NASCAR Racing Memorabilia and Antiques from the Danny "Chocolate" Myers Collection
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Daytona 500 Coverage Live on Siriusxm
NEWS RELEASE Daytona 500 Coverage Live on SiriusXM 2/12/2018 Fans nationwide get live broadcast of 60th Daytona 500 on Feb. 18 Extensive coverage from the track on race day and throughout Speedweeks on SiriusXM NASCAR Radio Kevin Harvick hosts his show, "Happy Hours," live from Daytona on Feb. 14 NEW YORK, Feb. 12, 2018 /PRNewswire/ -- SiriusXM will offer the most comprehensive audio coverage of the 60th running of the Daytona 500 on February 18, as well as all the news and events of NASCAR's anticipated Speedweeks leading up to race day. Subscribers nationwide will have access to the live race broadcast, in-car audio from some of the sport's top drivers, and daily coverage from Daytona International Speedway. On Daytona 500 race day, SiriusXM will offer 15 hours of live programming from the speedway starting at 7:00 am ET. Subscribers will hear every turn of the "The Great American Race" (green flag approximately 2:30 pm ET) plus full pre- and post-race coverage with expert analysis, reports from pit road and the garages, driver introductions and interviews with the race winner and other drivers. The programming airs on the exclusive 24/7 SiriusXM NASCAR Radio channel (ch. 90). Go to www.SiriusXM.com/NASCAR for more info. SiriusXM NASCAR Radio will also provide live coverage of the Can-Am Duel, the 150-mile Monster Energy NASCAR Cup Series qualifying races, on Thursday, Feb. 15 (6:00 pm ET), the NextEra Energy Resources 250 NASCAR Camping World Truck Series race on Friday, Feb. 16 (7:00 pm ET), and the Power Shares QQQ 300 NASCAR Xfinity Series race on Saturday, Feb. -
Cannes Critics Week Panel Films Screened During TIFF Cinematheque's Fifty Years of Discovery: Cannes Critics Week (Jan. 18-22
Cannes Critics Week panel Films screened during TIFF Cinematheque’s Fifty Years of Discovery: Cannes Critics Week (Jan. 18-22, 2012) In honour of the fiftieth anniversary of Semaine de la Critique (Cannes Critics Week), TIFF Cinematheque invited eight local and international critics and opinion-makers to each select and introduce a film that was discovered at the festival. The diversity of their selections—everything from revered art-house classics to scrappy American indies, cutting-edge cult hits and intriguingly unknown efforts by famous names—testifies to the festival’s remarkable breadth and eclecticism, and its key role in discovering new generations of filmmaking talent. Programmed by Brad Deane, Manager of Film Programmes. Clerks. Dir. Kevin Smith, 1994, U.S. 92 mins. Production Co.: View Askew Productions / Miramax Films. Introduced by George Stroumboulopoulos, host of CBC’s Stroumboulopoulos Tonight, formerly known as The Hour. Stroumboulopoulos on Clerks: “When Kevin Smith made Clerks and it got on the big screen, you felt like our voice was winning.” Living Together (Vive ensemble). Dir. Anna Karina, 1973, France. 92 mins. Production Co.: Raska Productions / Société Nouvelle de Cinématographie (SNC). Introduced by author and former critic for the Chicago Reader, Jonthan Rosenblum. Rosenblum on Living Together: “I saw Living Together when it was first screened at Cannes in 1973, and will never forget the brutality with which this gently first feature was received. One prominent English critic, the late Alexander Walker, asked Anna Karina after the screening whether she realized that her first film was only being shown because she was once married to a famous film director; she sweetly asked in return whether she should have therefore rejected the Critics Week’s invitation. -
Table of Contents
TABLE OF CONTENTS MEDIA INFORMATION 1 FOX NASCAR PRODUCTION STAFF 2 DAYTONA 500 PRODUCTION ELEMENTS 3-4 DAYTONA 500 AUDIENCE FACTS 5-6 DAYTONA 500 AUDIENCE HISTORY 7-8 DAYTONA SPEEDWEEKS ON FOX PROGRAMMING SCHEDULE 9-12 JEFF GORDON’S DAYTONA 500 KICKOFF CELEBRATION ON FOX 13 FOX DEPORTES 14 FOX DIGITAL 15-17 FOX SPORTS SUPPORTS 18 FOX NASCAR HISTORY & TIMELINE 19-21 MOTOR SPORTS ON FOX 22-24 BROADCASTER & EXECUTIVE BIOS 25-48 MEDIA INFORMATION The FOX NASCAR Daytona 500 press kit has been prepared by the FOX Sports Communications Department to assist you with your coverage of this year’s “Great American Race” on Sunday, Feb. 21 (1:00 PM ET) on FOX and will be updated continuously on our press site: www.foxsports.com/presspass. The FOX Sports Communications staff is available to provide further information and facilitate interview requests. Updated FOX NASCAR photography, featuring new FOX NASCAR analyst and four-time NASCAR champion Jeff Gordon, along with other FOX on-air personalities, can be downloaded via the aforementioned FOX Sports press pass website. If you need assistance with photography, contact Ileana Peña at 212/556-2588 or [email protected]. The 59th running of the Daytona 500 and all ancillary programming leading up to the race is available digitally via the FOX Sports GO app and online at www.FOXSportsGO.com. FOX SPORTS ON-SITE COMMUNICATIONS STAFF Chris Hannan EVP, Communications & Cell: 310/871-6324; Integration [email protected] Lou D’Ermilio SVP, Media Relations Cell: 917/601-6898; [email protected] Erik Arneson VP, Media Relations Cell: 704/458-7926; [email protected] Megan Englehart Publicist, Media Relations Cell: 336/425-4762 [email protected] Eddie Motl Manager, Media Relations Cell: 845/313-5802 [email protected] Claudia Martinez Director, FOX Deportes Media Cell: 818/421-2994; Relations claudia.martinez@foxcom 2016 DAYTONA 500 MEDIA CONFERENCE CALL & REPLAY FOX Sports is conducting a media event and simultaneous conference call from the Daytona International Speedway Infield Media Center on Thursday, Feb. -
Racing, Region, and the Environment: a History of American Motorsports
RACING, REGION, AND THE ENVIRONMENT: A HISTORY OF AMERICAN MOTORSPORTS By DANIEL J. SIMONE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Daniel J. Simone 2 To Michael and Tessa 3 ACKNOWLEDGMENTS A driver fails without the support of a solid team, and I thank my friends, who supported me lap-after-lap. I learned a great deal from my advisor Jack Davis, who when he was not providing helpful feedback on my work, was always willing to toss the baseball around in the park. I must also thank committee members Sean Adams, Betty Smocovitis, Stephen Perz, Paul Ortiz, and Richard Crepeau as well as University of Florida faculty members Michael Bowen, Juliana Barr, Stephen Noll, Joseph Spillane, and Bill Link. I respect them very much and enjoyed working with them during my time in Gainesville. I also owe many thanks to Dr. Julian Pleasants, Director Emeritus of the Samuel Proctor Oral History Program, and I could not have finished my project without the encouragement provided by Roberta Peacock. I also thank the staff of the Samuel Proctor Oral History Program. Finally, I will always be grateful for the support of David Danbom, Claire Strom, Jim Norris, Mark Harvey, and Larry Peterson, my former mentors at North Dakota State University. A call must go out to Tom Schmeh at the National Sprint Car Hall of Fame, Suzanne Wise at the Appalachian State University Stock Car Collection, Mark Steigerwald and Bill Green at the International Motor Racing Resource Center in Watkins Glen, New York, and Joanna Schroeder at the (former) Ethanol Promotion and Information Council (EPIC). -
TOP GUN (1986) and the Emergence of the Post-Cinematic by MICHAEL LOREN SIEGEL
5.4 Ride into the Danger Zone: TOP GUN (1986) and the Emergence of the Post-Cinematic BY MICHAEL LOREN SIEGEL Introduction The work of British-born filmmaker Tony Scott has undergone a major critical revision in the last few years. While Scott’s tragic suicide in 2012 certainly drew renewed vigor to this reassessment, it was well underway long before his death. Already by the mid-2000s, Scott’s brash, unapologetically superficial, and yet undeniably visionary films had been appropriated by auteurists and film theorists alike to support a wide range of arguments.[1] Regardless of what we may think of the idea of using auteurism and theory to “rescue” directors who were for decades considered little more than action hacks—an especially meaningful question in the digital age, given the extent to which auteur theory’s acceptance has increased in direct proportion to the growth of online, theoretically informed film criticism—it would be difficult to deny the visual, aural, narrative, thematic, and energetic consistency of Scott’s films, from his first effort, The Hunger (1983), all the way through to his last, Unstoppable (2011). The extreme scale and artistic ambition of his films, the intensity of their aesthetic and affective engagement with Ride into the Danger Zone the present (a present defined, as they constantly remind us, by machines, mass media, masculinity, and militarization), and, indeed, the consistency of their audiovisual design and affect (their bristling, painterly flatness, the exaggerated sense of perpetual transformation and becoming that is conveyed by their soundtracks and montage, the hyperbolic and damaged masculinity of their protagonists)—all of this would have eventually provoked the kind of critical reassessment we are seeing today, even without the new mythos produced around Scott upon his death. -
50 Years of NASCAR Captures All That Has Made Bill France’S Dream Into a Firm, Big-Money Reality
< mill NASCAR OF NASCAR ■ TP'S FAST, ITS FURIOUS, IT'S SPINE- I tingling, jump-out-of-youn-seat action, a sport created by a fan for the fans, it’s all part of the American dream. Conceived in a hotel room in Daytona, Florida, in 1948, NASCAR is now America’s fastest-growing sport and is fast becoming one of America’s most-watched sports. As crowds flock to see state-of-the-art, 700-horsepower cars powering their way around high-banked ovals, outmaneuvering, outpacing and outthinking each other, NASCAR has passed the half-century mark. 50 Years of NASCAR captures all that has made Bill France’s dream into a firm, big-money reality. It traces the history and the development of the sport through the faces behind the scene who have made the sport such a success and the personalities behind the helmets—the stars that the crowds flock to see. There is also a comprehensive statistics section featuring the results of the Winston Cup series and the all-time leaders in NASCAR’S driving history plus a chronology capturing the highlights of the sport. Packed throughout with dramatic color illustrations, each page is an action-packed celebration of all that has made the sport what it is today. Whether you are a die-hard fan or just an armchair follower of the sport, 50 Years of NASCAR is a must-have addition to the bookshelf of anyone with an interest in the sport. $29.95 USA/ $44.95 CAN THIS IS A CARLTON BOOK ISBN 1 85868 874 4 Copyright © Carlton Books Limited 1998 Project Editor: Chris Hawkes First published 1998 Project Art Editor: Zoe Maggs Reprinted with corrections 1999, 2000 Picture Research: Catherine Costelloe 10 9876 5 4321 Production: Sarah Corteel Design: Graham Curd, Steve Wilson All rights reserved. -
Exploring Changes in NASCAR-Related Titles in the New York Times and the Johnson City Press
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2008 Exploring Changes in NASCAR-Related Titles in the New York Times and the Johnson City Press. Wesley Michael Ramey East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Journalism Studies Commons, and the Public Relations and Advertising Commons Recommended Citation Ramey, Wesley Michael, "Exploring Changes in NASCAR-Related Titles in the New York Times and the Johnson City Press." (2008). Electronic Theses and Dissertations. Paper 2015. https://dc.etsu.edu/etd/2015 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Exploring Changes in NASCAR-Related Titles in the New York Times and the Johnson City Press ___________________ A thesis presented to the faculty of the Department of Communication East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in Professional Communication ___________________ by Wesley M. Ramey December 2008 ___________________ Dr. Patricia A. Cutspec, Chair Dr. Jack Mooney Dr. Brian C. Smith Keywords: NASCAR, New York Times, Johnson City Press, Titles, Media Coverage, Burke’s Method of Indexing, Indices of Meaning ABSTRACT Exploring Changes in NASCAR-Related Titles in the New York Times and the Johnson City Press by Wesley M. Ramey NASCAR has become one of America’s fastest growing spectator sports, and corporate sponsors have played an important part in this upsurge in popularity. -
NASCAR Racing 2
07 UtilNas2Ang 19/02/99 14:09 Page 1 SIERRA® SPORTS/SIM 07 UtilNas2Ang 19/02/99 14:09 Page 2 Table Of Contents Menus: Pointing, Clicking And Having Fun ................................. 3 Configuring Your Joystick/Wheel ............................................ 3 Quick Start Guide: A Lap Around Michigan ........................... 3 Main Menu Features ................................................................ 6 The Race Weekend Menu ...................................................... 10 Cockpit Controls .................................................................... 14 Meet Your Spotter .................................................................. 18 Using The In-Car Radio ......................................................... 21 Arcade Driving Views ............................................................ 27 Following The Pace Car ......................................................... 28 Restarting A Session .............................................................. 28 Instant Replays ....................................................................... 29 Competing In A Championship Season ................................. 34 Multiplayer Racing ................................................................. 36 Driver Info/Making Entry Lists ............................................. 38 Adjusting Graphic Details ...................................................... 40 The NASCAR® Racing 2 Paint Shop ............................................ 43 Painting your Stock Car ........................................................ -
Tom Cruise Suffered from Dyslexia He Was an Athlete Even Though He Had Dyslexia
By: Max Kaplan & Tess Baron Thomas Cruise was born on July 3,1962. His dad Thomas Cruise was an electric engineer, and his mom Mary Cruise was an amateur actress and school teacher. Cruises parents divorced when he was 11. He moved in with his mother in louisvelle Kentucky and then the mother remarried and moved to Glen Ridge New Jersey. Tom cruise suffered from dyslexia he was an athlete even though he had dyslexia. He had a better career at home on the stage. He set a 10 year deadline for his acting carrier. His first appearance in a film was a movie called Endless Love(1981). Tom Cruise’s next film Risky Business (1983) grossed $65 million. It also made cruise a very well recognizable actor. Cruise’s movie Top Gun co-stared Kelly Mcgillis, Anthony Edwards, and Meg Ryan. Tom Cruise's also co-stared with Paul Newman in Color of Money(1986). One of cruise’s biggest hits was mission impossible he’s played in 5 mission impossible. The names of all the Mission impossible’ are Mission impossible (1996), Mission impossible II (2000), Mission impossible III (2006), Mission impossible Ghost Protocol (2011) Mission impossible Rogue Nation (2015). His disability was dyslexia , dyslexia means that you can’t read or learn as easily as other kids. Tom Cruise did not want his fellow classmates to find out about his dyslexia. Cruise used an program called study technology so he can learn how to learn. His accomplishment was learning how to study all by himself. Tom Cruise refused for his dyslexia to get in the way of his career. -
Texas Motor Speedway: Print Advertising, Sponsorship
TEXAS MOTOR SPEEDWAY: PRINT ADVERTISING, SPONSORSHIP, LOGOS, AND CONGRUENCE by ELLEN STALLCUP Bachelor of Administration, 2003 Midwestern State University Wichita Falls, Texas Submitted to the Graduate Faculty of College of Communication Texas C hristian University in partial fulfillment of the requirements for the degree of Master of Science May, 2007 TEXAS MOTOR SPEEDWAY: PRINT ADVERTISING, SPONSORSHIP, LOGOS, AND CONGRUENCE Thesis approved: Major Professor For the College of Communication ii ACKNOWLEDGEMENTS Without the support of family, friends, peers, colleagues, and professors, the goal of completing this degree could not have been achieved. First and foremost, I would like to acknowledge Dr. Doug Newsom. Since arriving on campus, she was supportive of every thought and aspiration. She offered insight where I lacked vision and was a wonderful leader. I am continually inspired by her life and exp eriences. Thank you, Dr. Newsom, for your guidance and perpetual friendship. I would like to recognize Dr. Julie O’Neil , Dr. John Tisdale, and Dr. Robert Rhodes and thank them for providing continual direction and support as members of the committee . I am also deeply obliged to Dr. Stacy Grau who came on board as a member of the committee in the last hour. Her energy and willingness to help improve my research was remarkable. Additionally, thank you to those individuals who allowed me to conduct my research during their valuable class time. I will be forever indebted to those individuals of Texas Motor Speedway who continuously supported my every endeavor to achieve higher education. Kenton Nelson and Kevin Camper provided unyielding support from beginning to end. -
The Growth of the Nascar Industry in Charlotte, North Carolina, 1949-2000
CITY OF RACERS: THE GROWTH OF THE NASCAR INDUSTRY IN CHARLOTTE, NORTH CAROLINA, 1949-2000 by Bryan Paul Gable A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2018 Approved by: ______________________________ Dr. Mark Wilson ______________________________ Dr. Aaron Shapiro ______________________________ Dr. Ritika Prasad ii ©2018 Bryan Paul Gable ALL RIGHTS RESERVED iii ABSTRACT BRYAN PAUL GABLE. City of Racers: The Growth of the NASCAR Industry in Charlotte, North Carolina, 1949-2000. (Under the direction of Dr. Mark Wilson) This study explores the development of the NASCAR industry in the city of Charlotte and its surrounding region through the second half of the twentieth century. I argue that NASCAR and Charlotte were seeking the same goals in the late twentieth century: greater national prominence and a strong relationship with corporate America. As a result, NASCAR found a technological and cultural home in Charlotte by proving its worth as a desirable and highly profitable industry. I explain how Charlotte Motor Speedway emerged from bankruptcy and became an exemplary venue for NASCAR by solidifying its reputation as the showplace of NASCAR. I also describe the culture of specialization that the Holman-Moody race team fostered in Charlotte. Later generations of Charlotte NASCAR teams would continue to embrace innovative methods for managing a race team. Finally, I discuss Charlotte’s importance as a growing urban center of the Piedmont and NASCAR’s contributions to building Charlotte’s regional identity. iv DEDICATION For my grandfather, who taught me that academic excellence is its own reward. -
The First Edition of the Canadian Avanti
Official Newsletter for the Canadian Avanti Owners Association Jan/Feb 2011 Happy New Year! Ashley Dirksen with Ted and Lorrie Dirksen’s 1964 Avanti. In this issue: Presidents Message Page 2 Steve Wohleber Editors Message Page 3 Mike Emmerich Meet Your Executive – Ted Dirksen Page 4 Ted Dirksen Remembering Millar Young Page 5 Mike Emmerich Millar Young – A Man of Many Seasons Page 6 Roland Vardon Why I Drive My Studebaker Page 9 Peter Cristello Why I drive My Studebaker 2 Page 10 Mike Emmerich A Day at the Races Page 11 Judith Emmerich GL-1 Gear Oil Page 18 Mike Emmerich More on Ethanol Page 19 Dwayne Jacobson The Ethanol Menace Page 20 Dwayne Jacobson Burning Rubber Page 22 Peter Sant AOAI Meeting Minutes – Dec 19, 2010 Page 23 Steve James AOAI Meeting Minutes – Jan 23, 2011 Page 28 Steve James Pacific Can Am Zone Meet Page 33 Peter Yuen Upcoming Events Page 35 Mike Emmerich Please direct all comments to Mike Emmerich, Editor, [email protected]. Message from the President... I guess it's too early to call this our Spring newsletter and in fact this is the first time we have put out more than four per year. Distributing the newsletter on line has brought about some significant changes for our association. (For those without internet or limited access, we still offer a print version). First of all, we can include more of the articles and information many of you send in. We are also able to list more events both here in Canada and Internationally. Previously, printing and postage were major expenditures in both time and money for the club, and so we can now re direct these resources to supporting events and activities across the country.