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The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London. -
News: for Immediate Release Made in Bristol & on Screens This Christmas: the Trial of Christine Keeler, the Cure, His Dark M
News: for immediate release Made in Bristol & on screens this Christmas: The Trial of Christine Keeler, The Cure, His Dark Materials, The Crystal Maze Celeb Xmas Special, Tipping Point Lucky Stars Xmas Special Coming in 2020: The Pale Horse, Invisible, War of the Worlds, Salisbury BRISTOL, 18 December 2019: This year’s festive guide is full of TV shows made in Bristol to enjoy this Christmas - and there’s plenty of locally-made titles to look forward to in 2020 too. Here’s a roundup of shows to look out for, all filmed at The Bottle Yard Studios and/or on location in Bristol, with assistance from Bristol Film Office. Clockwise from top left: The Cure (Story Films / Channel 4), The Crystal Maze Celebrity Christmas Special (Fizz TV / RDF Television / Channel 4), The Trial of Christine Keeler (Mammoth Screen / BBC), Tipping Point Lucky Stars Christmas Special (Fizz TV / RDF Television / ITV) The Cure: Thursday 19th December, Channel 4, 9pm Based on the inspiring real-life story of Julie Bailey, The Cure is the story of an ordinary woman who exposed one of the worst hospital care scandals in the history of the NHS. Starring Sian Brookes, Sue Johnston and Hannah Rae, the one-off drama charts the scandal at Stafford Hospital which came to national attention in 2008. Produced by Story Films for Channel 4, The Cure filmed in Bristol in April ’19 at locations including City Hall, College Green, Canford Cemetery, Badock Woods and Wellington Hill West. His Dark Materials series finale: Sunday 22nd December, BBC One, 9pm Jack Thorne’s highly anticipated adaptation of Philip Pullman’s acclaimed series of novels reaches its series finale on 22 December. -
Centre Stage the Pipeline of Bame Talent
CENTRE STAGE THE PIPELINE OF BAME TALENT AndrewAndrew Lloyd Lloyd Webber Webber FoundationFoundation INTRODUCTION— hen I produced Bombay Dreams over a decade ago and was privileged Wto introduce the marvellous music of A R Rahman to a West End audience, one of our greatest difficulties was finding enough Asian actors. BAME diversity in the performing arts has once again been high on the agenda this year, from the runaway success of Hamilton on Broadway to the latest announcement from Arts Council England of £4.6 million to boost diversity. Very often the discussion is focussed on increasing the representation of diverse ethnicities on stage and this is crucially important. However, I’ve been acutely aware that one of the biggest issues is the lack of trained diverse talent coming through. Casting directors and theatre producers alike often complain that they’d like to cast more Black, Asian and Minority Ethnic performers but that they don’t get enough turning up to audition. Inspired by some of the success stories coming out of the Andrew Lloyd Webber Foundation’s scholarship programme – such as Emmanuel Kojo who is interviewed in these pages – the Foundation decided to commission this " I PASSIONATELY research. The aim was to come up with some positive recommendations that BELIEVE THAT can be adopted by people involved at every stage of the talent pipeline from THE STAGE NEEDS school to stage. TO REFLECT THE DIVERSITY OF THE UK I passionately believe that the stage needs to reflect the diversity of the POPULATION OR IT UK population or it risks becoming side-lined. -
FOUNDATION COURSE Prospectus
FOUNDATION COURSE Prospectus actinG AND MUSICAL THeatre BUILT ON A passion FOR SUCCESS PAGE 2 STAGEWORKS COLLEGE FOUNDATION COURSE Prospectus PAGE 3 CONTENTS INTRODUCTION Introduction page 3 Stageworks College was the pioneer of intensive, full-time Level 3 performing arts training in the UK. Our two year Why choose Stageworks page 4 Foundation Course has been running since 2004 and offers you the opportunity to study for a BTEC Level 3 Performing Course overview page 6 Arts Diploma specialising in either acting or musical theatre. Qualifications page 8 As course leaders we have a strong belief in the strength of our training. We aim to give students the technical skills Fees page 9 and audition prepartion they need to reach the standards required to access further training and funding. Faculty and team page 10 Our training programmes have a 100% graduate success Progression page 11 rate and our team have proved they have the knowledge Discipline / Academic enhancement page 12 and skill to individually prepare each student to reach their aspirations. Our ethos is that every student is important Student welfare and pastoral care page 13 and that every student has different skills to progress and ambitions to meet. This means that your training Accommodation page 14 is personalised to your skills and abilities and closely monitored throughout your time with us. Your life at our college page 15 The college has a friendly, family atmosphere with The student’s perspective page 16 reassuring pastoral care to support your entry into the full time world of Performing Arts. Training in a smaller Facilities / Location page 17 environment means you get the quality time you deserve coupled with the discipline that the industry requires. -
Centre for Advanced Training in Dance
OF MUSIC & DANCE OF TRINITY LABAN CONSERVATOIRE CATCENTRE FOR ADVANCED TRAINING IN DANCE TRINITYLABAN.AC.UK/CAT FULLY FUNDED PLACES AVAILABLE /TRINITYLABAN CENTRE FOR ADVANCED TRAINING WHO CAN APPLY? The Centre for Advanced Training (CAT) Do you see your future in dance? at Trinity Laban is part of an innovative scheme offering young people with potential Are you highly motivated and ready to commit in dance the opportunity to access high to an intensive programme of dance training? quality dance training, regardless of their personal circumstances. National CAT Are you aged 13–17? Centres are pioneers in prevocational training and research, promoting best All are welcome to apply regardless of practice and providing exceptional tuition previous dance experience. to young people. For more information on other centres across the UK visit nationaldancecats.co.uk TRINITY LABAN CAT PROGRAMME CAT students attend a full day of classes every Saturday during term time at the Laban Building. The programme of classes provides intensive and rigorous dance training taught by a highly experienced team of professional dance teachers and artists. The programme includes: / Contemporary dance / Ballet / Choreography / Dance fitness and health / Intensive holiday projects / End of year CAT show / Experience in different dance styles / Theatre trips / Careers advice / Individual training advice HOW TO APPLY Applications for Open Days and Auditions For application deadline, please visit trinitylaban.ac.uk/cat Open Days – February and March Come to a FREE open day to find out if CAT is the right choice for you. Open days include a practical dance class for the applicant with a presentation for parents/carers to find out more information. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
2019-20 Drama School V. University Choosing the Right Path for Your Future out of the Spotlight Speak the Speech, Training and Careers I Pray You
STUDENT GUIDE TO www.dramaandtheatre.co.uk/SGDE 2019-20 Drama School v. university Choosing the right path for your future Out of the spotlight Speak the speech, Training and careers I pray you... beyond performance Choosing and preparing monologues Comprehensive advice for those applying to study or train in any aspect of the performing arts 001_SGDE_COVER [APPROVED].indd 1 23/07/2019 13:16 Apply for BA (Hons) and Foundation Courses at ArtsEd! Exceptional triple threat training. Revolutionary stage and screen Acting training. ArtsEd was ranked the top Igniting your drama school for overall student satisfaction in the 2019 National Student Survey with over 90% of students passion for happy with their training. Find out more: www.artsed.co.uk performance [email protected] @ArtsEdLondon 0_SGDE_2019/20.indd 2 05/08/2019 12:48 Welcome Extra online STUDENT GUIDE TO material The Student Guide to Drama Education is also available to 2019-20 read free online, where you will elcome to the Student Guide to Drama Education – a guide designed to off er fi nd links to extra comprehensive advice to anyone thinking of applying to study or train in any aspect of pages of course- Wthe performing arts. listings. Visit www. Everything in this guide has been written straight ‘from the horse’s mouth’ dramaandtheatre. – students and graduates of all the major disciplines share what it’s like to study their courses; teaching staff from world-class Higher Education co.uk from institutions tell you what you need to know about applying for their October 2019. courses; and working professionals in the industry off er career tips for those all-important early years in and out of training. -
Cdmt.Org.Uk UK Guide Is Sponsored by 03
Guide as pages.qxp_Layout 1 06/03/2018 11:44 Page 1 TO PROFESSIONAL TRAINING, EDUCATION UKAND ASSESSMENT IN THE PERFORMING ARTS GUIDE2018 DANCE DRAMA MUSICAL THEATRE DANCE DRAMA MUSICAL THEATRE cdmt.org.uk UK Guide is sponsored by 03 CDMT is the quality assurance and membership body for the professional dance, drama and musical theatre industries. It is the first point of contact for those seeking information on education, training and assessment in the sector across the UK. Contents Welcome 05 Towards the CDMT 07 Membership 08 Quality Assurance 10 Accredited Schools 12 Map of Schools 14 Validated Awarding Organisations 16 Graded Exams 18 Affiliates 23 Recognised Awards 25 Careers Conference and Showcase Performance 26 Glyndwr Jones Director CDMT works in partnership with Liz Dale Head of Education and Training Nina Ritchie Membership and Office Administrator Ania Foreman Recognised Awards and Administrative Officer FANTASTIC GROUP Meryl Knight Finance Officer RATES AVAILABLE Fraser Stainton Administrator FROM £18 PP Cover left to right: Brian Slater / James Davies / David Bartholomew Above: Call us on 020 7851 0314 or email [email protected] Stephanie De Leng dedicated account handler who will organise your group trip! cdmt.org.uk 05 Welcome Welcome to a special edition of what has become fondly known as The Guide during a landmark year for the organisation of which I am proud to be Chairman. You could be forgiven in asking, but a Guide to what? Well, across the pages that follow are highlighted many of the finest professional schools, awarding organisations and other institutions whose commitment and dedication to the highest standards of teaching, learning and development in dance, drama and musical theatre are the envy of countless across the UK and further afield. -
Catherine Tyldesley
Catherine Tyldesley Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Julia Charteris [email protected] 02032140923 Roles Television Production Character Director Company VIEWPOINT Kate Tuckman Ashley Way ITV SCARBOROUGH Karen Derren Litten BBC One 15 DAYS Sara Andy Newbery Channel 5 UK CORONATION STREET Eva Price various ITV TROLLIED Emma Paul Walker Roughcut TWO PINTS OF LARGER AND A Amy Nick Wood BBC PACKET OF CRISPS THE JASON LEWIS PILOT Various BBC SHAMELESS Carly Lawrence Till Company Pictures / C4 EMMERDALE Abi Various ITV United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company HOLBY CITY Jody Stevens Daikin Marsh BBC SCALLYWAGGA Various Stuart Kenworthy BBC3 CORONATION STREET Janie Shaw Claire Armspach Granada Television DROP DEAD GORGEOUS Rachel Worth Susan Tully Hat Trick FLORENCE NIGHTINGALE Parthenope Norman Stone BBC Television HOLBY CITY Mackenzie James Erksine BBC Television IT'S ADAM AND SHELLEY ITV Productions LILIES Iris Various World Productions NO ANGELS Stephie Roger Goldby World Productions RED RIDING TRILOGY Tessa Anand Tucker Revolution films SORTED Female Viewer Iain B. MacDonald BBC Manchester THE STREET Gracie Terry McDonough Granada Film Production Character Director Company HUMAN NATURE Anna Paul Green THE BOOK COLLECTOR Mary Joel Fletcher Other Production Character Director Company BLOOD WEDDING Bride Sabina Netherclift Birmingham School of Acting HALF A SIXPENCE Flo Amanda Knott Birmingham School of Acting LITTLE ME Belle Poitreine Paul Milton Birmingham School of Acting THE GUID SISTERS Yvette Longpre Iain Davie Birmingham School of Acting United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected]. -
Course Subject Code
STUDENT HANDBOOK Academic Year 2013-14 Student Handbook 2013-14 0 CONTENTS Page Welcome to Bird College 2 The Mission of Bird College 3 Term Dates 2013 -2014 4 HE/FE Faculty 8 Biographies 11 The Leadership Group 11 Administrative and Support Staff 14 Teaching Staff 17 Learning Support 36 Physiotherapist 36 Body Conditioning 37 Student Charter 37 College Facilities 41 FE & HE Offices 42 Campus Map 43 Contact Numbers 44 Access to the Buildings and Key Fobs 45 Lockers 45 Accessing Internet, Email and College Intranet 45 Code of Practice for Use of College PCs, Email & Intranet 46 Accommodation – Over 18s Procedure 47 Accommodation – Under 18s Procedure 48 Procedure for working in the Studio 48 Studio Reservation 48 Lost Property 49 Equal Opportunities Policy 49 Access Policy 50 Safeguarding Policy 50 Touch Policy 55 Equality & Diversity Policy 56 General Health & Safety Guidelines 57 Attendance Procedure 60 Assessment regulations for students with disabilities & long term conditions 64 Extenuating Circumstances Policy 65 Discipline and Complaints Regulations & Procedure 69 Student Representation on College Committees 70 Accessing the Physiotherapist Procedure 71 Student Welfare and Pastoral Care 72 Learning Resources 75 Bird Agency 77 Essential Spending 77 Adverse Weather Procedure 78 Additional Reminders 79 Student Handbook 2013-14 1 WELCOME TO BIRD COLLEGE You are about to embark on an educational adventure that will change your life. Since we were founded, almost seventy years ago by Doreen Bird, our reputation and expertise has grown until we are now recognised as being one of the best colleges training young people for a career in theatre arts. -
1 Archived BBC Public Responses to Complaints
Archived BBC public responses to complaints 2019 This Week, BBC One, 10 January 2019 Summary of complaint We received complaints from people who felt Owen Jones was treated in a disrespectful manner while appearing as a guest on the programme. Our response Following the verbal abuse which he and others had sustained from protesters outside Parliament, Owen Jones, journalist, left wing commentator and activist, used his “Take of the Week” section to give his personal take on the current state of political discourse, the rise of the far right and, as he deemed, the reasons for this. This is a prominent section of the programme in which the author gives their views unchallenged. During his video and the studio discussion which followed, Mr Jones made allegations about the Conservative Party and right wing media which some would consider contentious. As our audience would expect, Andrew scrutinised what Mr Jones said. Michael Portillo, who disagreed with Mr Jones, also gave his opinion. Mr Jones was given ample time to express his views and respond to points made to him. When Mr Jones made allegations about The Spectator magazine and Andrew’s role with the publication. Andrew legitimately pointed out that this was nothing to do with the BBC and it wasn’t right for Mr Jones to use the programme to make personal accusations against him. Today, BBC Radio 4, 26 January 2019 Summary of complaint We received a range of complaints following the interview of Helen McEntee. Some listeners felt the tone and content were not appropriate, suggesting a personal bias from the interviewer.