Cinq Feux De Forêt Dans La Région
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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
The Simpsons Tapped out - Analysis and Proposed Events Overview
The Simpsons Tapped Out - Analysis and Proposed Events Overview Players like myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. Notably, as respects Events, positive reactive efforts were identifiable in the 2017 Winter Event and the modified use of craft currency. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Premise player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace, more like mini-Events, and the Solution addition of new Effects, enabling a variety of looks while injecting a new degree of both familiarity and customization for players. The proposed Events and gameplay changes are steeped in canonical content rather than original content. -
ENG 1001G-048: Composition and Language Barry Hudek Eastern Illinois University
Eastern Illinois University The Keep Fall 2007 2007 Fall 8-15-2007 ENG 1001G-048: Composition and Language Barry Hudek Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/english_syllabi_fall2007 Part of the English Language and Literature Commons Recommended Citation Hudek, Barry, "ENG 1001G-048: Composition and Language" (2007). Fall 2007. 32. http://thekeep.eiu.edu/english_syllabi_fall2007/32 This Article is brought to you for free and open access by the 2007 at The Keep. It has been accepted for inclusion in Fall 2007 by an authorized administrator of The Keep. For more information, please contact [email protected]. I 00 I G -04<? ENGLISH 1001.048 THE S/MPSONSAND COMPOSITION FALL 2007 TUESDAY-THURSDAY 2-3:1 5 COLEMAN HALL 3290 YOUR INSTRUCTOR Barry Hudek Office 3762 Office Hours: 3:30- 5:00, Tuesday and Thursday and 2-3, Wednesday. 217.549.6587 [email protected] TEXTBOOKS Beyond Words: Reading and Writing in a Visual Age (BW) The Norton Reader (NR) The Blair Handbook, 5th Edition (BH) COURSE OBJECTIVES Gain an understanding and command of visual and cultural literacy Use knowledge of visual and cultural literacy to build academic skills Learn argumentation and persuasion Write in a clear and affective manner Critically analyze various forms of media Beginning composition is, in many ways, the Jv!OST important class you will take at the university. It is designed to aid you throughout your entire collegiate career and into your careers as professionals. Therefore, treat it as such. You should also know that this class is considered "writing centered" for your EWP requirements (which we will talk about later in the semester). -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
Implied…Or Implode? the Simpsons' Carnivalesque Treehouse of Horror
Originally published in: Animation Journal, Volume 18, 2010, pp. 56-79 This version © Steve Jones 2011 Implied…or Implode? The Simpsons’ Carnivalesque Treehouse of Horror Steve Jones, Northumbria University, UK The popularity and influence of “The Simpsons”—the longest running primetime comedy series in US television history—has drawn much attention in both popular media and animation studies scholarship.1 Within the series, the annual “Treehouse of Horror” episodes constitute a production sub-context with their own conventions and historical trajectory, which are worthy of critical investigation. The specials, aired each year around Halloween, have been produced since the series’ second season, beginning in October 1990.2 Each of these specials is composed of three stories of roughly six minutes each, instead of the twenty-two minute narratives of each regular weekly episode.3 They incorporate horror plots and devices, as well as general references to science fiction, into the series’ base in situation comedy. Part of the great appeal of “The Simpsons” arises from its willingness to pass critical commentary on many aspects of our culture. In breaking from the comparatively realistic social-satire that characterizes the series as a whole, the Halloween specials cast a reflexive gaze back onto “The Simpsons” itself. As a result, the “Treehouse” episodes are valuable as a means of examining the strategies and implications of the series as a whole. Historically, the live-action sitcom has provided a space in which to investigate the social from an everyday perspective.4 Relying on central locales and stable environments,5 the sitcom offers insight into our experience of day-to-day life—cantered, in particular, on the Family. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
MELBOURNE PROGRAM GUIDE Sunday 25Th November 2012
http://prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Repo... MELBOURNE PROGRAM GUIDE Sunday 25th November 2012 06:00 am Toasted TV G Want the lowdown on what's hip for kids? Join the team for the latest in gaming, sport, pop culture, movies, music and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:05 am Spongebob Squarepants (Rpt) CC G Relentlessly optimistic SpongeBob SquarePants lives in the undersea township of Bikini Bottom, along with an assortment of zany supporting characters. 06:30 am Huntik (Rpt) G Huntik is an action and adventure show about a group of seekers traveling around the globe in search of ancient amulets that can invoke different types of monsters. 07:00 am Toasted TV G Want the lowdown on what's hip for kids? Join the team for the latest in gaming, sport, pop culture, movies, music and other seriously fun stuff! Featuring a variety of your favourite cartoons. 07:05 am Pokemon (Rpt) G Pokémon is the story of a young boy named Ash Ketchum. He received his first Pokémon at the age of 10 from Professor Oak and now is set out on his Pokémon Journey. 07:25 am Toasted TV G Want the lowdown on what's hip for kids? Join the team for the latest in gaming, sport, pop culture, movies, music and other seriously fun stuff! Featuring a variety of your favourite cartoons. 07:30 am Hero 108 (Rpt) CC G Many years ago, animals and humans lived in perfect harmony, until an evil trickster named High Roller arrived! Join Commander Ape Trully and the Big Green as they fight to reunite the Hidden Kingdom. -
The Simpsons Tapped out - Events Overview and Analysis
The Simpsons Tapped Out - Events Overview and Analysis Players such as myself have faithfully enjoyed The Simpsons Tapped Out (TSTO) for several years now. The developers have continued to expand the game and provide updates in response to player feedback. This has been evident in tools such as the IRS Building tap radius, the Introduction Unemployment Office Job Manager and the Cut & Paste feature, all of which are greatly appreciated by players and have extended the playability of TSTO for many of us who would have otherwise found the game too tedious to continue once their Springfields grew so large. More recently, reactive efforts by the designers were positively reflected in the 2017 Winter Event. As evident from the forums, many dedicated and heavily-invested players have grown tired with some of TSTO's stale mechanics and gameplay, as well as the proliferation of uninspired content, much of which has little to no place in Springfield, if even the world of "The Simpsons." This Problem player attitude is often displayed in the later stages of major Events as players begin to sense monotony due to a lack in changes throughout an Event, resulting in a feeling that one is merely grinding through the game to stock up on largely unwanted Items. Content-driven major Events geared toward "The Simpsons" version of Springfield with changes of pace and the addition of new Effects, Solution enabling a variety of looks to our Springfields, injecting a new degree of both familiarity and customization for players. The proposed Events, along with the gameplay changes, are steeped in canonical content rather than original content. -
Introduction: the Simpsons, Satire, and American Culture
Notes Introduction: The Simpsons, Satire, and American Culture 1. Robert J. Thompson, Television’s Second Golden Age: From Hill Street Blues to ER (New York: Continuum, 1996), 19. 2. “Simpsons Roasting on an Open Fire” (#7G08) ranked thirtieth for its timeslot the night it premiered and earned Fox a 22 percent share and a 14.5 rating. See “Nielsens,” USA Today, December 20, 1989, 3D, Lexis-Nexis Academic, October 2, 2003. 3. “Bart the Genius” (#7G02) ranked forty-eighth for its timeslot and earned Fox a 19 percent share and a 12.7 rating. See “Nielsens,” USA Today, January 17, 1990, 3D, Lexis-Nexis Academic, October 2, 2003. 4. Harry F. Waters, “Family Feuds,” Newsweek, April 23, 1990, 58. 5. Although The Simpsons often ranked within the top ten for weekly or monthly Nielsen totals, the show has not ranked high overall: at the end of the 1989–90 season, its first full season on the air, The Simpsons ranked only thirtieth. See “Final Season Ratings,” Electronic Media, April 23, 1990, 36, Lexis-Nexis Academic, October 2, 2003. http:// web.lexis-nexis.com/universe. Curiously, the show has never been among the top 25 in the Nielsen seasonal totals. It is no longer the ratings juggernaut it once was, but new episodes of The Simpsons still rank in the Nielsen top 50 among prime-time television shows and often in the top 20 among shows in syndication. Tim Brooks and Earle Marsh, The Complete Directory to Prime Time Network and Cable TV Shows, 1946–Present, 8th ed. (New York: Ballantine, 2003), 1073–74. -
Udesc Centro De Ciências Humanas E Da Educação
UNIVERSIDADE DO ESTADO DE SANTA CATARINA – UDESC CENTRO DE CIÊNCIAS HUMANAS E DA EDUCAÇÃO – CCE/FAED PROGRAMA DE PÓS GRADUAÇÃO EM HISTÓRIA DJESSIKA LENTZ RIBEIRO MACIEL ÚLTIMA SAÍDA PARA SPRINGFIELD: UM ESTUDO SOBRE O DESENHO ANIMADO OS SIMPSONS (1987-2009) FLORIANÓPOLIS – SC 2010 DJESSIKA LENTZ RIBEIRO MACIEL ÚLTIMA SAÍDA PARA SPRINGFIELD: UM ESTUDO SOBRE O DESENHO ANIMADO OS SIMPSONS (1987-2009) Dissertação apresentada ao Programa de Pós Graduação em História da Universidade do Estado de Santa Catarina como requisito parcial para obtenção do título de Mestre em História. Orientador: Prof. Dr. Emerson César de Campos FLORIANÓPOLIS – SC 2010 DJESSIKA LENTZ RIBEIRO MACIEL ÚLTIMA SAÍDA PARA SPRINGFIELD: UM ESTUDO SOBRE O DESENHO ANIMADO OS SIMPSONS (1987-2009) Dissertação apresentada ao Programa de Pós Graduação em História da Universidade do Estado de Santa Catarina como requisito parcial para obtenção do título de Mestre em História. Banca Examinadora Orientador: ________________________________ Prof. Dr. Emerson César de Campos UDESC Membro: ________________________________ Profª. Drª. Janice Gonçalves UDESC Membro: ________________________________ Profº. Dr. Mário César Coelho UFSC Florianópolis, 10/05/2010 À minha família, união, amor, incentivo e amparo em todos os momentos. AGRADECIMENTOS Ao Emerson, meu orientador, pelo apoio, confiança na pesquisa e, especialmente, pela paciência diante de todas as dificuldades. Obrigada por não me deixar desistir. Ao Fernando, companheiro para toda a vida. Agora sim vamos aproveitar nossos livros, filmes, viagens... nossa casa. Você me faz querer seguir em frente e ser feliz, “ao infinito e além”. Continuo dizendo: não há lugar no mundo igual ao teu abraço. Te amo muito! À minha mãe, Vera Lúcia, pelo apoio incondicional, sempre presente compartilhando sofrimentos e alegrias. -
Homer Geht Zur Marine (Simpson Tide)
Homer geht zur Marine (Simpson Tide) Handlungs- und Dialogabschrift | Januar 2015 by [email protected] | www.simpsons-capsules.net ________________________________________________________________________________ Produktionsnotizen Produktionscode: 3G04 TV-Einteilung: Staffel 9 / Episode 19 Episodennummer: 197 Erstausstrahlung Deutschland: 24.05.1999 Erstaustrahlung USA: 29.03.1998 Autor: Joshua Sternin, Jeffrey Ventimilia Regie: Milton Gray Musik: Alf Clausen Tafelspruch „Mein Hintern verdient keine Website.” Couchgag Der Couchgag ist eine Hommage an den Vorspann der „Rocky & Bullwinkle”-Show und kann wegen der Komplexität der ganzen Szenerie nicht näher beschrieben werden. :) Ist euch aufgefallen ... ... das es in der Kantine(!) des Kernkraftwerkes einen kleinen Schacht gibt, der direkt in den Reaktor führt??? ... das Lisa wieder das „Junior Skepsis”-Magazin liest? ... das Martin einen Totenkopf-Ohrring trägt? ... das Lisa als einziges Schulkind keinen Ohrring hat? ... das im Torpedorohr eine „Fancy Kartoffelchips”-Tüte liegt? ... das zu der Flotte, die Homers U-Boot umstellt, ein Wikingerschiff gehört? Referenzen / Anspielungen / Seitenhiebe - Der Originaltitel, ja sogar die halbe Episode, ist eine Anspielung auf den U-Boot-Actionfilm „Crimson Tide”, bei dem die Gefahr eines Atomkrieges zwischen den USA und der Russischen Föderation in Szene gesetzt wurde. Andere Teile und Szenen der Handlung imitieren „Die Jagd auf Roter Oktober”, „Planet der Affen”, „Full Metal Jacket”“, „Die durch die Hölle gehen” und andere Hollywood-Filme. - Die Umwandlung des Springfield Shoppingcenters in eine reine Starbucks- Filiale spielt auf die rasante Expansion des gleichnamigen Coffee- Unternehmens in den 90ern an. - Die US-Popgruppe „Village People” ist der Urheber des in dieser Folge sarkastisch in Szene gesetzten Titels „In the Navy”. - Der Reim „Tanzt den Bartmann”, den Bart im Schulbus rockend zum Besten gibt, entspringt dem Musiktitel „Do the Bartman” von Michael Jackson.