Centre Stage the Pipeline of Bame Talent
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England LEA/School Code School Name Town 330/6092 Abbey
England LEA/School Code School Name Town 330/6092 Abbey College Birmingham 873/4603 Abbey College, Ramsey Ramsey 865/4000 Abbeyfield School Chippenham 803/4000 Abbeywood Community School Bristol 860/4500 Abbot Beyne School Burton-on-Trent 312/5409 Abbotsfield School Uxbridge 894/6906 Abraham Darby Academy Telford 202/4285 Acland Burghley School London 931/8004 Activate Learning Oxford 307/4035 Acton High School London 919/4029 Adeyfield School Hemel Hempstead 825/6015 Akeley Wood Senior School Buckingham 935/4059 Alde Valley School Leiston 919/6003 Aldenham School Borehamwood 891/4117 Alderman White School and Language College Nottingham 307/6905 Alec Reed Academy Northolt 830/4001 Alfreton Grange Arts College Alfreton 823/6905 All Saints Academy Dunstable Dunstable 916/6905 All Saints' Academy, Cheltenham Cheltenham 340/4615 All Saints Catholic High School Knowsley 341/4421 Alsop High School Technology & Applied Learning Specialist College Liverpool 358/4024 Altrincham College of Arts Altrincham 868/4506 Altwood CofE Secondary School Maidenhead 825/4095 Amersham School Amersham 380/6907 Appleton Academy Bradford 330/4804 Archbishop Ilsley Catholic School Birmingham 810/6905 Archbishop Sentamu Academy Hull 208/5403 Archbishop Tenison's School London 916/4032 Archway School Stroud 845/4003 ARK William Parker Academy Hastings 371/4021 Armthorpe Academy Doncaster 885/4008 Arrow Vale RSA Academy Redditch 937/5401 Ash Green School Coventry 371/4000 Ash Hill Academy Doncaster 891/4009 Ashfield Comprehensive School Nottingham 801/4030 Ashton -
1 Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice Graduated
Engaging Minds, Informing Practice Tutors and Presenters Alice White, MA, BA (Hons) Embracing Social Media Alice graduated from Trinity Laban Conservatoire of Music and Dance in 2015 with a First Class Honours degree in Contemporary Dance, and went on to gain an MA in Dance Performance at the University of Chichester. Currently the Lead Press and Communications Officer at the Royal Academy of Dance, Alice has previously worked in marketing and communications at organisations such as Trinity Laban and The Place, gaining an in depth and confident understanding of social media strategy. Amelia Wilkinson, MSc Physiotherapy (pre-reg), MSc Dance Science, BA (Hons) Sociology, APPI certified Pilates Instructor Enhancing Silver Swans® Provision Amelia originally trained as a dancer at The Royal Ballet School and is now a dance science educator, physiotherapist and Pilates instructor. Her expertise in health and wellbeing is informed by both her dance for health and physiotherapy research. Most recently she examined community dwelling stroke survivors’ perceptions of upper limb dysfunction and its impact on quality of life. She currently works as a Health and Performance Enhancement Tutor across two Centre for Advanced Training programmes and delivers dance science CPD courses across the UK and internationally for the RAD. Caroline Palmer, ARAD (Dip. PDTC) Analysing Discovering Repertoire Choreographic Style with Benesh Notation Caroline trained in classical ballet in London with Andrew Hardie and Maria Fay. She danced professionally for 10 years mainly with the Deutsche Opera in Dusseldorf. In 1979 Caroline retrained as a teacher at the Royal Academy of Dance and subsequently taught on the degree course at Laban, London. -
Colloquium on Diversity in Education Abroad: How to Change the Picture May 2, 2006
AED KNOWLEDGE SERIES PRESENTS The Proceedings for the COLLOQUIUM ON DIVERSITY IN EDUCATION ABROAD: HOW TO CHANGE THE PICTURE MAY 2, 2006 ORGANIZED AND HOSTED BY ACADEMY FOR EDUCATIONAL DEVELOPMENT The Colloquium is an activity of the AED Education Abroad Initiative Center for Academic Partnerships Carl A. Herrin, Suzanne Dadzie, and Sandra A. MacDonald, co-editors ISBN: 0-89492-021-9 ISBN13: 978-0-89492-021-9 Copyright © 2007 by Academy for Educational Development. All rights reserved. 1 Acknowledgments The AED Colloquium on Diversity in Education Abroad: How to Change the Picture was conceived of as a collaborative effort between the speakers, presenters, and participants. That collaboration was a resounding success, and on behalf of the Academy for Educational Development, I wish to acknowledge all of these individuals for their time and thoughtful engagement. For framing the discussions of the Colloquium and setting an expectation for success, the Colloquium organizers acknowledge the special contribution of Eileen Wilson-Oyelaran, President of Kalamazoo College and the keynote speaker. I also recognize the assistance AED received from Joseph L. Brockington, Kalamazoo’s Associate Provost for International Programs. The Colloquium organizers extend thanks to Stephen F. Moseley, President and Chief Executive Officer of the Academy for Educational Development for his support of this activity, and his larger interest in and commitment to education abroad. The Colloquium presenters—each of whose papers appear in this Proceedings—provided -
Ofcom Complaint Assessment
OfcomOfcom Broadcast Preliminary and On Demand View Bulletin Published 17 September 2020 Britain’s Got Talent Type of case Broadcast Standards Outcome Not Pursued Service ITV Date & time 5 September 2020, 20:00 Category Protection of children/generally accepted standards/dangerous behaviour/due impartiality Summary This programme included a performance by the British dance group Diversity which represented the events of 2020, including the Coronavirus pandemic and global anti-racism protests. We concluded that the programme did not raise issues which warranted investigation under the Broadcasting Code. Ofcom received approximately 24,5001 complaints about the above programme. Complainants outlined a range of concerns about Diversity’s performance, including that the themes of violence and racism were inappropriate for family viewing, that it expressed support for the political organisation ‘Black Lives Matter’ and that it was racist towards White people. Ofcom also received a number of messages of support and praise for the performance. Ofcom has assessed this programme against the relevant rules in the Broadcasting Code (“the Code”). Our assessment is that this programme did not raise any issues which warranted investigation. In our view, Diversity’s performance was an artistic expression of topical social issues and did not contain any content which was racist, unsuitably violent or otherwise inappropriate in the context of this programme. Given the significant publicity surrounding this case and the high volume of complaints received, we have decided to publish our reasons for this assessment. 1 As of 09:00 on 17 September 2020. 1 Introduction Britain’s Got Talent is a talent programme broadcast on ITV, which aims to find a new act from the general public to perform at the annual Royal Variety Performance and win a prize of £250,000. -
Getting to “The Pointe”
Running head: GETTING TO “THE POINTE” GETTING TO “THE POINTE”: ASSESSING THE LIGHT AND DARK DIMENSIONS OF LEADERSHIP ATTRIBUTES IN BALLET CULTURE Ashley Lauren Whitely B.A., Western Kentucky University, 2003 M.A., Western Kentucky University, 2006 Submitted to the Graduate Faculty under the supervision of Gail F. Latta, Ph.D. in partial fulfillment of the requirements for the degree of Doctor of Education in Leadership Studies Xavier University Cincinnati, OH May 2017 Running head: GETTING TO “THE POINTE” Running head: GETTING TO “THE POINTE” GETTING TO “THE POINTE”: ASSESSING THE LIGHT AND DARK DIMENSIONS OF LEADESHIP ATTRIBUTES IN BALLET CULTURE Ashley Lauren Whitely Dissertation Advisor: Gail F. Latta, Ph.D. Abstract The focus of this ethnographic study is to examine the industry-wide culture of the American ballet. Two additional research questions guided the investigation: what attributes, and their light and dark dimensions, are valued among individuals selected for leadership roles within the culture, and how does the ballet industry nurture these attributes? An understanding of the culture was garnered through observations and interviews conducted in three classically-based professional ballet companies in the United States: one located in the Rocky Mountain region, one in the Midwestern region, and one in the Pacific Northwest region. Data analysis brought forth cultural and leadership themes revealing an industry consumed by “the ideal” to the point that members are willing to make sacrifices, both at the individual and organizational levels, for the pursuit of beauty. The ballet culture was found to expect its leaders to manifest the light dimensions of attributes valued by the culture, because these individuals are elevated to the extent that they “become the culture,” but they also allow these individuals to simultaneously exemplify the dark dimensions of these attributes. -
FOUNDATION COURSE Prospectus
FOUNDATION COURSE Prospectus actinG AND MUSICAL THeatre BUILT ON A passion FOR SUCCESS PAGE 2 STAGEWORKS COLLEGE FOUNDATION COURSE Prospectus PAGE 3 CONTENTS INTRODUCTION Introduction page 3 Stageworks College was the pioneer of intensive, full-time Level 3 performing arts training in the UK. Our two year Why choose Stageworks page 4 Foundation Course has been running since 2004 and offers you the opportunity to study for a BTEC Level 3 Performing Course overview page 6 Arts Diploma specialising in either acting or musical theatre. Qualifications page 8 As course leaders we have a strong belief in the strength of our training. We aim to give students the technical skills Fees page 9 and audition prepartion they need to reach the standards required to access further training and funding. Faculty and team page 10 Our training programmes have a 100% graduate success Progression page 11 rate and our team have proved they have the knowledge Discipline / Academic enhancement page 12 and skill to individually prepare each student to reach their aspirations. Our ethos is that every student is important Student welfare and pastoral care page 13 and that every student has different skills to progress and ambitions to meet. This means that your training Accommodation page 14 is personalised to your skills and abilities and closely monitored throughout your time with us. Your life at our college page 15 The college has a friendly, family atmosphere with The student’s perspective page 16 reassuring pastoral care to support your entry into the full time world of Performing Arts. Training in a smaller Facilities / Location page 17 environment means you get the quality time you deserve coupled with the discipline that the industry requires. -
Centre for Advanced Training in Dance
OF MUSIC & DANCE OF TRINITY LABAN CONSERVATOIRE CATCENTRE FOR ADVANCED TRAINING IN DANCE TRINITYLABAN.AC.UK/CAT FULLY FUNDED PLACES AVAILABLE /TRINITYLABAN CENTRE FOR ADVANCED TRAINING WHO CAN APPLY? The Centre for Advanced Training (CAT) Do you see your future in dance? at Trinity Laban is part of an innovative scheme offering young people with potential Are you highly motivated and ready to commit in dance the opportunity to access high to an intensive programme of dance training? quality dance training, regardless of their personal circumstances. National CAT Are you aged 13–17? Centres are pioneers in prevocational training and research, promoting best All are welcome to apply regardless of practice and providing exceptional tuition previous dance experience. to young people. For more information on other centres across the UK visit nationaldancecats.co.uk TRINITY LABAN CAT PROGRAMME CAT students attend a full day of classes every Saturday during term time at the Laban Building. The programme of classes provides intensive and rigorous dance training taught by a highly experienced team of professional dance teachers and artists. The programme includes: / Contemporary dance / Ballet / Choreography / Dance fitness and health / Intensive holiday projects / End of year CAT show / Experience in different dance styles / Theatre trips / Careers advice / Individual training advice HOW TO APPLY Applications for Open Days and Auditions For application deadline, please visit trinitylaban.ac.uk/cat Open Days – February and March Come to a FREE open day to find out if CAT is the right choice for you. Open days include a practical dance class for the applicant with a presentation for parents/carers to find out more information. -
Young-Art-Catalogue-2016 06-1.Pdf
A DIFFERENT VIEWPOINT Tuesday 26 April – Friday 29 April Royal College of Art YOUNG ART 2016 Every child is an artist. The problem is how to remain ONCE A STAIRCASE. an artist once he grows up. NOW A STROLL —Pablo Picasso THROUGH HISTORY. As your home becomes more important, CONTENTS so does your insurer. A Year to Remember 2 A Different Viewpoint 3 About Young Art 4 Welcome 5 Thank You 7 Behind the Microscope 8 Dr Tessa Kasia A Word from the Rector 11 Dr Paul Thompson Young Art in Schools 14 Sir Christopher Frayling 16 Meet the Judges 18 A Day in the Life of a Framer 39 Silent Auction 40 Quiz 42 Acknowledgments 62 Catalogue compiled and edited by Maria Howard Home Insurance with contributions from Kate Dilnott-Cooper and India Jaques. Design by Clover Stevens. hiscox.co.uk Artwork photography by Charlie Milligan Cover by Nick Goodwin 1 Hiscox Underwriting Ltd is authorised and regulated by the Financial Conduct Authority. 15740 04/16 YOUNG ART 2016 A YEAR TO REMEMBER Last year we celebrated the 25th anniversary of the first Young Art exhibition by raising £89,200 for Cancer Research UK. With a record number of 8,300 entries submitted and 760 on display at the Royal College of A DIFFERENT VIEWPOINT Art, it was an exceptional showcase of children’s art. Tuesday 26 April – Friday 29 April Royal College of Art Everyone at YA would like to say an Kensington Gore, London SW7 2EU enormous thank you to all the people who made it happen – exhibitors, teachers, schools, parents, judges – Featuring works donated by leading contemporary artists and all our supporters who gave so and Royal Academicians, supporting Cancer Research UK generously to such an important cause. -
Dirk Nel Director of Photography
Dirk Nel Director of Photography Credits include: GRACE Director: Henrik Georgsson Mystery Crime Drama Producer: Kiaran Murray-Smith Featuring: John Simm, Richie Campbell, Rakie Ayola Production Co: Second Act Productions / ITV REDEMPTION Director: John Hayes Mystery Crime Drama Series Producer: John Wallace Featuring: Paula Malcomson, Abby Fitz, Thaddea Graham Production Co: Tall Story Pictures / Metropolitan Films Virgin Media One / ITV WHITSTABLE PEARL Director: David Caffrey Darkly Comic Crime Drama Series Producer: Guy Hescott Featuring: Kerry Godliman, Howard Charles, Frances Barber Production Co: Buccaneer Media / Acorn TV LIFE Directors: Iain Forsyth, Kate Hewitt, Jane Pollard Drama Producer: Kate Crowther Featuring: Alison Steadman, Adrian Lester, Victoria Hamilton Production Co: Drama Republic / BBC One MARCELLA Director: Ashley Pearce Crime Noir Thriller Producer: Elliott Swift Featuring: Anna Friel, Aaron McCusker, Hugo Speer Production Co: Buccaneer Media / Netflix / ITV ACKLEY BRIDGE Director: Rachna Suri Drama Producer: Jo Johnson Featuring: Jo Joyner, Liz White, Paul Nicholls Production Co: The Forge / Channel 4 VERA: COLD RIVER Director: Carolina Giammetta Crime Drama Producer: Will Nicholson Featuring: Brenda Blethyn, Paul Kaye, Kenny Doughty Production Co: ITV BLACK EARTH RISING Director: Hugo Blick Thriller Drama Series Producer: Abi Bach Eps 1, 6, 8 Featuring: John Goodman, Michaela Coel, Harriet Walter Production Co: Drama Republic / BBC Two Dirk Nel | Director of Photography 2 MAIGRET IN MONTMARTRE Director: Thaddeus -
Winter Highlights 2004
DRAMA WINTER HIGHLIGHTS 2004 ENGLAND EXPECTS Steven Mackintosh stars in a hard-hitting drama about a man who is drawn back to his far right past as his life spirals out of control. Mackintosh plays Ray, a responsible family man, fiercely protective of his daughter, Nikki. But he is also a control freak and, when things start to go wrong – first at work and then at home – he begins to lose his grip on reality. As his behaviour becomes increasingly erratic and he looks for someone other than himself to blame, he turns towards people from his past – people who are prepared to exploit him for their own ends. England Expects is produced by award-winning programme-maker Ruth Caleb. Her BBC ONE credits include Dominic Savage's Out Of Control, which won the Michael Powell Award for Best British Film at the Edinburgh International Film Festival, and Antonia Bird's Care, which won the Prix Italia for Best Drama. IN DENIAL OF MURDER Stephen Tompkinson plays campaigning local journalist Don Hale in a factually based drama which explores the controversial case of Stephen Downing and the murder in 1973 of Wendy Sewell (played by Caroline Catz) in Bakewell cemetery in the Peak District. Don Hale’s determination to prove Downing’s innocence captured the imagination of the press and public alike. Based on extensive research and written by Neil McKay, In Denial Of Murder tells the moving and tragic story behind the headlines, combining the story of Hale’s campaign with an account of the life of the murder victim. -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection.