Tom Hayden Papers
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The Student Voice, SNCC Newsletter, 1962-1963
- THE STUDE Vol. 3, No. NT 1 Issued by the Student VOI Nonviolent Coordinating CE Committee,197 1/2 Auburn Ave., Atlanta 3, Ga.April, 1962 TALLADEGA PROTESTS I Student Group Moves After Negotiations Fail TALLADEGA, ALA. - Be By Bob Zellner ginning with a march of 400 students and faculty mem TALLADEGA, ALABAMA - bers, Talladega Collegetook The stimulus for leadership a giant step toward freeing and effective social change their city of segregation. at Talladega College is found The march followed fruit in the Social Action Com less negotiation with Talla mittee (SAC) a group found dega Mayor J . L. Hardwick within the framework of the TALLADEGA STUDENTS PROTEST - Talladega College on April 5. The students ask college's Student Govern s tudents s taged a protest march against segregation on ed the Mayor to present plans ment. As the movement at April 6. Joined by some teachers from the school, the stu- 1 for integration of public faci Talladega has grown, the dents paraded around the Talladega Courthouse bearing lities in the city, and when concept that every student signs reading "We Want Open Libraries" - We Want Equal no plan was forthcoming, the at the college is a member Opportunity." Social Action Committee Chairman Dorothy group marched in protest. of SAC has grown also, and Vails is on the right, above, being inte rviewed by a re- The march was peaceful, and the original smaller com porter. Photo by Zellner. Mayor Hardwick praised the mittee is thought of a plan students and the Talledega ning group. SNCC Con-ference Slated I community for their c alm- Dorothy Vails, a native of J ness. -
Tom Kahn and the Fight for Democracy: a Political Portrait and Personal Recollection
Tom Kahn and the Fight for Democracy: A Political Portrait and Personal Recollection Rachelle Horowitz Editor’s Note: The names of Tom Kahn and Rachelle Horowitz should be better known than they are. Civil rights leader John Lewis certainly knew them. Recalling how the 1963 March on Washington was organised he said, ‘I remember this young lady, Rachelle Horowitz, who worked under Bayard [Rustin], and Rachelle, you could call her at three o'clock in the morning, and say, "Rachelle, how many buses are coming from New York? How many trains coming out of the south? How many buses coming from Philadelphia? How many planes coming from California?" and she could tell you because Rachelle Horowitz and Bayard Rustin worked so closely together. They put that thing together.’ There were compensations, though. Activist Joyce Ladner, who shared Rachelle Horowitz's one bedroom apartment that summer, recalled, ‘There were nights when I came in from the office exhausted and ready to sleep on the sofa, only to find that I had to wait until Bobby Dylan finished playing his guitar and trying out new songs he was working on before I could claim my bed.’ Tom Kahn also played a major role in organising the March on Washington, not least in writing (and rewriting) some of the speeches delivered that day, including A. Philip Randolph’s. When he died in 1992 Kahn was praised by the Social Democrats USA as ‘an incandescent writer, organizational Houdini, and guiding spirit of America's Social Democratic community for over 30 years.’ This account of his life was written by his comrade and friend in 2005. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
ERAP and the LID-SDS Conflict
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1992 Reviving the American Left: ERAP and the LID-SDS Conflict Michael Patrick Bartos College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Political Science Commons, and the United States History Commons Recommended Citation Bartos, Michael Patrick, "Reviving the American Left: ERAP and the LID-SDS Conflict" (1992). Dissertations, Theses, and Masters Projects. Paper 1539625764. https://dx.doi.org/doi:10.21220/s2-bsmk-yn11 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Reviving the American Left: ERAP and the LID-SDS Conflict A Thesis presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements of the Degree of Master of Arts by Michael P. Bartos 1992 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Michael P. Bartos Approved, December 1992 Edward P. d&rapol Q ,_^ J J&, Phi 1 ip 'J. /Funigie 1 Ip/ Richard* B. Sherman ii TABLE OF CONTENTS ABSTRACT..................................................... iv INTRODUCTION...................................................2 CHAPTER I. SDS-LID RELATIONSHIP BEFORE ERAP.................... 5 CHAPTER II. THE ECONOMIC RESEARCH AND ACTIONPROJECT .......... 21 CHAPTER III. ELEMENTS OF THE OLD LEFT REJECTED BY ERAP........ -
Tom Hayden: Chicago Eight (Originally Edited by Andrew Lutsky and Edited for the Classroom by Cari Ladd
Tom Hayden: Chicago Eight (Originally edited by Andrew Lutsky and edited for the classroom by Cari Ladd. The longer interview is available at: http://www.pbs.org/pov/disturbingtheuniverse/interview_hayden.php) Did I expect it to be violent? Yes. The reason to expect violence was first of all experiential. That is, since the invasion of Vietnam in ’65, um, the state had been increasingly violent towards demonstrators. Uh, demonstrators had escalated from purely peaceful protest to non-violent civil disobedience to, uh, what you could call confrontations in the streets, unarmed, non-violent, but physical, uh, usually started by police attacks on demonstrations. So I had experienced that several times before Chicago ’68, and there was no reason to believe it would be otherwise. Um, it didn’t mean that one favored violence, it’s that one anticipated it and took precautions. The Justice Department under Ramsey Clark sent community relations people out, Roger Wilkins was one of them, Wesley Pomeroy was another. And they sat down with Rennie and Tom Foran in a bar and talked, and they concluded verbally and in writing that our position was reasonable and that the city should accommodate it. That there was no reason, since all kinds of youth organizations could sleep in the parks, there was no reason to deny permits to sleep in parks [even] if it meant that it was going to be chaos. They also favored permits for marching within eyesight of the Convention. And the position of the city of Chicago, which I think was backed by others in the federal government, was ‘No, no, no. -
Riots and Rebellions: Memory of Newark's Long Hot Summer of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2020 Riots and Rebellions: Memory of Newark's Long Hot Summer of 1967 William Tjeltveit [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Studies Commons, Social History Commons, and the United States History Commons Recommended Citation Tjeltveit, William, "Riots and Rebellions: Memory of Newark's Long Hot Summer of 1967". Senior Theses, Trinity College, Hartford, CT 2020. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/842 Riots and Rebellions: Memory of Newark's Long Hot Summer of 1967 William Tjeltveit History Senior Thesis Advisor: Scott Gac Second Reader: Steven Marston April 2020 ii Table of Contents Acknowledgements ........................................................................................................................ iii Introduction ..................................................................................................................................... 1 Chapter 1. Losing Newark: Collective Memory in the Uprising’s Aftermath ............................. 11 Chapter 2. Amiri Baraka and Revolutionary Remembering ......................................................... 33 Chapter 3. The Newark Fire Department: Remembering Community ......................................... 57 Chapter 4. Physical Remembrance in the Brick City .................................................................. -
Revolution ’67 a Film by Marylou Tibaldo-Bongiorno
n o s a e P.O .V. S Discussion Guide Revolution ’67 A Film by Marylou Tibaldo-Bongiorno www.pbs.org/pov n o s Discussion Guide | Revolution ’67 a e S Letter from the Filmmakers Newark, June 2007 Dear Colleague , We live in Newark, New Jersey. And it’s a city — like so many other American cities — that’s suffering. Most people associate Newark with its airport or its violent history. They especially remember the Newark riots of 1967, during which 26 people died, hundreds were injured and the city endured millions of dollars in property damage. People assume that it was this one event that left the city in a state from which it has never fully recovered. We started researching Newark’s past for our short thesis film at NYU’s Graduate Film School. The film, “1967,” was fictional, an interracial love story set during that hot, turbulent summer in Newark. With Spike Lee as a teacher/mentor and later as an Filmmakers Jerome Bongiorno and Marylou Tibaldo-Bongiorno executive producer, we sought to write a longer, more substantial Photo Jerome Bongiorno screenplay and needed to ask lots of questions. We also wanted to record the answers. This work became Revolution ’67 the documentary film. Our first interviews with eyewitnesses Amiri Baraka (who in ’67 was known as LeRoi Jones), former Students for a Democratic Society (SDS) president Tom Hayden (who had lived in Newark from 1964 to 68) and historians Ken Jackson and Clement Price brought many surprises. The most startling was the myth of the black sniper. -
Cultural Revolutionary I Knew Abbie Hoffman—Whom I Think
preface "I'M A B B I E HOFFMAN" Myths are the only news, and the only thing that stays true all the time is a lie. Abbie Hoffman, 1968 Cultural Revolutionary I knew Abbie Hoffman—whom I think of as the quintessential spirit of the sixties—for almost twenty years, and for much of that time I wasn't sure when he was acting, when he was for real, and when he was acting for real. I suppose that's why I have such contradictory feelings about him. Looking back at Abbie from the vantage point of the nine- ties, it seems to me that he was the first American cultural revolutionary in the age of television. He was a very funny and a very sad character who saw his life and times as a story that he could tell and retell again and again as he went along. The point, of course, was to inflate himself and deflate the established order. What most of us think of as "objective reality" didn't exist for him; while he managed to outwit it time and again, it finally caught up with him. In the end, Abbie the comedian became a tragic figure. He also embodied the sensibility called post- modern. Nowadays, postmodernism is a cliche that has lost most of its clout. But long before it entered the academic world, Abbie was a walk- ing, talking postmodernist. A great many critics have tried to define the term, but no one, it seems to me, has done it as well as the writer E. -
“For a World Without Oppressors:” U.S. Anarchism from the Palmer
“For a World Without Oppressors:” U.S. Anarchism from the Palmer Raids to the Sixties by Andrew Cornell A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Social and Cultural Analysis Program in American Studies New York University January, 2011 _______________________ Andrew Ross © Andrew Cornell All Rights Reserved, 2011 “I am undertaking something which may turn out to be a resume of the English speaking anarchist movement in America and I am appalled at the little I know about it after my twenty years of association with anarchists both here and abroad.” -W.S. Van Valkenburgh, Letter to Agnes Inglis, 1932 “The difficulty in finding perspective is related to the general American lack of a historical consciousness…Many young white activists still act as though they have nothing to learn from their sisters and brothers who struggled before them.” -George Lakey, Strategy for a Living Revolution, 1971 “From the start, anarchism was an open political philosophy, always transforming itself in theory and practice…Yet when people are introduced to anarchism today, that openness, combined with a cultural propensity to forget the past, can make it seem a recent invention—without an elastic tradition, filled with debates, lessons, and experiments to build on.” -Cindy Milstein, Anarchism and Its Aspirations, 2010 “Librarians have an ‘academic’ sense, and can’t bare to throw anything away! Even things they don’t approve of. They acquire a historic sense. At the time a hand-bill may be very ‘bad’! But the following day it becomes ‘historic.’” -Agnes Inglis, Letter to Highlander Folk School, 1944 “To keep on repeating the same attempts without an intelligent appraisal of all the numerous failures in the past is not to uphold the right to experiment, but to insist upon one’s right to escape the hard facts of social struggle into the world of wishful belief. -
Retracing the New Left: the SDS Outcasts Adam Mikhail
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Retracing the New Left: The SDS Outcasts Adam Mikhail Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES RETRACING THE NEW LEFT: THE SDS OUTCASTS By ADAM MIKHAIL A Thesis submitted to the Department of History in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Fall Semester, 2013 Adam Mikhail defended this thesis on November 12, 2013. The members of the supervisory committee were: Neil Jumonville Professor Directing Thesis James P. Jones, Jr. Committee Member Kristine C. Harper Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For Lala and Misso, who give and give and give. iii ACKNOWLEDGMENTS I would first like to thank my committee for all their help, not only during this thesis process, but throughout my time at Florida State University. I owe special thanks to my major professor, Dr. Neil Jumonville, who first introduced me to the New Left. He challenged me to think big, giving me constant encouragement along the way. I could not have hoped for a more understanding or supportive major professor. His kind words were never taken for granted. For an incredibly thorough editing of my thesis, I express my gratitude to Dr. Kristine Harper, who generously decorated this manuscript with ample amounts of red. -
SDS's Failure to Realign the Largest Political Coalition in the 20Th Century
NEW DEAL TO NEW MAJORITY: SDS’S FAILURE TO REALIGN THE LARGEST POLITICAL COALITION IN THE 20TH CENTURY Michael T. Hale A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2015 Committee: Clayton Rosati, Advisor Francisco Cabanillas Graduate Faculty Representative Ellen Berry Oliver Boyd-Barret Bill Mullen ii ABSTRACT Clayton Rosati, Advisor Many historical accounts of the failure of the New Left and the ascendency of the New Right blame either the former’s militancy and violence for its lack of success—particularly after 1968—or the latter’s natural majority among essentially conservative American voters. Additionally, most scholarship on the 1960s fails to see the New Right as a social movement. In the struggles over how we understand the 1960s, this narrative, and the memoirs of New Leftists which continue that framework, miss a much more important intellectual and cultural legacy that helps explain the movement’s internal weakness. Rather than blame “evil militants” or a fixed conservative climate that encircled the New Left with both sanctioned and unsanctioned violence and brutality––like the Federal Bureau of Investigation’s (FBI) counter intelligence program COINTELPRO that provide the conditions for a unstoppable tidal wave “with the election of Richard M. Nixon in 1968 and reached its crescendo in the Moral Majority, the New Right, the Reagan administration, and neo-conservatism” (Breines “Whose New Left” 528)––the key to this legacy and its afterlives, I will argue, is the implicit (and explicit) essentialism bound to narratives of the “unwinnability” of especially the white working class. -
The New Left Wasn￢ﾀﾙt So
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Nottingham 7KH1HZ/HIW:DVQ·W6R1HZ &KULVWRSKHU3KHOSV 'LVVHQW9ROXPH1XPEHU)DOOSS $UWLFOH 3XEOLVKHGE\8QLYHUVLW\RI3HQQV\OYDQLD3UHVV '2,GVV )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by University of Nottingham (10 May 2016 09:19 GMT) ARTICLES The New Left Wasn’t So New CHRISTOPHER PHELPS essential song of the sixties, that is only through the erasure of its origins in a much earlier left. The song first appeared as sheet Now so familiar as to risk seeming clichéd, music in 1947 in People’s Songs, a periodical “We Shall Overcome” was the paramount Pete Seeger founded after the demise of the song of the civil rights movement. “Deep in Almanac Singers that he and Woody Guthrie my heart, I do believe that we shall overcome had created to arouse anti-fascist spirits on the some day”: the song spoke to a generation’s eve of the Second World War. One of Seeger’s idealism, solidarity, and optimism in the tran- associates, Zilphia Horton, had set down the scendence of injustice. words and music as “We Will Overcome” It is now practically lost to memory that the in 1947 after she heard it sung by black song enjoyed an equal vitality within the early women in the Food and Tobacco Workers, a New Left. We Shall Overcome was the official Communist-led union out on strike against songbook title of the Student Nonviolent the American Tobacco Company. Those Coordinating Committee (SNCC), a group women, in turn, had adapted it from the old more important than the better-known gospel hymn “I’ll Overcome Someday.” Students for a Democratic Society (SDS) in The song became a staple at rallies generating sixties New Left radicalism.