2017 BLAS FESTIVAL SUCCESS Fèisean 25Th Anniversaries
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SOMHAIRLE MACGILL-EAIN BIBLIOGRAPHY POETICAL WORKS 1940 MacLean, S. and Garioch, Robert. 17 Poems for 6d. Edinburgh: Chalmers Press, 1940. MacLean, S. and Garioch, Robert. Seventeen Poems for Sixpence [second issue with corrections]. Edinburgh: Chalmers Press, 1940. 1943 MacLean, S. Dàin do Eimhir agus Dàin Eile. Glasgow: William MacLellan, 1943. 1971 MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. London: Victor Gollancz, 1971. MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. (Northern House Pamphlet Poets, 15). Newcastle upon Tyne: Northern House, 1971. 1977 MacLean, S. Reothairt is Contraigh: Taghadh de Dhàin 1932-72 /Spring tide and Neap tide: Selected Poems 1932-72. Edinburgh: Canongate, 1977. 1987 MacLean, S. Poems 1932-82. Philadelphia: Iona Foundation, 1987. 1989 MacLean, S. O Choille gu Bearradh / From Wood to Ridge: Collected Poems in Gaelic and English. Manchester: Carcanet, 1989. 1991 MacLean, S. O Choille gu Bearradh/ From Wood to Ridge: Collected Poems in Gaelic and English. London: Vintage, 1991. 1999 MacLean, S. Eimhir. Stornoway: Acair, 1999. MacLean, S. O Choille gu Bearradh/From Wood to Ridge: Collected Poems in Gaelic and in English translation. Manchester and Edinburgh: Carcanet/Birlinn, 1999. 2002 MacLean, S. Dàin do Eimhir/Poems to Eimhir, ed. Christopher Whyte. Glasgow: Association of Scottish Literary Studies, 2002. MacLean, S. Hallaig, translated by Seamus Heaney. Sleat: Urras Shomhairle, 2002. PROSE WRITINGS 1 1945 MacLean, S. ‘Bliain Shearlais – 1745’, Comar (Nollaig 1945). 1947 MacLean, S. ‘Aspects of Gaelic Poetry’ in Scottish Art and Letters, No. 3 (1947), 37. 1953 MacLean, S. ‘Am misgear agus an cluaran: A Drunk Man looks at the Thistle, by Hugh MacDiarmid’ in Gairm 6 (Winter 1953), 148. -
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The FREE literary magazine of the North Northwords Now Issue 28, Autumn 2014 AND STILL THE DANCE GOES ON Referendum Poems by John Glenday, Aonghas Pàdraig Caimbeul, Sheenah Blackhall and others New stories and poems including Wayne Price, Ian Macpherson, Kenneth Steven and Irene Evans In the Reviews Section: Cynthia Rogerson gets hooked on farming EDITORIAL Contents week or so before the referendum I put out a call for September 19th poems via our Facebook page and by direct appeal to some 3 The Morning After: Poems for September 19th A of the many frequent contributors to the magazine. I was keen that poems had to be submitted on the day after the referendum. I 6 A Brisk Hike Up The Trossachs wanted a spontaneous heart-and-head-and-soul reaction, whatever the Short Story by Ian Macpherson result. You can read the poems for yourself on pages 3-5. It’s fair to say that the dominant note struck by the writers is one of regret – even, 7 Poems by Diana Hendry, Richie McCaffery in some cases hurt - whether that takes the form of dry humour or full-on lament. 8 Poems by Judith Taylor It is also fair to say – putting referendum politics to one side for a moment – that these are poems that exhibit, in their different ways, a 9 Radio Lives: Stories from Barra feeling for Scotland that springs from many different wells and takes Article by Janice Ross a variety of forms. Scots today are, after all, a diverse people. A host of narratives play their part in forming the character of the country. -
Prescription
SIGNS & WONDERS New Scottish Titles at the SPL Congratulations to Janette Single collections Anthologies Ayachi whose debut collection Neil Leadbeater, River Hoard Martha Kapos, Smile Variations Hand Over Mouth Music won Veronica Aaronson, Nothing About (Cyberwit) After Curfew: Neu! Reekie! ed. (Happenstance) The Saltire Society Scottish the Birds is Ordinary This Morning Michael Pedersen and Kevin Poetry Book of the Year on (Indigo Publishing) Neil Leadbeater, Penn Fields Williamson (Penkiln Burn) Michael Longley, A Stream’s Tattle: St Andrews Day last year at a (Littoral Press) new poems (Mariscat Press) ceremony held at the National Juana Adcock, Split (Blue Diode High Tide: the 2019 anthology of Museum of Scotland. Ayachi Press) Neil Leadbeater and Monica poetry and prose, Federation of Ross McCleary, Endorse Me, You launched her collection at Manolachi, Brasilia (PIM) Writers (Scotland) (New Voices Cowards! (Stewed Rhubarb) the Scottish Poetry Library Jane Aldous, Let Out the Djinn Press) in June. At the same prize- (Archne Press) Fearghas MacFhionnlaigh, Bogha- Audun Mortensen, footballers who giving ceremony the Callum frois san Oidhche / Rainbow in the The Laureate’s Choice Anthology: rhyme (If a Leaf Falls) MacDonald Memorial Award Jennifer Allan, Winter Light (Mòr Night (Handsel Press) twenty poets chosen by Carol Ann was presented to Tapsalteerie Media) Du#y (smith|doorstop) Derek Parkes, Cherry Blossom (Red for their pamphlet Glisk by Iain M. Macleod, 10 Seconds Squirrel) Sarah Stewart. The Callum Margaret Armour, Songs and that Changed my Life (IndieGo Poems from the Age of Extinction: MacDonald Memorial Award Shadows (Heliea Publishing) Publishing) an anthology of poetry in Tom Pow, Is (Roncadora) was jointly run for the !rst time endangered languages ed. -
Download Northwordsnow Issue 38
The FREE literary magazine of the North Northwords Now Issue 38, Autumn-Winter 2019 JACKIE KAY and KATE SWAN on the work of MARGARET TAIT, DONALD S. MURRAY at Achanalt, IAN TALLACH gets on his bike, LEONIE CHARLTON pursues salmon, SANDSTONE PRESS and its road to the International Booker Prize, SHANE STRACHAN in a Doric dystopia, HELEN ALLISON and others review new poetry collections, PLUS details of our amazing new website Pronn-fhicsean le FEARGHAS MacFHIONNLAIGH; villanelle le NIALL O’GALLAGHER agus sgrìobhadh ùr eile le Maoilios Caimbeul, Liam Alastair Crouse, Iain S. Mac a’ Phearsain, Deborah Moffatt agus Lisa NicDhòmhnaill EDITORIAL ’ll admit it: I’m hooked on the look, Contents smell and feel of newsprint. It’s been that 3 Margaret Tait, film poet – Jackie Kay and Kate Swan way since I was a boy, taken by my father I 4 Poems by Marion McCready and Stephen Keeler – a journalist at Glasgow’s Evening Times – to visit the old Mitchell Lane offices at night. 5 Sgrìobhadh ùr Fearghas MacFhionnlaigh, Deborah Moffatt agus Lisa Nicdhòmhnaill The film-noir lighting seemed to heighten the senses, make the mystery of words made 6 The A82 – disability, ability and cycling by Ian Tallach print even greater. 7 Poems by Mark Ryan Smith, Peter Godfrey, Sharon Black I hope that’s part of the pleasure of Northwords Now for readers: the heft of a new edition. But 8 Last light – Story by Leonie Charlton I’m also aware of the power of online presence 9 Achanalt – poem sequence by Donald S. Murray, Poem by John Robertson Nicoll and the usefulness of digital archives. -
Contemporary Poetry (1950–) Attila Dósa and Michelle Macleod
CHAPTER NINE Contemporary Poetry (1950–) Attila Dósa and Michelle Macleod While Scottish Modernism has been described as ‘inter-national’ in the previous chapter, a progressively self-confdent transnationalism alongside a self-refexive hybridisation of the speech forms and cultures of home has characterised poetry since the war. Dialogic engagement with diferent literatures and languages within and outwith Scotland identifes a number of poets from Edwin Morgan to Kathleen Jamie, whose works investigate man as both a socially determined individual and a spiritual being independent of political borders: Matt McGuire and Colin Nicholson, in fact, refer to a sense of freedom in contemporary Scottish poetry.1 The literary and linguistic intersections can be traced out with the help of Deleuze and Guattari’s concept of a ‘minor literature’ – ‘not the literature of a minor language but the literature a minority makes in a major language’ 2 – which, striving to fnd a voice in an idiom at once familiar and strange, operates in the twofold paradigm of deterritorial- isation and political commitment in order to construct a literature that holds collective value. The second wave of the Scottish Renaissance is barely more than a label of convenience, which embraces a clutch of divergent talents coming into maturity in the 1950s. This includes Norman MacCaig (1910–1996), whose Riding Lights (1955) presents philosophical contem- plations of lucid and compact images from North-West Highland farm life, as in ‘Summer Farm’: ‘I lie, not thinking, in the cool, sof grass, / Afraid of where a thought might take me’. Looking back, the closest equivalent to these metaphysical poems may be found in William Drummond’s medieval Scots poems, though neither is their strange negativity too far from Edwin Muir’s near-contemporary existentialist mind-set. -
Island Spirituality Island Spirituality Spiritual Values of Lewis and Harris
A lastalr M cIntosh Island Spirituality Island Spirituality SPIRITUAL VALUES OF LEWIS AND HARRIS This book explores spirituality through the lens of Lewis and Harris – the pre-Reformation “temples”, Reformation theology, A colonisation, clearances and evangelisation under the last of the LA S Mackenzies of Seaforth. Perhaps controversially and certainly TAIR unconventionally, Dr McIntosh concludes that island religion, M for all its struggled history and theological tensions, expresses a C profound inner spirituality. It reveals itself in kindness that gives I NTO backbone to the community. It leads towards an ardent desire for God. It is the island’s greatest export to a wider world. sh Front: Loch an Teine (The Loch of Fire) Lewis-Harris border Back: Teampall Eòin (St John the Baptist’s Chapel), Bragar £ .01 00 A LA S TAIR M C I NTO sh After two print runs this little book is now out of print. The Islands Book Trust have kindly allowed me to share it as a PDF. Right at the end, pp. 188 - 199 as Roman numerated, I have added an Addendum with some major new material. I develop my themes further in Poacher's Pilgrimage (Birlinn 2016). Island Spirituality Spiritual Values of Lewis and Harris Alastair McIntosh The Islands Book Trust Published in 2013 by The Islands Book Trust www.theislandsbooktrust.com Copyright remains with the named author. Other than brief extracts for the purpose of review, no part of this publication may be reproduced in any form without the written consent of the publisher and copyright owner. This book may not be lent, hired out, resold or otherwise disposed of by way of trade in any form of binding or cover other than that in which it is published, without the prior consent of the publishers. -
Ross, Susan (2016) the Standardisation of Scottish Gaelic Orthography 1750-2007: a Corpus Approach
Ross, Susan (2016) The standardisation of Scottish Gaelic orthography 1750-2007: a corpus approach. PhD thesis http://theses.gla.ac.uk/7403/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] The Standardisation of Scottish Gaelic Orthography 1750-2007: A Corpus Approach Susan Ross M.A., M.Litt. Submitted in fulfillment of the requirements for the Degree of Doctor of Philosophy School of Humanities / Sgoil nan Daonnachdan College of Arts / Colaiste nan Ealan University of Glasgow / Oilthigh Ghlaschu Jan 2016 2 Abstract This thesis investigates the standardisation of Modern Scottish Gaelic orthography from the mid-eighteenth century to the twenty-first. It presents the results of the first corpus-based analysis of Modern Scottish Gaelic orthographic development combined with an analytic approach that places orthographic choices in their sociolinguistic context. The theoretical framework behind the analysis centres on discussion of how the language ideologies of the phonographic ideal, historicism, autonomy, vernacularism and the ideology of the standard itself have shaped orthographic conventions and debates. -
Some Reflections on the Poetry of Skye Aonghas Macneacail
Some Reflections on the Poetry of Skye Aonghas MacNeacail APART from a couple of not altogether successful attempts at writing novels in the early twentieth century by Angus Robertson and the Rev. Neil Ross, and the writings, in both fiction and non-fiction of the Rev Kenneth MacLeod, Skye has not really been explored in prose by Gaelic writers. Exceptions are the fictions of Eilidh Watt and Maoilios Caimbeul (the latter more readily identified as a poet), and the journalism of Martin MacDonald. The one native Skye prose writer of international repute, Martin Martin, left nothing, as far as we know, in the language which must surely have been his first. Alternatively, writers like Seton Gordon, who settled on the island, Derek Cooper, who was of Skye descent, Alan Campbell MacLean, and Margaret MacPherson, and poets like Richard Hugo and Hugh MacDairmid, have all contributed to placing the island firmly on the literary map, but in English. To get a Gaelic literary perspective on Skye, therefore, we have to look to the poets. Of these there is no shortage and this is true of the world of Gaelic generally. While there is an ancient tradition of storytelling, the stories, being of anonymous authorship, often taking on local details and characteristics, may be said to belong to the entire community, and will frequently have international provenance. The poetry is where we are most likely to find the individual creative voice articulating a specific perception of its environment - actual, historical or imagined. In Skye, as elsewhere in Gaeldom, poetry may be seen to divide into two basic strands. -
Download Northwordsnow Issue 34
The FREE literary magazine of the North Northwords Now Issue 34, Autumn 2017 Making tracks HARRY GILES finds Orkney in Ontario, KIRSTY GUNN goes off the map, MANDY HAGGITH sails with an ancient mariner, MARTIN LEE MUELLER swims with salmon Plus Short Stories, Poems, Articles, Reviews and new Gaelic writing EDITORIAL t’s great to get pleasant surprises. That’s been Contents part of the fun of editing Northwords Now in the 3 Reviews Ilast few months. I can seldom predict just what stories or poetry will be pinging across to my inbox 4 Of Snow, And Ice Sculpted - Story by Rónán MacDubhghaill or what new collections, novels and more will be landing in the mailbox. 5 Poetry by Larissa Reid Several of the submissions published in this issue are by writers whose work was previously unknown 6 Song for a Tsar - Poems by Donald S Murray to me, but whose skill with words caught my attention and made me smile at the ways they could 7 The Executioner – Story by Mike Dixon stretch imagination. That’s part of the function of this magazine, of course: to showcase new work and 8 Granny – Story by Tristan ap Rheinalt encourage fresh talent from across the north. MoB - Story by David McVey But it’s also been great to get much support from weel-kent figures in the Scottish literary scene, keen 9 Dàn le Alasdair Caimbeul to say how much they value Northwords Now. Some Dàin ùra le Maoilios Caimbeul of these writers have provided new work for this issue. 10 The Sea is a Time Machine – Essay by Mandy Haggith I hope the mix of names, styles of writing and subjects printed here will give others both food for 12 Poems by Ryan Van Winkle, Howard Wright, Barry Graham, Ian Tallach thought, enjoyment – and perhaps an urge to submit their own work for possible publication in a future 13 The Night Visitor – Short Story by D.B. -
Agus Mar Sin Car A' Mhuiltein
Agus mar sin Car a’ Mhuiltein And so Somersault MAOILIOS CAIMBEUL Agus mar sin Car a’ Mhuiltein And so Somersault MAOILIOS CAIMBEUL printed in an edition of 100 IN THE ISLE OF SKYE 30 JULY 2021 © Maoilios Caimbeul Pamphlet designed and produced by Sara Bain Printed by Strath Print, Broadford Bound at the Making Publics Press ATLAS Arts by Sara Bain, Samir Sharif and Ainslie Roddick Front page cover: Baile nan Cnoc, Tròndairnis, An t-Eilean Sgitheanach (The Fairy Glen, Trotternish, Isle of Skye) AND SO SOMERSAULT PAGE 5 Introduction ou hold in your hands a remarkable prose poem that is newly translated into English. A bardic tour de force where the mythical and the divine dance together. If it touches you like it has us, you’ll beY somersaulting, smiling and giggling at the humour woven throughout. For in our view, this beautifully crafted limited edition merits a place amongst Scotland’s most distinguished mythic and religious poetry. We can safely say that. Indeed, we can safely place our assessment beyond criticism. Because it’s a joke! Isn’t it? It’s a poem about the faeries, for goodness’ sake. And so … somersault. Let’s press in deeper and find out. The plot has William coming home tipsy from a wedding. He hijacks a horse, it speeds him faster than he’d bargained for, and so he’s somersaulted off into the sìthean, the faerie hill. There he dreams “the knowledge- fullness” of his journey. Soon he’s dancing with the faeries for a night that lasts a-year-and-a-day. -
Psalms, Poetry and Scotland
Stein, Jock (2021) Temple and tartan - Psalms, poetry and Scotland. PhD thesis. Volume 1 of 2: Temple and tartan http://theses.gla.ac.uk/82294/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] 1 Temple and Tartan – Psalms, Poetry and Scotland Jock Stein MA BD submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Critical Studies College of Arts University of Glasgow January 2021 2 Abstract In this Creative Research Project, Poetry (‘Word and Weave’) and Thesis (‘Temple and Tartan’) make a bifocal engagement with the Old Testament Psalms to provide substantial new insights. The Thesis examines how other poets have responded to the Psalms, and considers their reception history in Scotland. It shows how this creative response to the Psalms was birthed, shaped and developed using seven distinct roles of the poet. The first chapter introduces the writer and his poetry, and the Old Testament Psalms, along with a Practice Review. With the poet as enquirer, it explains how Word and Weave was planned in five sections, like the Psalms themselves. -
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The FREE literary magazine of the North Northwords Now Issue 27, Summer 2014 IN COLOURS FIERCE AND JOYOUS Aonghas MacNeacail remembers John Bellany Poems, Stories, Articles and Reviews including John Glenday, Aonghas Pàdraig Caimbeul, and the Magic of Moniack Mhor EDITORIAL Contents rather intriguing wee book recently arrived through the Northwords Now letterbox. Dear Scotland: Notes to our nation 3 Poems by Aonghas MacNeacail A is a collection of monologues whereby modern Scottish writers address their fellow Scots by giving voice to men and women 4 Poems by Colin Will represented in the National Portrait Gallery. Sadly the book arrived too late for review but with the referendum fast approaching here are some 5 Bringing Us Back to Earth – Article by Stuart B Campbell of their thoughts on Scotland and Scots which may inform the debate: 6 Poems by Irene Cunningham, Kathrine Sowerby, Yvonne Marjot, I feel your futures stretching out like reckless sleepers Robert Louis Julian Ronay, Vicki Husband, Coinneach Lindsay, Audrey Henderson Stevenson/AL Kennedy & Hugh McMillan Scotland, I have always found you a gloomy, backward, Presbyterian, unforgiving place James Boswell/Iain Finlay Macleod 7 Interview with Alex Gray by Tanera Bryden Be the master of your soul Scotland Mary Queen of Scots/Louise Welsh 8 The Creative Process – poetry & prose by John Glenday A wee country Scotland, you and me, welcomed the exile, the risk-taker, the 10 Poems by Eoghan Stewart, Deborah Moffat, Derek Crook, Lydia refugee Jackie Kay Popowich & Simon Berry I am thrawn, romantic, disputatious and energetic Robert Bontine 11 Poems by Aonghas Pàdraig Caimbeul Cunninghame Graham/James Robertson 12 Beyond the Croft House – Article by Angus Dunn Think thoroughly.