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Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
The B-Boy Summit Internationally Acclaimed B-Boy/B-Girl Event
THE B-BOY SUMMIT INTERNATIONALLY ACCLAIMED B-BOY/B-GIRL EVENT Produced by No Easy Props OVERVIEW The B-boy Summit continues to be a major trendsetter in Hip-Hop street dance, art and music culture. Established in 1994, The Summit presented innovative ideas in Hip-Hop culture, offering a conference forum complete with competitions, performances, panels, workshops, and a marketplace for consumer friendly products marketed toward the Hip-Hop community. Never content with success, The B-boy Summit continues its mission to bring the hottest street dance, art, and music above ground to the masses. The B-boy Summit has grown into an internationally acclaimed 3 day festival incorporating all aspects of Hip-Hop in different plateaus, including the most intense battles, rawest circles, theatre performances, a DJ/MC Talent Showcase and live aerosol art painting. The B-boy Summit was created in 1994 out of the need for a community orientated Hip-Hop event that encompassed knowledge of the history of Hip-Hop culture and the skills of B-boying and B-girling. At that point in time B-boys and B-girls didn’t have a platform in which to come together, dance and pay homage to the traditional dance of Hip-Hop. Each year the event has expanded to encompass B-boys, B-girls, MCs, Aerosol Artists, and DJs from across the globe, steadily building into what is now the foremost Hip-Hop cultural event in the world. More recently, The Summit has become one of the most important events for Lockers, Poppers, Freestyle and House Dancers to take part in during The Summit’s Funk Fest. -
September 2010 Cinemann Table of Contents
September 2010 Cinemann Table of Contents 4 Summer Inception Movie Recap 6 Letter From the Editors 14 The Big C 8 Summer Television 15 Rent 10 The Emmy Awards Cinemann 2 Cinemann: Volume VI, Issue 1 Editors in Chief )--.#,"&0(1*,&./- 5.6&/,7$&,68(4/,&0/-! Andrew Demas !"#$%&!'#()*+%,-!.&,,%(#!'/%-! 9#(/&3!:*%,,&+&$/-!21%,&! 0)&!"&,$#1-! '/#+3&,-!;#<%=!>&*&+,$&%1-! Maggie Reinfeld .#()?!>+#(@6#1-!2?%A#%3! Senior Editors 2&"33(4/,&0/- B+&&1?#*6-!:&11&$$!C&33&+-! Matt Taub 23%(&!4#+#1$)-!5#6!4)++&,-! D)#/!E#+A*3%,-!.#F!G#3&H Alexandra Saali '/#+3&,!5/&++-!766#!58&($&+ @#+-!5#<#11#/!56%$/-!9#H (/&3!5%6&+@#H56%$/-!C&1+F! !"#$%&'()*+,-./ I#+=&+ !"#$%&'()&**"+ Letter From the EditorsDear Reader, Welcome back!! We are so thrilled to present you with WKHÀUVWLVVXHRICinemann,+RUDFH0DQQ·VÀOPDQGDUWV PDJD]LQH$V\RXVLIWWKURXJKWKHSDJHVZHKRSH\RX SOXQJHLQWRWKHMR\VRIWKLVVXPPHU·VPRYLHVDQGDUW ,QVLGH\RXZLOOÀQGDQDUUD\RIUHYLHZV%HJLQQLQJZLWK a look at summer’s highest grossing blockbusters, as ZHOODVLWVXQH[SHFWHGÁRSVZHZLOODOVREULQJ\RXXSWR GDWHZLWKUHYLHZVRIVXPPHUWHOHYLVLRQDQGWKHDWHUCin- emannGHOYHVLQWRKRZWKHLQQRYDWLYHSORWVRIWKHEULO- OLDQWO\FUDIWHG,QFHSWLRQDQGWKHUDXQFK\FRPHG\-HUVH\ 6KRUHKDYHWUDQVÀ[HGYLHZHUV&RPHG\VHHPHGWRUXOH at the 2010 Emmy Awards, and we are here to show you why. Inside we recount the night’s biggest moments and HYDOXDWHWKHGHFLVLRQEHKLQGWKHUHVXOWV:HURXQGRXW WKLVLVVXHZLWKDUHYLHZRI1HLO3DWULFN+DUULV·UHYLYDO RIRentDWWKH+ROO\ZRRG%RZOH[SORULQJWKHYHU\QD- WXUHRIWKHFKDOOHQJHVLQYROYHGLQUHVWDJLQJDFODVVLF:H hope you enjoy it. ,I\RXZRXOGOLNHWRZULWHIRU&LQHPDQQSOHDVHFRQWDFW -
Danse : Quels Sont Les Meilleurs Artistes De Breakdance En France ?
Danse : Quels sont les meilleurs artistes de breakdance en France ? Bibliothèque francophone multimédia de Limoges – Notre réponse du 19/08/2020. TheDigitalArtist on Pixabay (Pete Linforth ) De manière générale, Wikipédia recense des compagnies de breakdance en France et la plupart ont des sites web ou des pages Facebook où vous pouvez les contacter. Définir le meilleur athlète d’une discipline peut s’avérer très subjectif. Par exemple ici, sur le blog ladansehiphop.com, Manon et Nicolas, deux passionnés de Hip-Hop, nous listentleur danseurs préférés par discipline (popping, locking, krump…) du breakdance. Breakdance : art ? sport ? danse urbaine ? Il est important de souligner qu’étant donné l’origine urbaine du breakdance, cette discipline n’était pas forcément structurée comme peut l’être par exemple le rugby, le football ou les danses de salon. Ces dernières pratiques répondent, en effet, à des codes très précis et sont depuis longtemps organisés avec l’appui de la Fédération Française de Danse et de laFédération international de danse. Le breakdance aux Jeux Olympiques ? Néanmoins, avec l’arrivée du breakdance aux prochains Jeux Olympiques de 2024, il a fallu structurer la discipline. Paris 2024 : le breakdance fait son entrée au programme des Jeux olympiques par France24, le 07/12/2020. Il a fallu également sélectionner quels seraient les athlètes français pour représenter nos couleurs. Une question qui fait d’ailleurs débat. Le breakdance aux Jeux olympiques : la crainte de dénaturer un art par Fiona Moghaddam, France Culture, le 30/06/2019. Ainsi vous pourrez retrouvez le règlement technique de la danse Hip-hop tel que défini par la Fédération Française de Danse. -
DAVID JOHNSTON +44 (0) 77927 63639 | [email protected]
DAVID JOHNSTON +44 (0) 77927 63639 | [email protected] FEATURE FILMS “Dark Shadows” Assisting colourist on providing colour managed rushes to Editorial on (Warner Brothers) site of shoot. Liasing with various departments (VFX, Camera, Production) to troubleshoot. Supplying graded VFX through pipeline to editorial. Workflow management “TT3D: Closer To The Edge” Online, stereo camera matching, client attended depth grade, 200+ (CinemaNX) stereo fixes “African Cats” DI consultant, HD conform, opticals, VFX, noise reduction (Disney Nature/Wild Horizons) “Where The Wild Things Are” 2k online, opticals, client attended reviews, support grading, pipeline (Warner Brothers/Village Roadshow) development “In The Loop” HD online conform (for film out), optical (BBC/Aramid) “The Boat That Rocked” multiple HD previews, online 2k conform, opticals, DI vfx (Working Title) “Nutcracker: The Untold Story” multiple 2k preview conform, client vfx sessions “Shanghai” 2k preview conform (The Weinstein Company) “The Chronicles Of Narnia: Prince Caspian” Pipeline development (Disney) TELEVISION “Frozen Planet” Conform, grade prep/assist, workflow consultancy (BBC) “The Mighty Boosh: Live in Manchester” online, opticals, vfx, titles (Warp/Universal) “No.1 Ladies Detective Agency” (BBC/HBO) assisting online conform, optical “RuBicon” Online “recap” promo (AMC) TV CAMPAIGNS “The Killer Inside Me” UK TV Campaign (Icon) “Green Zone” UK and International TV Campaign (Universal/Working Title) “Kick Ass” UK and International TV Campaign, Trailer elements (Universal/Marv -
Social and Dynamic Productions of Breaking and Hip Hop Culture
School of Media, Creative Arts and Social Inquiry “Our Lives are Lived in Freestyle”: Social and Dynamic Productions of Breaking and Hip Hop Culture Lucas Marie This thesis is presented for the Degree of Doctor of Philosophy of Curtin University September 2018 DECLARATION To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any other university. Signature: ………Lucas Marie………….……….. Date: …28/9/2018… ABSTRACT Based on fieldwork with breakers living in New York, Osaka, and Perth, as well from prior experiences within my field of study, this thesis builds on a growing body of scholarship which examines the productions, expressions and consumptions of hip hop culture. This study looks at how breakers—hip hop dance practitioners—work to produce, sustain and transform hip hop culture in ways that are local and unique. It is not, however, my intention to set out a definitive list of good or bad, authentic or unauthentic, notions of hip hop, or to suggest that there is one true or correct way in which to participate and identify as a member of. What is emphasised are the ways in which breakers, through their embodied dance practices, negotiate, express, understand and conceptualise hip hop. The title of this thesis, “Our Lives are Lived in Freestyle”, is a line from a spoken word poem, by a breaker from Texas named Marlon. In breaking, to “freestyle” means to improvise in the moment; to use the tools one has at their disposal to perform and create. -
David E. Fluhr, CAS Dialog/Music Re-Recording Mixer Manager: Michal Marks, President, a Muse Management 310-990-1777 ▪ [email protected]
David E. Fluhr, CAS Dialog/Music Re-Recording Mixer Manager: Michal Marks, President, A Muse Management 310-990-1777 ▪ [email protected] Selected Credits with Director/Picture Editor/Production Co. FULL CREDITS AND REFERENCES AVAILBLE ON REQUEST Big Hero 6 - Don Hall, Chris Williams/Disney Animation Get on Up - Tate Taylor/Michael McCusker/Imagine Entertainment Saving Mr. Banks - John Lee Hancock/Mark Livolsi/Walt Disney Pictures Frozen - Chris Buck, Jennifer Lee/Jeff Draheim/Disney Animation Planes - Klay Hall/Jeremy Milton/Disney Animation Paperman - John Kars/Lisa Linder/Disney Animation Wreck It Ralph - Rich Moore/Tim Mertens/Disney Animation Dorothy Of Oz - Dan St. Pierre/Summertime Entertainment The Odd Life Of Timothy Green - Peter Hedges/Andy Mondshein/Walt Disney Pic Glee Live 3D - Kevin Tancharoen/Fox The Vow - Michael Sucsy/Nancy Richardson/Spyglass 30 Minutes Or Less - Ruben Fleischer/Alan Baumgarden/Columbia Pictures Justin Bieber Never Say Never 3D - Jon Chu/Paramount Tangled - Nathan Greno & Byron Howard/Tim Mertens/ Disney Animation Step Up 3D - John Chu/Andrew Marcus/Walt Disney Pic The Princess and the Frog - Byron Howard & Nathan Greno/Tim Mertens/Disney Animation Surrogates - Jonathan Mostow/Kevin Stitt/Walt Disney Pic The Jonas Brothers 3D Concert - Bruce Hendricks/ Michael Tronick/Walt Disney Pic The Uninvited (Dialog predubs) - Charles & Thomas Guard/Jim Page/DreamWorks Bolt - Byron Howard & Chris Williams/Tim Mertens/ Walt Disney Pic Hannah Montana 3D Concert - Bruce Hendricks/Michael Tronick/Walt Disney Pic Enchanted (music re-recording mixer) - Kevin Lima/Gregory Perler/Walt Disney Pictures The Guardian - Andrew Davis/Dennis Virkler/Touchstone Pictures Black Snake Moan - Craig Brewer/Billy Fox/Paramount The Great Raid - John Dahl/Pietro Scalia/Miramax Hitchhikers Guide to the Galaxy - Garth Jennings/Niven Howie/Spyglass The Lookout - Scott Frank/Jill Savitt/Miramax, Spyglass The Greatest Game Ever Played - Bill Paxton/Elliot Graham/Walt Disney Pictures The Alamo - John Lee Hancock/Eric Beason/Imagine Ent. -
Augenblick Issue 1 / 2019
aUGENbLICK Issue 1 / 2019 Magazine for alumni, students and staff as well as friends and supporters of Harz University of Applied Sciences 02 magazine augenblick, issue 1 / 2019 Content Imprint Overview augenblick At a glance Anniversary Magazine for alumni, students and staff as well as friends and supporters of 04 "Try studying" with the Orientation 13 Twenty years of the Faculty of Harz University of Applied Sciences Programme Administrative Sciences at Harz 05 New Dean's Offices elected – relay University publisher baton passed on Prof. Dr. Folker Roland 06 New chapter for family friendliness President of Harz University of 06 New Board of Trustees takes up its work Social Media Applied Sciences Friedrichstrasse 57-59 14 #HSHARZ 38855 Wernigerode, Germany Retrospective A selection of the most beautiful Instagram pictures of the year 2018 editorial address 07 Nintendo, Ubisoft & Co.: Games University chirping at Twitter Communications and Marketing industry networks at Harz University Press spokeswoman: Janet Anders 08 Get out the popcorn! Friedrichstrasse 57-59 Campus life 38855 Wernigerode, Germany Phone: +49 3943 659-822 Open Campus 16 Working Group "Sustainable Harz E-Mail: [email protected] University" wins Environment Prize 09 "Campusfever" with a big party 2018 conception & editorial 17 New sports facilities on the Eileen Demangé Wernigerode campus Up and away 17 Raise the curtain for the design "Kulturschock" Annett Leopold 10 From the Harz to the Tokyo Game Show 18 Family atmosphere at Harz University 11 From France to -
Step up 2 2012
Step up 2 2012 click here to download Drama · Romantic sparks occur between two dance students from different backgrounds at the Maryland School of the Arts. Step Up 2: The Streets is a American dance film. It is the sequel to the film Step Up from Touchstone Pictures. The film . Retrieved August 23, Release date: February 14, Step Up is an American dance drama multi-media franchise created by Duane Adler. Step Up consisted of five films and grossed over $ million worldwide. Contents. [hide]. 1 Films. Step Up (); Step Up 2: The Streets (); Step Up 3D (); Step Up Revolution (). With awesome high-energy dancing, heated drama, and pulse-pounding music, STEP UP 2 THE STREETS is. Trailer - Step Up Revolution Official Trailer #2 () HD Movie . I hope that watching the film step Up and. Here is the songs 1-Jagg-Jingle ship 2 -Travis Porter -Bring It 3 -Death metal-MJ&iRok 4 -Edit-If you cramp. Published on Apr 4, STEP UP 2 THE STREETS features music from today's hottest artists. Step Up 2 Streets - Official Trailer - True HD STEP UP 2 THE STREETS features music from today's. 3rd December www.doorway.ru STEP UP 4: Step Up 4: Miami Heat Official. Step up 2. 17K likes. The movie is filmed in Baltimore, Maryland. It tells the story of Andie West pursuing his dream of becoming a street December 14, ·. Watch trailers, read customer and critic reviews, and buy Step Up 2: The Streets The follow-up to the smash hit "Step Up", "Step Up 2: The Streets" stars Briana Collection ; Genre: Drama; Released: 03 December ; View in iTunes. -
Lee County Health Barron Said, Adding Most of the Department Said Wednesday Pollutants Come from Upstream
thrEE Days a WEEK Post CoMMEnts at CaPE-Coral-DaIly-brEEzE.CoM Volleyball action CAPE CORAL Ida Baker takes on Port Charlotte in preseason scrimmage BREEZE — SPORTS MID-WEEK EDItIon WEATHER: Chance of Storms • Tonight: Partly Cloudy • Friday: Chance of Storms — 2A cape-coral-daily-breeze.com Vol. 48, No. 102 Thursday, August 26, 2010 50 cents No-swim advisory issued for the Yacht Club Beach High bacterial counts lead Health Department to post warning By DREW WINCHESTER bathe, but is “strongly” suggest- Paul Hunter of North Fort [email protected] ing that people stay out of the Myers was still out and about, A do-not-swim advisory has water. using his metal detector to seek been issued at the Yacht Club “It does happen at this time out treasures. Beach due to high levels of of the year. It’s hot, you get He said he would have Enterococcus and coliform bac- heavy rains, different tidal See BEACH, page 3A teria. flows, and fertilizer run-offs,” The Lee County Health Barron said, adding most of the Department said Wednesday pollutants come from upstream. No Swimming Advisory that the bacteria, normally “There’s nothing the Yacht signs dot the Yacht Club found in the intestinal tracks of Club can do to prevent it, it’s Beach Wednesday evening. humans and animals, are usually not something the city has con- trol over,” Barron said. The Lee County Health associated with an increased Department is telling peo- risk of swimming-associated The Yacht Club Beach was gastroenteritis illness like diar- virtually empty on Wednesday ple to stay out of the water rhea and abdominal pain. -
Introduction
INTRODUCTION Looking at various newspapers, magazines and websites over the period 2004 to the present, it becomes apparent that our understanding of the reintroduction of stereoscopy (D3D) is anything but clear. There are disagreements among accounts of D3D regarding its artistic value, and its impact on the entertainment industry and audience. Over the 2004 to the present period, the digital screen period, I have seen D3D cast as an evolutionary step for the industry: ‘Why wouldn’t we want this Darwinian edge in our workplaces, in our sports and entertainment, in all our peak visual experiences?’ (Cameron in Cohen, 2008). I have seen it described as ‘the next great revolution’ of cinema (Giles & Katzenberg, 2010, p. 10) and as a facilitator of art, one that could aid the audience to enter the realm of the on-screen performer (Wenders in James, 2011, p. 22). I have also seen it described as artistically limited, with claims, such as, director, Werner Herzog’s ‘[that] you can shoot a porno film in 3D, but you cannot film a romantic comedy in 3D’ (Herzog in Wigley, 2011, p. 29). Newspaper headlines have described it as a health concern: ‘3D film strikes two movie-goers with bout of motion sickness’ (Helliwell, 2010, p. 2).2 As well, I have seen arguments expounding the idea that stereoscopy’s reintroduction is simply evidence that the popular film industry lacks ideas. For example, popular film critic, Roger Ebert, has argued that D3D was just ‘[a]nother Hollywood infatuation with a technology that was already pointless when their grandfathers played with stereoscopes’ (Ebert, 2010a). -
Hip Hop Ja Jazztanssi
Harri Heinilä Hip hop ja jazztanssi Afrikkalaisamerikkalaisen tanssin jatkumo Kansi: Harri Heinilä ISBN 978-952-68364-8-5 Musiikkiarkisto 2021 musiikkiarkisto.fi [email protected] Sisällysluettelo Johdanto: hip hop ja jazztanssi 5 Jazztanssin synty 13 Jazzmusiikin synty 20 Jazzmusiikin ja -tanssin terminologia 22 Jazztanssi orjuuden aikana Yhdysvaltain plantaaseilla ja sen vaikutus 31 Minstrelsy-aikakausi 36 Cakewalk 52 Texas Tommy 61 Charleston 63 Lindy Hop 71 Mambo ja salsa 75 Rock and roll -tanssit 79 Hip hop -musiikin synty 85 Breikeistä rappiin: hip hop -kulttuurin muotoutuminen 96 Hip hop -tanssien synty 104 James Brown ja ’Get on the Good Foot’ -tanssi 106 Burning eli ”polttaminen” 108 Burning muuttuu breikkaukseksi 117 Bronxin alkuperäiset 1970-luvun breikkausryhmät 121 Bronxin alkuperäisen breikkauksen loppu 137 Länsirannikon Soul Train -tanssijat osana hip hop -tanssia 139 Breikkaus siirtyy uudelle sukupolvelle 151 Breikkauksen jatkumo vai katkeama: ensimmäisen ja toisen 163 sukupolven väliset erot Jazz- ja hip hop -tanssien yhtäläisyydet 168 2 Epilogi: hip hop -tanssi 2000-luvulla 192 Suomalaisen hip hop -kulttuurin musiikin ja tanssin alku 197 tutkijan näkökulmasta Taulukot 4 Viitteet 209 Lähteet 271 Henkilöhakemisto 292 3 Taulukot Taulukko 1. Ragtime vs. Jazz. Taulukko 2. William Henry Lane vs. John Diamond. Taulukko 3. Bronxin breikkausryhmiä 1970-luvulla. Taulukko 4. Bronxin breikkauspaikkoja 1970-luvulla. Taulukko 5. The Campbellock Dancers vuonna 1973. Taulukko 6. The Rock Steady Crew:n tanssijoita vuonna 1981. Taulukko 7. The New York City Breakers. Alkuperäinen kokoonpano vuonna 1982. Taulukko 8. Dynamic Rockers / Dynamic Breakers vuonna 1983. Taulukko 9. Breikkauksen leviäminen elokuvien kautta eri maissa. Teos on saanut tukea WSOY:n kirjallisuussäätiöltä ja Suomen tietokirjailijat ry:ltä.