Tragedy (1908)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Antiquarian & Modern
Blackwell’s Rare Books Blackwell’S rare books ANTIQUARIAN & MODERN Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
AN EXAMINATION of PLAYS in MANUSCRIPT ET ME Begin by Stating As Clearly As I Can the Purpose L.4 of This Exploratory Study
TEXTUAL DEGENERATION OF ELlZABETHAN AND STUART PLAYS: AN EXAMINATION OF PLAYS IN MANUSCRIPT ET ME begin by stating as clearly as I can the purpose l.4 of this exploratory study. It has seemed to me that in accounting for variation among Elizabethan and post-Eliza- bethan dramatic texts too little weight has been given to the activities of prompters and actors as compared with those of printers and copyists. According to R. B. McKerrow and Evelyn Albright,l the incompetence of printers has been greatly exaggerated, and the defense they offer seems sound and just, and, as for copyists, they seem, as a class, to have been the most efficient of those who worked on plays. On the other hand, the conditions of play production, now, in the Elizabethan age and in general, are such as not only to pro- voke alteration of texts but to necessitate it. The simplest in- vestigation of the history of Shakespeare on the stage (and on the screen) will reveal habitual and not infrequently vio- Ient modifications of his texts and even of his intentions. A visit to a production lot will convince any visitor that the pro- ducer feels free to alter the script without any reference to the author or what he has written. I remember a conversa- tion in 1908 with Eugene Walter, whose Paid in Full was then en uogue, and of hearing him describe without the least of- fense, indeed with pride, the great changes made in his play when it was produced on Broadway, Stage aIterations are and have been since the Elizabethan age and before the merest commonplace and by no means inconsiderable. -
Reflections of the Bible in Shakespeare's Richard Iii
REFLECTIONS OF THE BIBLE IN SHAKESPEARE'S RICHARD III By. FLEUR.FULLER Bachelor of Arts Texas Technological College Lubbock, Texas 1960 Submitted to the faculty of the Graduate School of the. Oklahoma Stat.e University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August~ 1962 OKLAHOMA STATE UNIVERSITY LIBRARY NOV 8 1962 REFLECTIONS OF THE BIBLE IN SHAKESPEARE'S RICHARD III Thesis Approved: :V«Nid sThesis. B~J~ Adviser lJ(My:.a R~ 7i5eanorthe Graduate School 504442 ii ACKNOWLEDGEMENTS I am grateful to Dro David So Berkeley for the idea which led to this study and for numerous contributions ·while the investigation was being made. I am also indebted to Dr" Daniel Kroll for several valuable suggestions, to Mro Joe Fo Watson for help in Biblical interpretation, and to Miss Helen Donart for assistance in procuring books through inter-library loano iii TABLE OF CONTENTS Page INTRODUCTION 1 Chapters: I. THEME 6 0 oll• • 411 • II IJ Ill e • ti O 11 II< Ii' • lJ, 'Ill II Ill Ill lb Iii • Ill • 0 .. Ill ljl 11' dt ,0, Ill O • (J• Ill O I! fl, 0 «. di• ,ft 6 II. CHARACTERIZATION 28 III. PLOTTING Ill O 41 0 Ill 11> Ill ,a, II II II fl, 'II- fl O II ti' II It 'II fl Cl> Ill .. 0 $ t, ell 41• • II fl O ,q, fl to Cl II ill Ill (t Cl II II 59 CONCLUSION 73 NOTES 76 BIBLIOGRAPHY 82 iv INTRODUCTION That Shak:espeare' s i,mrks are saturated with Biblical allusions is indisputableo Even the most casual reader of Shakespeare cannot fail to recognize many direct Scrip- tural references, and, through the years, Shakespearean scholars -
How to Quote Voltaire: the Edition to Use1 February 2021
How to quote Voltaire: the edition to use1 February 2021 A complete alphabetical list of Voltaire texts and in which edition and volume to find them. The Voltaire Foundation’s Œuvres complètes de Voltaire (OCV) edition includes most texts, but for those not yet published in OCV, the 1877-1885 Moland edition (M) is mostly given. Abbreviations used AP Ajouts posthumes Best., followed by a a letter printed in Voltaire’s correspondence, ed. Th. Besterman, number 107 vol. (Geneva, 1953-1965, 1st edition) BnC Bibliothèque nationale de France: Catalogue général des livres imprimés, 213-214 (1978) BnF, ms.fr. Bibliothèque nationale de France: Manuscrits français BnF, n.a.fr. Bibliothèque nationale de France: Nouvelles acquisitions françaises D, followed by a number a letter printed in Voltaire, Correspondence and related documents, ed. Th. Besterman, in OCV, vol.85-135 DP Dictionnaire philosophique Lizé Voltaire, Grimm et la Correspondence littéraire, SVEC 180 (1979) M Œuvres complètes de Voltaire, éd. Louis Moland, 52 vol. (Paris, Garnier, 1877-1885) NM Nouveaux Mélanges philosophiques, historiques, critiques ([Genève], 1768) OA Œuvres alphabétiques (Articles pour l’Encyclopédie, Articles pour le Dictionnaire de l’Académie) OCV Œuvres complètes de Voltaire (Voltaire Foundation, Oxford, 1968- ) QE Questions sur l’Encyclopédie RC Romans et Contes, ed. Frédéric Deloffre et Jacques van den Heuvel (Paris, Gallimard [Pléiade], 1979) RHLF Revue d’histoire littéraire de la France (Presses universitaire de France) SVEC Studies on Voltaire and the Eighteenth Century (Voltaire Foundation) Vauger ‘Vauger’s lists of Voltaire’s writings, 1757-1785’ (D.app.161, OCV, vol.102, p.509-10) W72P Œuvres de M. -
Voltaire Et Le Sauvage Civilisé
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2010 Voltaire et le sauvage civilisé Christopher J. Barros San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Barros, Christopher J., "Voltaire et le sauvage civilisé" (2010). Master's Theses. 3747. DOI: https://doi.org/10.31979/etd.883s-xa8q https://scholarworks.sjsu.edu/etd_theses/3747 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. VOLTAIRE ET LE « SAUVAGE CIVILISÉ » A Thesis Presented to The Faculty of the Department of World Languages and Literatures San José State University In Partial Fulfillment of the Requirements of the Degree Master of Arts by Christopher J. Barros May 2010 © 2010 Christopher J. Barros ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled VOLTAIRE ET LE « SAUVAGE CIVILISÉ » by Christopher Joseph Barros APPROVED FOR THE DEPARTMENT OF WORLD LANGUAGES AND LITERATURES SAN JOSE STATE UNIVERSITY May 2010 Danielle Trudeau Department of World Languages and Literatures Jean-Luc Desalvo Department of World Languages and Literatures Dominique van Hooff Department of World Languages and Literatures ABSTRACT VOLTAIRE ET LE « SAUVAGE CIVILISÉ » by Christopher J. Barros This thesis explores Voltaire’s interpretation of human nature, society, and progress vis-à-vis the myth of the “noble savage,” an image that was widespread in the literature, imagination, and theater of the 17th and 18th centuries. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
Chromatic Dragons BLACK DRAGONS (No Additional Special GREEN DRAGONS (No Additional Special Abilities) Abilities)
Issue Number 21 May 2014 Contents % in lair, by Stuart Marshall 3 New Character Races, by Stuart Marshall 4-16 Combined Combat Chart, by Steve Wachs 17 How Much Experience Did We Get For That Dragon?, by 18-20 Ardano Silverbow Magical Miscellanea, by C. Wesley Clough 21-22 Glarck's Remote Spell Books, by Bryan Fazekas 22-23 Ride the Lightning, by Ian Slater 24-27 Monsters of All Sizes, by R. N. Bailey 28-32 The Wizard's Laboratory, by Marco 33-58 The Conjurer, by Ian Slater 59-65 Lake of Sorrows, by Steve McFadden 66-86 Open OSRIC License 87 Open Game License 87-88 Cover art is copyright © 2012 by Raven Krupnow, used under the CC-BY-NC-SA 3.0 see http://creativecommons.org/licenses/by- n c-sa /3.0/ Raven Krupnow's art can be viewed at http://sky-byte-haiku.deviantart.com/ The Staff Publisher Steve Yates Associate Editor Nicholas Partridge Associate Editor Ron Redmond Submissions Manager Nicholas Partridge Title Graphics Jim Lassiter Graphics Editing Steve McFadden Design & Layout Stuart Marshall Footprints is published by Dragonsfoot. It is available at the Dragonsfoot website for download; visit http://www.dragonsfoot.org/ft/ to download other issues. The rights to all material published herein revert to the author(s) of said work upon release of this issue. Articles may be submitted by email to [email protected] (please, don't submit articles by Private Message in the forums). Don't forget to include your "byline," i.e. how you wish to be credited. -
5.5 X 10 Long Title.P65
Cambridge University Press 978-0-521-49782-4 - Sophocles: Oedipus Tyrannus Fiona Macintosh Index More information INDEX Accius 65 Aristotle 49, 50, 161 Phoenissae 65 Poetics 1–2, 14, 29–31, 46, 73, 86, Aeschylus 4, 32 133, 181 Laius 5 anagnorisis (recognition), 30, 43, 74 Libation Bearers 4, 21 peripeteia (reversal) 30, 43, 74 Oedipus 5 Politics 15, 70 Oresteia 161 Ars Poetica, see Horace Prometheus Bound 55, 154 Artaud, Antonin 173–5, 176, 180 Seven against Thebes 5, 17–20 The Spurt of Blood 174 ending of 34 Sphinx 5 Balinese gamelan 184 Agathon 39 Ballets Russes 109, 134 Agrippina Bakathir, Ali Ahmad 189 mother of Nero 37, 42, 66 Barbaro, Daniele 72, 96 Al-Hakin, Tawfiq 189 Barber, Samuel 191 Allan, Maud 123–4, 129 Barker, Granville 112, 118, 122, 123, Altertumswissenschaft 134 127, 128 Anderson, Judith 192 Barrault, Jean-Louis 173–4, 175 Anguillara, Giovanni Andrea dell’ As I Lay Dying 176 Edippo 95 Beckett, Samuel 151 Annunzio, Gabriele d’ Bérard, Christian 141 La Città Morta 128 Berkoff, Steven Anouilh, Jean Greek 162, 173–81, 184, figure 15 Médée 183, 192 Oedipus 191 Antigone, see Sophocles, Mendelssohn, Bernhardt, Sarah 91 Meurice, and Vacquerie Betterton, Thomas Antiphanes 1–2, 3–4, 7, 31 as Oedipus 62 fragment of 29 Biancolelli, Pierre François (called Apolline 102, 106, 161, 185 Dominique) Appia, Adolphe 111 Oedipe travesti 78, 97 Aristophanes 25 Bizet, Georges Acharnians 32 Carmen 139 Frogs 25, 28 Blanchar, Pierre Lysistrata 109, 127–8, 146 Oedipe-Roi 145–54, 158, 181, figure 11 Aristotelian blind[ing of] Oedipus catharsis 73 -
Dragon Magazine
DRAGON 1 Publisher: Mike Cook Editor-in-Chief: Kim Mohan Shorter and stronger Editorial staff: Marilyn Favaro Roger Raupp If this isnt one of the first places you Patrick L. Price turn to when a new issue comes out, you Mary Kirchoff may have already noticed that TSR, Inc. Roger Moore Vol. VIII, No. 2 August 1983 Business manager: Mary Parkinson has a new name shorter and more Office staff: Sharon Walton accurate, since TSR is more than a SPECIAL ATTRACTION Mary Cossman hobby-gaming company. The name Layout designer: Kristine L. Bartyzel change is the most immediately visible The DRAGON® magazine index . 45 Contributing editor: Ed Greenwood effect of several changes the company has Covering more than seven years National advertising representative: undergone lately. in the space of six pages Robert Dewey To the limit of this space, heres some 1409 Pebblecreek Glenview IL 60025 information about the changes, mostly Phone (312)998-6237 expressed in terms of how I think they OTHER FEATURES will affect the audience we reach. For a This issues contributing artists: specific answer to that, see the notice Clyde Caldwell Phil Foglio across the bottom of page 4: Ares maga- The ecology of the beholder . 6 Roger Raupp Mary Hanson- Jeff Easley Roberts zine and DRAGON® magazine are going The Nine Hells, Part II . 22 Dave Trampier Edward B. Wagner to stay out of each others turf from now From Malbolge through Nessus Larry Elmore on, giving the readers of each magazine more of what they read it for. Saved by the cavalry! . 56 DRAGON Magazine (ISSN 0279-6848) is pub- I mention that change here as an lished monthly for a subscription price of $24 per example of what has happened, some- Army in BOOT HILL® game terms year by Dragon Publishing, a division of TSR, Inc. -
Demon”? Find 26 Synonyms and 30 Related Words for “Demon” in This Overview
Need another word that means the same as “demon”? Find 26 synonyms and 30 related words for “demon” in this overview. Table Of Contents: Demon as a Noun Definitions of "Demon" as a noun Synonyms of "Demon" as a noun (26 Words) Usage Examples of "Demon" as a noun Associations of "Demon" (30 Words) The synonyms of “Demon” are: devil, fiend, monster, ogre, daemon, daimon, evil spirit, fallen angel, cacodemon, villain, brute, savage, beast, barbarian, animal, genius, numen, wizard, expert, master, adept, virtuoso, maestro, past master, marvel, prodigy Demon as a Noun Definitions of "Demon" as a noun According to the Oxford Dictionary of English, “demon” as a noun can have the following definitions: An evil spirit or devil, especially one thought to possess a person or act as a tormentor in hell. An evil supernatural being. Reckless mischief; devilry. A cruel, evil, or unmanageable person. A cruel wicked and inhuman person. A forceful or skilful performer of a specified activity. A powerful, often destructive compulsion or obsession. Someone extremely diligent or skillful. Something very insidious and harmful. GrammarTOP.com Synonyms of "Demon" as a noun (26 Words) A person who is skilled or proficient at something. adept He is an adept at imitation. An animal as opposed to a human being. animal I am a political animal. GrammarTOP.com (in ancient times) a member of a people not belonging to one of the great barbarian civilizations (Greek, Roman, Christian. You arrogant barbarian. A living organism characterized by voluntary movement. beast That much maligned beast the rave record. Something awkward, difficult, or unpleasant. -
Appendix the Queen Or the Excellency of Her Sex
Appendix The Queen or The Excellency of her Sex HISTORY OF THE PLAY The Queen was published anonymously in 1653 and remained anonymous until1906 when Professor W. Bang edited the play and attributed it to Ford. Sherman in 1908, H. Dugdale Sykes in 1924 and Joan Sargeaunt in 1935 were all in agreement.' More recent I y Professor H. J. 0 liver in 1955 and Professor O.K. Anderson Jr. in 1972 both confirm Bang's opinion and most scholars would now attribute the play in its entirety to Ford.2 MAJOR THEMES The theme underlying the main plot is the cure of misogyny by arousing jealous suspicions in order to stimulate sexual attraction. This therapeutic idea has been attributed to the influence of Burtonian psychology. The subject is Alphonso, sentenced to death for rebellion but pardoned and married to the Queen, whose sex, however, he abhors. The agent is his counsellor Muretto who, by dropping into his master's mind suspicions of the Queen's relations with the young lord Petruchi, rouses him to a fury of sexual jealousy. Out of this theme three others develop. First is the trial of love, for the Queen endures with fortitude Alphonso's refusal to accept her as a wife and his subsequent accusation of unchastity. Second is the theme of honour; the Queen remains entirely loyal to her husband and also to her responsibilities towards her subjects, for she will allow none of them to risk life and limb by taking up the challenge of her cause. The theme of honour recurs in the secondary plot in Velasco's unwillingness to break the oath which he has sworn to the imperious Salassa even when she frees him from it.