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AN EXAMINATION of PLAYS in MANUSCRIPT ET ME Begin by Stating As Clearly As I Can the Purpose L.4 of This Exploratory Study
TEXTUAL DEGENERATION OF ELlZABETHAN AND STUART PLAYS: AN EXAMINATION OF PLAYS IN MANUSCRIPT ET ME begin by stating as clearly as I can the purpose l.4 of this exploratory study. It has seemed to me that in accounting for variation among Elizabethan and post-Eliza- bethan dramatic texts too little weight has been given to the activities of prompters and actors as compared with those of printers and copyists. According to R. B. McKerrow and Evelyn Albright,l the incompetence of printers has been greatly exaggerated, and the defense they offer seems sound and just, and, as for copyists, they seem, as a class, to have been the most efficient of those who worked on plays. On the other hand, the conditions of play production, now, in the Elizabethan age and in general, are such as not only to pro- voke alteration of texts but to necessitate it. The simplest in- vestigation of the history of Shakespeare on the stage (and on the screen) will reveal habitual and not infrequently vio- Ient modifications of his texts and even of his intentions. A visit to a production lot will convince any visitor that the pro- ducer feels free to alter the script without any reference to the author or what he has written. I remember a conversa- tion in 1908 with Eugene Walter, whose Paid in Full was then en uogue, and of hearing him describe without the least of- fense, indeed with pride, the great changes made in his play when it was produced on Broadway, Stage aIterations are and have been since the Elizabethan age and before the merest commonplace and by no means inconsiderable. -
Seven Steps to Answered Prayer, Part 1
The Bible Prayer Study Course By Kenneth E Hagin Chapter 1, Seven Steps to Answered Prayer, Part 1 .............................................................. 6 Step Number One: Be Specific and Stand on God's Promises ................................................ 6 Pray According to the Word ...................................................................................................... 6 Use the Sword of the Spirit Against the Devil ........................................................................... 7 Fight the Good Fight of Faith .................................................................................................... 8 Step Number Two: You Must Ask God for What You Want ..................................................... 9 Sense Knowledge Truth vs. Revelation Truth ........................................................................ 10 Step Number Three: Be Positive in Your ThinKing ................................................................. 11 Resist Doubt ............................................................................................................................ 12 Reject Anything That Contradicts the Word ............................................................................ 12 My Own Fight of Faith ............................................................................................................. 13 Step Number Four: Guard Your Mind ..................................................................................... 14 Chapter 2 Seven Steps to Answered -
International Review for the History of Religions
INTERNATIONAL REVIEW FOR THE HISTORY OF RELIGIONS EDITED ON BEHALF OF THE INTERNATIONAL ASSOCIATION FOR THE HISTORY OF RELIGIONS by M. HEERMA VAN VOSS, E. J. SHARPE, R. J. Z. WERBLOWSKY VOLUME XXVIII F:'b r- t--w LEIDEN E. J. BRILL 1981 CONTENTS Articles JOHNC. HOLT, Assisting the Dead by Venerating the Living. 1 ALAN MILLAR and JOHN K. RICHES, Interpretation: a theore- tical perspective and some applications ......................... 29 G. R. H. WRIGHT, Dumuzi at the court of David ............... 54 A. T. KRAABEL, The Disappearance of the "God-fearers" .... 113 LUTHER H. MARTIN, Josephus' Use of Heimarmene in the Jewish AntiquitiesXIII, 171-3 .................................... 127 JORUNN JACOBSEN BUCKLEY, The Mandaean Tabahata Masiqta ......... ......... ....................... ...... 138 I. FRIEDRICHSILBER, Dissent through holiness: the case of the radical renouncer in Theravada Buddhist countries.......... 164 RICCARDO M. FRACASSO, Manifestazioni del simbolismo assiale nelle tradizioni cinesi antiche ............................ 194 R. S. NEWMAN,Faith is All! Emotion and Devotion in a Goan Sect ............................................................ 216 Review articles WOLF B. OERTER, Zur Bildersprache des Manichaiismus ...... 64 VITALY A. RUBIN, Values of Confucianism ....................... 72 R. J. Z. WERBLOWSKY,Collected essays........................... 81 R. J. Z. WERBLOWSKY,Polemics .................................... 86 Book reviews Julian Apostata, hrsg. von Richard Klein (G. W. BOWERSOCK) 88 Yuyama, Akira, SystematischeUbersicht -
The Senses in Early Modern England, 1558–1660
The senses in early modern England, 1558–1660 Edited by Simon Smith, Jacqueline Watson, and Amy Kenny MANCHESTER 1824 Manchester University Press Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 www.manchesteruniversitypress.co.ukDownloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access The senses in early modern England, 1558–1660 Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 1 02/04/2015 16:18 Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 2 02/04/2015 16:18 The senses in early modern England, 1558–1660 edited by simon smith, jackie watson and amy kenny Manchester University Press Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 3 02/04/2015 16:18 Copyright © Manchester University Press 2015 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. Published by Manchester University Press Altrincham Street, Manchester M1 7JA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for isbn 978 07190 9158 2 hardback First published 2015 The publisher has no responsibility for the persistence or accuracy of URLs for external or any third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
Competing As Lawyers
Hear students’ thoughts Forget candy, flowers. Sideravages run Disney: about how Feb. 14 What ideal gifts would 48 miles in four days. should be celebrated. you give loved ones? Sound crazy? It’s true! Read page 3. Read pages 6, 7. Read page 8. February 2018 Kennedy High School 422 Highland Avenue The Waterbury, Conn. 06708 Eagle Flyer Volume XIII, Issue V Competing Legal Eagles: Kennedy’s Mock Trial team as lawyers By Jenilyn Djan Staff Writer Win or lose...they still prevailed. Students are already contemplat- ing the 2018 season after competing at the Waterbury Courthouse Thurs- day Dec. 7, 2017 for the Mock Trial Regional competition, where students practiced a semi-altered case mimick- ing an actual trial about whether a man was guilty for the deaths of four fam- ily members aboard his ship. Students won their defense while the prosecu- tion side lost. “It was a good season, even though I was just an alternate. I was able to learn a lot this year,” Melany Junco, a sophomore. Students have been practicing since August 29, 2017 once a week every Monday for this competition, and have even done a few Saturday and addi- LEGAL EAGLES tional practice sessions to be more pre- The defense side of the team won vance to the next round next season. Kennedy’s Mock Trial team competed at the Waterbury Court Thursday, Dec. 7, 2017. They won one case and lost another. Members are, their case, but the prosecution lost. “Our team worked really hard this pared. front row, left to right: sophomores Nadia Evon, Melany Junco, juniors Risper “Even though we lost at the com- “Even though we lost, I thought our year and next year we’ll work even Githinji, Jenilyn Obuobi-Djan, Derya Demirel, Marin Delaney, Kaitlyn Giron, and petition, the students did great,” said prosecution did great,” said Kariny harder to advance,” said William sophomore Samarah Brunette. -
Diocesan Bishop's Office
Journal of Proceedings 2013 Annual Convention Section 1: 2013 Convention Minutes Section 3: Reports to the 103rd Annual Convention Clergy & Staff Transitions (A.6) 25 2013 Convention Minutes 2-14 Final Agenda (A.11) 26-27 Nominations Committee report (B.3) 28-34 Action Items Candidates for Deputy to General Convention (B.4) 35-40 2014 Diocesan Operating Budget 6 Resolutions Committee (D.3) 41-49 Constitution and Canons 7-8 Courtesy Resolutions (D.4) 50-52 Committee on Constitution and Canons (E.1) 53-56 Ballot Reports Convention Committees (E.2) 57 Report of the First Ballot 4 Personnel Commission (E.3) 58-59 Report of the Second Ballot 6 Standing Committee (E.4) 60 Report of the Third Ballot 9 Board of Directors (E.5) 61-64 Report of the Fourth Ballot 13 Diocesan Council (E.6) 65-67 Commission on Ministry (E.7) 68 Resolutions 10-13 Report on 2012 Resolution #4(E.8) 69-70 Courtesy Resolutions 10-11 Committee on Privilege (E.9) 71-72 Resolution #1—2015 Diocesan assessment rate 10 Archives 73-74 Resolution #2—Cost of Living adjustment for 2014 10 Resolution #3—Supply clergy 10 Section 4: Leadership Lists Resolution #4—Call for prayers for the people and Congregations in the Diocese of Olympia 75 church in El Salvador during a challenging Officers of the Convention 76 transition time 4 Standing Committee 76 Resolution #5—Divestment from Fossil Fuels 11-12 Board of Directors 76 Resolution #6—Amend Canon 7:The Fund Bishop’s Office Staff 76 of the Diocese 12-13 Diocesan Council 77 Diocesan Canonically Resident Clergy (A.5) 78-80 Awards / Appointments -
Appendix the Queen Or the Excellency of Her Sex
Appendix The Queen or The Excellency of her Sex HISTORY OF THE PLAY The Queen was published anonymously in 1653 and remained anonymous until1906 when Professor W. Bang edited the play and attributed it to Ford. Sherman in 1908, H. Dugdale Sykes in 1924 and Joan Sargeaunt in 1935 were all in agreement.' More recent I y Professor H. J. 0 liver in 1955 and Professor O.K. Anderson Jr. in 1972 both confirm Bang's opinion and most scholars would now attribute the play in its entirety to Ford.2 MAJOR THEMES The theme underlying the main plot is the cure of misogyny by arousing jealous suspicions in order to stimulate sexual attraction. This therapeutic idea has been attributed to the influence of Burtonian psychology. The subject is Alphonso, sentenced to death for rebellion but pardoned and married to the Queen, whose sex, however, he abhors. The agent is his counsellor Muretto who, by dropping into his master's mind suspicions of the Queen's relations with the young lord Petruchi, rouses him to a fury of sexual jealousy. Out of this theme three others develop. First is the trial of love, for the Queen endures with fortitude Alphonso's refusal to accept her as a wife and his subsequent accusation of unchastity. Second is the theme of honour; the Queen remains entirely loyal to her husband and also to her responsibilities towards her subjects, for she will allow none of them to risk life and limb by taking up the challenge of her cause. The theme of honour recurs in the secondary plot in Velasco's unwillingness to break the oath which he has sworn to the imperious Salassa even when she frees him from it. -
Edmund Spenser and Elizabethan Portraiture Author(S): Tarnya Cooper and Andrew Hadfield Source: Renaissance Studies, Vol
Edmund Spenser and Elizabethan portraiture Author(s): Tarnya Cooper and Andrew Hadfield Source: Renaissance Studies, Vol. 27, No. 3 (JUNE 2013), pp. 407-434 Published by: Wiley Stable URL: https://www.jstor.org/stable/24420119 Accessed: 09-04-2019 14:13 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Wiley is collaborating with JSTOR to digitize, preserve and extend access to Renaissance Studies This content downloaded from 117.240.50.232 on Tue, 09 Apr 2019 14:13:08 UTC All use subject to https://about.jstor.org/terms Renaissance Studies Vol. 27 No. 3 DOI: 10.1111/j.l477-4658.2012.00819.x Edmund Spenser and Elizabethan portraiture Tarnya Cooper and Andrew Hadfield Edmund Spenser (1554P-99), although his work is largely the preserve of specialists today, is a recognizable figure from the realms of English Literature from the mid-seventeenth century onwards. He is invariably depicted as a man with a ruff and a neatly clipped beard and, if shown in fuller profile, wearing the doublet and tights that were thought to have been de rigeurat Elizabeth's court. There is no particular distinction between the images produced for a scholarly audience and a more popular one. -
LT Catalog 2012.Indd
BOOKS-BY-MAIL Large Print Books Fiction...Non-Fiction...Biography 2012 Community Outreach and Senior Services Schenectady County Public Library 99 Clinton Street Schenectady, NY 12305-2047 518-388-4521 * www.scpl.org The Large Print books listed in this catalog may be borrowed by any library patron and are available at the Schenectady County Public Library or its nine branches. Books are organized by fi ction genres (such as cozy mystery or romance); nonfi ction and biography follow the fi ction. Short summaries of content for each title were gathered from the online reviews found in Barnes and Noble, Amazon.com, and Novelist. New books in series by popular authors are found at the end of each genre and are placed in alphabetical order by author and title. All series names are in parentheses following the book title. If you or someone you know is homebound and would like to participate in the Books-By-Mail program, please contact the Outreach Services Offi ce to determine if you qualify. If you participate in the Meals-On-Wheels program and are interested in receiving library materials with your meal delivery, please contact your Schenectady County Meals-On-Wheels representative at the Glendale Nursing Home to fi le an application for our service. For more information about the Outreach Senior Services Program, please call 388-4521 or email [email protected]. Happy Reading! TABLE OF CONTENTS Adventure, Crime, Thriller _______________________________ 1 Adventure, Crime, Thriller Series ________________________ 10 Amish Fiction _________________________________________ -
Collaboration Between William Shakespeare and John
... H WITH A ‘CO-ADJUTOR’: COLLABORATION ON J D AN E BETWEEN WILLIAM SHAKESPEARE AND R ESPEA K JOHN FLETCHER IN THE TWO NOBLE A H S 1 IAN KINSMEN LL I W EEN Com “ajudante”: colaboração entre William W BET Shakespeare e John Ffletcher em Os dois primos ATION R nobres ABO LL O ’: C R UTO DJ A - O C ‘ A H IT . W B José Roberto Basto O’Shea* , J. R. EA H S ’ O RESUMO O presente ensaio visa sintetizar, criticamente, o conhecimento existente acerca da controversa questão da colaboração no contexto teatral elisabetano-jaimesco, em geral, e no caso da composição da peça Os Dois Primos Nobres (1613-1614), especificamente. Recorrendo a seis procedimentos distintos atualmente empregados por especialistas para verificar e aferir autoria e coautoria, o ensaio conclui em favor de inquestionável colaboração entre William Shakespeare, veterano dramaturgo da companhia The King’s Men, e John Fletcher, dramaturgo iniciante junto à mesma companhia à época. Palavras-chave: colaboração; coautoria; Shakespeare; Fletcher; Os Dois Primos Nobres. 1 This essay was researched at the Folger Shakespeare Library, in Washington, DC, in 2013, while the author held a short-term Folger fellowship. * Universidade Federal de Santa Catarina (UFSC). REVISTA LETRAS, CURITIBA, N. 92 P. 49-65, JUL/DEZ. 2015. ISSN 2236-0999 (VERSÃO ELETRÔNICA) 49 O’SHEA, J. R. B. WITH A ‘CO-ADJUTOR’: COLLABORATION BETWEEN WILLIAN SHAKESPEARE AND JONH... ABSTRACT This essay attempts critically to synthesize existing knowled- ge as regards the controversial issue of collaboration in the Elizabethan-Jacobean theatrical context, in general, and in the case of the composition of the play The Two Noble Kinsmen (1613-1614), in particular. -
The Revenge of Bussy D'ambois
Vol.1:no.1 "Let me not to the marriage of true minds admit impediments..." Fall 2001 A Golden Book, bound richly up From the Editors: Comparing Chapman’s words in Bussy Oxford is d’Ambois with Ashbourne portrait images Shakespeare: By Barbara Burris ©2001 n George Chapman’s play, The Revenge of Bussy D’Ambois, an unsuccessful imitation of Hamlet published in 1613, the main character, Clermont D’Ambois, describes with any questions? Iglowing praise a “famous Earle” as he was seen traveling from Italy to Germany; ending his first newsletter of the Shakespeare 1 with the words, “And t’was the Earle of Oxford.” Fellowship comes off the press at a And yet Clermont—who is modeled after Hamlet—also attacks Oxford and his poetry Tmomentous crossroads in intellec- and “works” in an earlier speech, which includes an amazingly detailed description of the tual history. The paradigm has shifted. The book in the Ashbourne portrait of Shake-speare: intellectual revolution adumbrated in 1920 by the man with the funny name has finally, As these high men doe, low in all true grace, in the wake of Charlton Ogburn’s The Mys- Their height being privilege to all things base. And as the foolish Poet that still writ terious William Shakespeare (1984) and All his most selfe-loved verse in paper royall, subsequent events, come of age. The pro- Or Partchment rul’d with Lead, smooth’d with verbial handwriting is on the wall: an over- the Pumice; whelming preponderance of circumstan- Bound richly up, and strung with Crimson tial evidence, much of it accumulated only strings; in the last 25 years, supports the “Looney” Never so blest as when hee writ and read theory identifying Edward de Vere, 17th The Ape-lov’d issue of his braine; and never But joying in himselfe; admiring ever.