Big Social Data Analytics of Changes in Consumer Behaviour and Opinion of a TV Broadcaster
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Årsrapport Innholdsoversikt / NRK 2007
07 Årsrapport INNHOLDSOVERSIKT / NRK 2007 FORORD 3 DRAMA 32 KANALER 62 Om fjernsynsdrama 33 NRK1 63 NYHETER 4 Berlinerpoplene 33 NRK2 64 Ny design og innholdsprofil 5 Utradisjonell seing 34 NRK3 64 Nye NRK2 5 Kodenavn hunter 35 NRK Super 64 Bred valgdekning 6 Størst av alt 36 NRK P1 65 Nyheter på nrk.no 6 Radioteateret 36 NRK P2 66 Nyheter på P1 8 NRK P3 66 Nyheter på P2 8 FAKTA & VITENSKAP 38 Andre kanaler 67 Osenbanden på P3 8 Faktajournalistikk i NRK 39 NRK Sport 67 Internasjonale nyheter 9 Spekter 39 NRK Jazz 67 SKUP-pris til Dagsrevyen 9 Puls — i tre kanaler 40 NRK Båtvær 67 Egenproduksjon 9 Jordmødre 40 NRK Gull 67 yr.no 41 NRK Super 67 BARN 10 Ekstremværuka 42 NRK 5.1 68 Super på tv 11 Radiodokumentaren 43 Alltid Klassisk 68 Superbarn 11 Alltid Nyheter 68 Superstore 12 MINORITETER 44 Alltid Folkemusikk 68 Super på radio 13 10 års jubilant på tv 45 NRK mP3 68 Super på nett 13 Dokumentarer om det flerkulturelle 45 P3 Urørt 68 Spiller.no 13 Norge NRK P1 Oslofjord 68 Melodi Grand Prix Jr 14 Bollywoodsommer 46 NRK Sámi Radio 69 Dokumentar og drama for 14 Kvener 46 NRK1 Tegnspråk 69 barn og unge Musikk 46 NRK Stortinget 69 Ettermiddagstilbud for unge 14 Språklig og kulturelt mangfold i NRK 47 NRK som podkast 69 Nrk.no 69 SPORT 15 LIVSSYN 48 Språkarbeid og nynorskbruk i NRK 70 Vinteridrett 16 Livssyn i faste programmer 49 Teksting av programmer 70 Sportsnyheter 16 Det skjedde i de dager 49 Sportsportalen 16 Salmer til alle tider 49 Ung sport 17 Morgenandakten på P1 49 Fotball på fjernsyn og radio 17 Mellom Himmel og jord 49 Bakrommet -
The World on Television Market-Driven, Public Service News
10.1515/nor-2017-0128 Nordicom Review 31 (2010) 2, pp. 31-45 The World on Television Market-driven, Public Service News Øyvind Ihlen, Sigurd Allern, Kjersti Thorbjørnsrud, & Ragnar Waldahl Abstract How does television cover foreign news? What is covered and how? The present article reports on a comparative study of a license-financed public broadcaster and an advertising- financed channel in Norway – the NRK and TV2, respectively. Both channels give priority to international news. While the NRK devotes more time to foreign news (both in absolute and relative numbers) than TV2 does, other aspects of the coverage are strikingly similar: The news is event oriented, there is heavy use of eyewitness footage, and certain regions are hardly visible. At least three explanations can be used to understand these findings: the technological platform (what footage is available, etc.) and the existence of a common news culture that is based on ratings and similar views on what is considered “good television”. A third factor is that both channels still have public service obligations. Keywords: foreign news, television news, public service Introduction The media direct attention toward events and occurrences in the world, and help to shape our thinking as well as our understanding of these events. The potentially greatest influ- ence can be expected to occur with regard to matters of which we have little or no direct experience. Foreign news is a prime example of an area where most of us are reliant on what the media report. Studies of foreign news have a long tradition (i.e., Galtung & Ruge 1965) and there is a vast body of literature focusing on the criteria for what becomes news (e.g., Harcup & O’Neill 2001; Hjarvard 1995, 1999; Shoemaker & Cohen 2006). -
Nordic Drama
NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
Jensen.Pdf (1.240Mb)
Ida Sandli Jensen ________________________________ Ankerkvinnen – anheng eller autoritet? En kvantitativ og kvalitativ studie av kvinnelige nyhets- og sportsankere samt reportere i NRK og TV 2 Kandidatnummer: 104 Masteroppgave 2018 Master i journalistikk OsloMet – storbyuniversitetet, Institutt for journalistikk og mediefag Sammendrag Denne masteroppgaven omhandler hovedsakelig kvinnelige nyhets- og sportsankere samt reportere i TV-kanalene NRK og TV 2. Formålet er å undersøke om det er forskjell på blant annet forekomst av kjønn, alder, utseende og kroppsspråk mellom TV-journalister i en statlig, lisensfinansiert kanal som NRK og en privat, reklamefinansiert kanal som TV 2. Med bakgrunn i teori om sammenfallende tematikk har jeg utforsket om det er mulig å identifisere noen endring i kvinnelige ankeres arbeidssituasjon og eventuell likestilling sammenlignet med eldre studier for rundt 15–20 år siden. Jeg har tatt i bruk en kvantitativ og kvalitativ innholdsanalyse og utført kvalitative intervjuer med kvinnelige ankere og ledere i NRK og TV 2. Undersøkelsens hovedfunn viser blant annet at NRKs ankerkvinner er i gjennomsnitt eldre og har et annet type utseende og klesstil enn TV 2s kvinner. TV 2s ankerkvinner er i gjennomsnitt 14 år yngre enn deres mannlige kolleger. Resultatene viser også at ankerkvinnenes stilling i redaksjonen har utviklet og forbedret seg sammenlignet med eldre studier for to tiår siden. I tilknytning til kjønnsfordeling har TV 2 en klar overvekt av mannlige nyhetsankere sammenlignet med NRK hvor kjønnsfordelingen er helt balansert. Abstract This master thesis deals primarily with female news and sports anchors including reporters in the TV channels NRK and TV 2. The aim of this study is to examine whether there are any differences in occurrences of the sexes, age, appearance and body language between TV journalists in a public service broadcaster such as NRK and a commercial broadcaster such as TV 2. -
Media Industries You Will Need to Consider
Media Studies - TV Student Notes Media Industries You will need to consider: • Processes of production, distribution and circulation by organisations, groups and individuals in a global context. • The specialised and institutionalised nature of media production, distribution and circulation. • The significance of patterns of ownership and control including conglomerate ownership, vertical integration and diversification. • The significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products. • How media organisations maintain, including through marketing, varieties of audiences nationally and globally. • The regulatory framework of contemporary media in the UK. • How processes of production, distribution and circulation shape media products. • The role of regulation in global production, distribution and circulation. • Regulation (including Livingstone and Lunt) at A level. • Cultural industries (including Hesmondhalgh) at A Level. No Burqas Behind Bars This should be linked where relevant to • Social, • Cultural, • Economic, • Political and • Historical contexts. • The significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • The growing importance of co-productions (including international co-productions) in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes • The way in which production values -
Public Service Broadcasting As an Object for Cultural Policy in Norway and Sweden a Policy Tool and an End in Itself
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Göteborgs universitets publikationer - e-publicering och e-arkiv Nordicom Review 32 (2011) 2, pp. 35-47 Public Service Broadcasting as an Object for Cultural Policy in Norway and Sweden A Policy Tool and an End in Itself Håkon Larsen Abstract The future of public service broadcasting (PSB), and its role for democracy and culture in an age of globalization and digitalization, is a disputed issue among communication scholars, journalists, the general public and politicians. The PSB institutions are dependent on politi- cal support for their survival, and they have to live up to cultural policy obligations. The focus of this analysis is on the rhetoric employed in the white papers on PSB and overall cultural policy, produced between 2005 and 2007 in Norway and Sweden. The analysis shows that both countries emphasize the need to secure an inclusive public sphere, a vivid democracy and a national culture. The rhetoric differs in the sense that the Norwegian focus is on PSB as a tool for achieving cultural policy goals, while the Swedish focus is more on why the idea of PSB is important in itself. Keywords: public service broadcasting, cultural policy, media policy, cultural repertoire, Norway, Sweden Introduction Public service broadcasters have traditionally been strong media institutions in Scandi- navia. Today, the institutions are struggling to maintain their centrality and importance, as a result of the ongoing technological and economical development within the media landscape. The future of public service broadcasting (PSB) is a debated issue among scholars, politicians, journalists and the general public – “The new context of PSB has serious consequences for every aspect of its operations: for its mission, programming, organization and funding” (Bardoel and l’Haenens 2008: 342). -
The Autonomy of Scandinavian Public Service Broadcasters During Election Campaign Periods Principles and Practices
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Göteborgs universitets publikationer - e-publicering och e-arkiv 10.2478/nor-2013-0043 Nordicom Review 34 (2013) 1, pp. 63-76 The Autonomy of Scandinavian Public Service Broadcasters During Election Campaign Periods Principles and Practices Kjersti Thorbjørnsrud Abstract This comparative case study explores the formal and informal principles governing election formats produced by the public service broadcasters in Sweden, Denmark and Norway. The focus is on external regulation vs. journalistic autonomy and on principles of balance and access. The conclusion is that the Scandinavian broadcasters, to a larger extent than broadcasters in other Western countries, independently control the form and content of their election formats. This journalistic autonomy, however, has brought about election formats governed by different principles of access. The Danish and Swedish formats are based on a moderate stopwatch logic, whereas the election formats in Norway center on criteria of audience appeal, resulting in a model of access disproportionately favoring certain political parties. The high degree of journalistic control of election formats in Scandinavia, paired with the low control of political parties encourage a discussion of some of the central premises in the Democratic Corporatist Model. Keywords: election coverage, regulation, journalistic autonomy, broadcasters, models of media and politics Introduction Debates between incumbents and their rivals and the journalistic interrogation of party leaders on TV during election campaign periods usually attract large audiences (Cole- man 2000). For broadcasters, these media events are attractive to organize, produce and transmit. For political leaders, the stakes are high when taking part in such formats, and they share an interest in influencing their form and content. -
Analysis of Government Support for Public Broadcasting and Other Culture in Canada
Analysis of Government Support for Public Broadcasting and Other Culture in Canada Nordicity Group Ltd. Prepared for Canadian Broadcasting Corporation / La Société Radio-Canada June 2006 About Nordicity Group Ltd. Nordicity Group Ltd. (www.nordicity.com), founded in 1979, is one Canada’s leading strategy consulting firms for clients in the media/entertainment, culture/content, and telecommunications sectors: broadcasting, print, music, television/film production, new media, art/museums, cable, satellite and terrestrial wireless/wire-line telecommunications. Our consultants work with clients in both the private and public sectors to make business and policy decisions, and to understand the impacts of policy and regulatory developments. Nordicity helps businesses make strategic decisions; we also address regulatory and government policy issues for firms, consortia, and industry associations. Nordicity helps governments and other organizations develop and evaluate policy and regulation. Our consultants provide clients with strategic planning, business case analysis, market assessment and forecasting, economic analysis, financial modelling, evaluation frameworks, and other tools for strategic and operational decision making. Nordicity has offices in Ottawa and Toronto, with associates in other Canadian cities. We also offer global delivery of our expertise through affiliations with international professional services firms, notably PricewaterhouseCoopers and IBM Business Consulting Services. i Table of Contents Page Executive Summary................................................................................................................................... -
Public Broadcaster Comparison 2016
Analysis of Government Support for Public Broadcasting Nordicity Prepared for CBC|Radio-Canada April 11, 2016 About Nordicity Nordicity (www.nordicity.com) is a powerful analytical engine with expertise in strategy and business, evaluation and economics, policy and regulation for the arts, cultural and creative industries. Because of Nordicity’s international presence, it has become widely recognized for its ability to translate developments and best practices between markets for the private, public and third sectors. Nordicity would like to Dr. Manfred Kops of the Institute for Broadcasting Economics at the University of Cologne for his contribution to the research and analysis of public broadcasting funding in Germany. Table of Contents Executive Summary 1 1. Introduction 4 2. The Potential Benefits of Public Broadcasting 5 2.1 Market failure in broadcasting 5 2.2 Role of public broadcasting 5 2.3 Potential benefits index 6 3. International Comparison of Public Broadcasting 9 3.1 Public funding for public broadcasting 9 3.2 Public funding vs. potential benefits 11 3.3 Commercial revenues 12 3.4 Advertising revenues 15 3.5 Public funding by type of funding tenure 18 4. The Canadian Government’s Economic Support for Culture 19 5. Funding Models for Public Broadcasting 22 5.1 Overview of funding models 22 5.2 Funding model changes in selected countries 24 5.2.1 France 24 5.2.2 Spain 28 5.2.3 Germany 30 5.2.4 Finland 34 5.2.5 United Kingdom 35 5.3 Key findings 38 References and Data Sources 40 Appendix A: Statistics for Public Broadcasters -
Meld. St. 38 (2014–2015) Tinging Av Publikasjonar
Meld. St. 38 (2014–2015) St. Meld. Tinging av publikasjonar Offentlege institusjonar: Tryggings- og serviceorganisasjonen til departementa Internett: www.publikasjoner.dep.no E-post: [email protected] Telefon: 22 24 00 00 Privat sektor: Internett: www.fagbokforlaget.no/offpub E-post: [email protected] Telefon: 55 38 66 00 Publikasjonane er også tilgjengelege på www.regjeringen.no Meld. St. 38 Trykk: 07 Aurskog – 06/2015 (2014–2015) Melding til Stortinget ØMERK J E Open og opplyst IL T M 2 4 9 1 7 3 Trykksak Open og opplyst Allmennkringkasting og mediemangfald Forsidebilder: Partilederdebatt på TV2. Foto: Fredrik Varfjell/NTB scanpix Masterchef TV3. Foto: Roger Neumann/VG TV2s høstlansering med Ida Fladen. Foto: Hallgeir Vågenes/VG Verdensrekord i værmelding med Eli Kari Gjengedal. Foto: Torstein Bøe/NTB scanpix Peter og Tomas Nortug. Foto: Ned Alley / NTB scanpix Fredrik Skavland i Kringkastingsrådet. Foto: Heiko Junge/NTB scanpix “The Voice” finalen på TV2. Foto: Trond Solberg/VG Lilyhammer. Foto: CapitalPictures DAB-radioer. Foto: Tore Meek/NTB scanpix Davy Wathne. Foto: Trond Reidar Teigen/NTB scanpix Netflix. Foto: Øyvind Gustavsen/VG Facebook. Foto: Stian Lysberg Solum/NTB scanpix Humor på TVNorge. Foto: Espen Solli/TVNorge. NTB Tema. Leo og Else Kåss Furuseth. Foto: NRK Nyhetsanker Paal R. Peterson. Foto: NRK Hurtigruta. Foto: NRK Tungtvannet. Foto: Jiri Hanzl/Filmkameratene AS Fantorangen. Foto: NRK Bildene er satt sammen av Lise Kihle Designsstudio AS Innhald 1 Bakgrunn og samandrag .......... 7 4.3 Gjeldande regulering i norsk rett .. 37 1.1 Bakgrunn ........................................ 7 4.3.1 Overordna ....................................... 37 1.1.1 Regjeringas overordna mål for 4.3.2 Nærare om NRK som lisens- mediepolitikken ............................ -
Preserving TV & Broadcast Archives
PreservingPreserving TVTV && BroadcastBroadcast ArchivesArchives JuneJune 20022002 AdrianAdrian WilliamsWilliams SizeSize ofof thethe ArchiveArchive • The BBC has one of the largest multi-media archives in the world • 1.75 million items of film and videotape • 800,000 radio recordings • 3 million photographs • 1.2 million commercial recordings • 4 million items of sheet music • 22.5 million newspaper cuttings • 600,000 document files • 20,000 rolls of microfilm • 500,000 phonetic pronunciations UsageUsage ofof FormatsFormats 1950 1960 1970 1980 1990 2” Quad Videotape 1” C Format Videotape U-MATIC Videotape BETA Reversal Film Eastman & B/W Film Acetate Magnetic Sound Track TV Progs Sound - Shellac & Vinyl Discs Preservation of the Archives – total estimated spend £60M Formats at Film Sound 1” C U-Matic Reversal Eastman & 2” Quad B/W Film Risk Track Film (Ekta) Phases 1 & 2 Phases 1 & Phase 1 Phase 1 Vinyl BetaSP £1.4M 2 £1.17M £390K Sept 1998- £1.5M Sept Sept Oct 99 Sept 1998- 1998- 1998- Completed! Dec99 Dec99 Dec99 Interim: Jan 2000 £120K £260K £20K £7M £1.8M 3-yr Funding from May 2000 £6M £2M £2M Total Investment £6M £7M £16M £5M £3M £2M £9M £10M Preservation of the Archives – total estimated spend £60M Formats at Film Sound 1” C U-Matic Reversal Eastman & 2” Quad B/W Film Risk Track Film (Ekta) Vinyl BetaSP Project completed by Mar 2003 From £1M £3M April 2003 £9M £1.3M £9M From April 2006 £10M Total Investment £6M £7M £16M £5M £3M £2M £9M £10M PREPARATION & RESEARCH Offline editing Internet ARCHIVE MANIPU- RE-USE LATION CAPTURE IDEA