Dawson's Creek, of Course!
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Eat. Sleep. Watch Dawson's Creek: Teenagers
EAT. SLEEP. WATCH DAWSON’S CREEK: TEENAGERS’ PERCEPTIONS OF TEENAGE LIFE ON DAWSON’S CREEK by AMANDA STEWART HALL (Under the Direction of MARIA CAROLINA ACOSTA-ALZURU) ABSTRACT Drawing on cultural studies, especially Hall’s theory of encoding and decoding of texts (1973), this study examines how a sample of the audience of Dawson’s Creek, a Warner Brothers’ Television show, interpret and relate to the show and whether they incorporate these meanings in their lives. Ten in-depth interviews were conducted with females aged 15- to 21-years-old to discern the reality of representations on the show of teenage life and how these participants engage with the show. Findings suggest the show enables its viewers to identify with the portrayal of the teenage experience, especially when examining the show’s characters. Limitations of the study include the diversity of the sample used. Future research suggestions include an examination of how the show’s messages are encoded by the show’s creative team. In addition, future research should include a more in-depth examination into how Dawson’s Creek has changed the nature of teenage television. INDEX WORDS: Cultural Studies, Popular Culture, Dawson’s Creek, Stuart Hall, Teenagers and Television, Consumption of Television, Encoding and Decoding Texts. EAT. SLEEP. WATCH DAWSON’S CREEK: TEENAGERS’ PERCEPTIONS OF TEENAGE LIFE ON DAWSON’S CREEK by AMANDA STEWART HALL B.A., University of North Carolina Charlotte, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 © 2002 Amanda Stewart Hall All Rights Reserved EAT. -
The Queerness of Straight Masculinity:Men's Emotional
THE QUEERNESS OF STRAIGHT MASCULINITY:MEN’S EMOTIONAL INTIMACIES WITH OTHER MEN IN BOY MEETS WORLD AND DAWSON’S CREEK by David Powers Corwin A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2016 George Mason University Fairfax, VA The Queerness of Straight Masculinity: Men’s Emotional Intimacies with Men in Boy Meets World and Dawson’s Creek A Thesis submitted in Partial fulfillment of the requirements for the Master of Arts in Interdisciplinary Studies at George Mason University. By David Powers Corwin Bachelor of Arts Milligan College, 2013 Director: Dr. Rachel Lewis, Assistant Professor Women and Gender Studies Program Spring Semester 2016 George Mason University Fairfax VA Dedication To my best friend, Jordan, this project is an attempt to make sense of our friendship that seemed to differ from all of our other male peers. Thank you for your enduring support of me and for providing me with an unconditional friendship for the last seven years. ii Acknowledgements Many people both professionally and personally made contributions to my success in the completion of this thesis. First, I would like to thank my committee chair, Dr. Rachel Lewis, for her mentoring role in my graduate school experience from my first semester in the MAIS program. Almost every semester, I had at least one if not more courses with Rachel and she continues to mentor my scholarship and support my work by giving me constructive criticism and talking me through all my moments of discouragement I had throughout the process. -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Copyright by Lauren Elizabeth Wilks 2019
Copyright by Lauren Elizabeth Wilks 2019 The Thesis Committee for Lauren Elizabeth Wilks Certifies that this is the approved version of the following Thesis: Teens of Color on TV: Charting Shifts in Sensibility and Approaches to Portrayals of Black Characters in American Serialized Teen Dramas APPROVED BY SUPERVISING COMMITTEE: Mary Beltrán, Supervisor Alisa Perren Teens of Color on TV: Charting Shifts in Sensibility and Approaches to Portrayals of Black Characters in American Serialized Teen Dramas by Lauren Elizabeth Wilks Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2019 Abstract Teens of Color on TV: Charting Shifts in Sensibility and Approaches to Portrayals of Black Characters in American Serialized Teen Dramas Lauren Elizabeth Wilks, MA The University of Texas at Austin, 2019 Supervisor: Mary Beltrán Over the past several decades, the serialized teen drama genre on television has moved through a series of cycles. The genre, which began with the arrival of Beverly Hills, 90210 (1990) on Fox Broadcasting Network, focuses on portrayals of different subsets of teenagers in their school, family and interpersonal lives. Sometimes called the “teen soap opera,” the genre is subject to the scrutiny and dismissiveness often reserved for media located in the realm of women’s entertainment. Through comparative discourse and textual analysis bounded in socio-cultural consideration of each temporal cycle, this thesis asserts that close attention to this genre can valuably articulate approaches to racial representational strategies. -
A Note About This Story Life and the Movies
Shifting into Overdrive by C. J. Anders A Note About This Story Kevin Williamson is a screenplay writer and a producer and director of movies. He was born on March 14th, 1965 and grew up in New Bern, a small town in the state of North Carolina, in the east of the U.S.A. Kevin loved movies and his favorite director was Steven Speilberg. Kevin studied theater and film at East Carolina University. In 1987, he left New Bern and went to New York. He wanted to become an actor. When he went to Los Angeles a few years later, he worked as an assistant to a director of music videos. Kevin studied script writing and wrote screenplays for movies. The first successful movie that he wrote was Scream (1996). Paul Stupin worked for Columbia TriStar Television. He read the screenplay for Scream and he liked it. He asked Kevin to write a TV show. Kevin thought about his life in his small home town and he wrote the story for "Dawson's Creek". The first episode of the show was made in 1997. Paul Stupin was the Executive Producer of "Dawson s Creek". Kevin wrote the screenplays for the movies Scream 2 (1997), 1 Know What You Did last Summer (1997) and The Faculty (1998). He wrote and directed the movie, Teaching Mrs Tingle (1999) and he produced the movie Scream 3 in 2000. The story of "Dawson's Creek” takes place in a small town in the state of Massachusetts, in the northeast of the United States. -
(Don't) Wear Glasses: the Performativity of Smart Girls On
GIRLS WHO (DON'T) WEAR GLASSES: THE PERFORMATIVITY OF SMART GIRLS ON TEEN TELEVISION Sandra B. Conaway A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Kristine Blair, Advisor Julie Edmister Graduate Faculty Representative Erin Labbie Katherine Bradshaw © 2007 Sandra Conaway All Rights Reserved iii ABSTRACT Kristine Blair, Advisor This dissertation takes a feminist view of t television programs featuring smart girls, and considers the “wave” of feminism popular at the time of each program. Judith Butler’s concept from Gender Trouble of “gender as a performance,” which says that normative behavior for a given gender is reinforced by culture, helps to explain how girls learn to behave according to our culture’s rules for appropriate girlhood. Television reinforces for intellectual girls that they must perform their gender appropriately, or suffer the consequences of being invisible and unpopular, and that they will win rewards for performing in more traditionally feminine ways. 1990-2006 featured a large number of hour-long television dramas and dramedies starring teenage characters, and aimed at a young audience, including Beverly Hills, 90210, My So-Called Life, Buffy the Vampire Slayer, Freaks and Geeks, and Gilmore Girls. In most teen shows there is a designated smart girl who is not afraid to demonstrate her interest in math or science, or writing or reading. In lieu of ethnic or racial minority characters, she is often the “other” of the group because of her less conventionally attractive appearance, her interest in school, her strong sense of right and wrong, and her lack of experience with boys. -
Dawson's Creek Jen Pregnant Episode
Dawson's Creek Jen Pregnant Episode That Dawson's Creek series finale still makes us weep. like, SUPER DUPER DYING even though she seemed fine at the beginning of the two-part episode. Dawson's Creek Revisited: Season 4, Episode 18 – Eastern Standard Time Jen go on a trip where it's normal for teen girls to get pregnant, but I suppose. Dawson's Creek: Season 1: Episode 9 -- Jen's old boyfriend takes Dawson and Joey tells Abby that she's pregnant and that he won't help her in any way. I wasn't in Dawson's Creek's target age group when in debuted in 1998. in jail and her sister is taking care of her, dating a black man, and is pregnant. Early in the episode he takes Jen over to his mom's work to use the editing equipment. Despite being one of the defining series of a generation, Dawson's Creek, like so but the pregnancy brought it to the surface) but in my mind, he got her pregnant) You left off Season 4, Episode 4 "Future Tense", where Drew throws Jen. Season One · Pilot (episode) · Season Three · Season Six · Detention When Eddie and Joey deliver food to the film set Dawson's a part of he gets It's actually Henston's daughter that lures Eddie back to Boston telling him Joey was pregnant. At a foundraiser for the Counceling Center that Jen's hosting Dr. Drew calls. Dawson's Creek Jen Pregnant Episode >>>CLICK HERE<<< Roadtrip Democracy Diva: The episode begins with the opening chords to Jen: “No. -
Dawson's Creek", Intertextuality, and Legitimation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2012 The Rise and Fall of the WB: "Dawson's Creek", Intertextuality, and Legitimation Ambert R. J. P. Hodge College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Mass Communication Commons Recommended Citation Hodge, Ambert R. J. P., "The Rise and Fall of the WB: "Dawson's Creek", Intertextuality, and Legitimation" (2012). Dissertations, Theses, and Masters Projects. Paper 1539626676. https://dx.doi.org/doi:10.21220/s2-00v5-f567 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Rise and Fall of the WB:Dawson’s Creek, Intertextuality, and Legitimation Amber R. J. P. Hodge Honolulu, Hawaii Bachelor of Arts, The College of William and Mary, 2005 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary May 2012 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Am Approved b W j mmi JArthur Knight, Ph.D. The College of William and Mary Colleen Kennedy, Ph.D. The College of William and Mary ABSTRACT PAGE Americans have always been divided generationally, from the Lost Generation and the Greatest Generation to the Baby Boomers and Generation X. -
Dawson's Creek Season III
Dawson's Creek Season III I do not own the characters in any of these transcripts, nor do I own any rights to the television show “Dawson’s Creek”. These transcripts are merely for those that do not have access to episodes on the TV. It is not to infringe on any copyrighted material, merely to spread and promote this show. PLEASE ALSO NOTE THAT I DID NOT WRITE THESE TRANSCRIPTS, I only collected them from various web pages and converted them to PDF files for easy archiving. Since I'm not a thief, writers of these transcripts and websites I collected them are given full credit both on Transcripdfs website and below. However, if you are the owner of any of these transcripts and really don't want them to be in this nice, helpful and respectful site, think again. And if you still don't want it, just contact me. Also if you see anything wrong in transcripts and have any correction, please let me know so I can fix it and post an update. The most recent version of this file can be downloaded from TRANSCRIPDFS website: http://members.lycos.co.uk/transcripdfs This file was created by CATA7 <[email protected]> this file was last updated on March 30, 2003 I’ve downloaded these <Episodes 1-21> transcripts from a site named “Access Dawson’s Creek” long time ago. That site is closed now, and I have no idea about who are the writers of these transcripts. If you are the writer, please contact me. -
Take This Waltz
Mongrel Media Presents TAKE THIS WALTZ A Film by Sarah Polley (116 min., Canada, 2011) Distribution Publicity Cynthia Amsden 1028 Queen Street West Roundstone Communications Toronto, Ontario, Canada, M6J 1H6 Tel: 416-910-7740 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail : [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html MARGOT I'm scared of connections. Daniel raises his eyebrows. MARGOT (CONT'D) In airports. DANIEL You're afraid of flying? MARGOT No fear at all of actually being in a plane. Just getting from one plane to another. Running. Rushing. Trying to figure it out. The not knowing. Wondering if I'll make it. DANIEL What do you think will happen to you if you don't make it? MARGOT I think... I may get lost. And that I may rot and die in some forgotten, empty terminal that nobody even knows exists. DANIEL And you'll miss your plane. MARGOT That's not really the fear. DANIEL So what are you afraid of? MARGOT I'm afraid of wondering if I'll miss it. I don't like being in between things. I'm afraid of...being afraid. He looks at her a long time. DANIEL That sounds like the most dangerous thing in the world. 2 Take This Waltz – Synopsis When Margot (Michelle Williams), 28, meets Daniel (Luke Kirby), their chemistry is intense and immediate. But Margot suppresses her sudden attraction; she is happily married to Lou (Seth Rogen), a cookbook writer. -
Dawson's Creek
Dawson’s Creek: The Beginning of Everything Else A Note About This Story Kevin Williamson is a screenplay writer and a producer and director of movies. He was born on March 14th, 1965 and grew up in New Bern, a small town in the state of North Carolina, in the east of the U.S.A. Kevin loved movies and his favorite director was Steven Speilherg. Kevin studied theater and film at East Carolina University. In 1987, he left New Bern and went to New York. He wanted to become an actor. When he went to Los Angeles a few years later, he worked as an assistant to a director of music videos. Kevin studied script writing and wrote screenplays for movies. The first successful movie that he wrote was Scream (1996). Paul Stupin worked for Columbia TriStar Television. He read the screenplay for Scream and he liked it. He asked Kevin to write a TV show. Kevin thought about his life in his small home town and he wrote the story for “Dawson’s Creek”. The first episode of the show was made in 1997. Paul Stupin was the Executive Producer of “Dawson’s Creek”. Kevin wrote the screenplays for the movies Scream 2 (1997), I Know What You Did Last Summer (1997) and The Faculty (1998). He wrote and directed the movie, Teaching Mrs Tingle (1999) and he produced the movie Scream 3 in 2000. The story of “Dawson’s Creek” takes place in a small town in the state of Massachusetts, in the northeast of the United States. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 446 010 SO 032 173 AUTHOR Harris, Laurie Lanzen, Ed.; Abbey, Cherie D., Ed. TITLE Biography Today: Profiles of People of Interest to Young Readers. Author Series. Volume 6. ISBN ISBN-0-7808-0402-3 PUB DATE 1999-00-00 NOTE 207p. AVAILABLE FROM Omnigraphics, Inc., 615 Griswold, Detroit, MI 48226; Tel: 800-234-1340; Web site: http://www.omnigraphics.com/. PUB TYPE Collected Works General (020) Reference Materials General (130) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Adolescent Literature; *Authors; Childrens Literature; Fiction; *Individual Characteristics; Intermediate Grades; Nonfiction; Readability; Secondary Education IDENTIFIERS *Biodata; Journalists; *Professional Writing ABSTRACT This book provides biographical profiles of 11 authors of interest to readers ages 9 and above and was created to appeal to young readers in a format they can enjoy reading and readily understand. Biographies were prepared after extensive research, and each volume contains a cumulative index, a general index, a place of birth index, and a birthday index. Each entry in provides at least one picture of the individual. profiled, and bold-faced rubrics lead the reader to information on birth, youth, early memories, education, first jobs, marriage and family, career highlights, memorable experiences, hobbies, and honors and awards. All entries end with a list of easily accessible sources designed to lead the student to further reading on the individual. Volume 6 features the following authors: Lloyd Alexander (1924-); Paula Danziger (1944-); Nancy Farmer (1941-); Zora Neale Hurston (Retrospective)(1891?-1960); Shirley Jackson (Retrospective)(1916-1965); Angela Johnson (1961-); Jon Krakauer (1954-); Leo Lionni (Obituary)(1910-1999); Francine Pascal (1938-); Louis Sachar (1954-); and Kevin Williamson (1965-).