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A Interbau E a Requalificação Moderna Do Oitocentista Hansaviertel Em Berlim - 1957
A INTERBAU E A REQUALIFICAÇÃO MODERNA DO OITOCENTISTA HANSAVIERTEL EM BERLIM - 1957 Mara Oliveira Eskinazi FORMAÇÃO E FILIAÇÃO ACADÊMICA: Arquiteta e Urbanista, formada em 2003/02 pela Faculdade de Arquitetura da Universidade Federal do Rio Grande do Sul (UFRGS). Mestranda desde 2005/02 do Programa de Pesquisa e Pós-Graduação em Arquitetura (PROPAR) da Universidade Federal do Rio Grande do Sul (UFRGS). ENDEREÇO: Rua Gen. Florêncio Ygartua, 491/23 Bairro Rio Branco CEP: 90.430-010 Porto Alegre – RS – Brasil telefones: (51) 3332-3576/ (51) 9126-7668 fax: (51) 3222-4246 e-mail: [email protected] A INTERBAU E A REQUALIFICAÇÃO MODERNA DO OITOCENTISTA HANSAVIERTEL EM BERLIM – 1957 RESUMO O Hansaviertel, bairro oitocentista cuja formação original era bastante integrada ao tecido urbano tradicional predominante na cidade de Berlim, foi em grande parte destruído com os bombardeios da II Guerra Mundial. De localização extremamente central na cidade, o que de fato é hoje dele conhecido é o resultado de uma requalificação arquitetônica e urbanística realizada na década de 50 em decorrência da Interbau (Internationale Bauausstellung) - primeira Exposição Internacional de Arquitetura ocorrida após a II Guerra Mundial. A exposição, que trouxe para a paisagem do parque Tiergarten projetos de edifícios residenciais que expressam valores políticos como a liberdade e o pluralismo, utilizou-se do lema conhecido como “a cidade do amanhã” (die Stadt von Morgen) entre suas premissas básicas para a criação de uma área habitacional modelo do Movimento Moderno. Em 1953, o Senado de Berlim estabelece que a reconstrução do bairro Hansaviertel seja ligada a uma exposição internacional de arquitetura moderna. -
Die Architekturausstellung Als Kritische Form 2018
Die Architekturausstellung als kritische Form 1 Lehrstuhl für Architekturgeschichte und kuratorische Praxis EXTRACT “Die Architekturausstellung als kritische Form von Hermann Muthesius zu Rem Koolhaas” Wintersemester 2018/19 LECTURE 1 / 18 October 2018 Die Architekturausstellung als kritische Form. Vorgeschichte, Themen und Konzepte. Basic questions: - What is an architecture exhibition? - How can we exhibit architecture? - What does the architecture exhibition contribute to? Statements: - Exhibitions of architecture are part of a socio-political discourse. (See Toyo Ito’s curatorial take on the Architecture Biennale in Venice in 2012 http://www.domusweb.it/en/interviews/2012/09/03/toyo-ito-home-for-all.html) - Exhibitions of architecture are model-like presentations / They should present the new directions of the discipline. (“Critical” in this context of this lecture class means: exhibitions introducing a new theoretical and / or practical concept in contrast to existing traditions) PREHISTORY I. - Model Cabinets (Modellkammer), originally established as work tools for communication purposes and as educational tools for upcoming architects / engineers. Further aspect: building up an archive of technological inventions. - Example: The medieval collection of models for towers, gates, roof structures etc. in Augsburg, hosted by the Maximilianmuseum. - Originally these cabinets were only accessible for experts, professionals, not for public view. Sources of architecture exhibitions: - Technical and constructive materials (drawings, models). They tend to be private or just semi- public collections built up with education purposes. - The first public exhibitions of these models in the arts context didn’t happen until the end of the 18th century. Occasion: Charles de Wailly exhibited a model of a staircase in an arts exhibition in 1771. -
Wohnkeramik Bad: Bette.De Foto: ASA-Selection.De
Interbau-Blink Gruppe Interbau-Blink Group hartmann-koch.de 130550 Tritt sicher heit für alle Bereiche Schwimm Slip resistance bad keramik for all areas weltweit Industrie Ceramics for Fassaden und swimming pools worldwide und Objekt Säurebau gest al tung weltweit Design for facades Industry and acid and objects construction worldwide Wohn keramik für höchste Ansprüche Home Ceramics Home ceramics for highest demands Wohnkeramik Bad: Bette.de Foto: ASA-Selection.de Stand 4-2013 100% MADE IN GERMANY Alois Korzilius · Interbau – Fabrikation für moderne Baukeramik GmbH & Co. KG · Hauptstraße 73-79 · D-56235 Ransbach-Baumbach Fon +49 (0) 2623-896-0 · Fax +49 (0) 2623-896-66 · E-Mail [email protected] · www.interbau-blink.de MADE IN GERMANY INHALTSVERZEICHNIS Content EXTRUDIERTES STEINZEUG Extruded Stoneware keine Abgabe Perfektion in Ton verbundfest biegefest gefährl. Stoffe Penthouse 4 - 5 Lithos 6 - 9 Seit mehr als 150 Jahren verwandeln wir Qualität aus Tradition Fortschritt durch Innovation Nachhaltigkeit und GIGA-Line Stufe 10 - 11 – die Interbau-Blink Gruppe – Wohn- Nature Art 12 - 15 areale in einzigartige Erlebniswelten. Authentizität Das „Kannenbäckerland“ ist nicht nur Durch ausgesuchte Rohstoffe, hervorragen- Durch unsere attraktiven und trendstar- unsere Heimat, sondern auch die Basis des Experten-Know-How sowie modernste Nachhaltigkeit prägt unser Handeln, dem- Nature Line 16 - 17 ken Boden- und Wandfliesen, inklusive unseres Erfolgs. Anlagen haben wir nicht nur die Qualitäts-, entsprechend haben wir uns in unseren des passenden Zubehörs, realisieren Alpen 18 - 19 sondern auch die Technologieführerschaft Unternehmenswerten verpflichtet, nach- wir innovative und objektorientierte, Als Rohstoff für unsere Produkte verwen- fest im Blick. So hat sich die Interbau-Blink- haltig und gesellschaftlich verantwortlich Provence 20 keramische Lösungen für den gesamten den wir nur die hochwertigsten Wester- Gruppe zu dem Spezialisten für extrudierte zu wirtschaften. -
The Fagus Factory in Alfeld
THE FAGUS FACTORY IN ALFELD NOMINATION FOR INSCRIPTION ON THE UNESCO WORLD HERITAGE LIST SEPTEMBER 2009 Summary SUMMARY I Fagus Factory – Nomination for Inscription on the Unesco World Heritage List II Summary State party Federal Republic of Germany State, province or region Lower Saxony, town of Alfeld Name of property Fagus factory Geographical coordinates to the nearest 51° 59’ 01” degrees North second 09° 48’ 40” degrees East Textual description of the boundary(ies) of Historical industrial area to the west of the the nominated property core city of Alfeld: the nominated area borders the Hanover-Göttingen rail route in the northeast and the Hannoversche Straße in the southwest. A4 (or „letter“) size map of the nominated See end of summary property, showing boundaries and buffer zone (if present) Justification With the construction of the Fagus factory, Statement of outstanding universal value Gropius made a breakthrough to new, modern art that went hand in hand with the age of technology. The Fagus factory, with a radical break from the conventional design practice, represents for the first time a new expression of architecture, which develops space and form from function, takes into account the light, air and lucidity require- ments of its users and makes use of the new technical possibilities of construction with glass and steel in industrially pre-produced processing. Glass, which is actually an unsubstantial material,becomes a formative building material and mode of expression of architecture.The design concepts underlying this construction had a decisive influence on the development of twentieth century architecture not only in Germany and Europe, but around the globe. -
What Remains History and Locations of World Fairs
WHAT REMAINS HISTORY AND LOCATIONS OF WORLD FAIRS This is a chronological list of exhibitions and fairs held throughout the world that gained international attention. A few regional fairs are included if they were significant to the author or for showcasing emerging technology. This list is a compilation from various sources, trying to respect the capitalization traditions from the countries of origin. When controversy arises about the date or name of a fair (should the 1849 fair held in Birmingham, United Kingdom be referred to as “Exhibition of Industrial Arts and Manufacturers” or “Exposition of British Society”) a choice has been made so the checklist remains an index of fairs. Brown text indicates that the fair occurred before the Bureau international des expositions (BIE) on November 22, 1928 or was not sanctioned by them. Purple text also shows the fair was not sanctioned, but indicates there is a link to additional information researched by the author. Black text indicates a BIE sanctioned fair. Blue text indicates a link to additional information about a sanctioned fair. 1790's 1791 Prague, Bohemia; First Industrial Exhibition 1798 Paris, France; L'Exposition publique des produits de l'industrie française 1800's 1801 Paris, France; L'Exposition publique des produits de l'industrie française (Second Exposition) 1802 Paris, France; L'Exposition publique des produits de l'industrie française (Third Exposition) 1806 Paris, France; L'Exposition publique des produits de l'industrie française (Fourth Exposition) 1810's 1819 Paris, -
Wohnkeramikhome Ceramics Gartenmöbel: Rausch-Classics.De Bad: Bette.De FROSTSICHER · EXTRUDIERT
WohnkeramikHome Ceramics Gartenmöbel: rausch-classics.de Bad: Bette.de FROSTSICHER · EXTRUDIERT INKL. 100% MADE IN GERMANY HERSTELLER-GARANTIE AUF ALLE EXTRUDIERTEN FLIESEN. SIEHE: INTERBAU-BLINK.DE MADE IN GERMANY Perfektion in Ton FROSTSICHER · EXTRUDIERT Seit mehr als 150 Jahren verwandeln wir Qualität aus Tradition – die Interbau-Blink-Gruppe – Wohn- areale in einzigartige Erlebniswelten. INKL. Das „Kannenbäckerland“ ist nicht nur Durch unsere attraktiven und trendstar- unsere Heimat, sondern auch die Basis ken Boden- und Wandfliesen, inklusive HERSTELLER-GARANTIE unseres Erfolgs. AUF ALLE EXTRUDIERTEN FLIESEN. SIEHE: INTERBAU-BLINK.DE des passenden Zubehörs, realisieren wir innovative und objektorientierte, Frostproof · Extruded incl. 30 Years Manufacturer`s Als Rohstoff für unsere Produkte verwen- keramische Lösungen für den gesamten Guarantee den wir nur die hochwertigsten Wester- Wohnbereich. wälder Tone. Dieser Ton hat unsere Region - das „Kannenbäckerland” - über nationale Böden und Treppen aber auch Fassaden Grenzen hinaus bekannt gemacht. Er ist und Wände erhalten durch unsere Pro- der Garant für die Qualität und Langlebig- dukte einen ganz individuellen Charakter. keit unserer Erzeugnisse. Lange Lebensdauer sowie Farb- und Licht- echtheit sorgen für bleibende Schönheit. Untrennbar mit den Interbau-Blink-Pro- dukten sind die 210 Mitarbeiterinnen und Durch innovative Produkte – in Kombina- Mitarbeiter unseres Hauses verbunden. tion mit unserer keramischen Kompetenz Ihr Wissen um den richtigen Umgang mit - schaffen wir außergewöhnliche, zukunfts- Ton wird in den Familien teilweise über orientierte und nachhaltige Lösungen. Generationen hinweg weiter gegeben und beeinflusst die Qualität unserer Arbeit in Ganz gemäß unserer Philosophie: Qualität ganz entscheidender, positiver Weise. aus Tradition – Fortschritt durch Innovation! Bodenfliesen Nature Art Terra braun 360 x 360 mm und Terrassenelemente 400 x 400 mm Moderne Systeme überwachen in unserem Haus durchgängig den Fertigungsprozess und garantieren die stets hohen Güteeigen- schaften der Produkte. -
GERMANY + US Faculty: Maria Arquero De Alarcon, Claudia Wigger [email protected] [email protected]
POST-Rust DESIGNING FUTURES IN POSTINDUSTRIAL GROUNDS GERMANY + US Faculty: Maria Arquero de Alarcon, Claudia Wigger [email protected] [email protected] Taubman College of Architecture and Urban Planning Spring Travel Course 2018 Landscape Concept, Zeche Zollverein, Essen POST-Rust_DESIGNING FUTURES IN POSTINDUSTRIAL GROUNDS Learning from regional initiatives of urban transformation in the US and Germany Instructors Maria Arquero de Alarcon, Associate Professor, Director Master of Urban Design Claudia Wigger, Lecturer in Architecture Objective This Study Abroad Course (3 credits) brings together students from various disciplines to explore the agency of design in the making of sustainable futures in postindustrial grounds. Students enrolled in the course will develop a comparative study between selected cases addressing the urban transformation of postindustrial regions in the US Rust Belt (Chicago- Detroit-Cleveland) and Germany (Rhein-Ruhr Region, Hamburg and Berlin). The course will address the architectural, landscape and urban strategies advancing the making of more resilient regions, its successes and failures. Participants will engage in re- search, first hand documentation and critique, to develop a robust understanding of contem-porary debates in urban design and inform their own design proposals. Schedule 5/4-6/15 The semester will start in Ann Arbor, developing initial investigations in preparation for the field trip. The group will visit Detroit, Cleveland, and Chicago before embarking in interna- tional travel. In this three -
The Contemporary International Building Exhibition (IBA): Innovative Regeneration Strategies in Germany
The Contemporary International Building Exhibition (IBA): Innovative Regeneration Strategies in Germany by Alice Shay Bachelor of Arts in Art: Semiotics Brown University Providence, Rhode Island (2006) Submitted to the Department of Urban Studies and Planning QVXIZ\QITN]TÅTTUMV\WN \PMZMY]QZMUMV\[NWZ\PMLMOZMMWN Master in City Planning at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2012 © 2012 Alice Shay. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of author: ............................................................................................................................................................................ Department of Urban Studies and Planning, May 24, 2012 +MZ\QÅMLJa" Professor Brent Ryan, Department of Urban Studies and Planning, Thesis Supervisor Accepted by: ....................................................................................................................................................................................... Professor Alan Berger, Chair, MCP Committee, Department of Urban Studies and Planning The Contemporary International Building Exhibition (IBA): Innovative Regeneration Strategies in Germany Alice Shay Massacussetts Institute of Technology MCP Thesis, 2012 The Contemporary IBA 4 Abstract The Contemporary International Building Exhibition (IBA): Innovative Regeneration Strategies in Germany by Alice Shay Submitted to the Department -
GSAPP, Architecture Columbia University a 4352 001 Spring 2018 Mary Mcleod
GSAPP, Architecture Columbia University A 4352_001 Spring 2018 Mary McLeod Events in Modern Architecture, 1850–Present: Exhibitions The premise of this seminar is that certain “events” in architecture have changed architecture and ideas about modernity both within and outside of the field. In this context, “event” refers to those occasions in which both old values or modes of practice are challenged and eroded, and new possibilities or unforeseen avenues of creation emerge. Events can thus be seen as inviting a new sequence of thinking and action, one whose results might yet remain open or unknown. In architecture, these occasions have involved different aspects of the discipline, whether it be materials and technology, composition, program, social objectives, clients, or institutional parameters. The mode or form of events varies, as does the scale of the change or transformation. It might involve a seminal building or urban plan, but also a manifesto, a book, a competition, or exhibition. This seminar focuses on architecture exhibitions, a subject that has received less attention in recent architecture history surveys (in contrast to Sigfried Giedion’s Space, Time and Architecture, 1941), as well as in other classes in GSAPP. (In the future, I hope to give course on architecture competitions, as possibly one on seminal buildings or books.) The range of topics includes world’s fairs, museum exhibitions of architecture, model housing settlements, and smaller avant-garde gallery shows, such as the 1923 de Stijl exhibition in Paris or El Lissitzky and Dorner’s Abstrakt Kabinett in Hanover—all of which might be seen as important to expanding or rethinking the parameters of architecture. -
Models, Media, and Methods Frei Otto's Architectural Research
EXHIBITION CHECKLIST project, Atelier Warmbronn, ca. 1970 FREI OTTO AT WORK Soap bubble model, Three drawings by Frei minimal surfaces of mem- Models, Otto, Atelier Warmbronn, branes with low-lying points, ca. 1969 Atelier Warmbronn, 1963 Three images of Frei Otto Soap bubble model, photographing a model, minimal surfaces of Media, and Atelier Warmbronn, ca. 1971 membranes with low-lying Two images of Frei Otto points, photograph, 1963 taking photographs of Four photographs of Methods the model of the canopy for Frei Otto, suspended chain the tem p orary stand of the model, Atelier Warmbonn swimming pool in the EL (Develop ment Center for Two models of pneumatic Munich Olympic Park, STRUCTURAL DESIGN Lightweight Construction), structure, plaster Atelier Warmbronn, ca. 1970 Parabolic pavilion, contact sheet, Berlin, 1956 Design for intersecting Frei Otto with his team, Entwicklungsstätte für den Membrane (L. Stromeyer, wave pavilions, Internationale Atelier Warmbronn Leichtbau EL (Develop ment Kostanz), Entwicklungs stätte Gartenbauaustellung (IGA), Center for Light weight für den Leichtbau EL model, marble, wood, metal, NATURE STUDIES Construction), plan and photo (Dev el op ment Center for plaster, 1963 Nature studies, detail of a collage, Berlin, 1952 Lightweight Cons truction), Hanger design model for spider web, Atelier Warmbonn High low study, Entwick- Berlin, plan, 1956 a church, wood, metal, textile, Nature studies, feather, lun gs stätte für den Leichtbau Tent for the BUGA horticul - stones, dried plants, 1964 Atelier Warmbonn -
A Memorandum on the Future of International Building Exhibitions
A memorandum on the future of International Building Exhibitions Authors: the IBA Advisory Board at the BMI 25.06.18 13:33 IBA Advisory Board at the BMI: On the future of International Building Exhibitions 3 Contents A Memorandum on the future of 04 International Building Exhibitions 10 recommendations for staging an 06 International Building Exhibition Remit: knowledge transfer 08 and quality assurance Guidance notes 10 on the Memorandum 1 11 IBA companies: formal and operational dimensions 2 15 IBA projects: calls and qualification 3 18 Presenting IBA: IBA as a stage 4 IBA format: IBA in relation to other urban and regional 20 development formats 5 IBA format: IBA in relation to other urban and regional development formats 24 A retrospective: How international was each 26 20th-century IBA? IBA_Memorandum_en_2506_zD.indd 3 25.06.18 13:33 4 IBA Advisory Board at the BMI: On the future of International Building Exhibitions IBA Advisory Board at the BMI: On the future of International Building Exhibitions A Memorandum on the future of International Building Exhibitions // Entrance to the Zollverein complex, 2013 // IBA_Memorandum_en_2506_zD.indd 4 25.06.18 13:33 IBA Advisory Board at the BMI: On the future of International Building Exhibitions IBA Advisory Board at the BMI: On the future of International Building Exhibitions 5 A Memorandum on the future of International Building Exhibitions Over the course of 100 years, International exhibitions, biennials and capitals of culture, Building Exhibitions have evolved into an ex- IBA have to date not followed a fixed calendar perimental field for urban and regional develop- or been bound by pre-defined rules or stand- ment and have become the special hallmark of ardised quality criteria. -
Soviet Built Environment: Soviet–Western Relations in the Industrialised Mass Housing and Its Reflections in Soviet Lithuania Marija Drėmaitė
LITHUANIAN HISTORICAL STUDIES 15 2010 ISSN 1392-2343 PP. 11–26 THE (POST-) SOVIET BUILT ENVIRONMENT: SOVIET–WESTERN RELatIONS IN THE InDUSTRIALISED MASS HOUSING AND ITS REFLECTIONS IN SOVIEt LITHUANIA Marija Drėmaitė ABSTRACT This paper discusses the social, political and especially the technological aspect of the post-war Soviet industrialisation of housing, focu- sing on the relation to Western planning and technology. The chronological scope of the paper covers the thaw in Soviet architecture and construction that began in 1954 after the well-known meeting of Soviet architects and builders initiated by Nikita Khrushchev. This study presents Soviet archi- tects’ study trips to the West, which became crucial in changing the entire urban planning and mass housing production system in the USSR. The text examines how pan-Union mass housing industrialisation policy and practice were carried out in the 1960s in the Western periphery of the USSR, namely Soviet Lithuania, which became the leader in mass housing urban design because of the Western-oriented ambitions of Baltic architects. Thus, in the paper the modern Soviet mass housing programme is researched from the perspective of (mutations in) modernist urban planning*. In recent years, it has become popular to contrast post-war housing in the East with that in the West and to present strikingly similar result. 1 The current decade has witnessed growing interest in post war housing in Europe with special focus on Central and Eastern Europe in the Cold War era both from the social-economic and ar- chitectural points of view. 2 Research of housing in Czechoslovakia 3, * This research was funded by a grant (No.