Augenblick Issue 1 / 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
The B-Boy Summit Internationally Acclaimed B-Boy/B-Girl Event
THE B-BOY SUMMIT INTERNATIONALLY ACCLAIMED B-BOY/B-GIRL EVENT Produced by No Easy Props OVERVIEW The B-boy Summit continues to be a major trendsetter in Hip-Hop street dance, art and music culture. Established in 1994, The Summit presented innovative ideas in Hip-Hop culture, offering a conference forum complete with competitions, performances, panels, workshops, and a marketplace for consumer friendly products marketed toward the Hip-Hop community. Never content with success, The B-boy Summit continues its mission to bring the hottest street dance, art, and music above ground to the masses. The B-boy Summit has grown into an internationally acclaimed 3 day festival incorporating all aspects of Hip-Hop in different plateaus, including the most intense battles, rawest circles, theatre performances, a DJ/MC Talent Showcase and live aerosol art painting. The B-boy Summit was created in 1994 out of the need for a community orientated Hip-Hop event that encompassed knowledge of the history of Hip-Hop culture and the skills of B-boying and B-girling. At that point in time B-boys and B-girls didn’t have a platform in which to come together, dance and pay homage to the traditional dance of Hip-Hop. Each year the event has expanded to encompass B-boys, B-girls, MCs, Aerosol Artists, and DJs from across the globe, steadily building into what is now the foremost Hip-Hop cultural event in the world. More recently, The Summit has become one of the most important events for Lockers, Poppers, Freestyle and House Dancers to take part in during The Summit’s Funk Fest. -
L 332 Official Journal
ISSN 1725-2555 Official Journal L 332 of the European Union Volume 49 English edition Legislation 30 November 2006 Contents I Acts whose publication is obligatory ★ Council Regulation (EC) No 1755/2006 of 23 November 2006 on the import of certain steel products originating in Ukraine ................................................................. 1 ★ Council Regulation (EC) No 1756/2006 of 28 November 2006 amending Regulation (EC) No 2667/2000 on the European Agency for Reconstruction ................................... 18 Commission Regulation (EC) No 1757/2006 of 29 November 2006 establishing the standard import values for determining the entry price of certain fruit and vegetables ............................... 19 II Acts whose publication is not obligatory Council 2006/856/EC: ★ Council Decision of 13 November 2006 establishing a Committee on monetary, financial and balance of payments statistics (Codified version) ............................................... 21 Commission 2006/857/EC: ★ Commission Decision of 15 June 2005 relating to a proceeding under Article 82 of the EC Treaty and Article 54 of the EEA Agreement (Case COMP/A.37.507/F3 — AstraZeneca) (notified under document number C(2005) 1757) (1) ........................................................... 24 2006/858/EC: ★ Commission Decision of 28 November 2006 amending Decision 2005/393/EC as regards restricted zones in relation to bluetongue (notified under document number C(2006) 5607) (1) ..... 26 1 ( ) Text with EEA relevance (Continued overleaf) 2 Acts whose titles are printed in light type are those relating to day-to-day management of agricultural matters, and are generally valid for a limited period. EN The titles of all other acts are printed in bold type and preceded by an asterisk. Contents (continued) 2006/859/EC: ★ Commission Decision of 28 November 2006 granting Malta a derogation from certain provisions of Directive 2003/54/EC of the European Parliament and of the Council (notified under document number C(2006) 5642) ............................................................. -
Landschaftsplanverzeichnis Sachsen-Anhalt
Landschaftsplanverzeichnis Sachsen-Anhalt Dieses Verzeichnis enthält die dem Bundesamt für Naturschutz gemeldeten Datensätze mit Stand 15.11.2010. Für Richtigkeit und Vollständigkeit der gemeldeten Daten übernimmt das BfN keine Gewähr. Titel Landkreise Gemeinden [+Ortsteile] Fläche Einwohner Maßstäbe Auftraggeber Planungsstellen Planstand weitere qkm Informationen LP Arendsee (VG) Altmarkkreis Altmersleben, Arendsee 160 5.800 10.000 VG Arendsee IHU 1993 Salzwedel (Altmark), Luftkurort, Brunau, Engersen, Güssefeld, Höwisch, Jeetze, Kahrstedt, Kakerbeck, Kalbe an der Milde, Kläden, Kleinau, Leppin, Neuendorf am Damm, Neulingen, Packebusch, Sanne-Kerkuhn, Schrampe, Thielbeer, Vienau, Wernstedt, Winkelstedt, Ziemendorf LP Gardelegen Altmarkkreis Gardelegen 67 14.500 10.000 SV Gardelegen Landgesellschaft LSA 1999 Salzwedel 25.000 mbH LP Klötze Altmarkkreis Klötze (Altmark) 62 6.250 10.000 ST Klötze Bauamt 1996 Salzwedel 25.000 LP Griesen Anhalt-Zerbst Griesen 8 297 10.000 GD Griesen Hortec 1995; RK LP Klieken Anhalt-Zerbst Klieken 32 1.118 10.000 GD Klieken Reichhoff 1992 LP Loburg Anhalt-Zerbst Loburg 40 2.800 10.000 ST Loburg Seebauer, Wefers u. 1996 Partner LP Oranienbaum Anhalt-Zerbst Oranienbaum [Brandhorst, 32 3.669 10.000 ST Oranienbaum AEROCART Consult 1995 Goltewitz] LP Roßlau Anhalt-Zerbst Roßlau an der Elbe 30 14.150 10.000 ST Roßlau Reichhoff 1993 LP Wörlitzer Winkel Anhalt-Zerbst Gohrau, Rehsen, Riesigk, 66 50.000 ST Wörlitz Reichhoff 2000 Vockerode, Wörlitz LP Zerbst, Stadt Anhalt-Zerbst Zerbst 39 ST Zerbst Gesellschaft f. i.B. -
The Legion of Extraordinary Dancers from Wikipedia, the Free Encyclopedia
The Legion of Extraordinary Dancers From Wikipedia, the free encyclopedia The Legion of Extraordinary Dancers, commonly called The LXD, was a 2010–2011 web series about two groups of rival dancers: The Alliance of the Dark who are the villains and The Legion of Extraordinary Dancers, the heroes, who discover they The Legion of [3][4] have superpowers referred to as "the Ra" through their dance abilities. The entire story takes place over hundreds of Extraordinary Dancers years, beginning in the 1920s up to the year 3000.[1] The series was created, directed and produced by Jon M. Chu,[4][5] who says he was inspired to create the series by Michael Jackson's "Thriller" and "Smooth Criminal" music videos and by the dancers he met while filming the movie Step Up 2: The Streets.[6][7][fn 2] He has described the show as "balletic", "operatic", "high quality"[6] and a "Justice League of dance."[3] The Genre Web series series was choreographed by Christopher Scott and Harry Shum, Jr. with assistant choreography by Galen Hooks.[2][4][8][fn 3] Dance Members had a wide variety of specialties including hip-hop, krumping, contemporary, tricking, popping, b-boying, jazz, tap, Action/adventure and ballet.[1][4][8] All of the choreography and stunts were real; there were no special effects or wire work[6] and the entire Drama Interactive series was shot on location without the use of green screens.[1] Created by Jon M. Chu 50% of the sales of the official LXD t-shirt went to support the work of the non-profit organization Invisible Children, Directed by Jon M. -
Danse : Quels Sont Les Meilleurs Artistes De Breakdance En France ?
Danse : Quels sont les meilleurs artistes de breakdance en France ? Bibliothèque francophone multimédia de Limoges – Notre réponse du 19/08/2020. TheDigitalArtist on Pixabay (Pete Linforth ) De manière générale, Wikipédia recense des compagnies de breakdance en France et la plupart ont des sites web ou des pages Facebook où vous pouvez les contacter. Définir le meilleur athlète d’une discipline peut s’avérer très subjectif. Par exemple ici, sur le blog ladansehiphop.com, Manon et Nicolas, deux passionnés de Hip-Hop, nous listentleur danseurs préférés par discipline (popping, locking, krump…) du breakdance. Breakdance : art ? sport ? danse urbaine ? Il est important de souligner qu’étant donné l’origine urbaine du breakdance, cette discipline n’était pas forcément structurée comme peut l’être par exemple le rugby, le football ou les danses de salon. Ces dernières pratiques répondent, en effet, à des codes très précis et sont depuis longtemps organisés avec l’appui de la Fédération Française de Danse et de laFédération international de danse. Le breakdance aux Jeux Olympiques ? Néanmoins, avec l’arrivée du breakdance aux prochains Jeux Olympiques de 2024, il a fallu structurer la discipline. Paris 2024 : le breakdance fait son entrée au programme des Jeux olympiques par France24, le 07/12/2020. Il a fallu également sélectionner quels seraient les athlètes français pour représenter nos couleurs. Une question qui fait d’ailleurs débat. Le breakdance aux Jeux olympiques : la crainte de dénaturer un art par Fiona Moghaddam, France Culture, le 30/06/2019. Ainsi vous pourrez retrouvez le règlement technique de la danse Hip-hop tel que défini par la Fédération Française de Danse. -
Social and Dynamic Productions of Breaking and Hip Hop Culture
School of Media, Creative Arts and Social Inquiry “Our Lives are Lived in Freestyle”: Social and Dynamic Productions of Breaking and Hip Hop Culture Lucas Marie This thesis is presented for the Degree of Doctor of Philosophy of Curtin University September 2018 DECLARATION To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any other university. Signature: ………Lucas Marie………….……….. Date: …28/9/2018… ABSTRACT Based on fieldwork with breakers living in New York, Osaka, and Perth, as well from prior experiences within my field of study, this thesis builds on a growing body of scholarship which examines the productions, expressions and consumptions of hip hop culture. This study looks at how breakers—hip hop dance practitioners—work to produce, sustain and transform hip hop culture in ways that are local and unique. It is not, however, my intention to set out a definitive list of good or bad, authentic or unauthentic, notions of hip hop, or to suggest that there is one true or correct way in which to participate and identify as a member of. What is emphasised are the ways in which breakers, through their embodied dance practices, negotiate, express, understand and conceptualise hip hop. The title of this thesis, “Our Lives are Lived in Freestyle”, is a line from a spoken word poem, by a breaker from Texas named Marlon. In breaking, to “freestyle” means to improvise in the moment; to use the tools one has at their disposal to perform and create. -
Broschüre Schätze LAG Rudh
veRborgenE schäTze aN der stRasse der roManik Entdeckungen in der Region Rund um den Huy Liebfrauenkirche Halberstadt Verborgene Die Broschüre „Verborgene Schätze an der Straße der Romanik” ist ein Projekt der Schätzeander Lokalen Aktionsgruppe Rund um den Huy und wurde mit LEADER-Mitteln aus dem Straße der Romanik Europäischen Struktur- und Investitionsfonds und dem Land Sachsen-Anhalt gefördert. Inhalt Schatzsucher auf Entdeckungstour |04 Zukunftsträchtige Perspektiven |05 Paradies für Naturfreunde und Urlauber |06 Chancen der Region stärken | 07 InhaltGeburtsstunde eines Erfolgsprojektes | 08-09 Stationen der Straße der Romanik Dedeleben: Burg Westerburg |10 Osterwieck: St. Stephani |10 Kloster Huysburg |11 Kloster Gröningen mit Klosterkirche St. Vitus |11 Halberstadt: Dom, Domschatz und Liebfrauenkirche |12 St. Vitus in Drübeck und Kloster Ilsenburg |12 Zisterzienserkloster Michaelstein bei Blankenburg |13 Quedlinburg: St. Servatius und Basilika St. Wiperti |13 Übersichtskarte | 14-15 Stationen der Verborgenen Schätze an der Straße der Romanik der LAG Rund um den Huy 1 Rohrsheim | 16-17 2 Hessen | 18-19 3 Schlanstedt | 20-21 4 Eilenstedt | 22-23 5 Osterwieck | 24-25 6 Ströbeck | 26-27 7 Halberstadt | 28-31 8 Langenstein | 32-33 9 Nienhagen | 34-35 Ob per pedes oder mit dem Fahrrad |36 Kontakte |38 Impressum |39 Titelseite: Schloss Hessen der RomAnik an der StrAsse schÄtze VerBoRgeNe 3 Schatzsucher auf Entdeckertour ichts ist spannender als Geschichte, wenn ihre Ge- Felsenwohnungen in Langenstein Nschichte detailreich und faszinierend erzählt ist. Egal, ob sie in der Urzeit, dem Mittelalter, der Re- naissance, Aufklärung, Industrialisierung oder in der Jetzt- zeit spielt – die Menschen wollen gerührt und entführt werden. Gerade im mitteldeutschen Raum und, im Spe- ziellen, in der Region um Magdeburg kann man sie heute auf Zeitreisen erkunden. -
L 311 Official Journal
ISSN 1725-2555 Official Journal L311 of the European Union Volume 49 English edition Legislation 10 November 2006 Contents I Acts whose publication is obligatory ★ Council Regulation (EC) No 1650/2006 of 7 November 2006 extending the definitive anti- dumping duty imposed by Regulation (EC) No 769/2002 on imports of coumarin originating in the People's Republic of China to imports of coumarin consigned from Indonesia or Malaysia, whether declared as originating in Indonesia or Malaysia or not .................... 1 ★ Council Regulation (EC) No 1651/2006 of 7 November 2006 terminating the partial interim review of the anti-dumping measures applicable to imports of bicycles originating in the People's Republic of China ....................................................................... 6 ★ Council Regulation (EC) No 1652/2006 of 7 November 2006 terminating the new exporter review of Regulation (EC) No 428/2005 imposing definitive anti-dumping duties on imports of synthetic staple fibres of polyesters originating, inter alia, in the People's Republic of China 8 Commission Regulation (EC) No 1653/2006 of 9 November 2006 establishing the standard import values for determining the entry price of certain fruit and vegetables ............................... 13 Commission Regulation (EC) No 1654/2006 of 9 November 2006 fixing the export refunds on white and raw sugar exported without further processing ................................................. 15 Commission Regulation (EC) No 1655/2006 of 9 November 2006 fixing the maximum export refund for white sugar in the framework of the standing invitation to tender provided for in Regulation (EC) No 958/2006 ...................................................................................... 17 Commission Regulation (EC) Νo 1656/2006 of 9 November 2006 fixing the export refunds on products processed from cereals and rice .......................................................... -
Hip Hop Ja Jazztanssi
Harri Heinilä Hip hop ja jazztanssi Afrikkalaisamerikkalaisen tanssin jatkumo Kansi: Harri Heinilä ISBN 978-952-68364-8-5 Musiikkiarkisto 2021 musiikkiarkisto.fi [email protected] Sisällysluettelo Johdanto: hip hop ja jazztanssi 5 Jazztanssin synty 13 Jazzmusiikin synty 20 Jazzmusiikin ja -tanssin terminologia 22 Jazztanssi orjuuden aikana Yhdysvaltain plantaaseilla ja sen vaikutus 31 Minstrelsy-aikakausi 36 Cakewalk 52 Texas Tommy 61 Charleston 63 Lindy Hop 71 Mambo ja salsa 75 Rock and roll -tanssit 79 Hip hop -musiikin synty 85 Breikeistä rappiin: hip hop -kulttuurin muotoutuminen 96 Hip hop -tanssien synty 104 James Brown ja ’Get on the Good Foot’ -tanssi 106 Burning eli ”polttaminen” 108 Burning muuttuu breikkaukseksi 117 Bronxin alkuperäiset 1970-luvun breikkausryhmät 121 Bronxin alkuperäisen breikkauksen loppu 137 Länsirannikon Soul Train -tanssijat osana hip hop -tanssia 139 Breikkaus siirtyy uudelle sukupolvelle 151 Breikkauksen jatkumo vai katkeama: ensimmäisen ja toisen 163 sukupolven väliset erot Jazz- ja hip hop -tanssien yhtäläisyydet 168 2 Epilogi: hip hop -tanssi 2000-luvulla 192 Suomalaisen hip hop -kulttuurin musiikin ja tanssin alku 197 tutkijan näkökulmasta Taulukot 4 Viitteet 209 Lähteet 271 Henkilöhakemisto 292 3 Taulukot Taulukko 1. Ragtime vs. Jazz. Taulukko 2. William Henry Lane vs. John Diamond. Taulukko 3. Bronxin breikkausryhmiä 1970-luvulla. Taulukko 4. Bronxin breikkauspaikkoja 1970-luvulla. Taulukko 5. The Campbellock Dancers vuonna 1973. Taulukko 6. The Rock Steady Crew:n tanssijoita vuonna 1981. Taulukko 7. The New York City Breakers. Alkuperäinen kokoonpano vuonna 1982. Taulukko 8. Dynamic Rockers / Dynamic Breakers vuonna 1983. Taulukko 9. Breikkauksen leviäminen elokuvien kautta eri maissa. Teos on saanut tukea WSOY:n kirjallisuussäätiöltä ja Suomen tietokirjailijat ry:ltä. -
Coleopterologische Neu- Und Wiederfunde in Sachsen-Anhalt
© Entomologische Nachrichten und Berichte; downloadEntomologische unter www.biologiezentrum.at Nachrichtenund Berichte, 45,2001/1 37 M. Jung, Athenstedt Coleopterologische Neu- und Wiederfunde in Sachsen-Anhalt Zusammenfassung Seit dem Erscheinen des 1. Nachtrages zum aktuellen Käferverzeichnis von Deutschland wurden durch Eigenaufsammlungen und durch Auswertung umfangreichen Materials des Landesamtes für Um weltschutz Sachsen-Anhalt zahlreiche Arten für Sachsen-Anhalt wiedergefunden. 30 Arten sind neu für Sachsen- Anhalt. Die Chrysomelide Longitarsus languidus wurde erstmals sicher für Deutschland nachgewiesen. Summary New and re-records of Coleoptera in Saxony-Anhalt, Germany.- Since the publication of the first supplement to the beetle checklist of Germany, numerous species have been re-recorded through personal collecting and based on an examination of the material under the care of the Landesamt for Umweltschutz Saxony- Anhalt. 30 species are reported from Saxony-Anhalt for the first time. The first confirmed German record of the chrysomelid Longitarsus languidus ist presented. Seit dem Erscheinen des Verzeichnisses der Käfer ver und Dr. L othar Z erche , DEI Eberswalde für die Deutschlands (K öhler & K lausnitzer 1998) sind Überprüfung bzw. Determination fraglichen Materials. knapp zwei Jahre vergangen. In der Zwischenzeit konn Die Belege befinden sich alle in coll. Jung . ten für das Bundesland Sachsen-Anhalt zahlreiche Ar Auch für die bereits erschienenen Familienbearbeitun ten nach 1950 erstmals wieder nachgewiesen werden, gen innerhalb der Roten Listen Sachsen-Anhalts sind eine ganze Reihe wäre neu für Sachsen-Anhalt, wird diese Nachweise von großer Bedeutung. Mehrere erst aber bereits bei B orchert (1951) in der Käferfauna des mals nachgewiesene Arten sind neu aufzunehmen, bei Magdeburger Raumes für das jetzige Sachsen-Anhalt den Wiedernachweisen ist der Status 0 (verschollen) gemeldet. -
The Hip Hop Lectures (Volume 1) By: Dr
The Hip Hop Lectures (Volume 1) By: Dr. T.L. Osborne Table of Contents Introduction: Why Am I Writing This Book? Chapter 1: Page 1 African Music History: The Originators Chapter 2: Page 27 The Party is Over: A New Journey Without Beats & Freedom Chapter 3: Page 44 From Hopeless to Hopeful: The Power of Spirituals & The Impacts of Lynch, Tubman, and Turner Chapter 4: Page 82 Sold Out, But Not Necessarily a Sell-Out Chapter 5: Page 104 The Harlem Renaissance: Short-Lived With Long-Term Impacts Chapter 6: Page 216 Rock-N-Roll Ain’t Just White People’s Music Chapter 7: Page 228 The Civil Rights Movement: Fantasy versus Reality Chapter 8: Page 276 The Rise of Post-Civil Rights Movements: The Emergence of The Black Arts Movement & The Black Panther Party Chapter 9: Page 292 Soulless to Soulful: The Impact of Berry Gordy & Motown on Hip Hop Culture i Chapter 1 African Music History: The Originators Historically, Hip Hop culture is known to have started in New York; during the early 1970s. However, controversy surrounds which specific area in New York created the cultural phenomenon, called Hip Hop. The history concerning which part of New York created this influential and multi-billion dollar movement is documented in 1985. The battle rap included rappers from Queensbridge (MC Shan & The Juice Crew) versus rappers from the South Bronx (KRS-One & Boogie Down Productions). Even though, New York, is noted as the birthplace for Hip Hop culture, Hip Hop’s roots were developed before one city or state declared ownership of the cultures’ creation.