24Th International Piano Competition Since 1947
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Novità Di Ottobre
Novità Ducale dal 18-09-2012 al 22-10-2012 ARVO PÄRT 1935 Adam's Lament Beatus Petronius, Salve Regina, Statuit ei Dominus, Alleluia-Tropus, L'abbé Agathon, Estonian Lullaby, Christmas Lullaby TÕNU KALJUSTE Dir Nato a Tallinn nel 1953, Tonu Kaljuste si è dapprima dedicato al repertorio tradizionale, per poi concentrare la propria attenzione sullla produzione di autori estoni come Part, Tuur e Tormis, di cui ha realizzato incisioni di altissimo profilo. 1 CD ECM 2225 Durata: 68:00 Alto Prezzo ¶|xACIJEHy648253z Confezione: Jewel Box + O-card Genere: Musica Sacra distribuzione Italiana:09/10/2012 Registrato nella Chiesa di San Nicola, Tallinn "Adam's Lament" è basato sugli scritti di Saint Silouan (Silvanus, nella pronuncia latina), nei quali il monaco ortodosso sul monte Athos ha descritto il dolore di Adamo per la caduta dal Paradiso. Non è la prima volta che Arvo Pärt viene ispirato a comporre su testi di Saint Silouan, nel 1991 ha infatti pubblicato i "Silouans Songs" per orchestra, registrati da ECM con il Te Deum, il Magnificat e la Berliner Mass. Il compositore ha interiorizzato profondamente le parole,che, nella lingua slava ecclesiastica, determinano la sostanza e la struttura del brano. Il nome di Adamo è pensato come un termine collettivo, che comprende l'intero genere umano, ma anche ciascuna persona individualmente, la previsione di una tragedia umana come una colpa personale. La prima esecuzione di questo lavoro ebbe luogo nel giugno 2010 a Istanbul proprio sotto la direzione di Tõnu Kaljuste e con l'Estonian Chamber Choir, cioè gli interpreti ideali di cui si avvale questo CD, che comprende anche altri importanti lavori della produzione sacra di Pärt. -
Sardinian Composers of Contemporary Music
Interdisciplinary Studies in Musicology 12,2012 © PTPN & Wydawnictwo Naukowe UAM, Poznań 2012 CONSUELO GIGLIO Music Conservatory, Trapani Sardinian composers of contemporary music ABSTRACT: The meeting point between the school headed by Franco Oppo and the rich traditional music of the island gave birth in Sardinia to an intense flowering in the field of New Music, with a strong feeling of belonging and a constant call for a positive concept of identity. Thus, since the time of Oppo (1935) and his contemporary Vittorio Montis, we come across many composers that differ between each other but are almost always recognizably “Sardinian”. Oppo has been one of the most interesting figures on the international scene during the last few decades. After his studies in Rome, Venice and Poland in the early 1960s, he remained, by his own choice, in his home territory, sharing his “Sardinian-ness” in a free and dialectic manner with the avant-garde. After formulating his own particular aleatory approach, Oppo reached a turning point halfway through the 1970s: in Musica per chitarra e quartetto d’archi, Praxodia and, finally, in Anninnia I, the meeting point between avant-garde research and the special phonic quality of tra ditional music became more and more close-knit and organic, at the same time also acting on the founding language structure whilst still remaining under the control of incisive and informed dis ciplines (during the same period, moreover, he put forward new methodologies of analysis which were also necessary for his teaching). In this sense the most important works are chamber pieces like Anninnia I and II (1978, 1982), Attitidu (1983) and Sagra (1985), the theatrical work Eleonora d’Arborea (1986), some piano “transcriptions” - the Three berceuses (1982), Gallurese and Baroniese (1989; 1993) - Trio III (1994), Sonata B for percussion and piano (2005) and the two Concerts for piano and orchestra (1995-97; 2002). -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, fitness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE Chef Francis Ramirez’ cuisine centers around sourcing quality seasonal ingredients to create delectable dishes combining French techniques with a California flare! TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo Russian Reflections the fourteenth season July 15–August 6, 2016 D AVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 R ussian Reflections Program Overview 6 E ssay: “Natasha’s Dance: The Myth of Exotic Russia” by Orlando Figes 10 Encounters I–III 13 Concert Programs I–VII 43 Carte Blanche Concerts I–IV 58 Chamber Music Institute 60 Prelude Performances 67 Koret Young Performers Concerts 70 Master Classes 71 Café Conversations 72 2016 Visual Artist: Andrei Petrov 73 Music@Menlo LIVE 74 2016–2017 Winter Series 76 Artist and Faculty Biographies A dance lesson in the main hall of the Smolny Institute, St. Petersburg. Russian photographer, twentieth century. Private collection/Calmann and King Ltd./Bridgeman Images 88 Internship Program 90 Glossary 94 Join Music@Menlo 96 Acknowledgments 101 Ticket and Performance Information 103 Map and Directions 104 Calendar www.musicatmenlo.org 1 2016 Season Dedication Music@Menlo’s fourteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
A Brilhante Carreira Do Maestro Mais Cobiçado Do Brasil
Os melhores CDs do mês • Notas sonoras • Jordi Savall Uma odisseia mahleriana com Gergiev, Nagano, Chailly... CONCERTOGuia mensal de música clássica Abril 2010 Roberto Minczuk A brilhante carreira do maestro mais cobiçado do Brasil ROTEIRO MUSICAL LIVROS • CDs • DVDs VIDAS MUSICAIS Padre José Maurício PALCO Denise de Freitas ATRÁS DA PAUTA por Júlio Medaglia R$ 9,90 MINHA MÚSICA Telê Ancona Lopez XIV FESTIVAL AMAZONAS DE ÓPERA ISSN 1413-2052 - ANO XV Nº 160 1413-2052 ISSN ENTREVISTA COM PAULO SZOT TEMPORADAS 2010 Após premiado sucesso na Broadway, Dell‘Arte, Petrobras Sinfônica, barítono brasileiro estreia no Met Orquestra Sinfônica Brasileira, Ospa Prezado Leitor, Em março passado, a Orquestra Sinfônica Brasileira organizou uma coletiva de imprensa no luxuoso Copacabana Palace, no Rio de Janeiro, para divulgar a sua programação de 2010. Será uma temporada especial, em que a OSB comemorará os seus 70 anos. Ainda estão na memória as difi culdades que essa orquestra enfrentou em passado recente. Tanto maior a satisfação e alegria em ver a situação em que a OSB se encontra no ano desse seu importante aniversário: setor administrativo harmonizado, situação fi nanceira equilibrada e uma verba de R$ 30 milhões anuais que, se ainda não confi gura uma condição ideal, ultrapassa em muito a realidade de suas congêneres brasileiras (à exceção da Osesp). E a temporada refl ete isso, com grandes concertos que certamente marcarão a efeméride, como você poderá ler na página 14. Um dos grandes responsáveis pela reviravolta vivida pela Orquestra Sinfônica Brasileira é o maestro Roberto Minczuk, que desde 2005 responde por sua direção artística e regência titular. -
Elenco 14 Aprile
Maria Bonmassar Nicola Panetta Maurizio Ciambella Alessia Ratzenberger Roberto Laera Flavia Fonderico Lina Di Salvo Francesco Cordio Alessandra Pinna Daniela Vacarciuc Azzurra Immediato Daria Lepore Luana Lolli Massimo Zanta Priscilla Butini Lorenza Fruci Maria Beatrice Rusticoni Cristina Fogliato Luisa Vinci Serafino Paternoster Mimmo Morabito Carlo Infante Alessandro Di Lorenzo Teresa D'ambrosio Doriana Tarantino Alessandro Schiattone Barbara Malhame Alessia Nitti Alice Giacomini Loretta Zega Lorenzo Spartà Nicolò Di Paolo Daniela Materazzi Anna Celi Cinzia Perugini Elisabetta Pasqualin Emanuela Petrucci Giuseppina Pomarici Francesca Muzzi Iolanda Marcone Fabio Dodesini Valeria Finamore Paola Elisabetta Simeoni Celeste Bertolini Andrea Pugliese Ramon Bonassi Loredana Paolicelli Giancarlo Sciascia Aldo Macchiaverna Alessia Iacoangeli Alberto Parini Matteo Cane Erika Montosi Francesca Selleri Constantin Livio Verena Marenco Luigia Cannizzo Antonio Mostacci Cecilia Iaccarino Francesca Rech Gaia Pagliaro Vera Vachtova Paolo Ruscito Chiara Alduini Anna Dora Lisanti Rosario Bonofiglio Giacoma Filippone Francesca Longo Luigi Rossetti Giovanni Cuzzi Domenico Pietrodangelo Tiziana Plebani Guido Cabib Daniele De Donno Roberto Lepore Silvia Cendron Sofia Colliard Manuela D'innocenzo Alfredo Giacchetto Lorenzo Cabib Grazia Ciceri Luciano Setten Leandro Ventura Patrizia Von Eles Guido Cancellieri Laura Santoro Paola Favelli Mario Luigi Labianca Marco Bussolino Angelo Bellobono Stefano Cerio Carla Camozzi Lorenzo Peraro Mariateresa Marino Ciro Scannapieco -
Giorgio Federico Also Available GHEDINI Complete Piano Music • 2 Sonata • Divertimento Contrappuntistico • Ricercare Massimo Giuseppe Bianchi, Piano
8.572330 bk Ghedini 2_EU:8.572330 bk Ghedini 2_EU 10-10-2010 14:47 Pagina 12 Giorgio Federico Also Available GHEDINI Complete Piano Music • 2 Sonata • Divertimento contrappuntistico • Ricercare Massimo Giuseppe Bianchi, Piano 8.111325 8.572329 8.570875 8.570877 8.572330 12 8.572330 bk Ghedini 2_EU:8.572330 bk Ghedini 2_EU 10-10-2010 14:47 Pagina 2 Giorgio Federico essenzialità come simbolo di fragile speranza (?) o contrappuntistico è alla base della costruzione di una impossibile purezza e l’elaborazione cui è sottoposto è pagina breve ma perfettamente compiuta, dall’incedere GHEDINI condotta con estremo pudore e raccoglimento. scherzoso. (1892-1965) L’ultimo brano del CD è l’Allegretto, scritto nel 1957, per una raccolta di composizioni di autori Flavio Menardi Noguera Complete Piano Music • 2 contemporanei destinata ai candidati all’esame del corso medio di pianoforte come prova d’interpretazione. * Ghedini segue la numerazione dei Salmi dell'antica Sonatina in D major (1913) 8:54 Anche in questo caso il principio ritmico - Vulgata. 1 I. Allegretto grazioso 2:48 2 II. Larghetto espressivo 3:15 3 III. Finale. Rondò: Allegro con brio 2:51 «L’ascolto di queste musiche nell’interpretazione di Massimo Giuseppe Bianchi mi ha richiamato alla mente queste parole di mio padre: Il mio credo è questo: la musica non è moda, ma è eterna, nel tempo... In questa società sempre più tecnica, c’è un gran bisogno di sentimento vero, perciò anche la musica deve essere animata, nel profondo, da Puerilia. 4 piccoli pezzi sulle 5 note (1922) 8:00 un raptus drammatico, di conseguenza romantico.. -
A C AHAH C (Key of a Major, German Designation) a Ballynure Ballad C a Ballynure Ballad C (A) Bal-Lih-N'yôôr BAL-Ludd a Capp
A C AHAH C (key of A major, German designation) A ballynure ballad C A Ballynure Ballad C (A) bal-lih-n’YÔÔR BAL-ludd A cappella C {ah kahp-PELL-luh} ah kahp-PAYL-lah A casa a casa amici C A casa, a casa, amici C ah KAH-zah, ah KAH-zah, ah-MEE-chee C (excerpt from the opera Cavalleria rusticana [kah-vahl-lay-REE-ah roo-stee-KAH-nah] — Rustic Chivalry; music by Pietro Mascagni [peeAY-tro mah-SKAH-n’yee]; libretto by Guido Menasci [gooEE-doh may-NAH-shee] and Giovanni Targioni-Tozzetti [jo-VAHN-nee tar-JO- nee-toht-TSAYT-tee] after Giovanni Verga [jo-VAHN-nee VAYR-gah]) A casinha pequeninaC ah kah-ZEE-n’yuh peh-keh-NEE-nuh C (A Tiny House) C (song by Francisco Ernani Braga [frah6-SEESS-kôô ehr-NAH-nee BRAH-guh]) A chantar mer C A chantar m’er C ah shah6-tar mehr C (12th-century composition by Beatriz de Dia [bay-ah-treess duh dee-ah]) A chloris C A Chloris C ah klaw-reess C (To Chloris) C (poem by Théophile de Viau [tay- aw-feel duh veeo] set to music by Reynaldo Hahn [ray-NAHL-doh HAHN]) A deux danseuses C ah dö dah6-söz C (poem by Voltaire [vawl-tehr] set to music by Jacques Chailley [zhack shahee-yee]) A dur C A Dur C AHAH DOOR C (key of A major, German designation) A finisca e per sempre C ah fee-NEE-skah ay payr SAYM-pray C (excerpt from the opera Orfeo ed Euridice [ohr-FAY-o ayd ayoo-ree-DEE-chay]; music by Christoph Willibald von Gluck [KRIH-stawf VILL-lee-bahlt fawn GLÔÔK] and libretto by Ranieri de’ Calzabigi [rah- neeAY-ree day kahl-tsah-BEE-jee]) A globo veteri C AH GLO-bo vay-TAY-ree C (When from primeval mass) C (excerpt from -
Worldnewmusic Magazine
WORLDNEWMUSIC MAGAZINE ISCM During a Year of Pandemic Contents Editor’s Note………………………………………………………………………………5 An ISCM Timeline for 2020 (with a note from ISCM President Glenda Keam)……………………………..……….…6 Anna Veismane: Music life in Latvia 2020 March – December………………………………………….…10 Álvaro Gallegos: Pandemic-Pandemonium – New music in Chile during a perfect storm……………….....14 Anni Heino: Tucked away, locked away – Australia under Covid-19……………..……………….….18 Frank J. Oteri: Music During Quarantine in the United States….………………….………………….…22 Javier Hagen: The corona crisis from the perspective of a freelance musician in Switzerland………....29 In Memoriam (2019-2020)……………………………………….……………………....34 Paco Yáñez: Rethinking Composing in the Time of Coronavirus……………………………………..42 Hong Kong Contemporary Music Festival 2020: Asian Delights………………………..45 Glenda Keam: John Davis Leaves the Australian Music Centre after 32 years………………………….52 Irina Hasnaş: Introducing the ISCM Virtual Collaborative Series …………..………………………….54 World New Music Magazine, edition 2020 Vol. No. 30 “ISCM During a Year of Pandemic” Publisher: International Society for Contemporary Music Internationale Gesellschaft für Neue Musik / Société internationale pour la musique contemporaine / 国际现代音乐协会 / Sociedad Internacional de Música Contemporánea / الجمعية الدولية للموسيقى المعاصرة / Международное общество современной музыки Mailing address: Stiftgasse 29 1070 Wien Austria Email: [email protected] www.iscm.org ISCM Executive Committee: Glenda Keam, President Frank J Oteri, Vice-President Ol’ga Smetanová, -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Prima La Musica o Prima La Parola? Textual and Musical Intermedialities in Italian Literature and Film Permalink https://escholarship.org/uc/item/9385t0bs Author Nadir, Erika Marina Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Prima La Musica o Prima La Parola? Textual and Musical Intermedialities in Italian Literature and Film A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Italian by Erika Marina Nadir 2017 © Copyright by Erika Marina Nadir 2017 ABSTRACT OF THE DISSERTATION Prima La Musica o Prima La Parola? Textual and Musical Intermedialities in Italian Literature and Film by Erika Marina Nadir Doctor of Philosophy in Italian University of California, Los Angeles, 2017 Professor Luigi Ballerini, Chair This dissertation is a comparative study of Italian opera, literature, and film, and traces the textual and musical intermedialities among the art forms. Using the analytical prisms of Elio Vittorini’s linguaggio unitario del musicista and Giuseppe Verdi’s notion of verità, I examine the myriad ways that literature, film, and music interact and the effects on the respective arts. Chapter 1 focuses on literature that is written in such a way as to evoke music. I analyze three texts and their musical components: Vittorini’s Italian Resistance novel, Uomini e no; the postmodern novel Passavamo sulla terra leggeri by Sergio Atzeni—a soundscape of text that mimics contemporary opera structure; and Manzoni’s I promessi sposi, which was the inspiration for Giuseppe Verdi’s notion of verità in art. -
Hélène Tysman
Hélène Tysman Pianiste www.helene-tysman.com Hélène Tysman • Pianiste Sommaire Biographie p. 3 Une artiste de notre temps p. 4 Les échos de la presse p. 7 Critiques de concours internationaux (2007, 2010) p. 9 Les Disques (2010, 2012, 2013) p. 10 Concerts 2013 p. 18 Concerts 2014 & 2015 p. 19 Projets pluridisciplinaires p. 21 __________________________________________________________________________________________" Contact"":"" Simone"Strähle,"agence"Music"N"Com""•""tél."06"60"99"18"24""•""[email protected]""" 2 www.musicncom.net""•""www.heleneDtysman.com" ! HELENE TYSMAN BIOGRAPHIE Saluée par la presse internationale pour son jeu « poétique» (Daily Telegraph) et son interprétation de Chopin « mêlant ferveur et éloquence » (Gramophone Chopin Express), Hélène Tysman a été finaliste du très prestigieux 16ème Concours International Chopin de Varsovie en 2010 et se présente dès lors comme l’une des plus prometteuses pianistes de sa génération. Quelques années plus tôt, elle gagne le 1er Prix au Concours Européen Chopin de Darmstadt (Allemagne) ainsi que de nombreux autres prix en Angleterre (Newport International Competition For Young Pianists), en Allemagne (Nauen International Piano Competition), en Chine, (Hong-Kong International Piano Competition), et aux Etats-Unis (Minneapolis International Piano-e-Competition). Elle est également lauréate des Fondations Cziffra à Senlis (France) et Chopin à Hanovre (Allemagne). Diplômée du Conservatoire de Paris (CNSMDP) où elle a étudié avec Bruno Rigutto, Pierre-Laurent Aimard et Jean Koerner, Hélène Tysman part en Autriche se perfectionner auprès du pianiste russe Oleg Maisenberg, puis en Allemagne dans la classe de Grigory Gruzman à Hambourg et à Weimar où elle obtient son diplôme de perfectionnement (Konzertexamen). Durant ces années elle bénéficie également des conseils de grands maîtres tels que Gyorgy Sebök, Lazar Berman, Dmitri Bashkirov et Elisso Wirsaladze. -
Aes Corporation
THE AES CORPORATION THE AES CORPORATION The global power company A Passion to Serve A Passion A PASSION to SERVE 2000 ANNUAL REPORT ANNUAL REPORT THE AES CORPORATION 1001 North 19th Street 2000 Arlington, Virginia 22209 USA (703) 522-1315 CONTENTS OFFICES 1 AES at a Glance AES CORPORATION AES HORIZONS THINK AES (CORPORATE OFFICE) Richmond, United Kingdom Arlington, Virginia 2 Note from the Chairman 1001 North 19th Street AES OASIS AES TRANSPOWER Arlington, Virginia 22209 Suite 802, 8th Floor #16-05 Six Battery Road 5 Our Annual Letter USA City Tower 2 049909 Singapore Phone: (703) 522-1315 Sheikh Zayed Road Phone: 65-533-0515 17 AES Worldwide Overview Fax: (703) 528-4510 P.O. Box 62843 Fax: 65-535-7287 AES AMERICAS Dubai, United Arab Emirates 33 AES People Arlington, Virginia Phone: 97-14-332-9699 REGISTRAR AND Fax: 97-14-332-6787 TRANSFER AGENT: 83 2000 AES Financial Review AES ANDES FIRST CHICAGO TRUST AES ORIENT Avenida del Libertador COMPANY OF NEW YORK, 26/F. Entertainment Building 602 13th Floor A DIVISION OF EQUISERVE 30 Queen’s Road Central 1001 Capital Federal P.O. Box 2500 Hong Kong Buenos Aires, Argentina Jersey City, New Jersey 07303 Phone: 852-2842-5111 Phone: 54-11-4816-1502 USA Fax: 852-2530-1673 Fax: 54-11-4816-6605 Shareholder Relations AES AURORA AES PACIFIC Phone: (800) 519-3111 100 Pine Street Arlington, Virginia STOCK LISTING: Suite 3300 NYSE Symbol: AES AES ENTERPRISE San Francisco, California 94111 Investor Relations Contact: Arlington, Virginia USA $217 $31 Kenneth R. Woodcock 93% 92% AES ELECTRIC Phone: (415) 395-7899 $1.46* 91% Senior Vice President 89% Burleigh House Fax: (415) 395-7891 88% 1001 North 19th Street $.96* 18 Parkshot $.84* AES SÃO PAULO Arlington, Virginia 22209 Richmond TW9 2RG $21 Av.