Appendix: Filmographies

Albertina Carri (b. 1973) Feature/Documentary Films: No quiero volver a casa (2000) Los rubios (2003) Géminis (2005) La rabia (2008) Cuatreros (2017)

Short Films: Aurora (2001) Pets (2013) Restos (2010) Barbie también puede eStar triste (2001) Fama (2005) De vuelta (2005) 0800 no llames (2005)

Video Installations: Partes de lengua (2011) Operación Fracaso y El Sonido Recobrado (2015) Animales puros (2017)

Television: 23 pares (2012) Visibles (2011) La bella tarea (2011) Tracción a sangre (2007) Urgente (2007) Teléfono descompuesto (2005) Mujeres en rojo: Fama (TV short) (2003)

Lucía Puenzo (b. 1976) Feature Films: XXY (2007) El niño pez (2009) Wakolda: El médico alemán (2013)

Short Films: Los invisibles (2005) Codicia (2009) Más adelante (2010) Cromo (2015)

TV Series: Final Minute (2001–2002) Catfight (2003) Malandras (2003) Sol negro (2003) Cold Blood (2004)

Co-scripts: (h)Historias cotidianas (2001) La puta y la ballena (2004) A través de tus ojos (2006) Lo que tiene el otro (2007) Showroom (2014) Planta madre (2014) Cromo (2015) El faro de las orcas (2016) Appendix: Filmographie s 229

O Silêncio do Céu (2016) Los últimos (2017)

Lucrecia Martel (b. 1966) Feature Films: La ciénaga (2001) La niña santa (2004) La mujer sin cabeza (2008) Zama (2017)

Short Films: El 56 (1988) Piso 24 (1989) No te la llevarás, maldito (1989) La otra (1989) Besos rojos (1991) Rey muerto (1995) La ciudad que huye (2006) Nueva Argirópolis (2010) Pescados (2010) Muta (2011)

Television Directorship and/or Co-scripts: Magazine for Fai (1995–1999) Las dependencias (1999) Historias de vidas: Encarnación Ezcurra (1998) Bibliography

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A 152n31, 176, 202, 203, 213n19, Abandonment, 17, 35, 45–49, 52, 73, 216n62, 217n67, 217n71, 93 81–82n34n34 Abel, Marco, 48, 51, 216n55 familial ‘disintegration’, 61 Acousmêtre, 112 Alonso, Lisandro, 9, 35–38, 80n15 Adorno, Theodor, 148 Althusser, Louis, 186, 215n40 ‘An-affection-image’, 223 Andermann, Jens, 9, 21n1, 24n42, 43, Affective moments, 9, 10, 12–20, 37, 47, 78n3, 79n11, 80n15, 80n16, 53, 95–98, 103, 110, 118, 121, 81n33, 97, 126, 149n3, 157n96, 129, 130, 177, 180, 181, 195, 213n19 199, 205, 224 Argentine women filmmakers, 1, 2, 7, Affects, 1, 3, 4, 9–20, 25n47, 25n48, 23n28 33–35, 37, 39, 40, 43, 47–49, Aristotle, 103, 107, 207 93–148, 167–211, 223–225, Assmann, Jan, 125, 150n11 225n1 Augé, Marc, 88n91 Agamben, Giorgio, 39, 94, 95, 101, Autism, 37, 38, 45, 80n12 103, 104, 106, 107, 114, 152n32, 155n63 Aguilar, Gonzalo, 9, 21n1, 24n42, B 25n46, 34, 39, 40, 42, 50, 57, Bakhtin, Mikhail, 186 58, 61, 75, 79n11, 81n33, ‘Bare Life’, 94, 101 82n42, 83n48, 95, 96, 149n10, Barker, Jennifer, 202, 203, 217n66

1 Note: Page numbers followed by ‘n’ refer to notes.

‘Barrios privados’, 214n34 Carri, Albertina, 1, 3, 7–9, 16–20, Barthes, Roland, 26n63, 190 33–43, 45, 46, 49, 59, 71, 75, Bartky, Sandra Lee, 88n89 78n1, 78n2, 78n3, 79n9, 79n10, Bataille, Georges, 185 80n12, 80n16, 87n85, 93–96, Bauman, Zygmunt, 115, 116 100, 105–107, 149n9, 151n19, Beach (and cinema), 171, 173 151n25, 151n26, 152n37, Beceyro, Raúl, 9 153n42, 153n43, 182–196, 205, Bemberg, María Luisa, 2, 4–6, 23n14, 207, 214n33, 215n36, 223, 224, 23n17, 23n20, 23n22, 23n25 227–228 Benjamin, Walter, 121, 122, 133, Carri, Roberto, 93, 95, 97–103, 105, 157n88, 201, 211, 215n50, 107, 148n1, 150n12, 151n25, 218n84 152n29 Bernades, Horacio, 21n1, 183, 215n42 Cartoons, 47, 48 Berneri, Anahí, 2, 7 Caruso, Ana María, 7, 93, 101, 102, Bernini, Emilio, 35, 107 105–107 Bettendorff, Paulina, 2, 21n2, 22n12, Change of Habit, 38 23n21, 23n25, 23n26, 23n28, Chen, Verónica, 2, 69 24n29, 24n33, 24n37, 24n38, 38 Childhood, 7, 73, 74, 78n2, 109, Bhabha, Homi, 77 131–133 Blood, 43, 53, 55, 142, 144, 197 Chion, Michel, 112, 154n59 Bolivia, 58, 114 City (and cinema), 17, 36, 69–71, 97, Boom (Latin American literary 98, 129 movement), 2, 6 Clough, Patricia, 10, 11, 17 Bordo, Susan, 88n89 Collective memory, 111 Bordwell, David, 224 Colombetti, Giovanna, 14, 26n54, Boredoms, 16, 19, 167–211 28n90 Borges, Jorge Luis, 146 CONADEP, 84n53 Bourdieu, Pierre, 4, 23n15, 112, 169 Couceyro, Analía, 97–99, 102, 103, Bouvard, Marguerite Guzmán, 59, 151n25 84n52 Cuatreros, 22n10, 227 Braidotti, Rosi, 175 Cultural memory, 16, 18, 96, 109, Brennan, Teresa, 14, 26n54 124 Bruno, Giuliana, 20, 26n54, 28n91, 203, 204, 223 Buñuel, Luis, 110 D Butler, Judith, 100, 115, 139 Damiana Kryygi, 147 de Bonafini, Hebe, 84n53 de Certeau, Michel, 158n100, 185, C 215n38 Caetano, Adrián, 9, 49, 59, 65, de Lauretis, Teresa, 5, 22n8 83n49, 116 Deleuze, Gilles, 10, 13, 25n47, Camila, 5, 23n19, 23n20 27n71, 37, 39, 40, 47, 48, 62, INDEX 259

81n21, 88n90, 109, 132, F 153n48, 160n122, 183, 190, Facundo, 34, 113, 194 195, 197, 199, 213n24, 215n49, civilización y barbarie: Vida de Juan 216n58, 223, 224, 225n1, 225n3 Facundo Quiroga, 34, 113, 194 Derrida, Jacques, 104, 108, 150n14, Falicov, Tamara, 51, 79n11, 81n33 152n34 Film noir, 64–74, 77, 86n68 Desire, 4, 9, 13, 16, 19, 20, 33, 37, Foster, David W., 25n46, 67, 69, 49, 55, 57, 60, 61, 63, 64, 66, 87n78, 87n79, 161n127, 68, 70, 73, 75, 83n46, 114, 125, 161n131, 213n19 130, 140, 154n52, 159n119, Foucault, Michel, 76, 88n86, 88n87, 161n135, 167–171, 173, 88n89, 109, 113, 120, 155n61, 176–186, 190, 191, 198, 199, 186, 194, 196, 216n56 205, 208, 210, 224 Freud, Sigmund, 41, 43, 57, 167, Disappearances (Argentina), 7, 84n51, 197, 212n2, 216n59 94, 97, 101, 102, 107, 122 ‘Distribution of the sensible’, 225 Doane, Mary Anne, 5 G Documentary cinema, 8 Garrels, Elizabeth, 78n4 Don Segundo Sombra, 106 Gauchos, 34, 78n5, 190 Dwelling, 61–64, 70, 77 Gaze, 38–41, 46, 50, 76, 83n45, 115, 128, 129, 136, 144, 149n10, 174, 180, 188, 195–197, 203, E 210 Echeverría, Esteban, 43 Géminis, 16, 19, 35, 78n3, 80n12, Eisenstein, Sergei, 25n48, 26n54, 171, 182–184, 189–191, 193, 27n73, 47, 98, 151n22 194, 207, 215n34, 224, 227 El bonaerense, 65 Gestures, 1, 18, 61, 109–115, 126, El cielito, 35, 36 144, 154n52 El matadero, 43 Goodstein, Elizabeth, 189–191, El niño pez, 16, 17, 49, 61–65, 67, 69, 213n26, 215n44, 215n50 71, 72, 74–77, 85n61, 86n67, Gregg, Melissa, 10, 12, 13, 26n58, 86n73, 87n77, 224, 228 26n66, 27n70, 27n82, 28n93, El último verano de la Boyita, 172, 62, 86n63, 151n21 212n13, 213n16 Grief, 167 Eliot, T.S., 196 Grossberg, Lawrence, 98, 113, 132, Elsaesser, Thomas, 209, 217n73 151n21, 155n62, 178, 179, Eltit, Diamela, 39, 81n20 213n27 Emotions (and cinema), 25n48 Grosz, Elizabeth, 88n88 Ennui, 189–194, 215n45 Guaraní myth, 75 Erll, Astrid, 18, 27n86, 94, 109, 125, Guattari, Félix, 25n47, 68, 77, 86n62, 149n6, 150n11, 153n44, 88n90, 109, 153n48, 180, 183, 153n45, 157n95, 161n130 199, 213n24 260 INDEX

Gugliotta, Sandra, 2, 5 K Guido, Beatriz, 4 Kamchatka, 93 Gutiérrez-Albilla, Julián Daniel, 2, Kant, Immanuel, 117, 155n70 21n2, 24n41, 54, 82n41 Kaplan, Ann, 6, 7, 19, 21n4, 24n32, 24n40, 28n89, 41, 59, 81n23, 85n58, 225n2 H Kirchnerismo, 3, 10, 26n49 Haneke, Michael, 135 Kracauer, Siegfried, 128, 132, 133, Heidegger, Martin, 45, 63, 140, 159n112, 201 86n64 Kristeva, Julia, 59 H.I.J.O.S. organization, 26n49, 84n54, 95, 97 Historias breves, 5 L (h)Historias cotidianas, 93, 228 La ciénaga, 3, 7, 16, 17, 49–53, 57, Hitler, 132, 135, 160n122 60, 67, 71, 75, 79n8, 81n34, Homeless body, 86n72 84–85n55, 154n50, 192, 224 ‘Homemaking’ (Iris M. Young), 62, La historia oficial, 123 63, 70, 73, 74 La libertad, 36–38 ‘Homosociality’, 67–69, 87n79 La mujer sin cabeza, 3, 16–18, 52, hooks, bell, 63, 74, 75, 86n66 85n55, 109–114, 116–119, 122, A hora da estrela, 68 124–126, 140, 146, 154n52, Huizinga, Johan, 147 155n69, 224 Hypermediacy, 93–97, 103–106, 108, La niña santa, 3, 16, 19, 52, 85n55, 109 136, 154n50, 171, 197–202, 205, 207, 211, 224 La rabia, 3, 16, 17, 35–38, 41–49, I 71, 75, 79n8, 79n9, 79n10, Incest, 183–189, 195, 197 80n15, 80n16, 224 ‘Inenarrable episodes’, 45–49 La teta asustada, 116 ‘Intelligible body’, 76 Latin American Cinema, 1, 2, 9, 49, Intersexuality, 168, 170, 174, 176, 67, 79n11, 87n79, 212n13, 224 179, 180, 205, 212n13 La Yuma, 116 Irigaray, Luce, 59–61 LaCapra, Dominick, 133, 159n114, Isolation, 36, 147, 171, 172, 187, 159n115 192, 215n34 Lefebvre, Henri, 13, 27n69, 39, 168, 213n18 Lefebvre, Martin, 176 J Leonera, 49, 65, 83n49 Jameson, Fredric, 200, 211, 216n64, Lerer, Diego, 21n1 218n85 Los muertos, 36 Jelin, Elizabeth, 97, 150n15, Los rubios, 3, 7, 16–18, 35, 80n16, 157n94 93–96, 224 INDEX 261

cartografía de una película, 18, 124–127, 129, 130, 134, 139, 94–96, 98, 101, 102, 104–106, 143, 149n10, 150n16, 152n31, 108, 109, 140 152n35, 153n45, 154n58, Los vigilantes, 39 159n119, 169, 224 Menem, Carlos, 3, 19, 25n49, 214n34 M Mengele, Josef, 127, 131, 134, 138, Macri, Mauricio, 3, 97 141, 142, 144, 148, 158n99, Madres de Plaza de Mayo, 84n51 158n103, 159n110, 160n125, Manning, Erin, 10, 14, 15 161n132, 161n133 Markovitch, Paula, 59, 212n11 Menis, María Victoria, 2, 35, 36, 49 Martel, Lucrecia, 1, 3, 5–9, 16–20, Meta, Natalia, 2 49–55, 57, 60, 71, 75, 81n34, ‘Minors’ (and cinema), 16, 33–77 82n36, 82n37, 82n38, 82n41, Monotony, 19, 197–202, 207, 211 82n42, 83n45, 83n46, Montoneros, 93 84–85n55, 95, 109–120, Morgan, David 122–126, 130, 136, 140, 146, ‘being in’, 51 154n58, 154n60, 155n67, ‘doing’, 51 155n69, 155n71, 155n73, Motherhood, 52, 58–61, 73, 84n52, 156n81, 156n86, 159n120, 171, 84–85n55, 85n56 192, 203, 205–209, 211, ‘Mourning’ (Argentina), 179 216n62, 217n69, 217n74, Muerte en Buenos Aires, 65 218n78, 223, 224 Mulvey, Laura, 5, 41 Martin, Deborah, 2, 3, 5, 9, 20, 21n2, Murga, Celina, 2, 189 23n16, 23n23, 24n33, 117, 136, 159n120, 176, 192, 206, 216n62, 217n70 N Massey, Doreen, 42, 63 NAC, see New Argentine Cinema Massumi, Brian, 10, 13, 15, 19, Nagib, Lúcia, 8, 21n2 26n57, 27n68, 27n72, 27n74, Nair, Parvati, 2, 21n2, 24n41, 82n41 27n77, 27n78, 27n87, 33, 37, Nazis (and Argentina), 19, 126, 43, 44, 53, 62, 63, 76, 82n35, 158n99 88n90, 94, 110, 118, 121, 129, Neoliberalism, 3, 19, 117, 207, 208, 131, 149n8, 151n24, 154n53, 214n34, 218n80 154n57, 155n75, 156n85, New Argentine Cinema (NAC), 3, 5, 159n106, 159n118, 159n119, 9, 10, 20–21n1, 34, 35, 39, 61, 169, 192, 197, 199, 204, 64, 79n11, 80n16, 83n49, 176, 213n24, 215n51, 217n72, 224 208, 211, 212n13, 223–225 Melancholy (Freud), 167 Nichols, Bill, 97, 150n18 Memory, 4, 9, 13, 16, 18–20, 38, 74, Nietzsche, Friedrich, 45, 76, 119, 76, 95–97, 100, 102, 104–106, 120, 156n83, 225n3 109, 111, 117, 119–122, Noriega, Gustavo, 96 262 INDEX

O Rancière, Jacques, 16, 26n51, 27n84, Olivera, Héctor, 59 225, 225n6, 225n7 Ortega y Gasset, José, 126 Rashkin, Elissa, 21n2, 60 Oubiña, David, 9, 22n9, 38, 50, 51, Rejtman, Martín, 9 53, 81n33, 81n34, 82n38, 84n55 Remediation (and aesthetic production), 18 Restos, 104, 152n35 P Rey muerto, 5, 84n55 Page, Joanna, 3, 9, 21n1, 22n8, 24n42, Rich, Adrienne, 140, 141 51, 78n3, 79n11, 81n33, 82n37, Rich, B. Ruby, 1–3, 21n2, 21n3, 83n46, 95, 96, 104, 149n4, 223 22n6, 22n8 Papá Iván, 93 Robben, Antonius, 84n53, 157n89 Pérez Rial, Agustina, 2, 21n2, 22n12, Rocha, Carolina, 7, 24n34, 24n42, 23n21, 23n25, 23n26, 23n28, 78n2, 78n5, 80n12, 81n24, 24n29, 24n33, 24n37, 24n38 81n32, 85n61, 144 Performance theory, 57 Photography (in cinema), 131 Pizza, birra, faso, 49 S ‘Pleasure principle’, 57 Sarlo, Beatriz, 5, 124, 150n16 ‘Pluri-medial contexts’, 18 Sartre, Jean-Paul, 44, 45, 81n28, Podalsky, Laura, 9, 26n54, 49, 82n36 198 Poliak, Ana, 2 Scarry, Elaine, 112, 154n58 Political cinema, 4, 13, 16, 176 Schaffner, Franklin, 138, 158n99 Postmemory cinema, 100 ‘Second delirium’, 196 Prividera, Nicolás, 59, 60, 93 Seggiaro, Daniela, 58, 116 Puenzo, Lucía, 1, 3, 7–9, 16–20, 49, Seigworth, Gregory, 10, 12, 13, 59, 61–67, 69–72, 74, 75, 26n58, 26n66, 27n70, 27n82, 85n61, 86n67, 95, 125–128, 28n93, 62, 86n63, 151n21 130–148, 158n98, 158n99, Seminet, Georgia, 78n2, 80n12, 158n103, 160n122, 161n131, 81n24, 85n61, 144 161n135, 167–172, 174, 177, ‘Sensation’ (Deleuze), 37, 48, 195 181, 205, 207, 212n5, 212n13, ‘Sequestration of experience’, the, 213n16, 213n25, 223–225 146, 147 Puenzo, Luis, 7, 59, 123 Sex-trafficking, 64, 65, 71, 75, 77 Shaw, Deborah, 2, 3, 21n2, 22n12, 23n16, 23n23, 24n39, 79n11, Q 225n5 Quintin, 20n1, 21n1 Shortland, Cate, 135 Smith, Christian, 99, 100 Snow, Clyde, 142 R Solomonoff, Julia, 2, 6, 7, 172, 176, Ragone, Vanessa, 2, 6, 23n28 212n13, 213n16 Rain Man, 38 Sommer, Doris, 78n5, 191 INDEX 263

Sosa, Cecilia, 26n49, 84n52, 95, 96, V 108, 116–118, 121, 122, 124, Vagón fumador, 69 154n49, 154n56, 156n80, Vezzetti, Hugo, 97, 150n15, 157n87, 157n90, 157n94, 157n94 158n104 Violence, 4, 9, 13, 16, 17, 20, 33–77, Spinoza, Baruch, 13, 15, 40, 62, 121 97, 117, 124, 135, 139, 172, Stagnaro, Bruno, 49, 83n49 224 Stantic, Lita, 4, 6, 23n28 ‘Visual Pleasure’, 41 State terror (Argentina), 19, 59, 80n16, 93, 97, 111, 117, 126, 158n98 Stephens, Sharon, 74, 75 W Svampa, Maristella, 183, 214–215n34, Wakolda: El médico alemán, 3, 215n35 126–128 Synesthesia, 73, 87n83 White, Hayden, 128, 158n105 Williams, Raymond, 96, 109 Wolf, Sergio, 9, 21n1 T Women’s cinema, 1, 23n28 ‘Tactility’ in cinema, 180, 203, 209 Women’s cinema (White, Patricia), 8, Taylor, Diana, 84n52 22n11, 23n18 Temple Grandin, 38 Woolf, Virginia, 193, 216n52 Tompkins, Cynthia, 38, 47, 79n10, 80n16, 81n18, 81n30 Trapero, Pablo, 9, 49, 59, 65, 83n49, X 182, 212n11 XXY, 3, 7, 16, 19, 62, 167–174, Trauma, 125, 130, 133, 149n10, 176, 177, 180, 181, 205, 151n19, 171 207, 212n5, 212n8, Turner, Bryan, 27n88, 44, 169, 212n13, 213n16, 213n25, 224 212n6, 214n32

Z U Zama, 22n10, 52 ‘Uncanny’, 136, 211 Zerubavel, Eviatar, 157n86 Un oso rojo, 65, 83n49 Žižek, Slavoj, 10