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The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis Submitted to the Faculty of Graduate
The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Nicholas Milne-Walasek, Ottawa, Canada, 2016 ii ABSTRACT In a cultural context, the First World War has come to occupy an unusual existential point half- way between history and art. Modris Eksteins has described it as being “more a matter of art than of history;” Samuel Hynes calls it “a gap in history;” Paul Fussell has exclaimed “Oh what a literary war!” and placed it outside of the bounds of conventional history. The primary artistic mode through which the war continues to be encountered and remembered is that of literature—and yet the war is also a fact of history, an event, a happening. Because of this complex and often confounding mixture of history and literature, the joint roles of historiography and literary scholarship in understanding both the war and the literature it occasioned demand to be acknowledged. Novels, poems, and memoirs may be understood as engagements with and accounts of history as much as they may be understood as literary artifacts; the war and its culture have in turn generated an idiosyncratic poetics. It has conventionally been argued that the dawn of the war's modern literary scholarship and historiography can be traced back to the late 1960s and early 1970s—a period which the cultural historian Jay Winter has described as the “Vietnam Generation” of scholarship. -
Irish Responses to Fascist Italy, 1919–1932 by Mark Phelan
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Irish responses to Fascist Italy, 1919-1932 Author(s) Phelan, Mark Publication Date 2013-01-07 Item record http://hdl.handle.net/10379/3401 Downloaded 2021-09-27T09:47:44Z Some rights reserved. For more information, please see the item record link above. Irish responses to Fascist Italy, 1919–1932 by Mark Phelan A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Supervisor: Prof. Gearóid Ó Tuathaigh Department of History School of Humanities National University of Ireland, Galway December 2012 ABSTRACT This project assesses the impact of the first fascist power, its ethos and propaganda, on key constituencies of opinion in the Irish Free State. Accordingly, it explores the attitudes, views and concerns expressed by members of religious organisations; prominent journalists and academics; government officials/supporters and other members of the political class in Ireland, including republican and labour activists. By contextualising the Irish response to Fascist Italy within the wider patterns of cultural, political and ecclesiastical life in the Free State, the project provides original insights into the configuration of ideology and social forces in post-independence Ireland. Structurally, the thesis begins with a two-chapter account of conflicting confessional responses to Italian Fascism, followed by an analysis of diplomatic intercourse between Ireland and Italy. Next, the thesis examines some controversial policies pursued by Cumann na nGaedheal, and assesses their links to similar Fascist initiatives. The penultimate chapter focuses upon the remarkably ambiguous attitude to Mussolini’s Italy demonstrated by early Fianna Fáil, whilst the final section recounts the intensely hostile response of the Irish labour movement, both to the Italian regime, and indeed to Mussolini’s Irish apologists. -
PANELS-FINAL 1 7 2014 Docx
Perspectives on the “Great” War International Conference, August 1-4, 2014 ST AUGUST 1 9.00: Registration 14.15: Key-Note Lecture, Jay Winter, ‘The Great War in Transnational Perspective’ 18.00: Reception 19.45: Welcoming Address, Professor Simon Gaskell (QMUL) and a representative from the Embassy of the Federal Republic of Germany, London 20.00: Key-Note Lecture, Elza Adamowicz, ‘Art at War: the European Avant-Garde and World War I’ STRAND A Political Perspectives I (Chair: Egbert Klautke) 10.00 Jeff Roquen Woodrow Wilson and the Foreign Policy of Human Rights 1914-1917 10.30 John Galante Mobilizing Diaspora: The Great War in the Italian South Atlantic 11.00: Break 11.30 Shusuke Takahara America's withdrawal from Siberia and Japan-US relations: A New Perspective on the Wilson Administration's Decision Making 12.00 Gerhard Fischer The Governor-General’s Apology: Reflections on Australia’s Participation in WWI 12.30 Carolina Garcia Sanz Fake Neutrality: Spain during the First World War 13.00: Lunch 14.15: Key-Note Lecture Political Perspectives II (Chair: ) 15.30 Liisi Eglit Fighting as a Minority: Estonian Soldiers inside the Russian Army and their WWI Experience 16.00 Tushar Kanti Saha A Critical Analysis of Lenin’s Peace Seeking Role in World War I Dynamics 16.30: Break 17.00 Andrey Mikhailov The Military Cooperation of Russia with its Allies during the First World War (1914-1917) STRAND B 1 Educational Perspectives 10.00 Ann-Marie Einhaus and Catriona Pennell The First World War in the Classroom: Exploring the Teacher’s Perspective -
The German Corpse Factory the Master Hoax of British Propaganda in the First World War Joachim Neander
t.g theologie.geschichte herausgegeben von der Universität des Saarlandes Beiheft 6: The German Corpse Factory The Master Hoax of British Propaganda in the First World War Joachim Neander The German Corpse Factory The Master Hoax of British Propaganda in the First World War universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre © 2013 universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre Postfach 151150, 66041 Saarbrücken ISSN 2191-1592 gedruckte Ausgabe ISSN 2191-4745 Online-Ausgabe ISBN 978-3-86223-117-1 gedruckte Ausgabe ISBN 978-3-86223-118-8 Online-Ausgabe URN urn:nbn:de:bsz:291-universaar-t.g.beihefte.v60 Gestaltung und Satz: Dr. August Leugers-Scherzberg, Julian Wichert Projektbetreuung universaar: Müller, Alt Gedruckt auf säurefreiem Papier von Monsenstein & Vannerdat Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National bibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. TABLE OF CONTENTS INTRODUCTION ................................................................. 7 I. ATROCITIES, DENIAL, AND ANTI-DENIAL ............. 25 II. THE ROOTS OF THE LEGEND ............................... 43 III. A PROPAGANDA BLITZ: THE “CORPSE FACTORY” CONQUERS THE WORLD ...................................... 131 IV. “KEEP THE HOME FIRES BURNING” .................... 179 V. THE “CORPSE FACTORY” GOES GLOBAL -
Irish Nationalism, Unionism, and British Imperialism in the Shaping of Irish Independence, 1909-1922
Unsettled Island: Irish Nationalism, Unionism, and British Imperialism in the Shaping of Irish Independence, 1909-1922 Michael Christopher Rast A Thesis In the Department of History Presented in Partial Fulfillment of the Requirements For the degree of Doctor of Philosophy (History) at Concordia University Montreal, Quebec, Canada January 2017 © Michael Christopher Rast, 2017 ABSTRACT Unsettled Island: Irish Nationalism, Unionism, and British Imperialism in the Shaping of Irish Independence, 1909-1922 Michael Christopher Rast, Ph.D. Concordia University, 2017 This dissertation analyzes the convoluted process by which Irish nationalists, Irish unionists, and British politicians negotiated Irish self-government in the first two decades of the twentieth century. In December 1909, a modest form of self-government known as home rule within the British Empire for all of Ireland became a practical issue in United Kingdom politics again, after the failure of two previous home rule bills in 1886 and 1893. After a decade that witnessed a world war and a revolution in Ireland, two new Irish polities emerged by June 1922. Northern Ireland, a majority-unionist state comprised of six counties in the province of Ulster, acquired a limited form of home rule within the United Kingdom. Covering the rest of the island, the Irish Free State secured significant control of its domestic affairs as a dominion of the British Empire, though not the complete independence demanded by Sinn Féin and the Irish Republican Army (IRA), which had waged the revolution. How did the main political parties and actors in Britain and Ireland arrive at this settlement, especially as it was so different from how elites had envisioned Irish self-government in 1909? Using archival material and public discourse, this dissertation seeks to answer this question by methodically analyzing the political decisions taken by British and Irish political parties and movements between 1909 and 1922. -
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PART NINE OF TEN SPECIAL MAGAZINES IN PARTNERSHIP WITH 1916 AND COLLECTION Thursday 18 February 2016 www.independent.ie/1916 THOMAS CLARKE AND THE SURRENDER, TRIALS AND EXECUTIONS + The Rising that shook the world 18 February 2016 I Irish Independent mothers&babies 1 INTRODUCTION Contents Richmond Barracks 4 NAILS IN THE COFFIN Leanne Blaney looks at how the leaders were put to death finally recognised 6 WORLDWIDE ECHOES Eoin Hahessy examines the global impact of the Rising IT is rightly referred to as the of his friend who was one of the “lost chapter” in the 1916 story. executed 1916 leaders. 7 SIXTEEN DEAD MEN Many people may not know Ledwidge’s friend, mentor and Lucy Collins on WB Yeats’s poem of its existence, but in the fellow Meath man, Lord Dunsany narrative of the dramatic events was a captain in the Royal 8 THE QUIET FENIAN of the Easter Rising in Dublin, Inniskillings and it was to him Helen Litton on the fires that Richmond Barracks, Inchicore that the poet gave the manuscript burned within Thomas Clarke played a significant role. of Lament for Thomas Now, a century on, it is getting McDonagh. ARCHIVES 10 READ ALL ABOUT IT ready to take its place as one of The barracks was converted Felix Larkin reveals how Dublin the State’s seven “permanent to housing in the 1920s and newspapers covered the Rising reminders” of renamed Keogh Square, which 1916, alongside the likes of its declined into a slum and was GRAPHIC 12 OFFICER IN A BLACK CAP near neighbour, Kilmainham demolished in the 1960s to make TO Robert D Maxwell profiles courts Gaol, the GPO, and Patrick Restoration work underway way for St Michael’s Estate, an PHO martial judge Charles Blackader Pearse’s cottage in Rosmuc, Co at Richmond Barracks equally notorious flats complex Galway. -
Military History
Save up to 80% off cover prices on these subjects: Air Combat & Aircraft ···················45 Military Modeling·······················68 American Military History··················8 Naval History ·························59 American Revolution ····················10 Notable Military Units····················57 British Military History ···················67 Spies & Espionage ·····················65 Civil War ·····························12 Uniforms, Markings & Insignia ·············56 Cold War ····························66 Vietnam War ··························15 European Warfare ······················67 WW I & WW II Battles & Campaigns ·········34 Fortresses & Castles ····················59 WW I & WW II Commanders & Units ········39 General Military History ···················2 WW I & WW II Diaries & Memoirs···········30 History of Warfare······················63 WW I & WW II Naval History ··············41 Hitler & the Nazis·······················26 WW I & WW II Spies & Espionage ··········44 Holocaust ····························29 War on Terror ·························67 Korean War···························15 Wartime Journalism ····················64 Military Collectibles ·····················68 Weapons & Military Technology ············58 Military Leaders························69 World War I & World War II ···············18 Current titles are marked with a «. 3891682 SWORD TECHNIQUES OF MUSASHI AND THE OTHER SAMURAI General Military History MASTERS. By Fumon Tanaka. An internationally LIMITED QUANTITY 4724720 SILENT AND renowned -
Here in the Journal
2011 Edition Carlow Historical and Archaeological Society Cumann Staire agus Seanda/afochta Cheatharloch Winter Lecture Series The "Platform Spellbinder" Daniel Delany Bishop of Kildare and Le1ghlin Heritage Week 2011 A Portrait of George Bernard Shaw (1787-1814) Fortiarnan History of the Methodist Church in Carlow Lewis's Carlow Franz Schwatschke Papal Infallibility and the possible Leighl!n Nexus The Carlow Man who saved Hitler GBS and Carlow Hacketstown and the 1641 Rebellion The Temptations of Vice and Villainy Do One Thing and Do It Well The Borough Electoral List of 1832 Tullow Fire Brigade Martin Byrne The Town Walls of Carlow Hacketstown Brass Band Schools History Prize Lady Harriet: Journeys through Europe and the Middle East Mother Cecilia Maher The Prehistoric Landscape of County Carlow Barrow Life The Vigors Family of Burgage Leighlinbridge The Society's Trip to the Highlands of Scotland History of the RTC & ITC Carlow and Darwin: Ireland and the Age of Earth Debate WhatTyndall Read The Society of St. Vincent De Paul in Carlow Kevin Barry Window Paddy Dowling Carloviana Index 1947-2010 The Delany Archive: An Introduction SPONSORS OUR SPONSORS Lnside the outer cover front and back you wi ll see our sponsors entries. By taking an entry you are assisting in the publishing ofCarloviana. lt is also a record of enterprises existing in Carlow area in the year of issue. We wish to sincerely thank those who have taken space in the current year and ask others who would wish to have an entry to contact our Society for future listing. Dan Carbery President FIVE STAR CLEANING CONTRACTORS ELM CONSTRUCTION Tu ll ow Road, Bennekerry, Co. -
Kurt Baschwitz a Pioneer of Communication Studies and Social Psychology
Van Ginneken Van Kurt Baschwitz BabetteJaap van HellemansGinneken Kurt Baschwitz A Pioneer of Communication Studies and Social Psychology Kurt Baschwitz Kurt Baschwitz Pioneer of Communication Studies and Social Psychology Jaap van Ginneken Amsterdam University Press Cover illustration: Present-day kiosk or newspaper-stand, Nice, early 2017 Picture taken by the author Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 604 6 e-isbn 978 90 4853 728 0 (pdf) doi 10.5117/9789462986046 nur 681 / 775 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The author / Amsterdam University Press B.V., Amsterdam 2018 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. ‘We want to hope, that practical politics will also acknowledge […] the rediscovery of the overwhelmingly large majority of decent people’. (Final sentence of Kurt Baschwitz’s key work Du und die Masse, published in the fateful year 1938) Table of Contents Preface 15 1 Introduction 17 Baschwitz’s significance 17 A very European intellectual 19 Causes of neglect 20 Approach of this study 22 Outline 24 A note on documentation 25 2 1886-1914: Youth and First Journalism 27 Wider historical background: ‘German exceptionalism’? 27 The liberal southwest 30 The Baschwitz family name and roots 31 A book-printer dynasty 33 Jewish assimilation and resurgent anti-Semitism 35 German education 37 The Baschwitz’s family life 38 School and student years 39 The early German social sciences 41 Baschwitz’s Ph.D. -
The First World War in British Theatre
The First World War in British Theatre Nathan Gregory Finger Macquarie University, Department of English In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. —ROBERT HUGHES This thesis is submitted to Macquarie University in fulfilment of the requirements for a Doctor of Philosophy in English. The work is entirely my own and has not been submitted elsewhere for examination. Signed: Nathan Finger Date: ii Acknowledgments First and foremost thanks must go to Paul for the guidance and advice you gave every step of way, especially in the wayward early days of this project. Without your help I’m quite certain I never would have made it. Second, to the people who endured living with me during this process. Anita, Tom and Angela, that means you guys. You fed me and provided much needed social interaction. But let’s face it, I really am the perfect housemate. My comrade throughout all of this, Jenn. Whenever confusion set in, or things looked dark, or I needed a second opinion on when to use a hyphen, you were always there. I can’t imagine having done this without you. I think it made all the difference. And finally, Mum and Dad, for a hundred thousand reasons that could never be listed. For everything. iii Abstract More than a century since its declaration, the First World War is universally accepted as one of the defining events of the twentieth century. Socially, politically, economically and culturally the war is viewed as having been a watershed and marks the boundary between all facets of the nineteenth and twentieth centuries. -
Beaslai Final List
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 44 Piaras Béaslaí Papers (MSS 33,911-33,987; MSS 49,546-49,547) (Accession No. 2541 & 2584) Personal and professional papers of Piaras Béaslaí (1881-1965), Irish revolutionary, Gaelic League activist, author and journalist. Compiled by Marie Coleman, Ph.D. (Holder of the Studentship in Irish History provided by the National Library of Ireland in association with the Irish Committee of Historical Sciences, 1998-1999). 2 TABLE OF CONTENTS Biographical note on Piaras Béaslaí (1881-1965)........................................................... 5 Principal writings of Piaras Béaslaí ................................................................................ 8 Group Description ............................................................................................................ 9 I. Irish Revolution ........................................................................................................... 10 I.i. An tÓglach............................................................................................................... 10 I.ii. Sinn Féin, Dáil Éireann, and IRA........................................................................... 12 I.iii. Civil War and censorship ...................................................................................... 32 I.iv. Michael Collins Papers.......................................................................................... 40 I.v. Correspondence ..................................................................................................... -
A Short Guide to the History of 'Fake News' and Disinformation
A short guide to the history of ’fake news’ and disinformation A LEARNING MODULE FOR JOURNALISTS AND JOURNALISM EDUCATORS Julie Posetti and Alice Matthews Synopsis Information fabrication is not new. As Guardian columnist Natalie Nougayrède has observed: “The use of propaganda is ancient, but never before has there been the technology to so effectively disseminate it”.1 So, it is important to understand the historical context when examining and reporting on contemporary manifestations of what has been termed a 21st-century ‘information disorder’2. Misinformation, disinformation and propaganda have been features of human communication since at least the Roman times when Antony met Cleopatra. Octavian waged a propaganda campaign against Antony that was designed to smear his reputation. This took the form of “short, sharp slogans written upon coins in the style of archaic Tweets.”3 These slogans painted Antony as a womaniser and a drunk, implying he had become Cleopatra’s puppet, having been corrupted by his affair with her. Octavian became Augustus, the first Roman Emperor and “fake news had allowed Octavian to hack the republican system once and for all.”4 The invention of the Gutenberg printing press in 1493 dramatically amplified the dissemination of disinformation and misinformation, and it ultimately delivered the first-large scale news hoax – The‘ Great Moon Hoax’ of 18355. The New York Sun published six articles about the discovery of life on the moon, complete with illustrations of humanoid bat-creatures and bearded blue unicorns. Conflicts, regime change, and catastrophes then became markers for the dissemination of disinformation. As one-to-many communications developed in the 20th century, especially with the advent of radio and television, satirical news evolved, sometimes being mistaken as the real thing in news consumers’ minds.