DOCSLIB.ORG

Franz (Ferenc) Liszt (1811-1886)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Franz (Ferenc) Liszt (1811-1886) EAST-CENTRAL EUROPEAN & BALKAN CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Franz (Ferenc) Liszt (1811-1886) Born in Doborjan, Hungary (today, Raiding, Austria). He played the piano as a child and then in Vienna studied with Carl Czerny and Antonio Salieri, who taught him counterpoint and score reading. Then he moved on to Paris where he was a student of Antoine Reicha for theory and Ferdinando Paer for composition. His career as a piano virtuoso, composer and teacher was launched and he became one of the dominant musicians of the 19th century. He composed in nearly every genre but is best known for works for the piano and orchestra. His orchestral mastery is best represented by his cycle of 13 Symphonic Poems. Piano Concerto No. 1 in E flat, S 124 (1832, rev. 1849, 1853, 1856) Alessandro Ambrosoli (piano)/Fabio Mastrangelo/The Saint Petersburg Northern Sinfonietta ( + Piano Concerto No. 2 and 1Transcendental Studies( DYNAMIC CDS7801 (2018) Géza Anda (piano)/Otto Ackermann/Philharmonia Orchestra (rec. 1955) ( + Hungarian Fantasy and Saint-Saëns: Carnival of the Animals) TESTAMENT SBT 1071 (1996) (original LP release: COLUMBIA CX 1366/ANGEL 35268) (1956) Martha Argerich (piano)/Claudio Abbado/London Symphony Orchestra ( + Chopin: Piano Concerto No. 1) DEUTSCHE GRAMMOPHON THE ORIGINALS 449719-2 (1999) (original LP release: DEUTSCHE GRAMMOPHON SLPM 139383) (1968) Martha Argerich (piano)/Christoph von Dohnányi/Berlin Radio Symphony Orchestra (rec. 1981) ( + Dvorák: Symphony No. 8) ZDF/TELDEC 66 22 486 01 (LP) (1985) Martha Argerich (piano)/Charles Dutoit/Montreal Symphony Orchestra (rec. 1998) ( + Concerto Pathétique for 2 Pianos and Ravel: Piano Concerto in G) EMI CLASSICS (Japan) TOCE14118 (2008) Martha Argerich (piano)/Ion Marin/Orchestra della Svizzera Italiana (included in collection: "Martha Argerich - Lugano Concertos") DEUTSCHE GRAMMOPHON 4779884 (4 CDs) (2012) Martha Argerich (piano)/Alexandre Rabinovitch/Sinfonia Varsovia (rec. 1999) ( + Chopin: Piano Concerto and Mozart: Symphony No. 35) CD ACCORD ACD 100 (2004) Nareh Arghamanyan (piano)/Alain Altinoglu/Berlin Radio Symphony Orchestra ( + Piano Concerto No. 2, Totentanz and Hungarian Fantasy) PENTATONE PTC 5186397 (2012) MusicWeb International Updated: August 2020 Liszt Concertos Claudio Arrau (piano)/Sir Colin Davis/London Symphony Orchestra ( + Piano Concerto No. 2) PHILIPS 416 461-2 (1991) (original LP release: PHILIPS 9500 780) (1981) Claudio Arrau (piano)/Miltiades Karadis/Danish Radio Symphony Orchestra (rec. 1967) ( + Piano Concerto No. 2) OPUS RECORDS MLG 79 (LP) (1970s) Claudio Arrau (piano)/Eugene Ormandy/Philadelphia Orchestra ( + Hungarian Fantasy, Hungarian Rhapsodies for Piano Nos. 8, 9, 10, 11 and 13) SONY CLASSICAL MASTERWORK MXK 62338 (1996) (original LP release: COLUMBIA MASTERWORKS ML 4665/PHILIPS GBR6511) (1952) Claudio Arrau (piano)/Hans Rosbaud/FrankfUrt Radio Orchestra (rec. 1935) ( + Chopin: Piano Concerto No. 2) URANIA URN 22145 (2000) (original LP release: MELODIYA M 10-43968-9) (1982) Vladimir Ashkenazy (piano)/Franz André/Belgian National Orchestra (rec. 1956) (included in collection: "75 Years Piano - Ysaÿe and Queen Elisabeth Competition") MUSA MU 005 (5 CDs) (2013) Emanuel Ax (piano)/Esa-Pekka Salonen/Philharmonia Orchestra ( + Piano Concerto No. 2 and Sonata in B minor) SONY CLASSICAL SK 94746 (2005) (original CD release: SONY CLASSICAL SK 53289) (1993) Joseph Banowetz (piano)/Oliver Dohnányi/Czecho-Slovak Radio Symphony Orchestra, Bratislava ( + Piano Concerto No. 2 and Totentanz) NAXOS 8.550187 (1994) Daniel Barenboim (piano)/Pierre Boulez/Staatskapelle Berlin ( + Piano Concerto No. 2) DEUTSCHE GRAMMOPHON 4779521 (2011) Simon Barere (piano)/David Broekman/Orchestra (rec. 1946) ( + Paderewski: Piano Concerto and Saint-Saëns: Piano Concerto No. 2) SYMPOSIUM 1353 (2006) Simon Barere (piano)/Frieder Weissmann/Musician's Union Symphony Orchestra (rec. 1948) ( + Piano Concerto No. 1 - Excerpt, Paraphrase on a Waltz from Gounod's "Faust", Chopin: 2 Etudes, Andante Spianato et Grand Polonaise Brillante, Schumann: Symphonic Etudes and Tchaikovsky: The Nutcracker - Excerpts) CEMBAL D'AMOUR CD-124 (2007) (original release APPIAN PUBLICATIONS CD 93.209-1 {2 CDs}) (1989) David Bar-Illan (piano)/Jean-Jacques DuBois/Orchestre des Concerts Français ( + Tchaikovsky: Piano Concerto No. 2, Moszkowski: Etude in A-flat, Chopin: 8 Etudes, Bernstein: Masque and Ben-Haim: Toccata) AUDIOFON CD 72030 (1988) MusicWeb International p2 Liszt Concertos Beatrice Berrut (piano)/Julien Masmondet/Czech National Symphony Orchestra ( + Piano Concerto No. 2 and Totentanz) APARTE AP180 (2018) Giovanni Bellucci (piano)/Friedemann Layer/Orchestre National de Montpellier ( + Totentanz) ACCORD 4428198 (2006) Boris Berezovsky (piano)/Hugh Wolff/Philharmonia Orchestra ( + Piano Concerto No. 2 and Totentanz) APEX 462044-2 (2005) (original CD release: TELDEC 4509-96517-2) (1995) Lazar Berman (piano)/Carlo Maria Giulini/Vienna Symphony Orchestra ( + Piano Concerto No. 2) DEUTSCHE GRAMMOPHON 415839 (2008) (original LP release: DEUTSCHE GRAMMOPHON 2530 770) (1976) Lazar Berman (piano)/Kiril Kondrashin/Moscow Youth Orchestra (rec. 1952) (included in collection: "Historical Russian Archives - Lazar Berman Edition ") BRILLIANT CLASSICS 93006 (7 CDs) (2006) Lazar Berman (piano)/Peter Maag/Orchestra Sinfónica della RAI di Torino (rec. 1976) ( + Mephisto Waltz No. 1 and Héroïde Funébre) ARTS MUSIC 43041 (2005) Michel Béroff (piano)/Kurt Masur/Leipzig Gewandhaus Orchestra ( + Piano Concerto No. 2, Hungarian Fantasy, Wanderer Fantasy, Polonaise Brillante, Fantasy on Beethoven's Ruins of Athens, Grande Fantasie Symphonique on Lélio, Malédiction and Totentanz) EMI CLASSICS 69662-2 (2 CDs) (2002) (original release: HMV (France) 2C 167-03.866-8 {3 LPs}) (1980) Sondra Bianca (piano)/Jean Martinon/Orchestre des Concerts Lamoureux ( + Weber: Piano Concerto No. 2) PLYMOUTH 12-38 (LP) (c. 1954) Idil Biret (piano)/Emil Tabakov/Bilkent Symphony Orchestra ( + Piano Concerto No. 2 and Totentanz) NAXOS 8.571273 (2009) Jorge Bolet (piano)/Robert Irving/Symphony of the Air ( + Hungarian Fantasy, Sonata in B minor and Mephisto Waltz No. 1) PRICE-LESS D13221 (1987) (original LP release: EVEREST SDBR 3062/WORLD RECORD CLUB T 120) (1960) Jorge Bolet (piano)/David Zinman/Eastman-Rochester Symphony Orchestra ( + Piano Concerto No. 2 and Sonata in B minor) ALTO ALC 1011 (2007) (original CD release: MMG MCD 10069) (1986) Yuri Boukoff (piano)/Konstantin Iliev/Sofia Philharmonic Orchestra ( + Piano Concerto No. 2 and Concerto Pathétique) MusicWeb International p3 Liszt Concertos AVM AVMCD 1014 (1987) (original LP release: BALKANTON BCA 1340/CBS {France) 75970) (c. 1980) Yuri Boukoff (piano)/László Somogyi/Vienna Symphony Orchestra ( + Piano Concerto No. 2) PHILIPS 836210/MERCURY WING SRW 18066 (LP) (c. 1960) Alexander Brailowsky (piano)/Julius Pruwer/Berlin Philharmonic Orchestra (rec. c. 1930) (included in collecttion: "Alexander Brailowsky - The Berlin Recordings 1928 - 1934 Volume 2") DANACORD CD DACO 338-9 (2 CDs) (1989) (from POLYDOR 78s) Alfred Brendel (piano)/Michael Gielen/Vienna Pro Musica Orchestra ( + Piano Concerto No. 2 and Harmonies Poétiques et Réligieuses Nos. 3, 7 and 10) REGIS RRC 1362 (2010) (original LP release: VOX STPL 513580) (1958) Alfred Brendel (piano)/Bernard Haitink/London Philharmonic Orchestra ( + Piano Concerto No. 2 and Totentanz) PHILIPS 426637-2 (1990) (original LP release: PHILIPS 6500374 ) (1972) Josef Bulva (piano)/Daniel Nazareth/Luxembourg Radio and Television Symphony Orchestra ( + Piano Concerto No. 2 and Hungarian Rhapsody No. 2) SAPHIR INT 830.829 (1988) Michele Campanella (piano)/Hubert Soudant/London Philharmonic Orchestra ( + Piano Concerto No. 2) PRT CDPCN 7 (1985) (original LP release: PYE/NIXA PCNHX 7) (1976) Bertrand Chamayou (piano)/Jérémie Rhorer/Le Cercle de l'Harmonie ( + Reber: Symphony No. 4 and Berlioz: Rêverie et Caprice) NAÏVE V 207 (2012) Shura Cherkassky (piano)/Anatole Fistoulari/Philharmonia Orchestra ( + Liebestraum No. 3, Réminiscences de Don Juan, Hungarian Rhapsody No.13, Paraphrase on a Waltz from Gounod's Faust, Saint-Saëns: Carnival of the Animals - The Swan and Liadov: Musical Snuffbox) TESTAMENT SBT 1033 (1994) (original LP release: HMV BLP 1013/RCA VICTOR BLUEBIRD LBC 1041) (1953) Shura Cherkassky (piano)/Ferenc Fricsay/Berlin RIAS Symphony Orchestra (rec. 1952) ( + Tchaikovsky: Piano Concerto No. 2) AUDITE 95.499 (2008) Shura Cherkassky (piano)/Michael Gielen/Orchestra ( + Schumann: Piano Concerto) ROCOCO RR 2057 (LP) (1960s) Shura Cherkassky (piano)/Heinz Wallberg/Bamberg Symphony Orchestra (rec. 1964) ( + Chopin: Piano Concerto No. 1) DENON COCO 70842 (2006) (original LP release: WORLD RECORD CLUB T 544/EURODISC 63745 (LP) (1960s) MusicWeb International p4 Liszt Concertos Van Cliburn (piano)/Eugene Ormandy/Philadelphia Orchestra ( + Piano Concerto No. 2 and Grieg: Piano Concerto) RCA VICTOR GOLD SEAL 078635-7834-2) (1990) (original LP release: RCA VICTOR RED SEAL LSC-3065/RCA SB 6810) (1969) France Clidat (piano)/Pierre Cao/Luxembourg Radio and Television Symphony Orchestra ( + Piano Concerto No. 2, Hungarian Rhapsodies Nos. 4, 8, 12 and 17 and various solo piano works) FORLANE UCD 13143-4 (2 CDs) (1986) (original LP release: FORLANE UM 3516) (1982) France Clidat (piano)/Roger Norrington/Hague Residentie Orchestra ( + Piano Concerto No. 2) PETERS INTERNATIONAL PLE 82/DECCA ARISTOCRATE {France} EA 27011 (LP) (1976) Arnaldo Cohen (piano)/ John Neschling/Sao Paulo State Symphony
Load more

Recommended publications
  • Print 110774Bk Levitzki
    110774bk Levitzki 8/7/04 8:02 pm Page 5 Mischa Levitzki: Piano Recordings Vol. 3 Also available on Naxos ADD Gramophone Company Ltd., 1927-1933 RACHMANINOV: CHOPIN: @ Prelude in G minor, Op. 23, No. 5 3:22 Great Pianists • Levitzki • 3 8.110774 1 Prelude in C major, Op. 28 0:55 Recorded 21st November 1929 2 Prelude in A major, Op. 28, No. 7 0:55 Matrix Cc 18200-1a; Cat. D 1809 3 Prelude in F major, Op. 28, No. 23 1:24 Recorded 21st November 1929 RCA Victor, 1938 Matrix Bb 18113-3a; Cat.DA1223 LEVITZKI: 4 Waltz No. 8 in A flat major, Op. 64, No. 3 3:00 # Waltz in A major, Op. 2 1:46 CHOPIN Recorded 19th November 1928 Recorded 5th May 1938; Matrix Cc 14770-1; Cat.ED18 Matrices BS 023101-1, BS 023101-1A (NP), Ballades, Preludes BS 023101-2, BS 023101-2A (NP); Cat. 2008-A 5 Waltz No. 11 in G flat major, $ Arabesque valsante, Op. 6 3:23 and Waltzes Op. 70, No. 1 2:26 Recorded 5th May 1938; Recorded 19th November 1928 Matrices BS 023100-1, BS 023100-1A (NP), Matrix Cc 14769-3; Cat.ED18 BS 023100-2, BS 023100-2A (NP), BS 023100-3, 6 Ballade No. 3 in A flat major, Op. 47 6:26 BS023100-3A (NP); Cat. 2008-B Recorded 22nd November 1928 Broadcasts LEVITZKI Matrices Bb 11786-5 and 11787-5; Cat.EW64 26th January, 1935: 7 Nocturne No. 5 in F sharp major, CHOPIN: Arabesque valsante Op. 15, No.
    [Show full text]
  • CHRISTOPH PRÉGARDIEN CYPRIEN KATSARIS Auf Flügeln Des Gesanges Romantic Songs and Piano Transcriptions
    CHRISTOPH PRÉGARDIEN CYPRIEN KATSARIS Auf Flügeln des Gesanges Romantic songs and piano transcriptions 1 CHRISTOPH PRÉGARDIEN CYPRIEN KATSARIS Auf Flügeln des Gesanges Romantic songs and piano transcriptions FRANZ SCHUBERT (1797-1828) CLARA SCHUMANN [1] Die Forelle, Op. 32, D. 530 2:16 [9] 6 Lieder, Op. 23 3:31 FRANZ LISZT (1810-1886) No. 3: Geheimes Flüstern hier und dort [2] 6 Melodien von Franz Schubert, S. 563 3:02 FRANZ LISZT No. 6: Die Forelle (1st version) [10] Lieder von Robert und Clara Schumann, S. 569 2:26 No. 10: Geheimes Flüstern hier und dort FRANZ SCHUBERT [3] Schwanengesang, D. 957 2:46 FRANZ LISZT No. 1: Liebesbotschaft [11] Im Rhein, im schönen Strome (2nd version), S. 272 2:49 LEOPOLD GODOWSKY (1870-1938) [12] Buch der Lieder I, S. 531 2:17 [4] Transcription of Liebesbotschaft 3:31 No. 2: Im Rhein, im schönen Strome FELIX MENDELSSOHN-BARTHOLDY (1809-1847) RICHARD WAGNER (1813-1883) [5] 6 Gesänge, Op. 34 2:53 [13] 5 Gedichte für eine Frauenstimme (Wesendonck-Lieder), WWV 91 4:28 No. 2: Auf Flügeln des Gesanges No. 5: Träume FRANZ LISZT AUGUST STRADAL (1860-1930) [6] Mendelssohns Lieder, S. 547 3:28 [14] Transcription of Träume 4:30 No. 1: Auf Flügeln des Gesanges HUGO WOLF (1860-1903) ROBERT SCHUMANN (1810-1856) [15] Anakreons Grab 2:52 [7] Liederkreis, Op. 39 1:16 BRUNO HINZE-REINHOLD (1877-1964) No. 12: Frühlingsnacht [16] 10 Piano Pieces after Hugo Wolf Lieder 2:54 CLARA SCHUMANN (1819-1896) No. 6: Idylle after Anakreons Grab [8] 30 Lieder und Gesänge von Robert Schumann 1:18 No.
    [Show full text]
  • Chopin: Visual Contexts
    Interdisciplinary Studies in Musicology g, 2011 © Department of Musicology, Adam Mickiewicz University, Poznań, Poland JACEK SZERSZENOWICZ (Łódź) Chopin: Visual Contexts ABSTRACT: The drawings, portraits and effigies of Chopin that were produced during his lifetime later became the basis for artists’ fantasies on the subject of his work. Just after the composer’s death, Teofil Kwiatkowski began to paint Bal w Hotel Lambert w Paryżu [Ball at the Hotel Lambert in Paris], symbolising the unfulfilled hopes of the Polish Great Emi­ gration that Chopin would join the mission to raise the spirit of the nation. Henryk Siemiradzki recalled the young musician’s visit to the Radziwiłł Palace in Poznań. The composer’s likeness appeared in symbolic representations of a psychological, ethnological and historical character. Traditional roots are referred to in the paintings of Feliks Wygrzywalski, Mazurek - grający Chopin [Mazurka - Chopin at the piano], with a couple of dancers in folk costume, and Stanisław Zawadzki, depicting the com­ poser with a roll of paper in his hand against the background of a forest, into the wall of which silhouettes of country children are merged, personifying folk music. Pictorial tales about music were also popularised by postcards. On one anonymous postcard, a ghost hovers over the playing musician, and the title Marsz żałobny Szopena [Chopin’s funeral march] suggests the connection with real apparitions that the composer occasional had when performing that work. In the visualisation of music, artists were often assisted by poets, who suggested associations and symbols. Correlations of content and style can be discerned, for ex­ ample, between Władysław Podkowinski’s painting Marsz żałobny Szopena and Kor­ nel Ujejski’s earlier poem Marsz pogrzebowy [Funeral march].
    [Show full text]
  • Notas Deotoño
    Elenco: TEMPORADA CULTURAL SANTIAGO Violines I 2015 Esteban Sepúlveda Miguel Ángel Muñoz Nelly Avello Carolina Godoy Rocío Acosta II Concierto Violines II Fernanda Prieto Belén Carrasco Diego Castro Mylene Prieto Violas Claudio Gutiérrez Felipe Marín Crístofer Schencke Camerata 2015 Universidad Andrés Bello Cellos Cristian Gutiérrez Mariana Gutiérrez Concierto de piano Bajo Marco Álvarez Oboes Daniel Vidal OTOÑO Roberto Morales Notas de Fagot Demian Rojas ROMÁNTICO Solista: Christoph Scheffelt (Chile) Cornos Ricardo Aguilera Rodrigo Zelaya Auspicia: Colabora: Próximo concierto: Concierto III: La Belleza del violín Domingo 17 de mayo / 19:00 horas Campus Casona de las Condes Organiza: Dirección de Extensión Cultural Dirección General de Vinculación con el Medio Informaciones: Campus Casona de Las Condes 2 6618561 / [email protected] extension.unab.cl Santiago • Viña del Mar • Concepción www.unab.cl VINCULAR TRANSFORMAR En este otoño que comienza, podrán disfrutar de un nuevo concierto de Christoph Scheffelt la Camerata Universidad Andres Bello con un programa muy variado con obras de Beethoven, Mozart, Bach y Schubert. Contaremos con la visita Nace en Santiago de Chile rodeado de música, ya que su madre es cantante desde Europa del pianista chileno Christoph Scheffelt, quien compartirá lírica y recibe sus primeras clases de piano a los seis años de edad. el escenario con la Camerata, interpretando en piano, el concierto Nº1 de J.S.Bach, la intensa Obertura Coriolano de Beethoven y la brillante Después de finalizar sus estudios con distinción máxima en la Pontificia Sinfonía Nº 3 de Schubert completan este concierto. Universidad Católica de Chile con la profesora María Iris Radrigán y de ganar premios en concursos nacionales e internacionales, se traslada a Este concierto de J.S.
    [Show full text]
  • Myra Hess Had to Wait for Her Ultimate Breakthrough in Her English Homeland; for This Reason, She Initially Had to Earn Her Living by Teaching
    Hess, Myra Irene Scharrer. However, Myra Hess had to wait for her ultimate breakthrough in her English homeland; for this reason, she initially had to earn her living by teaching. Her first major success abroad was her debut in Amster- dam, where she performed Schumann's Piano Concerto in A minor, Op. 54 with the Concertgebouw Orchestra un- der Willem Mengelberg in 1912. In 1922 followed her de- but in New York, where she was celebrated with equal en- thusiasm. Her career advanced rapidly from that point onwards, and she rose to the position of one of the most successful pianists in her homeland during the ensuing years. During the 1930s, she undertook extended concert tours throughout all of Europe, including the Scandinavi- an countries, Czechoslovakia, Hungary, Rumania, Tur- key, Yugoslavia, Germany, France and Holland. At the be- ginning of the Second World War, when all of London's concert halls were closed, she founded the legendary "Lunchtime Recitals" at the National Gallery, offering the London public a broad spectrum of high-quality pro- grammes with both young and established musicians. She herself performed at the National Gallery 146 times. The concerts were held without interruption until 10 Ap- Die Pianistin Myra Hess ril 1946. In 1941 Myra Hess was honoured with the title "Dame Commander of the Order of the British Empire" Myra Hess for her special efforts on behalf of musical life in her ho- meland. After the Second World War, the meanwhile fa- * 25 February 1890 in Hampstead (im heutigen mous pianist regularly gave concerts in her native count- Londoner Stadtbezirk Camden), England ry and in the USA, where she enjoyed great popularity.
    [Show full text]
  • Rezension Für: Deutsches Symphonie-Orchester Berlin
    Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin.
    [Show full text]
  • Crafted Financial Planning & Wealth Creation Solutions
    CRAFTED FINANCIAL PLANNING & WEALTH CREATION SOLUTIONS Saturday 28 July 7.30pm Federation Concert Hall Hobart MASTER 8 MASTER Marko Letonja conductor TCHAIKOVSKY Simon Trpcˇeski piano Symphony No 6, Pathétique Adagio – Allegro non troppo BERLIOZ Allegro con grazia Roméo et Juliette, Love Scene Allegro molto vivace Duration 18 mins Finale (Adagio lamentoso – Andante) LISZT Duration 46 mins Piano Concerto No 2 Adagio sostenuto assai – Allegro agitato This concert will end at approximately assai – Allegro moderato – Allegro 9.30 pm. deciso – Marziale, un poco meno Allegro – Un poco meno mosso – Allegro animato Duration 21 mins INTERVAL Duration 20 mins 03 6294 0000 | UNICAWEALTH.COM.AU Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation in keeping coughing to a minimum. Please ensure that your mobile phone is switched off. 26 27 Hector Berlioz (1803-1869) Roméo et Juliette: symphonie ‘If you ask me which of my works I prefer, dramatique, Op 17 the answer is that of most artists: the love Second Part: Love Scene scene in Roméo et Juliette.’ No wonder Berlioz was proud of this section, where we hear the young Capulet revellers ‘…I settled on the idea of a symphony leave the ball and the orchestra take Marko Letonja is Chief Conductor and Macedonian pianist Simon Trpcˇeski has with chorus, soloists and choral recitative centre stage for one of the composer’s Artistic Director of the Tasmanian Symphony performed with many of the world’s leading on the sublime and perennial theme of finest movements, the Adagio.
    [Show full text]
  • L'importanza Dell'etica Nella Grande Interpretazione Musicale: Testimonianze E Incontri Con Celebri Pianisti
    L’importanza dell’etica nella grande interpretazione musicale: testimonianze e incontri con celebri pianisti Kazimierz Morski Pianista. Direttore d’orchestra. Catedratico di Scienze Musicali Università Slesiana di Katowice Università Autonoma di Madrid1 Università di Roma 2 “Tor Vergata”2 Sintesi. Il saggio è frutto di personali esperienze e di considerazioni sorte nell’accostarsi a grandi personaggi della musica, in questo caso pianistica, il cui impegno etico-estetico sta alla base della profonda grandezza di esecuzioni divenute ormai patrimonio storico. Modelli in tal senso sono stati Neuhaus, Benedetti Michelangeli o Arrau per chi, come me, ha potuto incontrarli o sentirli in concerto e si trova oggi a porli nella prospettiva storica assieme ad altri artisti del mondo compositivo ed interpretativo. Nonostante le differenze e le soggettive concezioni di approccio alla musica, dal concertismo puro, all’impegno didattico, alla riflessione teorica, quanto appare nelle loro realizzazioni è un atteggiamento umano e culturale spesso celato da un nobile riserbo, segno irripetibile dell’arte nella sua essenza. Di qui l’affermazione della necessaria componente etica nell’ambito estetico delle grandi interpretazioni, sia in relazione all’originaria idea creativa che al suo mutare a seconda del gusto e delle epoche. Le testimonianze addotte conducono a profonde considerazioni sul rapporto tra l’elemento ontologico relativo soprattutto alla creatività e quello fenomenologico soggetto alle continue variazioni del modo di sentire. Parole chiave. idea creativa - interpretazione ideale - esecuzione - concertismo - pianisti - personalità artistica - virtuosismo - espressione- tradizione - didattica - etica - estetica - esperienze – testimonianze. Abstract. This essay is the result of personal experiences and considerations while addressing the fate of great musicians – in this case of piano players - whose ethic-aesthetic commitment is behind the greatness of certain interpretations that have become part our cultural heritage.
    [Show full text]
  • Various Klassiske Perler Volum 1 Mp3, Flac, Wma
    Various Klassiske Perler Volum 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Klassiske Perler Volum 1 Country: Norway Released: 1993 MP3 version RAR size: 1605 mb FLAC version RAR size: 1182 mb WMA version RAR size: 1942 mb Rating: 4.2 Votes: 268 Other Formats: AC3 AIFF AHX MP1 MOD AAC AC3 Tracklist Hide Credits 1 –Edvard Grieg Morgenstemning Fra Peer Gynt 4:18 2 –Wolfgang Amadeus Mozart Andantino Fra Konsert For Fløyte Og Harpe. K 299 9:31 3 –Stanley Myers Cavatina 4:15 4 –Antonio Vivaldi Largo Fra Piccolafløytekonsert C-Dur, P 79 3:01 5 –Wolfgang Amadeus Mozart Andante Fra Klaverkonsert Nr 21 C-Dur "Elvira Madigan" 7:47 6 –Christoph Willibald Gluck Dans På De Saligste Enger Fra Orfeus Og Eurydike 7:50 7 –Ciagomo Puccini* Koret Fra Madame Butterfly 3:09 8 –Johann Sebastian Bach Air Fra Orkestersuite Nr 3 D-Dur 5:33 9 –Camille Saint-Saéns* Svanen Fra Dyrenes Karneval 3:03 10 –Sergej Rachmaninow* Vokalis 6:07 11 –Erik Satie Gymnopédie III 2:54 Adagio 12 –Tomaso Albinoni 8:23 Arranged By – R. Giazotto* 13 –Giacomo Puccini O Mio Babbino Caro Fra Gianni Schicchi 2:24 14 –Frédéric Chopin Nocturne Ess-Dur, Op 9 Nr 2 4:08 Companies, etc. Copyright (c) – Sony Music Entertainment Norway AS Credits Liner Notes – Jon Skarstein, Odd Lingjærde Mastered By – DADC Austria Notes This CD was sent out to various Norwegian health care professionals by pharmaceutical company Novo Nordisk Pharma AS to promote the (at the time) brand new antidepressant drug Seroxat. The inlay includes informational articles on depression.
    [Show full text]
  • Guildhall School Gold Medal 2020 Programme
    Saturday 26 September 7pm Gold Medal 2020 Finalists Soohong Park Ben Tarlton Ke Ma Guildhall Symphony Orchestra Richard Farnes conductor Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams am Vice Principal & Director of Music Jonathan Vaughan Please visit our website at gsmd.ac.uk Guildhall School is part of Culture Mile: culturemile.london Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Gold Medal 2020 Saturday 26 September, 7pm The Gold Medal, Guildhall School’s most prestigious award for musicians, was founded and endowed in 1915 by Sir H. Dixon Kimber Bt MA Guildhall Symphony Orchestra Finalists Richard Farnes conductor Soohong Park piano During adjudication, Junior Guildhall Rachmaninov Piano Concerto No 2 in violinist Leia Zhu performs Ravel’s C minor Op 18 Tzigane with pianist Kaoru Wada. Leia’s Ben Tarlton cello performance was recorded in January 2020. Elgar Cello Concerto in E minor Op 85 The presentation of the Gold Medal will Ke Ma piano take place after Leia’s performance. Tchaikovsky Piano Concerto No 1 in B-flat minor Op 23 The Jury Jonathan Vaughan Vice-Principal & Director of Music Richard Farnes Conductor Emma Bloxham Editor, BBC Radio 3 Nicholas Mathias Director, IMG Artists Performed live on Friday 25 September and recorded and produced live by Guildhall School’s Recording and Audio Visual department. Gold Medal winners
    [Show full text]
  • MAHANI TEAVE Concert Pianist  Educator  Environmental Activist
    MAHANI TEAVE concert pianist educator environmental activist ABOUT MAHANI Award-winning pianist and humanitarian Mahani Teave is a pioneering artist who bridges the creative world with education and environmental activism. The only professional classical musician on her native Easter Island, she is an important cultural ambassador to this legendary, cloistered area of Chile. Her debut album, Rapa Nui Odyssey, launched as number one on the Classical Billboard charts and received raves from critics, including BBC Music Magazine, which noted her “natural pianism” and “magnificent artistry.” Believing in the profound, healing power of music, she has performed globally, from the stages of the world’s foremost concert halls on six continents, to hospitals, schools, jails, and low-income areas. Twice distinguished as one of the 100 Women Leaders of Chile, she has performed for its five past presidents and in its Embassy, along with those in Germany, Indonesia, Mexico, China, Japan, Ecuador, Korea, Mexico, and symbolic places including Berlin’s Brandenburg Gate, Chile’s Palacio de La Moneda, and Chilean Congress. Her passion for classical music, her local culture, and her Island’s environment, along with an intense commitment to high-quality music education for children, inspired Mahani to set aside her burgeoning career at the age of 30 and return to her Island to found the non-profit organization Toki Rapa Nui with Enrique Icka, creating the first School of Music and the Arts of Easter Island. A self-sustaining ecological wonder, the school offers both classical and traditional Polynesian lessons in various instruments to over 100 children. Toki Rapa Nui offers not only musical, but cultural, social and ecological support for its students and the area.
    [Show full text]
  • Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Mp3, Flac, Wma
    Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Country: Romania Released: 1968 Style: Classical, Romantic MP3 version RAR size: 1748 mb FLAC version RAR size: 1976 mb WMA version RAR size: 1671 mb Rating: 4.3 Votes: 619 Other Formats: MMF AU DTS MIDI AC3 FLAC VOX Tracklist Hide Credits Preludiu, Coral Și Fugă A1 Composed By – César Franck Suita Bergamască Composed By – Claude Debussy B2.1 I. Preludiu B2.2 II. Menuet B2.3 III. Clar De Lună B2.4 IV. Passepied Două Piese Pitorești Composed By – Emmanuel Chabrier B3.1 I. Peisaj B3.2 II. Scherzo - Vals Companies, etc. Printed By – I.P. Fabrica de Timbre – cd. 7006/968 Credits Graphics – Jean Eugen Liner Notes – Alfred Hoffman Photography By – Morel Volbură Piano – Aldo Ciccolini Notes Tiparul : I.P.F.T. cd. 7006/968 Made in Romania FT [I.P. Fabrica De Timbre] logo not printed rear sleeve Yellow lemon labels with purple and black print Barcode and Other Identifiers Other: N. I . 760/66 Other (Price): Lei 28 Other versions Category Artist Title (Format) Label Category Country Year Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier - ECE 0345 Claude Debussy / Electrecord ECE 0345 Romania Unknown Preludiu, Coral Și Fugă / Emmanuel Suita Bergamască / Două Chabrier Piese Pitorești (LP, Mono) Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier
    [Show full text]