"Napatan" Dynasty (From 656 to the Mid-3Rd Cent

Total Page:16

File Type:pdf, Size:1020Kb

CHAPTER SIX THE KINGDOM OF KUSH BETWEEN THE WITHDRAWAL FROM EGYPT AND THE END OF THE "NAPATAN" DYNASTY (FROM 656 TO THE MID-3RD CENT. BC) "Then this god said to His Majesty, 'You shall give me the lands that were taken from me. ,,1 1. THE SOURCES 1.1. Textual evidence From the twenty-nine royal documents in hieroglyphic Egyptian listed in Table A (Ch. II.l.l.l ), seventeen date from the period discussed in this chapter. The monumental inscriptions of Anlamani, Aspelta, Irike­ Amannote, Harsiyotef and Nastasefi present valuable information on concepts of the myth of the state and the developments in the legiti­ mation process. They were analysed from these particular aspects as well as from the viewpoint of the structure of Kushite government in earlier chapters in this book (Ch. V.3-5). As documents of political and cultural history, they will be discussed in this chapter, together with the rest of the royal inscriptions preserved from this period, which are, however, fragmentary or pertain to special issues as building or restora­ tion and economic management of temples. Besides monumental royal documents, there are hieroglyphic texts connected to temple cults and mortuary religion from this period. These will be touched upon in Ch. VI.3.2. The historical evidence is complemented with hieroglyphic Egyptian and Greek documents relating to the Nubian campaign of Psamtik II in 593 BC (Ch. VI.2.1-2), further with Herodotus' remarks on Nubian history and culture (c£ Ch. II.l.2.2) and a number of remarks of varying historical value in works of Greek and Latin 1 Irike-Amannote inscription, Kawa IX, line 60, FHNII No. 71 (trans!. R.H. Pierce). FROM 656 TO THE MID-3RD CENTURY BC 343 authors. They will be quoted in the following on the basis of the crit­ ical analyses presented in the Fontes Historiae Nubiorum. 2 On the whole, the evidence is unevenly distributed in time and space. It can, howev­ er, be complemented, on the one hand, with the evidence of the royal titularies (Ch. V.2.2) and, on the other, with the settlement historical and archaeological evidence (Ch. Vl.l.2-3). The royal documents of the Twenty-Fifth Dynasty rulers and their 7th and early 6th century BC successors Anlamani and Aspelta were the products of learned priests educated and active in archives attached to the principal Amun temples. The texts composed by them reveal the close connections of these archives as institutions with the court. The wide range of quotations from classical Egyptian literary texts3 on the one hand, and from earlier Kushite royal documents, on the other, found in these inscriptions indicate the initiative of the archives, to put together "libraries" of political and cultural identity.4 The quotations also reveal that the royal documents composed in the archives and "exhibited" (Ch. V.5.1.5) in the temples were regarded conceptually as well as stylistically as normative text collections. The royal inscriptions of the Twenty-Fifth Dynasty and the early Napatan period are historical insofar as the events recorded in them (inthronisation, temple foundation, donations, miraculous inundation etc.) are narrated in a logical chronological order and also fixed in time with one or two regnal year+season+month+day datings. All datings derive from records kept in the temples and were connected to the fes­ tivals celebrated and rites performed in an actual sanctuary. Charac­ teristically, Piye's Great Triumphal Stela mentions only the (allusive) dates of certain festivals but does not present any exact dates in con­ nection with the campaign5 and the whole of the stela text is dated as a royal decree with the conceptually significant date "first month of the season of Inundation", when the decree was issued. Similarly, Ta­ harqo's retrospective descriptions of events in his life before his ascent to the throne, or the references made six years later to events of his 2 FHNI, II. 3 Grima! 1980; 1981 a. For the notion "classical" see J. Assmann: Gibt es eine 'Klassik' in der agyptischen Literaturgeschichte? ZDGM Suppl. 6 (1985) 35-52. 4 Manuelian 1994 2ff., 409 and Eyre 1996 428f. suggest that the quotations of Egyptian literature in Kushite royal inscriptions were intended to assert "the commu­ nity, coherence and identity of the ruling class as 'Egyptian'", disregarding the fact that the quotations appear in the context of Kushite and Kushiticized Egyptian concepts, see Ch. V passim. 5 Grima! 1981 a 295. .
Recommended publications
  • King Aspelta's Vessel Hoard from Nuri in the Sudan
    JOURNAL of the Museum of Fine Arts, Boston VOL.6, 1994 Fig. I. Pyramids at Nuri, Sudan, before excava- tion; Aspelta’s is the steeply sloped one, just left of the largest pyramid. SUSANNEGANSICKE King Aspelta’s Vessel Hoard from Nuri in the Sudan Introduction A GROUP of exquisite vessels, carved from translucent white stone, is included in the Museum of Fine Arts’s first permanent gallery of ancient Nubian art, which opened in May 1992. All originate from the same archaeological find, the tomb of King Aspelta, who ruled about 600-580 B.C. over the kingdom of Kush (also called Nubia), located along the banks of the Nile in what is today the northern Sudan. The vessels are believed to have contained perfumes or ointments. Five bear the king’s name, and three have his name and additional inscrip- tions. Several are so finely carved as to have almost eggshell-thin sides. One is decorated with a most unusual metal mount, fabricated from gilded silver, which has a curtain of swinging, braided, gold chains hanging from its rim, each suspending a jewel of colored stone. While all of Aspelta’s vessels display ingenious craftsmanship and pose important questions regarding the sources of their materials and places of manufacture, this last one is the most puzzling. The rim with hanging chains, for example, is a type of decoration previ- ously known only outside the Nile Valley on select Greek or Greek- influenced objects. A technical examination, carried out as part of the conservation work necessary to prepare the vessels for display, supplied many new insights into the techniques of their manufacture and clues to their possible origin.
    [Show full text]
  • Nubia: Treasures of Ancient Africa
    Audio Guide Transcript Nubia: Treasures of Ancient Africa April 18–August 22, 2021 Main Exhibition Galleries STOP 1 Introduction Gallery: Director’s Welcome Speaker: Brent Benjamin Barbara B. Taylor Director Saint Louis Art Museum Hello, I’m Brent Benjamin, Barbara B. Taylor Director of the Saint Louis Art Museum. It is my pleasure to welcome you to the audio guide for Nubia: Treasures of Ancient Africa. The exhibition presents the history and artistic achievements of ancient Nubia and showcases the collection of the Museum of Fine Arts, Boston, through magnificent jewelry, pottery, sculpture, metalwork, and more. For nearly 3,000 years a series of Nubian kingdoms flourished in the Nile River valley in what is today Sudan. The ancient Nubians controlled vast empires and trade networks and left behind the remains of cities, temples, palaces, and pyramids but few written records. As a result, until recently their story has been told in large part by others—in antiquity by their more famous Egyptian neighbors and rivals, and in the early 20th century by American and European scholars and archaeologists. Through art, this exhibition addresses past misunderstandings and misinterpretations and offers new ways of understanding Nubia’s dynamic history and relevance, which raises issues of power, representation, and cultural bias that were as relevant in past centuries as they are today. This exhibition audio guide offers expert commentaries from Denise Doxey, guest curator of this exhibition and curator of ancient Egyptian, Nubian, and Near Eastern art at the Museum of Fine Arts, Boston. The guide features a selection of objects from various ancient Nubian kingdoms and shares insights into the daily life of the Nubians, their aesthetic preferences, religious beliefs, technological inventiveness, and relations with other ancient civilizations.
    [Show full text]
  • Journal of Egyptian Archaeology
    Journal of Egyptian Archaeology Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Naville in JEA I (1914), pl. I cf. 5-8 Abydos. Osireion. vi.29 View. Naville in JEA I (1914), pl. ii [1] Abydos. Osireion. Sloping Passage. vi.30(17)-(18) Osiris and benu-bird from frieze. see Peet in JEA i (1914), 37-39 Abydos. Necropolis. v.61 Account of Cemetery D. see Peet in JEA i (1914), 39 Abydos. Necropolis. Ibis Cemetery. v.77 Description. see Loat in JEA i (1914), 40 and pl. iv Abydos. Necropolis. Ibis Cemetery. v.77 Description and view. Blackman in JEA i (1914), pl. v [1] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.254 View. Blackman in JEA i (1914), pl. v [2] opp. 42 Meir. Tomb of Pepiankh-h. ir-ib. iv.255(16) Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 Group with calf from 2nd register. Petrie in JEA i (1914), pl. vi cf. 44 El-Riqqa. Finds. iv.87 Part of jewellery, temp.
    [Show full text]
  • An Ushabti of the King Senkamanisken
    Fayoum University Faculty of Archaeology AN USHABTI OF THE KING SENKAMANISKEN Islam I. AMER Faculty of Arts, New Valley University, Egypt E-mail: [email protected] الملخص ABSTRACT يتناول هذا البحث أحد تماثيل اﻷوشابتى التى This article deals with one of ushabtis ترجع للعصر المتأخرو التى وجدت ﻓﻲ السودان . which dates back to the Late period, it was حيث يهدف البحث إلى دراسة تمثال أوشابتى found in Sudan. This paper investigates and studies ushabti of the King للملﻚ " سنﻜاﻣنسﻜﻦ" أحد ﻣلوك ﻣملﻜة كوش بعد Senkamanisken, a king of the kingdom of اﻷسرة الخاﻣسة والعشريﻦ ، والذى عثر ﻓى Kusch who reigned after the Twenty fifth ﻣقبرته بنورى على العديد ﻣﻦ الطرز المختلفة Dynasty. His tomb in Nuri contained many لتماثيل أوشابتى . .of the different types of ushabtis الكلمات الدالة KEYWORDS أوشابتى، نورى، كوش، ﺳﻨكاﻣﻨﺴكﻦ Ushabti, Nuri, Kusch, Senkamanisken INTRODUCTION The excavations of Reisner at Gebel Barkal, Nuri and Meroe (1916, 1919-1923), discovered many archaeological artifacts.1 These include many funerary figures which are known with ushabti from the tombs of kings and queens of Napata. In tomb of the King Senkamanisken2 at Nuri (Nu.3), at least 410 serpentine and 867 faience ushabtis of different types were found.3 Dunham studied the faience ushabti1 and divided them into 1 Dunham published the excavations of Reisner at Gebel Barkal, Nuri and Meroë.:see D. Dunham, The Royal Cemeteries of Kush, Published for the Museum of fine Arts by Harvard university press Cambridge, Vol.II Nuri (1955) 2 The king Senkamanisken (643-623 B.C) one of the kings of Kush, son of Atlanersa (653-643 B.C) see J.U.
    [Show full text]
  • The Archaeological Sites of the Island of Meroe
    The Archaeological Sites of The Island of Meroe Nomination File: World Heritage Centre January 2010 The Republic of the Sudan National Corporation for Antiquities and Museums 0 The Archaeological Sites of the Island of Meroe Nomination File: World Heritage Centre January 2010 The Republic of the Sudan National Corporation for Antiquities and Museums Preparers: - Dr Salah Mohamed Ahmed - Dr Derek Welsby Preparer (Consultant) Pr. Henry Cleere Team of the “Draft” Management Plan Dr Paul Bidwell Dr. Nick Hodgson Mr. Terry Frain Dr. David Sherlock Management Plan Dr. Sami el-Masri Topographical Work Dr. Mario Santana Quintero Miss Sarah Seranno 1 Contents Executive Summary…………………………………………………………………. 5 1- Identification of the Property………………………………………………… 8 1. a State Party……………………………………………………………………… 8 1. b State, Province, or Region……………………………………………………… 8 1. c Name of Property………………………………………………………………. 8 1. d Geographical coordinates………………………………………………………. 8 1. e Maps and plans showing the boundaries of the nominated site(s) and buffer 9 zones…………………………………………………………………………………… 1. f. Area of nominated properties and proposed buffer zones…………………….. 29 2- Description…………………………………………………………………………. 30 2. a. 1 Description of the nominated properties………………………………........... 30 2. a. 1 General introduction…………………………………………………… 30 2. a. 2 Kushite utilization of the Keraba and Western Boutana……………… 32 2. a. 3 Meroe…………………………………………………………………… 33 2. a. 4 Musawwarat es-Sufra…………………………………………………… 43 2. a. 5 Naqa…………………………………………………………………..... 47 2. b History and development………………………………………………………. 51 2. b. 1 A brief history of the Sudan……………………………………………. 51 2. b. 2 The Kushite civilization and the Island of Meroe……………………… 52 3- Justification for inscription………………………………………………………… 54 …3. a. 1 Proposed statement of outstanding universal value …………………… 54 3. a. 2 Criteria under which inscription is proposed (and justification for 54 inscription under these criteria)………………………………………………………… ..3.
    [Show full text]
  • Mitteilungen Der Sudanarchäologischen Gesellschaft Zu Berlin Mitteilungen Der Sudanarchäologischen A
    Der Antike Sudan 2014 Der • Antike Sudan Heft 25 Colour fig. 6: The eastern section of the southeastern square of trench 224.14 with pit [224.14-015] (photograph: Claudia Näser) Heft 25 • 2014 Colour fig. 7: The workplace of the pottery project in the dighouse (photograph: Stephanie Bruck) Mitteilungen der Sudanarchäologischen Gesellschaft zu Berlin e.V. Titelbild: Das Nordprofil des Schnittes 102.20 (Foto: Thomas Scheibner) Colour fig. 3: Plane 3 of the northeastern square of trench 2014.14 with Colour fig. 4: The packing of unfired clay [context 224.14- the mudbrick wall [224.14-004] and the lower layer with traces of cir- 003] drawing over the mudbrick wall [224.14-004] (photo- cumscribed burning [224.14-009] (photograph: Claudia Näser) graph: Claudia Näser) Colour fig. 1: Results of the geomagnetic survey in the monastery Colour fig. 5: Selected samples representing seven MGRgroups. Five samples made of wadi clay: AD095 and AD098 (local), AD076 Colour fig. 2: The Musawwarat mosaic 'flower’ bead from the upper foundation layer of wall 120/122 in trench 122.17 and AD105 (local or regional) and AD087 (import). Two samples made of alluvial clay: AD077 and AD081. Samples after refiring at (photograph: Jens Weschenfelder) 1200°C (macrophotos of cross-sections: M. Baranowski) Mitteilungen der Sudanarchäologischen Gesellschaft zu Berlin e.V. Heft 25 2014 2014 Inhaltsverzeichnis Editorial .............................................................................................................................................................
    [Show full text]
  • NOIRS 10'000 Ans D'archéologie En Nubie a Ux Orig in Es
    10’000 ans d’archéologie en Nubie en d’archéologie ans 10’000 Aux origines des pharaons noirs Dans la vallée du Nil, au-delà des frontières de l’Empire égyptien, s’étend la Nubie, territoire fascinant et mystérieux, d’où ont émergé les fameux pharaons noirs au 7e siècle av. J.-C. Kerma constitue l’un des centres de cette région, AUX où l’intensité des recherches archéologiques menées par une équipe suisse depuis près de 40 ans a permis de retracer la trajectoire des sociétés antiques au cours des 10’000 dernières années, des premiers établissements séden- taires jusqu’à l’émergence de vastes royaumes qui rivalisèrent avec la puissance des Egyptiens. ORI- L’exposition «Aux origines des pharaons noirs» et le présent catalogue traitent du développe- ment des sociétés préhistoriques et antiques de la Nubie sur le long terme. Plus qu’une simple présentation d’objets illustrant le propos, l’objectif GINES est de restituer l’ambiance du pays et des fouilles archéologiques menées sur le terrain, en combinant les deux sources principales d’infor- mation qui s’offrent à l’archéologue. D’une part le monde des morts et ses impressionnants DES rituels funéraires, d’autre part le monde des vivants, des établissements villageois à la création des premières villes d’Afrique noire. Objets funéraires ou quotidiens, reconstitutions, maquettes, vidéos et présentation du musée de Kerma sont autant de fenêtres qui permettent PHA- de restituer la richesse et la diversité de l’archéo- logie nubienne. RAONS 10’000 ans d’archéologie NOIRS en Nubie 10’000 ans d’archéologie en Nubie AUX ORI- GINES DES PHA- RAONS Matthieu Honegger NOIRS Matthieu Honegger Ouvrage publié à l’occasion de l’exposition présentée au Laténium du 3 septembre 2014 au 17 mai 2015, avec le Aux origines des pharaons noirs, soutien de la Loterie Romande et de l’Association Archéone.
    [Show full text]
  • Aspelta, Beloved of Re'-Harakhty and Tombs in the Temple
    SUDAN & NUBIA and the temple extends approximately 120m east-west (Figure QSAP Dangeil 2016: Aspelta, 1). Recent excavations have concentrated on the temple’s peristyle hall. The initial purpose was to expose the proces- Beloved of Re’-Harakhty and sional way and the court around the kiosk and determine if, Tombs in the Temple as with other Amun temples, this route had been flanked by a series of ram statue pairs. In the north-eastern area of the Julie R. Anderson, Rihab Khidir elRasheed court (designated ET8), two statue plinths constructed of red and Mahmoud Suliman Bashir brick and plastered on the exterior with white lime painted yellow, were exposed in autumn 2015. They lay beneath red- brick rubble from the colonnade, architectural fragments Excavations are being conducted within the temenos enclo- from the kiosk, and numerous small sandstone fragments sure of a 1st century AD Amun temple at Dangeil, River Nile from broken ram statues. State, as the Berber-Abidiya Archaeological Mission is focus- In autumn 2016, excavation of this area was expanded ing upon the sacred landscape of the late Kushite period in westward towards the kiosk in the centre of the court. This this region. Recently two field seasons were conducted, one exposed another regularly placed rectangular statue plinth, in autumn 2016 and the other in March 2017.1 The site of the processional way which was paved with red bricks and Dangeil measures approximately 300 x 400m, covers 12ha, sandstone flags, and a sandstone column capital. The plinth and consists of several mounds, some greater than 4m in and area to the west of it were covered with sandstone and height, each covered with fragments of red brick, sandstone, brick tumble from the kiosk and from the destruction of sherds, and white lime plaster.
    [Show full text]
  • Rediscovering the Empires of Ancient Nubia in the 21St Century*
    36 REDISCOVERING THE EMPIRES OF ANCIENT NUBIA IN THE 21ST CENTURY* BY RITA E. FREED #Blacklivesmatter, #Metoo, #Blackpanther… The world of the early 21st century differs from the world of a hundred years ago, when the Harvard University-Boston Museum of Fine Arts Expedition excavated in both Egyptian and Sudanese Nubia. This paper traces the history of the Nubian collection at the Museum from the time it arrived until the present. It reconsiders ways the Museum might present a gallery – or series of galleries – devoted to Nubia in a way that encompasses new perspectives on the material and engages and educates a broad audience. Ancient Nubia and the MFA, Boston According to the partage system instituted by the governments of both Egypt1 and Sudan2 at the time of the Harvard-Boston excavations in Nubia (1907-1932), the Museum of Fine Arts, Boston (MFA) was awarded half the material discovered. Thanks to this generous policy, the MFA now has the finest collection of Nubian material outside Sudan. Nubian objects arrived at Boston shores between 1913 and 1947, at the same time as finds from the concurrent excavations in Giza and other Egyptian sites. The MFA decided at that time to install Nubian and Egyptian material together as art of the greater Nile Valley (fig. 1) in the newly opened Huntington Avenue building. The one exception was the massive sarcophagus of King Aspelta, which found a place in the Museum’s Lower Rotunda (fig. 2), where visitors enjoyed tea beside it every weekday afternoon. Recognizing the unique qualities of the Nubian material, curator Dows Dunham who had worked under George Reisner3 since his graduation from Harvard in 1913 advocated for a dedicated Nubian Gallery in the 1940s and 50s.
    [Show full text]
  • Internecine Conflict in the Second Kingdom of Kush
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 2013 The Enemy Within: Internecine Conflict in the Second Kingdom of Kush Sophia Farrulla College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Recommended Citation Farrulla, Sophia, "The Enemy Within: Internecine Conflict in the Second Kingdom of ushK " (2013). Undergraduate Honors Theses. Paper 771. https://scholarworks.wm.edu/honorstheses/771 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. ! ! The!Enemy!Within:! Internecine!Conflict!in!the!Second!Kingdom!of!Kush!! ! ! ! A"thesis"submitted"in"partial"fulfillment"of"the"requirement" for"the"degree"of"Bachelor"of"Arts"in"History"from"" The"College"of"William"and"Mary" " " by" " Sophia"Farrulla" " " " """"""" Accepted"for"____________________________________________" " " " " " """"""""""(Honors,"High"Honors,"Highest"Honors)" " " " !!!!! ! ! ___________________________________________! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Jeremy!Pope,!Director" " " " " " " ___________________________________________" " " " Neil!Norman! ! ! ! ! ! ! ___________________________________________! ! ! ! Ronald!Schechter! " " " " """""""""""""""Williamsburg,"Virginia" " " " " """"""""""April"25,"2013" " i" Contents!
    [Show full text]
  • The Sudan National Museum in Khartoum
    The Sudan National Museum in Khartoum AN ILLUSTRATED GUIDE FOR VISITORS A short history of the Sudan To get a good overview of the history of the Sudan, it is quite handy to start with a map. Geography explains the history of a country quite well, but it is all the more true in Sudan, a wide desert spread crossed only by the thin strip in the shape of an “S” that is the Middle Nile valley, interrupted by five of the six cataracts. In the entrance of the exhibition hall of the Museum, a big bilingual map (Arabic/English) was put up three years ago. There had to be modifications to be made following the independence of South Sudan. As far as archaeology is concerned, the main topic of this visit is Sudan proper. Ancient remains have been found from the border with Egypt to the Khartoum region and the Blue Nile, but not much to the south. In the South, the soil and the climate do not allow a good preservation of artifacts and skeletons. The cultures that have evolved there were using perishable building materials such as wood that did not survive in the acid soil of the rainforest; whereas in the North, like in Meroe for example, stone and brick architecture buried in the sand can be preserved for millennia and it is the material that Egyptologists are accustomed to study. The border between Egypt and Sudan, today located slightly north of the second cataract, is one of the oldest in the world. It has been there for approximately 5000 years.
    [Show full text]
  • Sudanese Cultural Heritage Sites Including Sites Recognized As the World Heritage and Those Selected for Being Promoted for Nomination
    Sudanese Cultural Heritage Sites Including sites recognized as the World Heritage and those selected for being promoted for nomination Dr. Abdelrahman Ali Mohamed Sudanese Cultural Heritage Sites: Including sites recognized as the World Heritage and those selected for being promoted for nomination / Dr. Abdelrahman Ali Mohamed. – 57p. ©Dr. Abdelrahman Ali Mohamed 2017 ©NCAM – Sudanese National Corporation for Antiquities and Museums 2017 ©UNESCO 2017 With support of the NCAM, UNESCO Khartoum office and Embassy of Switzerland to Sudan and Eritrea Sudanese Cultural Heritage Sites Including sites recognized as the World Heritage and those selected for being promoted for nomination Sudanese Cultural Heritage Sites Forewords This booklet is about the Sudanese Heritage, a cultural part of it. In September-December of 2015, the National Corporation for Antiquities and Museums (NCAM) of the Sudanese Ministry of Tourism, Antiquities and Wildlife, National Commission for Education, Science and Culture, and UNESCO Khartoum office organized a set of expert consultations to review the Sudanese list of monuments, buildings, archaeological places, and other landmarks with outstanding cultural value, which the country recognizes as of being on a level of requirements of the World Heritage Center of UNESCO (WHC). Due to this effort the list of Sudanese Heritage had been extended by four items, and, together with two already nominated as World Heritage Sites (Jebel Barkal and Meroe Island), it currently consists of nine items. This booklet contains short descriptions of theses “official” Sudanese Heritage Sites, complemented by an overview of the Sudanese History. The majority of the text was compiled by Dr. Abdelrahman Ali Mohamed, the General Director of the NCAM.
    [Show full text]