Novità Di Ottobre
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24Th International Piano Competition Since 1947
24th International since 1947 Piano Competition Rina Sala Gallo 25 Settembre — 01 Ottobre 2016 Teatro Manzoni / Monza Rina Sala Gallo 2016 1 / 52 La Storia La Our History Our Rina Sala Gallo (1898 — 1980) u allieva prediletta di Giovanni Anfossi, sotto la cui he was the pet pupil of Giovanni Anfossi, under Fguida si diplomò giovanissima, con lode speciale, Swhose tutelage she graduated, at a very young presso il Conservatorio «G. Verdi» di Milano. age, and with special commendation, from the Iniziò la carriera concertistica poco più che decenne, Conservatorio “G. Verdi” in Milan. She began her con vivo successo di critica e di pubblico. concert career at around the age of ten with great Tenne concerti in Italia ed in Europa, riscuotendo critical and public success, and went on to give sempre i massimi consensi. concerts in Italy and in Europe, always earning Dedicò la sua vita all’arte pianistica e fondò a maximum acclaim. Monza una rinomata scuola di pianoforte. Sala Gallo dedicated her life to the Art of Nel 1947 organizzò il primo concorso pianistico Piano, and founded a renowned piano school di Monza in collaborazione con Benedetti in Monza.In 1947, she organized the first Piano Michelangeli ed altri esponenti del mondo musicale Competition in Monza in collaboration with italiano, tra i quali Tagliapietra, Gorini, Benedetti Michelangeli and other exponents of Sanzogno, Vidusso, Mozzati e Margola. A questo ne the Italian musical world, such as Tagliapietra, seguirono altri nel 1949 e nel 1967. Gorini, Sanzogno, Vidusso, Mozzati and Margola. Dal 1970 il concorso, divenuto biennale, è a suo This was followed by two further editions in 1949 nome e dal 2009 è membro della Federazione and 1967. -
When Lonesome Rains Come Close Inside
University of Southern Maine USM Digital Commons All Theses & Dissertations Student Scholarship 2016 When Lonesome Rains Come Close Inside Mary Katherine Spain MFA University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/etd Recommended Citation Spain, Mary Katherine MFA, "When Lonesome Rains Come Close Inside" (2016). All Theses & Dissertations. 291. https://digitalcommons.usm.maine.edu/etd/291 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at USM Digital Commons. It has been accepted for inclusion in All Theses & Dissertations by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. WHEN LONESOME RAINS COME CLOSE INSIDE _____________ A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS UNIVERSITY OF SOUTHERN MAINE STONECOAST MFA IN CREATIVE WRITING BY MARY KATHERINE SPAIN ____________ 2016 ABSTRACT In “Out Shelby,” we witness the corrosive effects of familial co-dependency and manipulation in rural Kentucky and the struggles of its ten-year old female narrator, Laura Neil, as she tries to protect the one thing she can relate to: the family hound dog; “Take My Hand” is an urban caper that explores the dependency of strangers in the struggle for self-preservation and the comic relief such shenanigans can often yield; “Look for the Octopus” follows a loosely-tethered elementary school teacher named Penelope Richards as she attempts to protect her opus, a school musical she has written and produced; “A Fortune” examines the malady of malaise brought on by too much affluence as we witness the emotional blunting its worried-well main character, Gillian, is forced to subsist on. -
Elenco 14 Aprile
Maria Bonmassar Nicola Panetta Maurizio Ciambella Alessia Ratzenberger Roberto Laera Flavia Fonderico Lina Di Salvo Francesco Cordio Alessandra Pinna Daniela Vacarciuc Azzurra Immediato Daria Lepore Luana Lolli Massimo Zanta Priscilla Butini Lorenza Fruci Maria Beatrice Rusticoni Cristina Fogliato Luisa Vinci Serafino Paternoster Mimmo Morabito Carlo Infante Alessandro Di Lorenzo Teresa D'ambrosio Doriana Tarantino Alessandro Schiattone Barbara Malhame Alessia Nitti Alice Giacomini Loretta Zega Lorenzo Spartà Nicolò Di Paolo Daniela Materazzi Anna Celi Cinzia Perugini Elisabetta Pasqualin Emanuela Petrucci Giuseppina Pomarici Francesca Muzzi Iolanda Marcone Fabio Dodesini Valeria Finamore Paola Elisabetta Simeoni Celeste Bertolini Andrea Pugliese Ramon Bonassi Loredana Paolicelli Giancarlo Sciascia Aldo Macchiaverna Alessia Iacoangeli Alberto Parini Matteo Cane Erika Montosi Francesca Selleri Constantin Livio Verena Marenco Luigia Cannizzo Antonio Mostacci Cecilia Iaccarino Francesca Rech Gaia Pagliaro Vera Vachtova Paolo Ruscito Chiara Alduini Anna Dora Lisanti Rosario Bonofiglio Giacoma Filippone Francesca Longo Luigi Rossetti Giovanni Cuzzi Domenico Pietrodangelo Tiziana Plebani Guido Cabib Daniele De Donno Roberto Lepore Silvia Cendron Sofia Colliard Manuela D'innocenzo Alfredo Giacchetto Lorenzo Cabib Grazia Ciceri Luciano Setten Leandro Ventura Patrizia Von Eles Guido Cancellieri Laura Santoro Paola Favelli Mario Luigi Labianca Marco Bussolino Angelo Bellobono Stefano Cerio Carla Camozzi Lorenzo Peraro Mariateresa Marino Ciro Scannapieco -
The Avant-Garde 15
CURRENT A HEAD ■ 407 ORNETTE COLEMAN lonely woman CECIL TAYLOR bulbs CECIL TAYLOR willisau concert, part 3 ALBERT AYLER ghosts DAVID MURRAY el matador THE AVANT-GARDE 15 Forward March T e word “avant-garde” originated in the French military to denote the advanced guard: troops sent ahead of the regular army to scout unknown territory. In English, the word was adapted to describe innovative composers, writers, painters, and other artists whose work was so pioneering that it was believed to be in the vanguard of contemporary thinking. Avant-gardism represented a movement to liberate artists from the restraints of tradition, and it often went hand-in-hand with progressive social thinking. T ose who championed avant-garde art tended to applaud social change. T ose who criticized it for rejecting prevailing standards couched their dismay in warnings against moral laxity or political anarchy. In the end, however, all art, traditional or avant-garde, must stand on its merit, inde- pendent of historic infl uences. T e art that outrages one generation often becomes the tradition and homework assignments of the next: the paintings of Paul Cézanne and Pablo Picasso, music of Gustav Mahler and Claude Debussy, and writings of Marcel Proust and James Joyce were all initially considered avant-garde. Two especially promi- nent twentieth-century avant-garde movements gathered steam in the decades follow- ing the world wars, and jazz was vital to both. Sonny Rollins combined the harmonic progressions of bop with the freedom of the avant-garde and sustained an international following. He appeared with percussionist Victor See Yuen and trombonist Clifton © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM Anderson at a stadium in Louisiana, 1995. -
Sonny's Blues Study Guide
Sonny's Blues Study Guide © 2018 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The narrator, a teacher in Harlem, has escaped the ghetto, creating a stable and secure life for himself despite the destructive pressures that he sees destroying so many young blacks. He sees African American adolescents discovering the limits placed on them by a racist society at the very moment when they are discovering their abilities. He tells the story of his relationship with his younger brother, Sonny. That relationship has moved through phases of separation and return. After their parents’ deaths, he tried and failed to be a father to Sonny. For a while, he believed that Sonny had succumbed to the destructive influences of Harlem life. Finally, however, they achieved a reconciliation in which the narrator came to understand the value and the importance of Sonny’s need to be a jazz pianist. The story opens with a crisis in their relationship. The narrator reads in the newspaper that Sonny was taken into custody in a drug raid. He learns that Sonny is addicted to heroin and that he will be sent to a treatment facility to be “cured.” Unable to believe that his gentle and quiet brother could have so abused himself, the narrator cannot reopen communication with Sonny until a second crisis occurs, the death of his daughter from polio. -
Bending Towards the Light a Jazz Nativity
December 2011 | No. 116 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com bending towards the light a jazz nativity HOLIDAYGIFT GUIDE VINCENT •••••LUKAS BAIKIDA OGUN FESTIVAL EVENT CHANCEY LIGETI CARROLL RECORDS REPORTS CALENDAR The Holiday Season is kind of like a mugger in a dark alley: no one sees it coming and everyone usually ends up disoriented and poorer after the experience is over. 4 New York@Night But it doesn’t have to be all stale fruit cake and transit nightmares. The holidays should be a time of reflection with those you love. And what do you love more Interview: Vincent Chancey than jazz? We can’t think of a single thing...well, maybe your grandmother. But 6 by Anders Griffen bundle her up in some thick scarves and snowproof boots and take her out to see some jazz this month. Artist Feature: Lukas Ligeti As we battle trying to figure out exactly what season it is (Indian Summer? 7 by Gordon Marshall Nuclear Winter? Fall Can Really Hang You Up The Most?) with snowstorms then balmy days, what is not in question is the holiday gift basket of jazz available in On The Cover: A Jazz Nativity our fine metropolis. Celebrating its 26th anniversary is Bending Towards The 9 by Marcia Hillman Light: A Jazz Nativity (On The Cover), a retelling of the biblical story starring jazz musicians like this year’s Three Kings - Houston Person, Maurice Chestnut and Encore: Lest We Forget: Wycliffe Gordon (pictured on our cover) - in a setting good for the whole family. -
Jennifer Bing, Why Won't You Sing?
... Student .Masters for R’eading Na.rrative Text ““i\, A Washington Model for Classroom-Based Evidence Early YeardBenchmark 1 Acknowledgment “Jennifer Bing, Why Won’t You Sing?’ Reprinted by permission of LADYBUG magazine, March 1997, Vol. 7, No. 7 copyright 0 1997 by Kimberly Thomas, illustrations by Jada Rowland. Copyright 0 1998 by Washington State Office of Superintendent of Public Instruetion-Commission an Student Learning. All rights reserved. No part of this publication may he reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the copyright owner. The contents of this publication may, however, he reproduced if they are intended ~olelyfor nonprofit, educational u8e. Printed in the United States of America Reading 0 Student Master la Name STOP, LOOK, LISTEN, THINK Stop - Look at the picture in the story. What do you think this story will be about? I think this story will be about Listen and follow along as your teacher reads the story. 0 tudent Master Ib Name Now, think about how the story will end. I think this story will end After you finish reading the story, go back and read how you thought the story would end. How was your ending the same as in the story? How was your ending different from the ending in the story? Student Master 2a Jennifer Bing, Why Won’t You Sing? By Kimberly Thomas Art by Jada Rowland Jennifer Bing had a musical family. Everyone sang or played an instrument. -
Alan Broadbent Michael Bisio Wallace Mcmillan
OCTOBER 2015—ISSUE 162 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LAROY ALAN MICHAEL WALLACE WES BROADBENT50BISIO MCMILLAN MONTGOMERY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2015—ISSUE 162 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Alan Broadbent 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : Michael Bisio 7 by clifford allen General Inquiries: [email protected] On The Cover : AACM 50th Anniversary 8 by kurt gottschalk Advertising: [email protected] Encore : LaRoy Wallace McMillan by ken waxman Editorial: 10 [email protected] Calendar: Lest We Forget : Wes Montgomery 10 by ken dryden [email protected] VOXNews: LAbel Spotlight : V.S.O.P. by ken dryden [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin For subscription assistance, send check, cash or money order to the address above or email [email protected] Festival Report 13 Staff Writers David R. Adler, Clifford Allen, CD Reviews 14 Fred Bouchard, Stuart Broomer, Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Miscellany 43 Brad Farberman, Sean Fitzell, Kurt Gottschalk, Tom Greenland, Event Calendar Alex Henderson, Marcia Hillman, 44 Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Russ Musto, Joel Roberts, John Sharpe, Elliott Simon, Jazz is a music based on and dependent upon community. -
2 Ottobre 2016 Presentazione Del Festival Violoncellistico
FESTIVAL VIOLONCELLISTICO “ALFREDO PIATTI” XI EDIZIONE - 2016 2 ottobre 2016 Presentazione del Festival Violoncellistico “ALFREDO PIATTI” IX Edizione Caterina Isaia, violoncello Rosamaria Macaluso, pianoforte FRANZ JOSEPH HAYDN 1732-1809 Cello concerto n. 1 in Do maggiore Primo movimento: Moderato ALFREDO PIATTI 1822-1901 Notturno op. 20 in Fa maggiore LUDWING VAN BEETHOVEN 1770-1827 Sonata op. 5 n. 2 Adagio sostenuto ed espressivo Allegro molto, piuttosto presto Rondò, Allegro ELIODORO SOLLIMA 1926-2000 “Nenia e recitativo” 1976 MIKHAIL BUKINIK 1872-1947 Concert-Etude n. 4 in Fa minore Per cello solo ASTOR PIAZZOLLA 1921-1992 Le Grand Tango FESTIVAL VIOLONCELLISTICO “ALFREDO PIATTI” XI EDIZIONE - 2016 Il Concerto per violoncello e orchestra n.1 di Haydn, composto fra il 1762 e il 1765, oggi è ritenuto uno dei capolavori della musica per violoncello. La tradizione musicologica concorda però nel ritenere che la sua fortuna all’epica della composizione sia stata scarsa e spiega così il fatto che l’autografo sia andato disperso e le parti siano state ritrovate al museo nazionale di Praga solo nel 1961. Prima di tale data non ci sono tracce certe di esecuzioni di questo concerto. Eppure una notizia, seppure vaga, emerge dai giornali inglesi dell’800: il 25 maggio 1856, Piatti eseguì un concerto di Haydn per violoncello e orchestra alla Philharmonic Society. Il critico londinese dell’Illustrated London News che scrive la recensione del concerto non si cura di precisare di quale concerto di tratti, si limita ad annotare che il concerto di Haydn proposto da Piatti, con la sua “usual excellence” è apparso però un po’ “antiquated”. -
Roberto Prosseda Italia / Italy
25th International since 1947 Piano Competition Rina Sala Gallo 07 — 13 Ottobre 2018 Teatro Manzoni / Monza Rina Sala Gallo 2018 1 / 44 since 1947 La Storia La Our History Our Rina Sala Gallo (1898 — 1980) u allieva prediletta di Giovanni Anfossi, sotto he was the pet pupil of Giovanni Anfossi, under Fla cui guida si diplomò giovanissima, con lode Swhose tutelage she graduated, at a very young speciale, presso il Conservatorio «G. Verdi» di age, and with special commendation, from the Milano. Iniziò la carriera concertistica poco più che Conservatorio “G. Verdi” in Milan. She began her decenne, con vivo successo di critica e di pubblico. concert career at around the age of ten with great Tenne concerti in Italia ed in Europa, riscuotendo critical and public success, and went on to give sempre i massimi consensi. concerts in Italy and in Europe, always earning Dedicò la sua vita all’arte pianistica e fondò a maximum acclaim. Monza una rinomata scuola di pianoforte. Sala Gallo dedicated her life to the Art of Nel 1947 organizzò il primo concorso pianistico Piano, and founded a renowned piano school di Monza in collaborazione con Benedetti in Monza.In 1947, she organized the first Piano Michelangeli ed altri esponenti del mondo Competition in Monza in collaboration with musicale italiano, tra i quali Tagliapietra, Gorini, Benedetti Michelangeli and other exponents of Sanzogno, Vidusso, Mozzati e Margola. A questo the Italian musical world, such as Tagliapietra, ne seguirono altri nel 1949 e nel 1967. Gorini, Sanzogno, Vidusso, Mozzati and Margola. Dal 1970 il concorso, divenuto biennale, è a suo This was followed by two further editions in 1949 nome e dal 2009 è membro della Federazione and 1967. -
Vinyls-Collection.Com Page 1/55 - Total : 2125 Vinyls Au 25/09/2021 Collection "Jazz" De Cush
Collection "Jazz" de cush Artiste Titre Format Ref Pays de pressage A.r. Penck Going Through LP none Allemagne Aacm L'avanguardia Di Chicago LP BSRMJ 001 Italie Abbey Lincoln Painted Lady LP 1003 France Abraham Inc. Tweet Tweet LP LBLC 1711 EU Abus Dangereux Happy French Band LP JB 105 M7 660 France Acid Birds Acid Birds LP QBICO 85 Italie Acting Trio Acting Trio LP 529314 France Adam Rudolph's Moving Pictures... Glare Of The Tiger 2LP Inconnu Ahmad Jamal At The Blackhawk LP 515002 France Aidan Baker With Richard Baker... Smudging LP BW06 Italie Air Open Air Suite LP AN 3002 Etats Unis Amerique Air Live Air LP Inconnu Air Air Mail LP BSR 0049 Italie Air 8o° Below '82 LP 6313 385 France Al Basim Revival LP none Etats Unis Amerique Al Cohn Xanadu In Africa LP Xanadu 180 Etats Unis Amerique Al Cohn & Zoot Sims Either Way LP ZMS-2002 Etats Unis Amerique Alan Silva Skillfullness LP 1091 Etats Unis Amerique Alan Silva Inner Song LP CW005 France Alan Silva Alan Silva & The Celestial Com...3LP Actuel 5293042-43-44France Alan Silva And His Celestrial ... Luna Surface LP 529.312 France Alan Silva, The Celestrial Com... The Shout - Portrait For A Sma...LP Inconnu Alan Skidmore, Tony Oxley, Ali... Soh LP VS 0018 Allemagne Albert Ayler Witches & Devils LP FLP 40101 France Albert Ayler Vibrations LP AL 1000 Etats Unis Amerique Albert Ayler The Village Concerts 2LP AS 9336/2 Etats Unis Amerique Albert Ayler The Last Album LP AS 9208 France Albert Ayler The Last Album LP AS-9208 Etats Unis Amerique Albert Ayler The Hilversum Session LP 6001 Pays-Bas -
Il Momento» Zale
SETTEMBRE. Il sollievo dal caldo afoso, ma l’insistenza di temporali quasi improvvisi, pieni di tuoni e fulmini e l’ululare di cagnetti spaventati. Ma poi anche giornate di luce e clima bellissimi; e il parco ancora lussureggiante di infinite sfumature di verde. Purtroppo pure i problemi incancreniti da anni ed Periodico Anno XLIV n. 460 Spedizione in abbonamento postale 45% – art. 2, comma Settembre 2013 di informazione e cultura 20/b, legge 662/96 – Poste Italiane filiale di Pordenone eInfatizzati Ld’autunno. FabbrichMe chiuse ben oltre le ferie, anOche per sempre;M il perdurare di indeEcisioni politicNhe: per lavoro, Tsanità, scuolaO . Nuovi egoismi e violenze… Per fortuna c’è la ripresa di attività culturali e d’incontro che dà ossigeno allo spirito. E subito viene voglia di pensare positivo. (Simpl) LA STANZA DEL SILENZIO Berlino fino a metà della no - non lasciarsi prendere né dalle stra vita era stata la città dei fan - angosce del passato ma neanche tasmi cattivi. Poi, con un gruppo lasciarsi sedurre dalle presunzioni di ragazzi straordinari, siamo an - del presente. Il coraggio di una dati anche noi a raccogliere fram - stanza del silenzio che può ben menti di muro nell’anno della sua dirsi un luogo dell’anima in cui caduta. C’è una fotografia che ci rientrare in se stessi; e proprio nel ritrae tutti, quasi arrampicati su mezzo di un luogo che era stato quel monumento di vergogna, co - centro di un sovvertimento demo - me a partecipare a una definitiva niaco. demolizione. Con i volti giovani e Come non pensare a questa in - sorridenti.