Ft352 April 2017 £4.25 Are Youa Fan of the Walking Dead? Check out When There’S No More Room in Hell, Part One of the Outstanding Zombie Trilogy from Luke Duffy
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Hidden Hydrology COIL’S ‘Lost Rivers’ Sessions 1995-1996
Hidden Hydrology COIL’s ‘Lost Rivers’ Sessions 1995-1996 {Fan Curated EP} COIL - The ‘Lost Rivers’ Sessions 1995-1996 {Fan Curated EP} Lost Rivers of London Succour Version [DAT Master]. Untitled Instrumental #6 [DAT #30] 5 takes from the BLD Sessions 1995-1996. London’s Lost Rivers [Take #2 - vocals] Rough vocal track w. minimal backing mix. Lost Rivers of London [Take #1] Early version with vocals. Crackanthorpe; Sunrise Reading from Vignettes by Phil Barrington. London’s Lost Rivers [Take #1] Initial studio version with abrupt ending. [Cover Version] By The Psychogeographical Commission. Hidden Hydrology COIL's 'Lost Rivers' Studio Sessions COIL's "Lost Rivers" sessions were recorded during the Winter period of December 1995- February 1996 at COIL's own "Slut's Hole" studio in London. The day-long sessions were part of what ultimately became the "A Thousand Lights In A Darkened Room" album (at least as far as the vinyl pressing of that album went), though were apparently very rushed recordings (Jhonn later claimed that the full vocal version was written and recorded in one day to meet the “Succour” compilation deadline - Jhonn’s wraparound vocals were not redone for the BLD track). Around this winter time Jhonn Balance received a fax from David Tibet containing evocative passages from the Crackanthorpe "Vignettes" journal, originally published 100 years earlier (1896). Jhonn loved the sections he read and swiftly used passages as lyrics for the recording sessions to meet the Succour deadline (lifting text from the ‘On Chelsea Embankment’ and “In Richmond Park” sections of the small book). At the very same time as recording this track, the official (and long-awaited) 2nd Edition of the Nicholas Barton book called "The Lost Rivers of London" appeared in the bookshops of the city. -
Torino Teatro Alfieri Martedì 22.IX.09 Ore 22 Mercoledì 23.IX.09 Ore 22 Il
Torino Il canto del vuoto tagliente Teatro Alfieri Martedì 22.IX.09 Current 93 manifests as C93 ore 22 James Blackshaw Mercoledì 23.IX.09 Nurse With Wound ore 22 & Blind Cave Salamander Larsen & z’ev Progetto Grafico Studio Cerri & Associati Il canto del vuoto tagliente è stato ideato dal di cui è l’iniziativa inaugurale Il Festival proseguirà con Storie di altri mondi (27 settembre/2 ottobre) e Teatri del tempo presente (1/4 ottobre) In collaborazione con Torino Spiritualità Videoimpaginazione e stampa • la fotocomposizione - Torino martedì 22 settembre ore 22 Il canto del vuoto tagliente Atto primo Current 93 manifests as C93 James Blackshaw Current 93, la storica band di Hallucinatory Patripassianist Song, in attività sin dal 1982 guidata da David Tibet, apparirà in diverse forme e con diverse line up per tutto il 2009 per celebrare il suo nuovo album Aleph At Hallucinatory Mountain. Alla manifestazione di Torino, unica data italiana, prendono parte: Alex Neilson, batteria Andrew Liles, electronics Baby Dee, pianoforte, tastiere David Tibet, voce, chitarra Keith Wood, chitarra James Blackshaw, chitarra James Blackshaw, chitarrista dedito a ipnotiche composizioni per dodici corde e pianoforte, aprirà la serata con un set solista per presentare il suo nuovo album The Glass Bead Gam, inciso per l’etichetta di Michael Gira Young God Records. www.durtro.com www.myspace.com/current93 www.myspace.com/jamesblackshaw Se desiderate commentare questo concerto, potete farlo sul sito www.sistemamusica.it o su blog.mitosettembremusica.it mercoledì -
The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis Submitted to the Faculty of Graduate
The History/Literature Problem in First World War Studies Nicholas Milne-Walasek Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Nicholas Milne-Walasek, Ottawa, Canada, 2016 ii ABSTRACT In a cultural context, the First World War has come to occupy an unusual existential point half- way between history and art. Modris Eksteins has described it as being “more a matter of art than of history;” Samuel Hynes calls it “a gap in history;” Paul Fussell has exclaimed “Oh what a literary war!” and placed it outside of the bounds of conventional history. The primary artistic mode through which the war continues to be encountered and remembered is that of literature—and yet the war is also a fact of history, an event, a happening. Because of this complex and often confounding mixture of history and literature, the joint roles of historiography and literary scholarship in understanding both the war and the literature it occasioned demand to be acknowledged. Novels, poems, and memoirs may be understood as engagements with and accounts of history as much as they may be understood as literary artifacts; the war and its culture have in turn generated an idiosyncratic poetics. It has conventionally been argued that the dawn of the war's modern literary scholarship and historiography can be traced back to the late 1960s and early 1970s—a period which the cultural historian Jay Winter has described as the “Vietnam Generation” of scholarship. -
Tymoshenko Cancels Visit to Moscow, Demands Russian Respect For
INSIDE:• Ruslana to perform benefit concert for CCRF — page 3. • Reflections on Yushchenko’s trip to the U.S. — page 8. • Maria Burmaka: from the “maidan” to Manhattan — page 12. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXIII HE KRAINIANNo. 17 THE UKRAINIAN WEEKLY SUNDAY, APRIL 24, 2005 EEKLY$1/$2 in Ukraine TymoshenkoT cancelsU visit to Moscow, Ukraine’s ministerW of justice demands Russian respect for Ukraine assailed over academic credentials by Zenon Zawada note sent to the Russian Federation’s by Zenon Zawada formal legal education, he also has no Kyiv Press Bureau Ministry of Foreign Affairs and made pub- Kyiv Press Bureau graduate or post-graduate college degree, lic by Vsevolod Shmatkov, an advisor- despite his insistence to the contrary to KYIV – In a demand for respect from envoy of the Russian Embassy in Ukraine. KYIV – For the last eight years, Ukrainian reporters in recent weeks. the Russian Federation, Ukrainian Prime “Due to spring field work and the neces- Roman Zvarych, today Ukraine’s minis- “I received the diploma of a master in Minister Yulia Tymoshenko abruptly can- sity of resolving tasks in order to eliminate ter of justice, has been claiming that he philosophy,” Mr. Zvarych told the popu- celed her first visit to Moscow the day complications arising at their implementa- earned a graduate degree in philosophy lar Russian-language newspaper Fakty i after Russia’s top prosecutor said crimi- tion, the Ukrainian side is forced to post- from Columbia University. Kommentarii in an interview published nal charges were still pending against her. -
THE POLITICAL SYSTEM – CHANGES DURING the ELECTION CAMPAIGNS the Search for a New Political Model
Part 1. THE POLITICAL SYSTEM – CHANGES DURING THE ELECTION CAMPAIGNS The search for a new political model. Putin as the national leader – a change in status and a possible change in the configuration of the political system. A change in the weight of different political institutions All of 2007 was characterized by the competition between two projects that can conditionally be called “successor” and “third term”. At that, supporters and opponents of the latter scheme belonged to different groups among the elites, which added a distinctive sharpness to the situation and this manifested itself not only in an ideological but also an administrative confrontation. The search for a place for Vladimir Putin in the “post-Putin” system of checks and balances started after the 1st of October when he agreed to head the United Russia party list. Before this, in spite of many statements by the head of state himself about his unwillingness to go against the Constitution and run for president for a third term, projects that entailed changing the Constitution predominated. The main lobbyists for the “third term” project were the so called “siloviki” or the security wing of the presidential administration that were headed by deputy head of the presidential administration, Igor Sechin. In the media, the main voice on this topic was the head of the Federation Council and leader of the party Fair Russia Sergey Mironov. This politician is considered to be in the orbit of this group of elites. Nevertheless, his wavering to meet the “party line” was evident. In particular, at the end of March in 2007, he increased his activity in this direction1. -
DISINTEGRATION Loop 1.1
SVILOVA | WILLIAM BASINSKI DISINTEGRATION LOOP 1.1 WILLIAM BASINSKI JUNE 18–JULY 31, 2014 www.svilova.org 1 SVILOVA | WILLIAM BASINSKI SCALE BE THY KING: THE BLACK Mirror OF William Basinski By David Keenan 1. Scalle Bee Thie Kynge. There is a magical idea, rarely articulated, that imagination is the world-creating matrix of desire, in other words that imagination is what translates a sensation into a thought. Disintegration Loops, still the central, emblematic work of the artist and composer William Basinski, conflates the biological with the constructed, the historical with the personal, by a creative act of imagination that would attempt to mimic the function of memory via accidental processes of auto-forgetting while connecting it with historical trauma –the 9/11 attacks on the Twin Towers as a head wound – and romantic portraiture, through the back cover recreation of Henry Wallis’s 1856 painting, The Death Of Chatterton, with Basinski posed as the dead 18th Century English poet, who poisoned himself in 1770, aged 17. Thomas Chatterton’s reputation as a forger of mystical poetry is of note here. From the age of 12 onwards he produced a run of strange, visionary verse that he claimed was the work of a 15th century monk of his own invention, Thomas Rowley. Indeed, a particular adjective, “Rowliean”, has been coined to describe the works of this historical figment, this shade birthed of an intoxicated imagination. Rowley’s verse is difficult, its language being largely derived from Chatterton’s study of the English philologist John Kersey’s Dictionarium Anglo-Britannicum, “comprehending a brief explication of all sorts of difficult words”. -
PANELS-FINAL 1 7 2014 Docx
Perspectives on the “Great” War International Conference, August 1-4, 2014 ST AUGUST 1 9.00: Registration 14.15: Key-Note Lecture, Jay Winter, ‘The Great War in Transnational Perspective’ 18.00: Reception 19.45: Welcoming Address, Professor Simon Gaskell (QMUL) and a representative from the Embassy of the Federal Republic of Germany, London 20.00: Key-Note Lecture, Elza Adamowicz, ‘Art at War: the European Avant-Garde and World War I’ STRAND A Political Perspectives I (Chair: Egbert Klautke) 10.00 Jeff Roquen Woodrow Wilson and the Foreign Policy of Human Rights 1914-1917 10.30 John Galante Mobilizing Diaspora: The Great War in the Italian South Atlantic 11.00: Break 11.30 Shusuke Takahara America's withdrawal from Siberia and Japan-US relations: A New Perspective on the Wilson Administration's Decision Making 12.00 Gerhard Fischer The Governor-General’s Apology: Reflections on Australia’s Participation in WWI 12.30 Carolina Garcia Sanz Fake Neutrality: Spain during the First World War 13.00: Lunch 14.15: Key-Note Lecture Political Perspectives II (Chair: ) 15.30 Liisi Eglit Fighting as a Minority: Estonian Soldiers inside the Russian Army and their WWI Experience 16.00 Tushar Kanti Saha A Critical Analysis of Lenin’s Peace Seeking Role in World War I Dynamics 16.30: Break 17.00 Andrey Mikhailov The Military Cooperation of Russia with its Allies during the First World War (1914-1917) STRAND B 1 Educational Perspectives 10.00 Ann-Marie Einhaus and Catriona Pennell The First World War in the Classroom: Exploring the Teacher’s Perspective -
The German Corpse Factory the Master Hoax of British Propaganda in the First World War Joachim Neander
t.g theologie.geschichte herausgegeben von der Universität des Saarlandes Beiheft 6: The German Corpse Factory The Master Hoax of British Propaganda in the First World War Joachim Neander The German Corpse Factory The Master Hoax of British Propaganda in the First World War universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre © 2013 universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre Postfach 151150, 66041 Saarbrücken ISSN 2191-1592 gedruckte Ausgabe ISSN 2191-4745 Online-Ausgabe ISBN 978-3-86223-117-1 gedruckte Ausgabe ISBN 978-3-86223-118-8 Online-Ausgabe URN urn:nbn:de:bsz:291-universaar-t.g.beihefte.v60 Gestaltung und Satz: Dr. August Leugers-Scherzberg, Julian Wichert Projektbetreuung universaar: Müller, Alt Gedruckt auf säurefreiem Papier von Monsenstein & Vannerdat Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National bibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. TABLE OF CONTENTS INTRODUCTION ................................................................. 7 I. ATROCITIES, DENIAL, AND ANTI-DENIAL ............. 25 II. THE ROOTS OF THE LEGEND ............................... 43 III. A PROPAGANDA BLITZ: THE “CORPSE FACTORY” CONQUERS THE WORLD ...................................... 131 IV. “KEEP THE HOME FIRES BURNING” .................... 179 V. THE “CORPSE FACTORY” GOES GLOBAL -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
POST-APOCALYPTIC DESIRES, SCIENCE DISTRUST, and the DE(CON)STRUCTION of a ZOMBIE STORY By
BRING AN AXE AND YOUR WILDEST DREAMS: POST-APOCALYPTIC DESIRES, SCIENCE DISTRUST, AND THE DE(CON)STRUCTION OF A ZOMBIE STORY by SAMANTHA JO LONG B.A., Illinois State University, 2011 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of English 2014 This thesis entitled: Bring an Axe and Your Wildest Dreams: Post-Apocalyptic Desires, Science Distrust, and the De(con)struction of a Zombie Story written by Samantha Jo Long has been approved for the Department of English Richelle Munkhoff Stephen Graham Jones Date _ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Long, Samantha Jo (M.A., English) Bring an Axe and Your Wildest Dreams: Post-Apocalyptic Desires, Science Distrust, and the De(con)struction of a Zombie Story Thesis directed by Assistant Professor Richelle Munkhoff Observing the current popularity of the zombie narrative in American culture, this thesis explores the questions “why zombie?” and “why now?” through a combination of research and the creation of an original zombie story. Moving beyond existing criticism which argues that the zombie transforms to fit each generation’s specific fears, I argue that zombie movies, novels, and video games from George A. Romero-onwards continually speak to a distrust of science and scientific progress while additionally romanticizing the post-apocalyptic landscape. Consequently, the zombie’s unprecedented mainstream popularity over the last fifteen years could be read as symptomatic of this distrust intensifying, paralleling an increasing politicization of science and a rise in apocalyptic thinking within the public sphere. -
Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others). -
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