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BCCA Programs 2021-22
T H E 2 0 2 1 / 2 2 S E A S O N DANCE IN THE CREEK @ B R A G G C R E E K C O M M U N I T Y A S S O C I A T I O N We offer a variety of recreational programs at BCCA, each running on a short 4-month basis! Our classes in Bragg Creek are focused on building community, confidence, and keeping kids active and engaged! "SO MUCH MORE O U R B C C A P R O G R A M S ( E N C L O S E D ) : THAN DANCE" O U R P H I L O S O P H Y . CREATIVE MOVEMENT CLASSES FOR AGE 3-4 We strongly believe in creating opportunities and experiences that go beyond dance steps. While we are proud of the level of instruction and training we provide, "FUSION" CLASSES FOR we believe strongly in "human before dancer." From the AGE 5-6 interactions we have, to the values we embrace, and the culture we promote, our programs are about much more TUITION RATES & PACKAGES than dance, especially in Bragg Creek... CREATIVE MOVEMENT & PRE-JUNIOR DATES, RATES, & INCLUSIONS F O R A G E 3 - 6 Classes and schedule: "Tiny Ballerinas" for AGE 3-4 - Mondays, 9:15-9:45am "Hop n' Pop" for AGE 3-4 - Mondays, 9:50-10:20am "Tumble Tykes" for AGE 3-4 - 10:30-11:00am "Fusion" Dance for AGE 4-5 - 12:00-12:45pm "Fusion" Dance for AGE 4-5 - 2:45-3:30pm Pre-Junior "Fusion" for AGE 5-6 - Mondays, 3:30-4:15pm Dates: September 13th to December 13th (NO classes Oct. -
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
A Mixed Blessing at the Ballet 01
Daily Telegraph July 28 2001 A mixed blessing at the ballet Photo Sheila Rock As Anthony Dowell leaves the Royal Ballet, dance critic Ismene Brown assesses his 15-year regime as director - and stars pay tribute below AT THE Royal Ballet the countdown has begun to the end of an era. A week tonight, amid flowers, Champagne and tears, Sir Anthony Dowell, the longest-serving ballet director since the company’s founder, Ninette de Valois, will end his 15-year regime. He was undoubtedly one of the great world stars of dancing, and the “Celebration Programme” will mark his achievements as such. But about his success as director of the company, opinion is far from unanimous. What makes a good director? The question has never been more of a poser than during Dowell\s captaincy of the ballet, in the most turbulent years of the Royal Opera House’s history. There are many pluses on Dowell’s account sheet - his maintenance of high classical technical standards, his welcoming of key foreign artists into the Royal (particularly Sylvie Guillem and Irek Mukhamedov), his inspiring coaching, to which leading guest stars attest opposite. The rise of Darcey Bussell to world acclaim, the forging of a superb partnership between Mukhamedov and Viviana Durante, this final, nostalgic and beautiful 2000-01 season - these are positive memories. He will be noted as a conservative, and many welcomed this after an insecure period of modernising under his predecessor, Norman Morrice. Whether conservatism has served the company well for the future, though, is debatable. In the shifting landscape of ballet, conservatism is not enough to hold steady. -
1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London. -
Community Programs
| Dance Staff Community Programs Alicia Cross Engelhardt Director & Tap Dance Isabella Dallas Ballet Cindi Adkins Belly Dance Lola Pittenger Zumba-Yoga en Español Maria Bautista Baile Folklórico Teeny Ballereenies Dance with Me Ja Nelle Pleasure Contemporary & Fusion Saturdays, 10:15-10:45am Phillips Recreation Center Enroll in more two or more dance classes in a Age 2 with Guardian season and GET A $5 DISCOUNT on the second Teeny Ballereenies Dance with Me is a fun place to enter the class. Only available when enrolling in person wonderful world of dance and movement. Your child will be or by phone at 217-367-1544. introduced to the music and the movement of ballet with fun exercises perfect for adventurous and imaginative little ones. Adults participate along with the Ballereenies to give them the confidence Bigger Ballereenies and one-on-one support that they need. Date EB Cost | Deadline Cost | Deadline Code Saturdays, 1:15-2pm Jan 21-Feb 25 $40R/$60NR | Jan 7 $48R/$72NR | Jan 14 4706 Phillips Recreation Center Mar 4-Apr 8 $40R/$60NR | Feb 18 $48R/$72NR | Feb 25 4707 Ages 5-6 This program is for those who have completed Teeny Ballereenies or the equivalent and are ready to learn some new ballet skills. You Teeny Ballereenies are welcome to quietly observe your child in class. Saturdays, 11-11:30am (Ages 3-4) or 9:15-10am (Ages 4-5) Phillips Recreation Center Date EB Cost | Deadline Cost | Deadline Code Jan 21-Feb 25 $40R/$60NR | Jan 7 $48R/$72NR | Jan 14 4700 Introduce your young dancer to the music and the movement Mar 4-Apr 8 $40R/$60NR | Feb 18 $48R/$72NR | Feb 25 4701 of ballet with fun exercises perfect for little ones. -
Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference. -
Physical Education Dance (PEDNC) 1
Physical Education Dance (PEDNC) 1 Zumba PHYSICAL EDUCATION DANCE PEDNC 140 1 Credit/Unit 2 hours of lab (PEDNC) A fusion of Latin and international music-dance themes, featuring aerobic/fitness interval training with a combination of fast and slow Ballet-Beginning rhythms that tone and sculpt the body. PEDNC 130 1 Credit/Unit Hula 2 hours of lab PEDNC 141 1 Credit/Unit Beginning ballet technique including barre and centre work. [PE, SE] 2 hours of lab Ballroom Dance: Mixed Focus on Hawaiian traditional dance forms. [PE,SE,GE] PEDNC 131 1-3 Credits/Units African Dance 6 hours of lab PEDNC 142 1 Credit/Unit Fundamentals, forms and pattern of ballroom dance. Develop confidence 2 hours of lab through practice with a variety of partners in both smooth and latin style Introduction to African dance, which focuses on drumming, rhythm, and dances to include: waltz, tango, fox trot, quick step and Viennese waltz, music predominantly of West Africa. [PE,SE,GE] mambo, cha cha, rhumba, samba, salsa. Bollywood Ballroom Dance: Smooth PEDNC 143 1 Credit/Unit PEDNC 132 1 Credit/Unit 2 hours of lab 2 hours of lab Introduction to dances of India, sometimes referred to as Indian Fusion. Fundamentals, forms and pattern of ballroom dance. Develop confidence Dance styles focus on semi-classical, regional, folk, bhangra, and through practice with a variety of partners. Smooth style dances include everything in between--up to westernized contemporary bollywood dance. waltz, tango, fox trot, quick step and Viennese waltz. [PE,SE,GE] [PE,SE,GE] Ballroom Dance: Latin Irish Dance PEDNC 133 1 Credit/Unit PEDNC 144 1 Credit/Unit 2 hours of lab 2 hours of lab Fundamentals, forms and pattern of ballroom dance. -
Darcey Bussell
Darcey Bussell Early Life Darcey Bussell was born on 27th April, 1969 in London. She started at the Arts Educational School at the Barbican until she auditioned for and joined the Royal Ballet School at White Lodge at the age of 13. In 1985, when she was 16, Darcey was accepted into the Royal Ballet’s Upper School at Barons Court. Success Her fantastic technique was spotted quickly and, in 1988, while she was a member of Sadler’s Wells Royal Ballet company, a lead role was created for her in the new ballet ‘The Prince of the Pagados’. This led to led to her move to the Royal Ballet. In December 1989, when Darcey was just 20 years old, she was promoted to principal dancer, becoming the youngest ballerina to achieve this at the time. Throughout her career, she played many iconic roles, including Princess Aurora in ‘The Sleeping Beauty’, Odette/Odile in ‘Swan Lake’, the Sugar Plum Fairy in ‘The Nutcracker’, and Giselle in ‘Giselle’. In total, she performed more than 80 different roles and 17 roles were created for her. She was a guest performer with many of the most popular ballet companies around the world, including the New York City Ballet, Paris Opera Ballet, Hamburg Ballet and the Australian Ballet. Photo courtesy of scillystuff (@flickr.com) - granted under creative commons licence Page 1 of 2 Darcey Bussell Accomplishments Over the years, she has won many honours and awards for her contribution to dance, not to mention an OBE and a CBE. She has performed for the Queen of England and several American presidents, and had the lead role in the closing ceremony of the 2012 Olympics. -
British Ballet Charity Gala
BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of -
Dance Base 14 –16 Grassmarket, Edinburgh EH1 2JU 0131 225 5525 Dance @Dancebase.Co.Uk Dancebase.Co.Uk
AUTUM N15 GET ON BEAT Courses, drop-in classes & workshops for eve ryone 5 September – 4 December Dance Base 14 –16 Grassmarket, Edinburgh EH1 2JU 0131 225 5525 dance @dancebase.co.uk dancebase.co.uk Dance Base is a registered charity that encourages and celebrates the potential for dance in everyone. Scottish Charity SC022 512 BOARD Patron: HRH Prince Charles, Duke of Rothesay KT KG Chair Edward A Crozier Artistic Patron: Mark Morris Members Paul Blair, Cllr Catherine Fullerton, Annie Griffin, Simon Guest, Christopher Hampson, Fiona Hendry, Donna Malone, Elizabeth Mitchell Dance Base gratefully acknowledges support from: If you or your company would like to support Dance Base please contact Matt Roe, Head of Operations & Business Development on 0131 225 5525 Front cover dancer: Sau Tham (Hip Hop Intermediate) Front cover photographer: Maria Falconer Photography: Maria Falconer, Francesca Dymond Design: Emma Quinn Print: Streamline WE LCOME Contents Summer may be over, but fear not! We have an action-packed line-up of classes and workshops for you Welcome 3 this autumn. There is something for everyone as we look ahead to the festive season. Community 4 / 5 In response to overwhelming demand we have added even Professional 6 more classes to our bumper ballet offering. There will be How we do it 7 an additional Ballet Vintage class while one of the current classes progresses to Ballet Vintage Improvers and on top How to book 8 / 9 of this, we are also introducing a second Ballet Absolute Beginners class. We hope these classes will allow more Pay It Forward 10 people to discover the beauty and grace of this timeless Hires 11 dance style. -
BHASVIC HE Guide Creative Arts 20-21
Guide to Higher Education Creative Arts Dance .................................................................................................................................................... 3 Design ................................................................................................................................................... 7 Fine Art ................................................................................................................................................ 11 Music ................................................................................................................................................... 15 Photography ................................................................................................................................... 19 Sources & Links .............................................................................................................................. 23 See also the HE Subject Guide for English, Drama, Film & Media 1 What to ask on any Creative Arts open day Aspiring painter, illustrator, photographer or designer? Print out and use our list of open day questions when you're on a visit to a university or creative arts college. About the course How much contact time do I get with my tutor / lecturers? What is the split between theory and practical work? What range of modules is available to me? Will there be any public presentations / exhibitions of my work? Do I get to specialise in my second or third year? Equipment and facilities How -
Carl Alan Awards 2010 the Oscars of the World of Dance
Carl Alan Awards 2010 The Oscars of the World of Dance The Carl-Alan Awards were first introduced in 1953 by Eric Morley and were named after the joint Chairmen of Mecca Carl Heimann and Alan Fairley. The International Dance Teachers' Association was proud to present the 2010 Carl Alan Awards on Sunday 7th February, in conjunction with the IDTA President’s Dinner and Dance. The IDTA were pleased that all three sections of the awards were presented: Freestyle Theatre Ballroom, Latin & Sequence There are five categories of awards in each section. Performer's Award Teacher's Award Competitive Coach/Choreography Award Outstanding Services to Dance Award Lifetime Achievement Award All recognised dance associations or societies were invited to make nominations in all categories and each member body of the British Dance Council or Theatre Dance Council International was invited to send a delegate to represent them on each of the selection committees. The IDTA remained independent in the selection process. From the many nominations received, the selection committees were asked to short-list up to three nominees in each category. To be nominated for a Carl Alan Award by your peers reflects the nominee's considerable contribution to the world of dance. IDTA would like to congratulate all the nominees; unfortunately there can only be one winner in each category. The IDTA would like to thank Mr Sam Kane and Miss Linda Lusardi for hosting the evening and presenting the Carl Alan Awards. ~~~o0o~~~ Performer's Award From the many nominations received, the selection committee short-listed the following nominees: Freestyle Performer's Award Arron Fowler Eilidh McCall Joanne McPhee Winner: Joanne McPhee Joanne has been involved in competitive dancing since the age of 10.