DOCSLIB.ORG

Gershwin Piano Quartet Mischa Cheung | André Desponds | Benjamin Engeli | Stefan Wirth Gershwin Piano Quartet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gershwin Piano Quartet Mischa Cheung | André Desponds | Benjamin Engeli | Stefan Wirth Gershwin Piano Quartet Christoph Müller & Stefan Pavlik artistic management GmbH Byfangweg 22 CH-4051 Basel T: +41 61 273 70 10 F: +41 61 273 70 20 [email protected] www.artisticmanagement.eu gershwin piano quartet Mischa Cheung | André Desponds | Benjamin Engeli | Stefan Wirth gershwin piano quartet www.gershwinpianoquartet.com index /4 pianos .........................................................................................................................................................................3 /repertoire .....................................................................................................................................................................4 /4 pianists .......................................................................................................................................................................6 /concerts .........................................................................................................................................................................8 /suggested programs .................................................................................................................................................9 /press reviews .............................................................................................................................................................11 /requirements .............................................................................................................................................................12 /contact & booking ...................................................................................................................................................13 2 4 pianos The Gershwin Piano Quartet sheds new light on the music of George In its new program, the quartet does not limit André Desponds in 1996 and has presented its Gershwin. It features 4 pianists on itself solely to the music of Gershwin but also program in Europe, South America, China and 4 grand pianos, playing, arranging and includes important works by some of the Middle East with great success and to broad improvising on some of Gershwin’s most Gershwin’s contemporaries, namely Ravel’s critical acclaim. Some of the places where the popular songs and orchestral works, such as „La Valse“ and Bernstein’s „West Side Story“. Quartet has performed include the Schleswig- Rhapsody in Blue, An American in Paris, Porgy In this way, the many cross-references between Holstein Music Festival, the Tonhalle Zurich, the and Bess and I Got Rhythm. The originals are the old world and the new, between classical Musikfest Stuttgart, the Menuhin Festival rescored for the unfamiliar combination of 4 music and jazz, classical ballet and Broadway Gstaad, the National Palace of Culture Sofia, pianos by the members of the quartet theater, become apparent, thus creating a the Oriental Art Center Shanghai and the Sala themselves and make for a novel and exciting lively and highly virtuosic concert evening. São Paulo. listening and viewing experience. The Gershwin Piano Quartet was founded by 3 repertoire George Gershwin • An American in Paris (arr. Stefan Wirth / Marlis Walter) Video (1898-1937) • Rhapsody in Blue (arr. André Desponds) Video • Fantasy on Porgy and Bess (arr. Benjamin Engeli / Stefan Wirth) • I Got Rhythm (arr. André Desponds) Video • Summertime (arr. Nik Bärtsch) • A Foggy Day (arr. Stefan Wirth) • The Man I Love (arr. Gershwin Piano Quartet) Audio recording • Oh Lady Be Good (arr. Gershwin Piano Quartet) Richard Wagner • Ride of the Valkyries (arr. Benjamin Engeli) (1813-1883) Pyotr Ilyich Tchaikovsky • Nutcracker-Suite (arr. Gershwin Piano Quartet) (1840-1893) Sergej Rachmaninov • Vocalise & Tarantella (arr. Benjamin Engeli) Video (1873-1943) Paul Dukas • The Sorcerer‘s Apprentice (arr. Stefan Wirth) (1873-1943) Maurice Ravel • La Valse (arr. Stefan Wirth) (1875-1937) Igor Stravinsky • Petrushka-Suite (arr. Gershwin Piano Quartet) Audio recording (1882-1971) • Les Noces Sergej Prokofiev • Three Pieces from „Lieutenant Kijé“ (arr. Mischa Cheung) Video (1891-1953) 4 repertoire Cole Porter • Night´n´Day (arr. Gershwin Piano Quartet) Audio recording (1891-1964) Leonard Bernstein • Songs and Dances from West Side Story Video (1918-1990) (arr. Gershwin Piano Quartet) Antonio Carlos Jobim • Corcovado (arr. Gershwin Piano Quartet) (1927-1994) George Antheil • Ballet Mécanique (1900-1959) Michael Jackson • Bad (arr. Benjamin Engeli) (1958-2009) Martin Wettstein • Stuxnet - The Worm (2011) (*1970) Stefan Wirth • Tango-Fugue on a Theme by Astor Piazzolla Video (*1975) Trailer and clips: Solo works www.youtube.com/gershwinpianoquartet In addition to the works performed as a quartet, every single pianist often also introduces himself with a solo work. The multifaceted selection ranges from Alexander Skrjabin’s Nocturne for the left hand to the „Danzas Argentinas“ by the Argentinian composer Alberto Ginastera and the „Virtuoso Etudes on Gershwin’s Song Melodies“ by Earl Wild. It also includes improvisations on familiar standards such as „Oh, Lady be Good“ or „Autumn Leaves“. 5 4 pianists Mischa Cheung comes from a musical Swiss-Chinese family and currently lives in Zurich. He studied with Prof. Konstantin Scherbakov at the Zurich University of the Arts and has taken up a busy career bringing him to many concert stages and festivals throughout the world. He has appeared at prestigious halls such as the Tonhalle Zürich, Philharmonie de Paris, Barbican Center London, Concertgebouw Amsterdam, Konzerthaus Vienna, Philharmonie Köln, National Concert Hall Taipeh or the National Center for the Performing Arts Beijing. Besides being a member of the Gershwin Piano Quartet, Mischa Cheung plays solo and chamber music recitals and regularly performs at the Game Concerts directed by the Merregnon Studios. At this concert series, he is a popular soloist and has toured Japan with the London Symphony Orchestra as well as appearing with the Hong Kong Philharmonic Orchestra, the Beethoven Orchestra Bonn and the Tampere Philharmonic Orchestra. Recently he was responsible for the Live-Soundtrack of a dance production commissioned by the Museum of Modern Art New York and directed by reknowned choreographer Alexandra Bachzetsis. He was the pianist of the ECHO-award winning ensemble Spark from 2011 until 2015 and took part in extensive concert tours and numerous radio, tv and cd productions including recordings for Deutsche Grammophon and Berlin Classics. Mischa Cheung teaches piano and improvisation at the Zurich University of the Arts and has also been appointed assistant to the masterclass of Prof. Konstantin Scherbakov. Benjamin Engeli is one of the most versatile Swiss musicians of his generation. His career as a soloist, chamber musician and teacher has taken him to most European countries as well as to Australia, India, North and South America. As a member of the Tecchler Trio, he was the 1st Prize winner at the International ARD Music Competition in Munich in 2007, and has since then performed in venues such as the Concertgebouw Amsterdam, Konzerthaus Berlin, Wigmore Hall London, Tchaikovsky Conservatory Moscow, Oriental Arts Center Shanghai, Konzerthaus Vienna or Tonhalle Zurich. Benjamin comes from a family of musicians and started his musical education on various instruments at an early age. Only when he was fifteen did he decide to take his first regular piano lessons, studying with Adrian Oetiker with whom he to work for 7 years. He later also studied with Homero Francesch, Lazar Berman, Andrzej Jasinski, Maurizio Pollini and András Schiff. Since many years he is also teaching up-and-coming musicians and holds teaching positions at Musikhochschule Basel (Switzerland) and at Landeskonservatorium Feldkirch (Austria). 6 4 pianists André Desponds is one of the few pianists who feel equally at home in a Bach fugue, a Chopin Ballade and Gershwin’s „I Got Rhythm“. At the early age of 16 he was admitted to the class of Sava Savoff at the Musikhochschule Zürich and has since been awarded numerous prizes in national and international competitions. André Desponds has performed in many international venues, including the Gasteig, Munich, the St. Petersburg Philharmony and the UN Headquarters in New York. He has made recordings for Swiss television and radio as well as a number of CD- productions and collaborates regularly with many noted artists, such as Noëmi Nadelmann, Thomas Dobler, Simon Estes, Andreas Vollenweider and Bettina Boller. In addition, André Desponds has developed a wide spectrum of musical activities as a jazz improviser, silent film accompanist and as a composer for theatre and film. Some of his projects have included the founding of the Gershwin Piano Quartet (1996), the theatrical project „L’homme orchestre“ with the Clown Dimitri at the Lucerne Festival as well as numerous educational orchestra presentations. In 2006, together with the dancer Andrea Herdeg, he created „Zal“, a play based on the life and music of Frédéric Chopin that combines elements of music, dance and theatre. Desponds is a professor for improvisation and chamber music at the Zurich University of the Arts. Stefan Wirth is one of the most versatile Swiss musicians of his generation. As a soloist he has performed with the Czech Chamber Orchestra, the Bernese Chamber Orchestra and the Malaysian National Philharmonic Orchestra amongst others. He is especially dedicated to contemporary music, both as a composer and as a performer with the Collegium Novum, Zurich and the Ensemble
Load more

Recommended publications
  • IGUSTAV MAHLER Ik STUDY of HIS PERSONALITY 6 WORK
    IGUSTAV MAHLER Ik STUDY OF HIS PERSONALITY 6 WORK PAUL STEFAN ML 41O M23S831 c.2 MUSI UNIVERSITY OF TORONTO Presented to the FACULTY OF Music LIBRARY by Estate of Robert A. Fenn GUSTAV MAHLER A Study of His Personality and tf^ork BY PAUL STEFAN TRANSLATED FROM THE GERMAN EY T. E. CLARK NEW YORK : G. SCHIRMER COPYRIGHT, 1913, BY G. SCHIRMER 24189 To OSKAR FRIED WHOSE GREAT PERFORMANCES OF MAHLER'S WORKS ARE SHINING POINTS IN BERLIN'S MUSICAL LIFE, AND ITS MUSICIANS' MOST SPLENDID REMEMBRANCES, THIS TRANSLATION IS RESPECTFULLY DEDICATED BERLIN, Summer of 1912. TRANSLATOR'S PREFACE The present translation was undertaken by the writer some two years ago, on the appearance of the first German edition. Oskar Fried had made known to us in Berlin the overwhelming beauty of Mahler's music, and it was intended that the book should pave the way for Mahler in England. From his appearance there, we hoped that his genius as man and musi- cian would be recognised, and also that his example would put an end to the intolerable existing chaos in reproductive music- making, wherein every quack may succeed who is unscrupulous enough and wealthy enough to hold out until he becomes "popular." The English musician's prayer was: "God pre- serve Mozart and Beethoven until the right man comes," and this man would have been Mahler. Then came Mahler's death with such appalling suddenness for our youthful enthusiasm. Since that tragedy, "young" musicians suddenly find themselves a generation older, if only for the reason that the responsibility of continuing Mah- ler's ideals now rests upon their shoulders in dead earnest.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Music as Representational Art Permalink https://escholarship.org/uc/item/1vv9t9pz Author Walker, Daniel Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Volume I Music as Representational Art Volume II Awakening A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Daniel Walker 2014 © Copyright by Daniel Walker 2014 ABSTRACT OF THE DISSERTATION Volume I Music as Representational Art Volume II Awakening by Daniel Walker Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair There are two volumes to this dissertation; the first is a monograph, and the second is a musical composition, both of which are described below. Volume I Music is a language that can be used to express a vast range of ideas and emotions. It has been part of the human experience since before recorded history, and has established a unique place in our consciousness, and in our hearts by expressing that which words alone cannot express. ii My individual interest in the musical language is its use in telling stories, and in particular in the form of composition referred to as program music; music that tells a story on its own without the aid of images, dance or text. The topic of this dissertation follows this line of interest with specific focus on the compositional techniques and creative approach that divide program music across a representational spectrum from literal to abstract.
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Pace, I. (2017). Michael Finnissy - The Piano Music (10 and 11) - Brochure from Conference 'Bright Futures, Dark Pasts'. This is the other version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17523/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] BRIGHT FUTURES, DARK PASTS Michael Finnissy at 70 Conference at City, University of London January 19th-20th 2017 Bright Futures, Dark Pasts Michael Finnissy at 70 After over twenty-five years sustained engagement with the music of Michael Finnissy, it is my great pleasure finally to be able to convene a conference on his work. This event should help to stimulate active dialogue between composers, performers and musicologists with an interest in Finnissy’s work, all from distinct perspectives. It is almost twenty years since the publication of Uncommon Ground: The Music of Michael Finnissy (Aldershot: Ashgate, 1998).
    [Show full text]
  • 24Th International Piano Competition Since 1947
    24th International since 1947 Piano Competition Rina Sala Gallo 25 Settembre — 01 Ottobre 2016 Teatro Manzoni / Monza Rina Sala Gallo 2016 1 / 52 La Storia La Our History Our Rina Sala Gallo (1898 — 1980) u allieva prediletta di Giovanni Anfossi, sotto la cui he was the pet pupil of Giovanni Anfossi, under Fguida si diplomò giovanissima, con lode speciale, Swhose tutelage she graduated, at a very young presso il Conservatorio «G. Verdi» di Milano. age, and with special commendation, from the Iniziò la carriera concertistica poco più che decenne, Conservatorio “G. Verdi” in Milan. She began her con vivo successo di critica e di pubblico. concert career at around the age of ten with great Tenne concerti in Italia ed in Europa, riscuotendo critical and public success, and went on to give sempre i massimi consensi. concerts in Italy and in Europe, always earning Dedicò la sua vita all’arte pianistica e fondò a maximum acclaim. Monza una rinomata scuola di pianoforte. Sala Gallo dedicated her life to the Art of Nel 1947 organizzò il primo concorso pianistico Piano, and founded a renowned piano school di Monza in collaborazione con Benedetti in Monza.In 1947, she organized the first Piano Michelangeli ed altri esponenti del mondo musicale Competition in Monza in collaboration with italiano, tra i quali Tagliapietra, Gorini, Benedetti Michelangeli and other exponents of Sanzogno, Vidusso, Mozzati e Margola. A questo ne the Italian musical world, such as Tagliapietra, seguirono altri nel 1949 e nel 1967. Gorini, Sanzogno, Vidusso, Mozzati and Margola. Dal 1970 il concorso, divenuto biennale, è a suo This was followed by two further editions in 1949 nome e dal 2009 è membro della Federazione and 1967.
    [Show full text]
  • UPC Liste De Chaînes Bienne Horizon/Mediabox/Basic TV
    TVO HD 3sat HD MySports 5 HD / Channel 5 HD DEUTSCHSPRACHIGE SENDER 29 61 105 Sky Sport Bundesliga 5 HD 215 SRF 1 HD Tele Südostschweiz HD SWR BW HD MySports 6 HD / Fashion TV 1 30 62 106 Sky Sport Bundesliga 6 HD 216 SRF zwei HD Star TV HD BR Fernsehen Süd HD MySports 7 HD / 2 31 63 107 Sky Sport Bundesliga 7 HD SRF info HD Nick HD WDR Fernsehen HD MySports 8 HD / 3 32 64 108 Sky Sport Bundesliga 8 HD INTERNATIONALE NACHRICHTENSENDER 3+ HD KiKa HD MDR Sachsen HD MySports 9 HD / CNN Money Switzerland 4 33 65 109 Sky Sport Bundesliga 9 HD 219 5 TV24 HD 34 Super RTL HD1* 66 NDR HD 111 Sky Sport News HD 220 CNN Int. 6 S1 HD 35 Disney Channel 67 hr-fernsehen HD 112 SPORT1 HD 221 BBC World News 7 TV25 HD 36 Toggo plus 68 rbb Berlin HD 113 Eurosport 1 HD 222 Al Jazeera English 8 Tele Züri HD 37 Vorschau HD 69 n-tv HD 114 Eurosport 2 HD 223 CGTN 9 MySports One HD 38 Nitro HD 70 Welt HD 115 Sport1+ HD 224 Russia Today 10 Das Erste HD 39 Pro7 Maxx HD 71 tagesschau24 HD 116 eSports 1 225 Sky News 11 ZDF HD 40 DMAX HD 72 ZDF info HD 117 sportdigital HD 230 CNBC 12 ORF eins HD 41 TLC HD 73 Phoenix HD 118 Motorvision TV HD 231 Bloomberg TV 13 6+ HD 42 SIXX HD 74 ARD-alpha HD 120 Extreme Sports 14 RTL HD1* 43 ZDF neo HD 78 Euronews 121 Eurosport 1 ITALIENISCHSPRACHIGE SENDER 15 Sat.1 HD2* 44 Sat.1 Gold HD 79 Melodie TV 122 MySports Preview 250 RSI LA 1 HD 16 ProSieben HD2* 45 RTL plus 80 HSE24 251 RSI LA 2 HD 17 RTL 2 HD1* 46 kabel eins Doku 81 HSE24 Extra ENGLISCHSPRACHIGE SENDER 252 Rai 1 HD 18 4+ HD 47 Swiss 1 TV HD 82 Schweiz 5 HD 200 BBC One 253
    [Show full text]
  • Sounding Nostalgia in Post-World War I Paris
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Sounding Nostalgia In Post-World War I Paris Tristan Paré-Morin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Paré-Morin, Tristan, "Sounding Nostalgia In Post-World War I Paris" (2019). Publicly Accessible Penn Dissertations. 3399. https://repository.upenn.edu/edissertations/3399 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3399 For more information, please contact [email protected]. Sounding Nostalgia In Post-World War I Paris Abstract In the years that immediately followed the Armistice of November 11, 1918, Paris was at a turning point in its history: the aftermath of the Great War overlapped with the early stages of what is commonly perceived as a decade of rejuvenation. This transitional period was marked by tension between the preservation (and reconstruction) of a certain prewar heritage and the negation of that heritage through a series of social and cultural innovations. In this dissertation, I examine the intricate role that nostalgia played across various conflicting experiences of sound and music in the cultural institutions and popular media of the city of Paris during that transition to peace, around 1919-1920. I show how artists understood nostalgia as an affective concept and how they employed it as a creative resource that served multiple personal, social, cultural, and national functions. Rather than using the term “nostalgia” as a mere diagnosis of temporal longing, I revert to the capricious definitions of the early twentieth century in order to propose a notion of nostalgia as a set of interconnected forms of longing.
    [Show full text]
  • Paris, 1918-45
    un :al Chapter II a nd or Paris , 1918-45 ,-e ed MARK D EVOTO l.S. as es. 21 March 1918 was the first day of spring. T o celebrate it, the German he army, hoping to break a stalemate that had lasted more than three tat years, attacked along the western front in Flanders, pushing back the nv allied armies within a few days to a point where Paris was within reach an oflong-range cannon. When Claude Debussy, who died on 25 M arch, was buried three days later in the Pere-Laehaise Cemetery in Paris, nobody lingered for eulogies. The critic Louis Laloy wrote some years later: B. Th<' sky was overcast. There was a rumbling in the distance. \Vas it a storm, the explosion of a shell, or the guns atrhe front? Along the wide avenues the only traffic consisted of militarr trucks; people on the pavements pressed ahead hurriedly ... The shopkeepers questioned each other at their doors and glanced at the streamers on the wreaths. 'II parait que c'ctait un musicicn,' they said. 1 Fortified by the surrender of the Russians on the eastern front, the spring offensive of 1918 in France was the last and most desperate gamble of the German empire-and it almost succeeded. But its failure was decisive by late summer, and the greatest war in history was over by November, leaving in its wake a continent transformed by social lb\ convulsion, economic ruin and a devastation of human spirit. The four-year struggle had exhausted not only armies but whole civiliza­ tions.
    [Show full text]
  • Lista Kanala
    LISTA KANALA T T T T T T T T RTS 1 HD FOX HD Disney Channel Extreme Sports Channel E E E E E E E E K K K K K K K K RTS 2 HD FOX Crime HD Pink Kids Motorvision TV HD A A A A A A A A Superstar TV HD FOX Life HD TRACE Sports HD P P P Pink Super Kids P P P P P Star TV - SCI FI HD - - - FOX Movies HD BBC World News L - L - L - L - S Pink HD HBO HD TV K1 HD M M M CNN PRVA TV HD Dr TV HD Bloomberg HBO 2 HD B92 HD Agro TV HD RT Documentary HD HBO 3 HD Happy Kitchen TV HD RT HD Cinemax HD Studio B National Geographic HD Rusija 24 Cinemax 2 HD Pink 2 24 Kitchen HD RTR Planeta Disney XD Pink 3 Animal Planet HD RTL.hr Disney Junior PRVA PLUS Discovery Channel TV5MONDE H2 HD PRVA WORLD ID Xtra HD E! Crime & Investigation PRVA MAX Travel Channel HD CBS Reality Discovery Showcase HD PRVA FILES Balkan Trip HD Pink Reality Food Network HD PRVA KICK Pink M Happy Reality 1 Fine Living PRVA LIFE Pink BH Happy Reality 2 Outdoor Channel HD RTS 3 NBA TV TLC VH1 Classic RTS DRAMA Arena Sport 2 HD Nat Geo Wild HD MTV Rocks RTS KOLO Arena Sport 3 HD Viasat Explore MTV Hits RTS POLETARAC Arena Sport 4 HD Viasat Nature MTV Live HD RTS TREZOR Arena Sport 5 HD Viasat History HD MTV Dance RTS ŽIVOT Arena eSport HD History Channel HD Adult 1 RTS MUZIKA Eurosport 1 HD Discovery Science HD Adult 2 TV Hram Eurosport 2 HD Pink Pedia Adult 3 MREŽA MOST FightBox HD BBC Earth HD Adult 4 RTRS Fight Network Pink World Adult 5 BN SAT HD Film Klub Zdravlje TV Adult 6 OBN Film Klub Extra Da Vinci Learning Adult 7 RTV BK AXN English Club TV Babes HRT 1 Fashion TV Bang U HRT 2 AXN
    [Show full text]
  • Lista Kanala Januar2020
    LISTA KANALA RTS 1 HD HAYAT FOLK FilmBox Plus Pink HA HA RTS 2 HD HAYAT HD CineStar TV 1 Pink LOL PLUS PLUS PLUS Superstar TV HD HAYAT MUSIC CineStar TV Action PLUS Pink Plus START START Pink HD HAYAT PLUS START CineStar TV Comedy START VH1 PRVA TV HD HAYATOVCI CineStar TV Fantasy MTV TV B92 HD BN Music Kazbuka HD Bravo Music Happy K1 HD Dexy TV HD Pink Folk 2 KURIR TV HD FOX HD Nick Jr. Pink Hits 2 RED TV FOX Crime HD Minimax Pink Koncert Pink 3 FOX Life HD Boomerang Pink Music 2 Star TV FOX Movies HD Cartoon Network Pink&Roll PRVA WORLD TOXIC TV HD Jim Jam City Play Studio B Agro TV HD Baby TV JEKA RTS ŽIVOT TV DR HD Duck TV 360TuneBox RTS MUZIKA Kitchen TV Nickelodeon HD Mezzo TV RTS 3 24 Kitchen HD Nickelodeon Extreme Sports Channel RTS DRAMA Animal Planet HD Nick TOONS Motorvision TV HD RTS KOLO Discovery Channel Disney Channel SCI FI HD RTS POLETARAC ID Xtra HD Pink Kids HBO HD RTS TREZOR Travel Channel HD Pink Super Kids HBO 2 HD TV PANČEVO Balkan Trip HD Dečija TV HBO 3 HD TV DUNAV Pink M GINX Cinemax HD TV RAS Pink BH Gametoon HD Cinemax 2 HD TV Hram HYPE TV HD BBC World News Disney XD MREŽA MOST Arena 1x2 CNN Disney Junior RTRS Arena Fight HD Fox News HD H2 HD OBN Arena Sport 2 HD Euronews Crime & Investigation HRT 1 Arena Sport 3 HD RT Documentary HD DTX HD HRT 2 Arena Sport 4 HD RT HD Food Network HD BTV Arena Sport 5 HD Rusija 24 HGTV RTCG 1 Eurosport 1 HD RTR Planeta Outdoor Channel RTV 1 Eurosport 2 HD RTL.hr MTV 80s RTV 2 Arena eSports HD TV5MONDE MTV 90s K::CN 1 NBA TV HD Bloomberg MTV Hits BN Fight Network E! MTV Live
    [Show full text]
  • Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru
    BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU Contents ALL THE I-IVELONG DAY (And The Long, Long Night), 141 THE BACK BAY POLKA, 119 BESS YOU IS MY WOMAN, 9 (I've Got) BEGINNER'S LUCK, 66 BY STRAUSS, 131 A FOGGY DAY, 87 FOR YOU, FOR ME, FOR EVERMORE, 123 I CAN'T BE BOTHERED NOW, 91 I GOT PLENTY 0' NUTTIN', 17 I LOVE TO RHYME, 103 I WAS DOING ALL RIGHT, 107 IT AIIV'T NECESSARILY SO, 23 THE JOLLY TAR AND THE MILK MAID, 95 JUST ANOTHER RHUMBA, 53 LET'S CALL THE WHOLE THING OFF, 70 LOVE IS HERE TO STAY, 11 1 LOVE WALKED IN, 11 5 MY MAN'S GONE NOW, 29 NICE WORK IF YOU CAN GET IT, 99 OH BESS, OH WHERE'S MY BESS, 35 PROMENADE (Piano Solo), 74 THE REAL AMERICAN FOLK SONG (Is A Rag), 4 SHALL WE DANCE, 78 SLAP THAT BASS, 61 SOPHIA, 136 SUMMERTIME, 40 THERE'S A BOAT DAT'S LEAVIN' SOON FOR NEW YORK, 44 THEY ALL LAUGHED, 82 THEY CAN'T TAKE THAT AWAY FROM ME, 127 A WOMAN IS A SOMETIME THING, 48 For all works contained herein: International Copyright Secured ALL RIGHTS RESERVED Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. THE REAL AMERICAN FOLK BOOGIEWOOGIE.RUSONG (Is A Ras)* Lyrics by IRA GERSHWN Music by GEORGE GERSH WIN 1 " Near Bar - ce - io - na the Deas - int cioons The old tra - di - tion - a1 I You may dis - like, or you 'may a - dore, The na - tire songs from a A Fm6 C Cmaj7 Am7 C dim Span - ish tunes; The Ne - a - pol - i - tan Street Song sighs, You for - eign shore; They may be songs that you can't for - get,- They I I Written for "Ladies First" (1918) The first George and In Gershwin collaboration used in a Broadway show Copyright @ 1959 by Gershwin Publishing Corporation Assigned to Chappell & Co., Inc.
    [Show full text]
  • The Great American Songbook in the Classical Voice Studio
    THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]