Hélène Tysman
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24Th International Piano Competition Since 1947
24th International since 1947 Piano Competition Rina Sala Gallo 25 Settembre — 01 Ottobre 2016 Teatro Manzoni / Monza Rina Sala Gallo 2016 1 / 52 La Storia La Our History Our Rina Sala Gallo (1898 — 1980) u allieva prediletta di Giovanni Anfossi, sotto la cui he was the pet pupil of Giovanni Anfossi, under Fguida si diplomò giovanissima, con lode speciale, Swhose tutelage she graduated, at a very young presso il Conservatorio «G. Verdi» di Milano. age, and with special commendation, from the Iniziò la carriera concertistica poco più che decenne, Conservatorio “G. Verdi” in Milan. She began her con vivo successo di critica e di pubblico. concert career at around the age of ten with great Tenne concerti in Italia ed in Europa, riscuotendo critical and public success, and went on to give sempre i massimi consensi. concerts in Italy and in Europe, always earning Dedicò la sua vita all’arte pianistica e fondò a maximum acclaim. Monza una rinomata scuola di pianoforte. Sala Gallo dedicated her life to the Art of Nel 1947 organizzò il primo concorso pianistico Piano, and founded a renowned piano school di Monza in collaborazione con Benedetti in Monza.In 1947, she organized the first Piano Michelangeli ed altri esponenti del mondo musicale Competition in Monza in collaboration with italiano, tra i quali Tagliapietra, Gorini, Benedetti Michelangeli and other exponents of Sanzogno, Vidusso, Mozzati e Margola. A questo ne the Italian musical world, such as Tagliapietra, seguirono altri nel 1949 e nel 1967. Gorini, Sanzogno, Vidusso, Mozzati and Margola. Dal 1970 il concorso, divenuto biennale, è a suo This was followed by two further editions in 1949 nome e dal 2009 è membro della Federazione and 1967. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, fitness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE Chef Francis Ramirez’ cuisine centers around sourcing quality seasonal ingredients to create delectable dishes combining French techniques with a California flare! TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo Russian Reflections the fourteenth season July 15–August 6, 2016 D AVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 R ussian Reflections Program Overview 6 E ssay: “Natasha’s Dance: The Myth of Exotic Russia” by Orlando Figes 10 Encounters I–III 13 Concert Programs I–VII 43 Carte Blanche Concerts I–IV 58 Chamber Music Institute 60 Prelude Performances 67 Koret Young Performers Concerts 70 Master Classes 71 Café Conversations 72 2016 Visual Artist: Andrei Petrov 73 Music@Menlo LIVE 74 2016–2017 Winter Series 76 Artist and Faculty Biographies A dance lesson in the main hall of the Smolny Institute, St. Petersburg. Russian photographer, twentieth century. Private collection/Calmann and King Ltd./Bridgeman Images 88 Internship Program 90 Glossary 94 Join Music@Menlo 96 Acknowledgments 101 Ticket and Performance Information 103 Map and Directions 104 Calendar www.musicatmenlo.org 1 2016 Season Dedication Music@Menlo’s fourteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
TOCC0164DIGIBKLT.Pdf
VISSARION SHEBALIN: ORCHESTRAL MUSIC, VOLUME TWO by Paul Conway Vissarion Shebalin was one of the foremost composers and teachers in the Soviet Union. Dmitri Shostakovich held him in the highest esteem, keeping a portrait of his slightly older friend and colleague hanging on his wall and writing this heartfelt obituary: ‘Shebalin was an outstanding man. His kindness, honesty and absolute adherence to principle always amazed me. His enormous talent and great mastery immediately earned him burning love and authority with friends and the musical community’.1 Recent recordings have rekindled interest in the works of this key figure in mid-twentieth-century Soviet music. Vissarion Yakovlevich Shebalin was born in Omsk, the capital of Siberia, on 11 June 1902. His parents, both teachers, were utterly devoted to music. When he was eight years old, he began to learn the piano. By the age of ten he was a student in the piano class of the Omsk Division of the Russian Musical Society. Here, he developed a love of composition. In 1919 he completed his studies at middle school and entered the Institute of Agriculture – the only local university at that time. When a music college opened in Omsk in 1921, Shebalin joined immediately, studying theory and composition with Mikhail Nevitov, a former pupil of Reinhold Glière. In 1923 he was accepted into Nikolai Myaskovsky’s composition class at the Moscow Conservatoire. His first pieces, consisting of some romances and a string quartet, received favourable reviews in the press. Weekly evening concerts organised by the Association of Contemporary Music introduced him to the music of Bartók, Hindemith, Prokofiev, Schoenberg, Stravinsky and Webern. -
High-Fidelity-1962-A
A PREVIEW OF NEW FALL RECORDINGS 60 cents AUGUST '- THE MAGAZNEMUSIC LISTENERS Affif#10#####ll magnetic recording, with advice on www.americanradiohistory.com INTRODUCING A NEW SERIES OF COMPONENTS BY PILOT The only thing more impressive than the sound is the price. .. egg __ s 6 4? -- . pilo'. < Model 280B FM Stereo Tuner Model 230 Stereo Amplifier PILOT also offers two Model 610 Stereo Receiver -A -For those who demand per- -A 24 -watt integrated ster- other series of compo- complete stereo preamplifier, formance and value from a eophonic amplifier designed nents, as well as a va- 24 -watt stereo amplifier and FM high-fidelity component. for maximum control flexi- riety of 3 -way speaker Multiplex stereo tuner... all on With PILOT'S unique signal bility. Frequency response systems. See and hear one compact chassis. Equipped sampling Multiplex circuit: ( ±1 db): 10- 30,000 cps; har- them all at your PILOT with an Automatic FM Stereo separation, 30 db or better. monic distortion: 1%. Com- dealer. For literature, Indicator. In brush gold and black. With enclosure 99.50 plete with enclosure 89.50 write address below. With enclosure 199.50 PILOT RADIO CORPORATION 37 -14 36TH STREET, LONG ISLAND CITY 1, N. Y. CIRCLE. 66 O \' READER- SERVICE CARD www.americanradiohistory.com CIRCLE 38 ON READER -SERVICE CARD Always playing, always tracking . , , right side up or upside down. The sensational Empire Troubador demonstration of a continuously rotating turntable amazes the crowds at hi fi shows across the country. Right down the line, America's music magazines have been using some well- turned phrases in editorial evaluations of the Troubador. -
An Historical and Analytical Survey of the Transcendental Etudes By
AN HISTORICAL AND ANALYTICAL SURVEY OF THE TRANSCENDENTAL ETUDES BY SERGEI LIAPUNOV Igor Chernyshev, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2007 APPROVED: Joseph Banowetz, Major Professor Adam Wodnicki, Committee Member Jeffrey Snider, Committee Member Lynn Eustis, Chair of the Graduate Performance Degrees Committee Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Chernyshev, Igor. An historical and analytical survey of the Transcendental Etudes by Sergei Liapunov. Doctor of Musical Arts (Performance), August 2007, 41 pages, 32 musical examples, references, 19 titles. Sergei Mikhailovich Liapunov (1859-1924) was a distinguished Russian composer, pianist and teacher of the late 19th and early 20th century whose works are relatively unknown. His piano pieces were highly regarded and performed by pianists such as Konstantin Igumnov, Josef Hofmann, Josef Lhévinne, Ferruccio Busoni, and Vladimir Horowitz. However, they are rarely included in modern pianists’ repertoire both in Russia and abroad, and are often viewed merely for their historic significance. Works of Liapunov are characterized by a life-affirming character and monumental beauty largely inspired by the images of nature as well as the sounds of his native Russian folk songs and dances. His music rarely conveys the urgency or profound melancholy which is often seen in the music composed during the same period by Rachmaninoff and Scriabin. Liapunov continued and enriched the great traditions of Russian music started by Glinka and The Mighty Five. -
Problems Facing Today's Pianists
1205Clavier_nxtbk.qxd 4/18/12 11:24 AM Page 24 : e g n e l l a h c Photo courtesy of Daniel Wnukowski. Photo courtesy of Daniel r Problems facing e today’s pianists e r An interview with Jacques Leiser by Pete Jutras a he twenty-first century is blessed to be an era with no shortage of talented young pianists, many of whom are armed with impressive technique and a commanding c repertoire. For the pianists themselves, this poses a particular challenge. With a seem- ingly endless supply of competition winners and recording artists facing dwindling audiences and shrinking commercial support for the arts, how can young pianists get noticed and parlay their talents into a sustainable living and a meaningful career? e TFor answers to this question, and ideas on the state of affairs facing pianists today, I interviewed Jacques Leiser, a manager, recording producer, and impresario with decades of experience in all facets of the music business. Mr. Leiser has had a long-term interest in launching careers, and he’s been involved h with some of the biggest in the last sixty years, including Sviatoslav Richter, Maurizio Pollini, Arturo Benedetti Michelangeli, Lazar Berman, Georges Cziffra, Julius Katchen, Annie Fischer, Dame Moura Lympany, Grigory Sokolov, and Krystian Zimerman, among others. T 24 CLAVIER COMPANION MAY/JUNE 2012 1205Clavier_nxtbk.qxd 4/18/12 11:24 AM Page 25 In your view, what are the obstacles facing pianists today? had to negotiate an advertisement in an established American Young pianists today face serious challenges in launching viable record magazine and arrange for an interview to appear in conjunc- careers. -
Rachmaninov (1873-1943)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No. -
Gershwin Piano Quartet Mischa Cheung | André Desponds | Benjamin Engeli | Stefan Wirth Gershwin Piano Quartet
Christoph Müller & Stefan Pavlik artistic management GmbH Byfangweg 22 CH-4051 Basel T: +41 61 273 70 10 F: +41 61 273 70 20 [email protected] www.artisticmanagement.eu gershwin piano quartet Mischa Cheung | André Desponds | Benjamin Engeli | Stefan Wirth gershwin piano quartet www.gershwinpianoquartet.com index /4 pianos .........................................................................................................................................................................3 /repertoire .....................................................................................................................................................................4 /4 pianists .......................................................................................................................................................................6 /concerts .........................................................................................................................................................................8 /suggested programs .................................................................................................................................................9 /press reviews .............................................................................................................................................................11 /requirements .............................................................................................................................................................12 -
Samuil Feinberg: an Evolution of Style
SAMUIL FEINBERG: AN EVOLUTION OF STYLE by Sean Cavanaugh Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2019 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee _________________________________________ Karen Shaw, Chair _________________________________________ Evelyne Brancart _________________________________________ Norman Krieger ii Copyright © 2019 Sean Cavanaugh iii Dedicated to Edmund Battersby, who taught me that good performers have an obligation to be good scholars. Thank you, Teacher. And to Karen Shaw, who taught me that good performers need to perform well. iv Acknowledgements I’d like to thank many people who helped me along my journey with Feinberg. First, I wouldn’t have been able to accomplish this project without the countless resources available to me through Indiana University, the Cook Library, and many interlibrary loans. One of the most difficult aspects of this project was the fact that many of my sources are in Russian, a language I do not speak. I owe a thank you to Lydia Melnikov for her help translating when translation tools failed. To the members of my doctoral committee, Evelyne Brancart – for coming to all my recitals, thank you. And to Norman Krieger, for agreeing to step in once professor Battersby passed away. I wouldn’t have been able to complete this project without the love and support of my friends and family, who I’m sure are tired of hearing me talk about this obscure Russian composer… To my former teacher Read Gainsford: I heard Read play one of Feinberg’s sonatas many years ago and I’ve been hooked ever since. -
Pianist Rueibin Chen Plays with Los Angeles Philharmonic
Pianist Rueibin Chen plays with Los Angeles Philharmonic Interviewed by The Central News Agency 2014-07-16 Taiwanese pianist Rueibin Chen gave a successful performance with the Los Angeles Philharmonic on July 5 at the Hollywood Bowl, the biggest outdoor venue in the United States. Chen performed the Yellow River Concerto, which he also performed as a soloist at the opening ceremony of the 2010 World Expo in Shanghai, marking the first performance by a Taiwanese pianist at the Bowl. Rising to prominence in the United States in recent years, Chen was invited to perform at the newly opened Bing Concert Hall in Stanford University in February. In March, he became the first piano soloist to perform at the inaugural season of the brand new Wallis Annenberg Center for Performing Arts in Beverly Hills, for which tickets completely sold out four months in advance. In addition to his solo recitals and orchestral performances of classical repertoire, Chen has devoted much effort to collaboration and premiering new solo and piano concerto works. Some of his critically-acclaimed piano concerto compositions are the Love River Concerto, which centers on his fondness for a river in Taiwan, and the Winter Trilogy, written to celebrate the Hakka heritage. Chen performed both at the Lincoln Center in New York, the Sydney Opera House, and the Hong Kong Cultural Center. Chen has been the recipient of various distinguished awards and honors, including Taiwan's Golden Melody Awards for Best Performance and for Best Album. Pianist Rueibin Chen to perform at the Hollywood Bowl July 5 Reported by Taiwan News , 2014-07-01 Internationally renowned Taiwanese pianist Rueibin Chen will perform July 5 at the Hollywood Bowl with the Los Angeles Philharmonic. -
2014 Program Booklet
Rebecca Penneys Piano Festival Second Year July 16 – August 1, 2014 University of South Florida, Tampa, Florida Rebecca Penneys Friends of Piano wishes to give special thanks to: Svetozar Ivanov for his kindness and artistic vision The University of South Florida for such warm hospitality USF administration and staff for their wonderful support and assistance USF piano tuner Glenn Suyker for his excellent expertise Devoted piano lovers and donors who make this festival possible The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida 2 FESTIVAL EVENTS Barness Hall, University of South Florida School of Music All events are FREE and open to the public (donations accepted at the door) Festival Concerts July 18 at 4pm Enrico Elisi and Rebecca Penneys Solo Music for a Summer Afternoon July 25 at 7pm 2 Pianos 4 Pianists 8 Hands 40 Fingers Extravaganza What Pianos & Pianists Do For Fun! – Combo Classics Soirée Legacy Series – 4pm July 21 Johnandrew Slominski Piano Suites July 23 Eunmi Ko Florida Premieres July 28 Omri Shimron A+ Music by First Rate B’s July 30 Howard Na Lesser-Known Wonders Daily Masterclasses Father Sean Duggan, Enrico Elisi, Christopher Harding, Svetozar Ivanov, Yong Hi Moon, Rebecca Penneys, Roberta Rust, Dmitri Shteinberg, and Ray Gottlieb (Attention and Memory Specialist) Ambassador Concerts by Festival Student Pianists July 21 University Village July 24 Westminster Shores July 29 Allegro July 31 Jewish Community Center and Federation July 31 ASPEC at Eckerd College August 1 St.