–1663) – Preambulum in F major ������������1:25 Dietrich Buxtehude – Das neugeborne Kindelein ������������������������������������6:24 organ solo (chamber organ) ET, MC, PB, JB | violins, viola, bassoon, violone and organ Christian Geist (c. 1640–1711) – Wie schön leuchtet der Morgenstern ������5:35 Franz Tunder (1614–1667) – Ein kleines Kindelein ��������������������������������������4:09 ET | violins, cello and organ KB | violins, viola, cello, violone and organ Johann Christoph Bach (1642–1703) – Merk auf, mein Herz. 10:07 Dietrich Buxtehude – In dulci jubilo ����������������������������������������������������������5:50 ET, MC, JL, JB (Coro I) ET, MC, JB | violins, cello and organ KB, KM, PB, SB (Coro II) | cello, bassoon, violone and organ Heinrich Scheidemann – Preambulum in D minor. .3:38 Dietrich Buxtehude (c. 1637-1707) – Nun komm der Heiden Heiland. .1:53 organ solo (chamber organ) organ solo (main organ) NEW YEAR, EPIPHANY & ANNUNCIATION THE SHEPHERDS Dietrich Buxtehude – Jesu dulcis memoria ����������������������������������������������8:27 Dietrich Buxtehude – Fürchtet euch nicht.
    [Show full text]
  • The Organ Ricercars of Hans Leo Hassler and Christian Erbach
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material subm itted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame 3. When a map, dravdng or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • Fasolis-D-V06c[Brilliant-2CD-Booklet].Pdf
    94639 bach_BL2 v8_BRILLIANT 04/02/2013 10:10 Page 2 Johann Sebastian Bach 1685 –1750 Passion Chorales 39 –40 O Lamm Gottes, unschuldig BWV618 3’54 1’24 Orgelbüchlein BWV 599 –644 41 –42 Christe, du Lamm Gottes BWV619 1’01 1’23 with alternating chorales 43 –44 Christus, der uns selig macht BWV620 2’45 1’22 45 –46 Da Jesus an dem Kreuze stund BWV621 2’03 1’10 Compact Disc 1 67’20 Compact Disc 2 67’14 Part I Organ Chorale Advent Chorales Part II Organ Chorale 1–2 Nun komm, der Heiden Heiland BWV599 2’03 0’46 1–2 O Mensch, bewein dein’ Sünde groß BWV622 6’02 2’27 3–4 Gottes Sohn ist kommen BWV600 1’27 1’10 3–4 Wir danken dir, Herr Jesu Christ BWV623 1’03 0’49 5–6 Herr Christ, der ein’ge Gottes Sohn BWV601 1’38 1’09 5–6 Hilf Gott, daß mir’s gelinge BWV624 1’33 1’01 7–8 Lob sei dem allmächtigen Gott BWV602 0’54 0’47 Easter Chorales Christmas Chorales 7–8 Christ lag in Todesbanden BWV625 1’19 1’25 9–10 Puer natus in Bethlehem BWV603 1’18 0’46 9–10 Jesus Christus, unser Heiland BWV626 1’01 0’49 11 –12 Gelobet seist du, Jesu Christ BWV604 1’12 0’48 11 –12 Christ ist erstanden Verse 1 BWV627 1’18 0’50 13 –14 Der Tag, der ist so freudenreich BWV605 1’57 1’18 13 –14 Christ ist erstanden Verse 2 1’14 0’50 15 –16 Vom Himmel hoch, da komm’ ich her BWV606 0’54 0’47 15 –16 Christ ist erstanden Verse 3 1’41 0’49 17 –18 Vom Himmel kam der Engel Schar BWV607 1’10 0’30 17 –18 Erstanden ist der heil’ge Christ BWV628 0’44 0’26 19 –20 In dulci jubilo BWV608 1’24 0’51 19 –20 Erschienen ist der herrlich Tag BWV629 0’50 0’36 21 –22 Lobt Gott, ihr Christen, allzugleich
    [Show full text]
  • Early Fifteenth Century
    CONTENTS CHAPTER I ORIENTAL AND GREEK MUSIC Section Item Number Page Number ORIENTAL MUSIC Ι-6 ... 3 Chinese; Japanese; Siamese; Hindu; Arabian; Jewish GREEK MUSIC 7-8 .... 9 Greek; Byzantine CHAPTER II EARLY MEDIEVAL MUSIC (400-1300) LITURGICAL MONOPHONY 9-16 .... 10 Ambrosian Hymns; Ambrosian Chant; Gregorian Chant; Sequences RELIGIOUS AND SECULAR MONOPHONY 17-24 .... 14 Latin Lyrics; Troubadours; Trouvères; Minnesingers; Laude; Can- tigas; English Songs; Mastersingers EARLY POLYPHONY 25-29 .... 21 Parallel Organum; Free Organum; Melismatic Organum; Benedica- mus Domino: Plainsong, Organa, Clausulae, Motets; Organum THIRTEENTH-CENTURY POLYPHONY . 30-39 .... 30 Clausulae; Organum; Motets; Petrus de Cruce; Adam de la Halle; Trope; Conductus THIRTEENTH-CENTURY DANCES 40-41 .... 42 CHAPTER III LATE MEDIEVAL MUSIC (1300-1400) ENGLISH 42 .... 44 Sumer Is Icumen In FRENCH 43-48,56 . 45,60 Roman de Fauvel; Guillaume de Machaut; Jacopin Selesses; Baude Cordier; Guillaume Legrant ITALIAN 49-55,59 · • · 52.63 Jacopo da Bologna; Giovanni da Florentia; Ghirardello da Firenze; Francesco Landini; Johannes Ciconia; Dances χ Section Item Number Page Number ENGLISH 57-58 .... 61 School o£ Worcester; Organ Estampie GERMAN 60 .... 64 Oswald von Wolkenstein CHAPTER IV EARLY FIFTEENTH CENTURY ENGLISH 61-64 .... 65 John Dunstable; Lionel Power; Damett FRENCH 65-72 .... 70 Guillaume Dufay; Gilles Binchois; Arnold de Lantins; Hugo de Lantins CHAPTER V LATE FIFTEENTH CENTURY FLEMISH 73-78 .... 76 Johannes Ockeghem; Jacob Obrecht FRENCH 79 .... 83 Loyset Compère GERMAN 80-84 . ... 84 Heinrich Finck; Conrad Paumann; Glogauer Liederbuch; Adam Ile- borgh; Buxheim Organ Book; Leonhard Kleber; Hans Kotter ENGLISH 85-86 .... 89 Song; Robert Cornysh; Cooper CHAPTER VI EARLY SIXTEENTH CENTURY VOCAL COMPOSITIONS 87,89-98 ...
    [Show full text]
  • Bernsteincelebrating More Sides of the Story
    BernsteinCelebrating More Sides of the Story Wednesday 17 October 2018, 7.45pm Holy Trinity Sloane Square, SW1 Chichester Psalms Missa Brevis Choral Suite from West Side Story London Concert Choir Conductor Mark Forkgen Tickets £25 (under-25s £15) to include a programme and interval drink. Box Office (020) 7730 4500, www.cadoganhall.com and at the door A collection will be held in aid of The Royal Marsden Cancer Charity One of the most talented and successful musicians in American history, Leonard Bernstein was not only a composer, but also a conductor, pianist, educator and humanitarian. His versatility as a composer is brilliantly illustrated in this concert to celebrate the centenary of his birth. The Dean of Chichester commissioned the Psalms for the 1965 Southern Cathedrals Festival with the request that the music should contain ‘a hint of West Side Story.’ Bernstein himself described the piece as ‘forthright, songful, rhythmic, youthful.’ Performed in Hebrew and drawing on jazz rhythms and harmonies, the Psalms Music Director: include an exuberant setting of ‘O be joyful In the Lord all Mark Forkgen ye lands’ (Psalm 100) and a gentle Psalm 23, ‘The Lord is my shepherd’, as well as some menacing material cut Nathan Mercieca from the score of the musical. countertenor In 1988 Bernstein revisited the incidental music in Richard Pearce medieval style that he had composed in 1955 for organ The Lark, Anouilh’s play about Joan of Arc, and developed it into the vibrant Missa Brevis for unaccompanied choir, countertenor soloist and percussion. Anneke Hodnett harp After three contrasting solo songs, the concert is rounded off with a selection of favourite numbers from Sacha Johnson and West Side Story, including Tonight, Maria, I Feel Pretty, Alistair Marshallsay America and Somewhere.
    [Show full text]
  • 40Th Season Schedule
    Bach Vespers at Holy Trinity th 40 Anniversary Season 2007 / 2008 Sunday PRE-SEASON CONCERT “The Concert of 1789” Oct. 7 featuring Samuel Felsted’s Oratorio JONAH Juxtapositions in Lent 5:00 p.m. the first known American oratorio! In our Lenten concert Vespers, our featured artists will examine through $10 suggested donation. selected works a variety of juxtapositions: composers, styles, periods, forms and more! Each Vespers is preceded by a talk at 4:15 p.m. Sunday Reformation Sunday st Oct. 28 Bach Cantata 80 - Ein Feste Burg ist unser Gott Sunday Invocavit (1 Sunday in Lent) 5:00 p.m. Dieterich Buxtehude - Erhalt uns, Herr, BuxWV 27 Feb. 10 BACH: THE FRENCH CONNECTION Organ: Prelude and Fugue in D, BWV 532 5:00 p.m. Trio Sonatas by Rameau, Leclair, Couperin & Bach Dedication of the new positiv organ. Peter Kupfer-violin, Carlene Stober-gamba, Jan-Piet Knijff-harpsichord nd Sunday All Saints Sunday Sunday Reminiscere (2 Sunday in Lent) Nov. 4 Bach Cantata 106 - Gottes Zeit ist die allerbeste Zeit Feb. 17 SONNETS, SONGS AND PROVERBS 5:00 p.m. Johann Bach - Unser Leben ist ein Schatten 5:00 p.m. Settings of Blake and Donne by Britten Organ: Toccata in d, BWV 565 Jennifer Bates-soprano, Joe Damon Chappel-bass rd Sunday 23rd Sunday after Trinity (Pentecost 24) Sunday Oculi (3 Sunday in Lent) Nov. 11 Bach Cantata 55 - Ich armer Mensch, ich Sündenknecht Feb 24 JUXTAPOSING THE GREAT AND POSITIV 5:00 p.m. Johann Michael Bach - Herr, wenn ich nur dich habe 5:00 p.m.
    [Show full text]
  • Document Cover Page
    A Conductor’s Guide and a New Edition of Christoph Graupner's Wo Gehet Jesus Hin?, GWV 1119/39 Item Type text; Electronic Dissertation Authors Seal, Kevin Michael Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 06:03:50 Link to Item http://hdl.handle.net/10150/645781 A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN?, GWV 1119/39 by Kevin M. Seal __________________________ Copyright © Kevin M. Seal 2020 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Document Committee, we certify that we have read the document prepared by: Kevin Michael Seal titled: A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN, GWV 1119/39 and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 7, 2020 Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 3, 2020 John T Brobeck _________________________________________________________________ Date: ____________Aug 7, 2020 Rex A. Woods Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College.
    [Show full text]
  • Leonard Bernstein's Piano Music: a Comparative Study of Selected Works
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 Leonard Bernstein's Piano Music: A Comparative Study of Selected Works Leann Osterkamp The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2572 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEONARD BERNSTEIN’S PIANO MUSIC: A COMPARATIVE STUDY OF SELECTED WORKS by LEANN OSTERKAMP A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2018 ©2018 LEANN OSTERKAMP All Rights Reserved ii Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Ursula Oppens Chair of Examining Committee Date Norman Carey Executive Director Supervisory Committee Dr. Jeffrey Taylor, Advisor Dr. Philip Lambert, First Reader Michael Barrett, Second Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp Advisor: Dr. Jeffrey Taylor Much of Leonard Bernstein’s piano music is incorporated in his orchestral and theatrical works. The comparison and understanding of how the piano works relate to the orchestral manifestations validates the independence of the piano works, provides new insights into Bernstein’s compositional process, and presents several significant issues of notation and interpretation that can influence the performance practice of both musical versions.
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • Program-For-Website.Pdf
    Buon Natale Laudate Singers & Baroque Chamber Orchestra Lars Kaario, Conductor Livestream December 13, 2020 * Pre-Concert Music – see next page for detail Magnificat, RV610 Antonio Vivaldi 1678-1741 1. Magnificat Chorus 2. Et exultavit Soprano, alto, tenor & chorus Soloists – Elizabeth, Monica, Kilian 3. Et misericordia eius Chorus 4. Fecit potentiam Chorus 5. Deposuit potentes Chorus 6. Esurientes Soprano duet – Laurel & Elizabeth 7. Suscepit Israel Chorus 8. Sicut locutus est Chorus 9. Gloria Patri Chorus Soprano: Laurel Curley, Laura Kaario, Elizabeth Petersen Alto: Alana Davies, Monica Teng Tenor: Kilian Benson, Nathan Kaleta Bass: Alec Faris, Preston Lee 20-MINUTE INTERLUDE see next page for detail Gloria in D major, RV589 Antonio Vivaldi 1678-1741 1. Gloria in excelsis Chorus 2. Et in terra pax Chorus 3. Laudamus te Soprano duet – Cassie & Isabella 4. Gratias agimus tibi Chorus 5. Propter magnam gloriam tuam Chorus 6. Domine Deus Soprano aria – Cassie 7. Domine Fili unigenite Chorus 8. Domine Deus, Agnus Dei Alto (Jessica) and Chorus 9. Qui tollis peccata mundi Chorus 10. Qui sedes ad dexteram Patris Alto aria – Maria 11. Quoniam tu solus sanctus Chorus 12. Cum Sancto Spiritu Chorus Soprano: Cassie Karvonen, Isabella Kershaw Alto: Jessica De Gaust, Maria Golas Tenor: Kilian Benson, Nathan Kaleta Bass: Nick Ainsworth, Andrew Wilson Instrumentalists Nancy DiNovo, violin Andrea Siradze, violin Sarah Kwok, viola Brian Mix, cello Marea Chernoff, oboe Mark D’Angelo, trumpet Michael Molnar, organ *Post-Concert Music – see next page for detail 2 Please enjoy music from our previous recordings before the concert begins, during the 20-minute interlude while the venue’s air is exchanged for musicians’ safety, and at the end of the concert.
    [Show full text]
  • A BAROQUE CHRISTMAS Australian Chamber Choir Directed by Douglas Lawrence OAM Elizabeth Anderson — Organ
    A BAROQUE CHRISTMAS Australian Chamber Choir Directed by Douglas Lawrence OAM Elizabeth Anderson — organ St Mary’s Cathedral Crypt Sydney Sat 24 November 2:30pm Church of the Resurrection Macedon Sat 1 December 3:00pm St Mary of the Angels Geelong Sun 2 December 3:00pm St Andrew’s Brighton Sun 8 December 3:00pm Our Lady of Mount Carmel Middle Park Sun 9 December 3:00pm PROGRAM NOTES HALLELUJA, FREUET EUCH IHR CHRISTEN ALLE ALLELUIA, REJOICE YOU CHRISTIANS ALL — Andreas Hammerschmidt Born in Brüx, Germany (now Most, Czech Republic), December 1611; died in Zittau, Germany, 29 October 1675. German-American musicologist Manfred Bukofzer (Music in the Baroque Era, 1947) accused Hammerschmidt of having ‘watered down the achievements of Schütz for the multitude.’ Yet this composer gained much more respect in his own time – including from Schütz himself, who wrote an enthusiastic preface to one of Hammerschmidt’s half-dozen sacred music publications – than Bukofzer’s rather haughty verdict on him would lead one to suppose. Hammerschmidt served as organist in the main Lutheran church of Zittau, near the Polish border, from 1639 until 1671, when his health broke down. (His tombstone calls him ‘the Orpheus of Zittau.’) Despite his organ-playing role, he left no original pieces for his instrument, preferring to concentrate on choral repertoire. The lively, succinct motet in today’s concert, dating from 1646, sets a text by 17th century German poet, Christian Kiemann. With verses sung by a trio of menʼs voices and an SATB reprise, in recent years this has become easily his most popular composition.
    [Show full text]
  • ?Mg HI JAV 13 Compensation of Officers, Directors, Trustees, Etc 14 Other Employee Salaries and Wages
    Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947(a)(1) Trust Treated as Private Foundation Do not enter social security numbers on this form as it may be made public. Department of the Treasury ► X015 Internal Revenue Service ► Information about Form 990-PF and its separate instructions is at www.irs.gov/form990pf. • ' ?I ITPT-M trM For calendar year 2015 or tax year beginning , 2015, and ending , 20 Name of foundation A Employer identification number Monsanto Fund 43-6044736 Number and street (or P 0 box number if mail is not delivered to street address) Room/suite B Telephone number (see instructions) 800 North Lindbergh Blvd. 314-694-4391 City or town, state or province, country, and ZIP or foreign postal code q C If exemption application is ► pending , check here. St. Louis, MO 63167 G Check all that apply Initial return Initial return of a former public charity D 1 Foreign organizations , check here . ► El Final return Amended return 2 Foreign organizations meeting the Address change Name change 85% test , check here and attach computation , , . ► H Check type of organization X Section 501(c)(3) exempt private foundation E It private foundation status was terminated Section 4947 ( a )( 1 ) nonexem pt charitable trust Other taxable p rivate foundation 0 under section 507(b )(1)(A), check here . ► I Fair market value of all assets at J Accounting method X Cash Accrual F If the foundation is in a 60-month termination q end of year (from Part Il, col (c), line Other (specify) under section 507(b )( 1)(B), check here .
    [Show full text]