Global Patterns for National Stars? Celebreality in Slovakia
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Contemporary Bulgarian Prose 2018
Contemporary Bulgarian Prose 2018 Представянето на проекта на Международния панаир на книгата във Франкфурт 2018 е реализирано с финансовата подкрепа на Национален фонд Култура. Contemporary Bulgarian Prose 2018 Compilers: Mihaela Petrova, Head of the National Book Centre The Advisory Board: Prof. Dr. Amelia Licheva, Prof. Milena Kirova, Dr. Darin Tenev, Assoc. Prof. Dr. Dariya Karapetkova, Dr. Mitko Novkov © Design: Damyan Damyanov, Rostislav Marinov | Editor: Angela Rodel © National Palace of Culture – Congress Centre Sofia 2018 CONTENTS National Palace of Culture | 9 Ivan Dimitrov | 62 Theodora Dimova | 125 Nikolay Terziysky | 184 National Book Centre | 10 The Power of Words The First Birthday Excommunication CONTEMPORARY BULGARIAN PROSE 2018 Kristin Dimitrova | 67 Vessella Lyutzkanova | 130 Petar Krumov | 189 Call Me When You Get There The First Birthday Hearse, Two Rhinos Alek Popov | 12 The Palaveev Sisters: On the Road to the New World Lea Cohen | 73 Vladimir Poleganov | 136 Tanya Shahova | 195 Raphael The Other Dream The German’s Girl Alexander Chobanov | 19 Not Over and Done Lyubomir Nikolov | 78 Vladislav Todorov | 141 Velislav Ivanov | 203 Happy People The Spinning Top Images and Reflections Angel Igov | 24 Fine Dust Particles Maria Stankova | 83 Yanitza Radeva | 148 Let’s See If God Will Laugh The Road to Threbes Deyan Enev | 29 The Carpenter Mikhail Veshim | 89 Yordanka Beleva | 154 When I Was an Army General Keder Dimana Trankova | 33 The Empty Cave Milen Ruskov | 95 Zachary Karabashliev | 158 Chamkoriya Havra (Fallow Lands) -
Reality Television Participants As Limited-Purpose Public Figures
Vanderbilt Journal of Entertainment & Technology Law Volume 6 Issue 1 Issue 1 - Fall 2003 Article 4 2003 Almost Famous: Reality Television Participants as Limited- Purpose Public Figures Darby Green Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Privacy Law Commons Recommended Citation Darby Green, Almost Famous: Reality Television Participants as Limited-Purpose Public Figures, 6 Vanderbilt Journal of Entertainment and Technology Law 94 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol6/iss1/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. All is ephemeral - fame and the famous as well. betrothal of complete strangers.' The Surreal Life, Celebrity - Marcus Aurelius (A.D 12 1-180), Meditations IV Mole, and I'm a Celebrity: Get Me Out of Here! feature B-list celebrities in reality television situations. Are You Hot places In the future everyone will be world-famous for fifteen half-naked twenty-somethings in the limelight, where their minutes. egos are validated or vilified by celebrity judges.' Temptation -Andy Warhol (A.D. 1928-1987) Island and Paradise Hotel place half-naked twenty-somethings in a tropical setting, where their amorous affairs are tracked.' TheAnna Nicole Show, the now-defunct The Real Roseanne In the highly lauded 2003 Golden Globe® and Show, and The Osbournes showcase the daily lives of Academy Award® winner for best motion-picture, Chicago foulmouthed celebrities and their families and friends. -
Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities
International Web Journal Revue internationale www.sens-public.org Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities MARIA POPOVA Abstract: The Reality TV appearance results from the media content changes, the infotainment development, the media use enlargement, the creation of quality, mass, thematic universal media products, sold at for low costs and for big profits. The Reality TV significant contribution is the discrepancy between public and private, the viewers’ possibility to see themselves and their problems into participants’ behavior. Although the Reality TV shows present voyeurism, scandal and conflict, media audience may control the program narrative. These programs are entertainment form, but they engage the society with charity, define the media agenda setting, and present definitive socio-cultural models, national peculiarities, which answer to the media audience needs, which are general as cultural sense and social behavior. There are different Reality TV forms worldwide. Most of them represent local edition for the local media audience. In Bulgaria the Reality TV started in 2004 and it has had significant influence of the media content ever since. The Reality TV places substantial problems at the media sphere, connected with media reliability, media post-colonialism, media manipulation, and media pluralism. Keywords: media – Reality TV – media content – media audience – Bulgarian television Contact : [email protected] Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities Maria Popova Media content – between media audience interest and social needs The changes in European media environment have been flowing in parallel directions in the last years. On one hand, the media fragmentarization increases in accordance with primarily declared and explored target media audience needs. -
What About the Osbournes? Each Member of the Osbournes Has a Developed
The Osbournes’: Genre, Reality TV, and the Domestication of Rock ‘n Roll by Rick Pieto and Kelly Otter The latest trend of television programming is reality TV, a genre that finds its most valuable content in the unabashed display of individuals willing to be put on display as they part with their privacy, dignity, and composure. The genre is clear, yet the formula varies so as to keep it fresh and increasingly bizarre to maintain its audience. Young women compete for a husband on camera by attempting to win the affection of a bachelor in six weeks; individuals compete for money by conquering their fears and consume live insects or allow themselves to be submerged under water for as long as possible; and couples test the strength of their relationships by subjecting themselves to the temptation of desirable strangers. Love, fear, and conflict provide the substance of a good story, and television producers have found a context in which drama is manufactured before a camera crew. But given the absence of a constructed context and specific roles to play, how do we define The Osbournes? How should we generically define this program about an aging heavy metal rock star and his “dysfunctional family?” One way to begin to place The Osbournes within an appropriate genre is to look at MTV’s presentation of the show. MTV sells The Osbournes as a reality TV sitcom and indeed its narrative structure is loosely similar to the sitcom formula, with real-life segments edited and sequenced to be reminiscent of a scripted program. -
Bulgaria AMMIE Volume Report Track Changes V3
Report on youth exposure to alcohol commercials on television in Europe: rt on youth exposure to alcohol commercials on television Volume of youth exposure in Bulgaria Results of monitoring televised alcohol commercials in Bulgaria in 2010 1 Report on youth exposure to alcohol commercials on television in Europe: Volume of youth exposure in Bulgaria Results of monitoring televised alcohol commercials in Bulgaria in 2010 Author: Daniela Alexieva Foundation ‘Horizonti 21’ Sofia ‘Bolgrad’ Str. 5 Phone: +359(02)963 32 80 Fax: +359(02)963 32 80 Email: [email protected] Editing and contact person: Avalon de Bruijn ( [email protected] ) European Centre for Monitoring Alcohol Marketing (EUCAM) Utrecht, the Netherlands, November 2011 Conducted as part of the Alcohol Marketing Monitoring in Europe (AMMIE) project. AMMIE is coordinated by the Dutch Institute for Alcohol Policy (STAP). Contact details: Dutch Institute for Alcohol Policy (STAP) Postbus 9769 3506 ET Utrecht +31306565041 [email protected] www.stap.nl This report arises from the project Alcohol Marketing Monitoring in Europe which has received funding from the European Union, in the framework of the Health Program. 2 Index of contents Summary .............................................................................................................................. 4 1.Introduction ...................................................................................................................... 9 1.1 Effects of alcohol advertising ....................................................................................................... -
Our Attorneys
Our Attorneys JAY TAYLOR [email protected] Jay Taylor is the Managing Partner of Taylor Louis LLP. He specializes in business and finance transactions, including structured finance and derivatives, broker-dealer transactions, project finance and complex business deals and structures. His overall expertise is reducing financial risk across a variety of complex transactions and business arrangements. He has approximately 20 years of experience reviewing, drafting, and negotiating structured trading deals and derivatives and project finance documentation. His expertise includes corporate and financial deals and security arrangements for all transaction types. He advises start-up enterprises and middle-market participants in basic and complex financial documentation and risk management issues. Mr. Taylor has represented a global client base which includes some of the world's largest corporations, energy companies, hedge funds and investment banks. His knowledge of financial transactions and products includes credit, equity, commodity, fixed income, currency and futures and options. He understands the actual and theoretical framework of financial risk management. Mr. Taylor has represented clients in a variety of domestic and international deals in his role as Special Counsel for one of the world's largest law firms, where he served as the firm's key point person for training and instruction in the area of financial derivatives and transactional matters. He has formed and advised several start-up enterprises, managed a multi-national transactional risk management project for a global international bank, led a legal risk assessment team for one of the world's largest hedge funds and served as lead commodities lawyer in the U.S. -
A Great Year How Many RTL Group’S Channels Increased Their Market Position in 2011
12 January 2012 week 02 A great year How many RTL Group’s channels increased their market position in 2011 Luxembourg Germany RTL Group to exit Greek RTL Television presents broadcasting market fi fth ‘Commit Award’ France United States Nicolas de Tavernost on M6’s Melanie Amaro wins performance in 2011 The X Factor US week 02 the RTL Group intranet Cover: Montage with channels’ ratings increases year-on-year (in per cent). 2 week 02 the RTL Group intranet Winner of the year RTL Group’s fl agship channels in Germany and the Netherlands increased their audience shares once more in 2011. Other profi t centres recorded strong performances as well. Luxembourg - 12 January 2012 In 2011, almost all of RTL Group’s families of channels and fl agship channels were once again able to increase their – already good – ratings. RTL Television in Germany recorded its best yearly average since 1997. M6 was the only major channel in France to increase its audience shares year-on-year. In the Netherlands, RTL 4 had its best ratings in 14 years, while RTL Belgium remained the leading family of channels in the country with audience shares stable at 35 per cent. Despite the ongoing fragmentation in Croatia, RTL Hrvatska was able to increase its combined audience share both in prime time and all day. In Hungary, RTL Klub not only was the leading channel but also broadcast all of the 100 most-watched programmes in 2011. Alpha in Ich bin ein Star – Holt mich hier raus! Greece continued to increase audience shares, Vox closed the year 2011 with an average while Grupo Antena 3 in Spain increased its market share of 7.3 per cent in its target combined audience share by 1.5 percentage audience of 14- to 49-year-old viewers. -
Inspirational Reality TV: the Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism
Inspirational Reality TV: The Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism Mina Tsay-Vogel and K. Maja Krakowiak In light of recent theories of meaningful media that suggest a host of psychological benefits, the present study uniquely extends the boundaries of the effects of reality TV from simply offering pleasure, diversion, and amusement to its viewers to also providing deep insight and meaning. In particular, a between-subjects experiment (N = 143) examined differences in affective, cognitive, and motivational responses to lifestyle transforming versus game based reality programs. Findings indicate that lifestyle transforming reality TV produced stronger feelings of elevation and percep- tions of the program as moving and thought-provoking than game reality TV, which in turn increased motivations for altruism. Avenues for future research and theore- tical implications of meaningful and inspiring reality TV for positive psychology are discussed. The proliferation and dominance of reality-based programs on television continues to generate considerable scholarly attention. The term, “reality TV,” has commonly encompassed programs that showcase real people or non-actors in unscripted scenarios (Hill, 2005; Nabi, Biely, Morgan, & Stitt, 2003) and claim to portray reality (Cavendar & Fishman, 1998). Such programs (e.g., The Bachelor, Survivor,andThe Real World) have generally been attributed under a single or collective genre. However, in recent years, the emergence of reality TV subgenres based -
Synchronisierte Verbundformate
Frontispiz Herausgegeben von Patrick Rössler Editorial Board: Klaus Beck Joachim Höflich Klaus Kamps Wolfgang Schweiger Andreas Werner Werner Wirth Band 9 Günter Hack Synchronisierte Verbundformate Taktgeber Internet: verteilte Medienprodukte am Beispiel „Big Brother“ Redaktion der Reihe Internet-Research: Prof. Dr. Patrick Rössler Universität Erfurt Kommunikationssoziologie und -psychologie Nordhäuser Str. 63 99089 Erfurt Tel.: ++49/(0)3 61/7 37-41 81 E-mail: [email protected] ISBN: ISSN: © Verlag Reinhard Fischer 2003, Weltistr. 34, 81477 München http://www.verlag-reinhard-fischer.de Ohne Genehmigung des Verlages ist es nicht gestattet, Seiten auf irgendeine Weise zu vervielfältigen. Genehmigungen erteilt der Verlag auf Anfrage. Druck und Bindung: 5 Inhaltsverzeichnis 1... Ein konnektionistisches Medienproduktmodell........................................................................... 10 1. 1....Zielsetzung und Struktur .................................................................................................. 10 1. 2....Begriffsbildung.................................................................................................................. 12 1. 2. 1. .... Konnektionismus.............................................................................................. 12 1. 2. 2. ....Traditionelle Mediensysteme und standardnetzwerkprotokollbasierte Dienste.. 13 1. 2. 3. .... Frequenz und Referenz ..................................................................................... 17 1. 2. 4. .... Realität -
The New Press and Media Act in Hungary
The New Press and Media Act in Hungary At the end of December 2010 the Hungarian Parliament adopted a new press and media law which immediately aroused strong criticism in the EU states, OSCE (Organization for Security and Cooperation in Europe), and European journalist organizations for contradicting European ideologies. The Act came into force at the beginning of January 2011, when Hungary also assumed the EU presidency for the subsequent six months. A basic concern is how Hungary can participate in evaluating the progress of democracy in the candidate countries when it is moving away from democracy itself. The act, comprising 230 articles, establishes in the country a new body for media control, the National Media and Communications Authority, for monitoring the contents of all media, including the internet. Media Council is an independent body of the Authority. The Authority may stipulate regulations with respect to the behavior of the media. If it regards that the published information is not balanced, it has the right to impose a heavy fine to the media in question or even suspend its activity (see article 187 below). It may also oblige the media to reveal their source of information. The Act also gives quotas to European and Hungarian programmes and music in the public media (articles 20-22). The Act stresses respecting “family values,” a fact that has made the international sexual minority organizations suspicious. The Authority, as well as several other institutions, is led by Fidesz, the leading political party. Besides the Authority, the Act also stipulates the establishment of the Public Service Foundation governing the radio, the two national TV channels, and the news agency MTI. -
To Teach and to Please: Reality TV As an Agent of Societal Change
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship@BC To Teach and to Please: Reality TV as an Agent of Societal Change Author: Robert J. Vogel Persistent link: http://hdl.handle.net/2345/2653 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2012 Copyright is held by the author, with all rights reserved, unless otherwise noted. To Teach and to Please: Reality TV as an Agent of Societal Change Robert Vogel Undergraduate Honors Thesis William E. Stanwood, Thesis Advisor Boston College December 2011 i Acknowledgements Many people have contributed to the completion of this senior thesis. First and foremost, I would like to recognize my family for encouraging me to attempt new things, and to always pursue a challenging course of study. My mother and father have shown nothing but the utmost love and support for me in every venture (and adventure) that I have undertaken, and I am eternally thankful to them. Further, I want to recognize my peers. First, my roommates: Drew Galloway, Jay Farmer, Dan Campbell, Fin O’Neill, and (at one time) Jonah Tomsick. Second, my a capella group, the BC Acoustics. Third, my friends, both from Boston College and from home (you know who you are). And fourth, my wonderful girlfriend, Sarah Tolman. Having no siblings, I embrace my close friends as my family. Each one of you gave me inspiration, determination, love, laughter, and support during the conducting of this research, and I sincerely thank you for this. -
Download the 2013 Media Book
L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page C1 2013 Media Book L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page C2 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 1 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 2 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 3 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 4 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 5 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 6 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 7 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 8 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 9 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 10 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 11 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 12 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 13 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 14 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 15 Southern California’s Top 100 Events 2013 October 1, 2013 http://www.bizbash.com/race-erase-ms-2-benefit-hosted-nancy-davis-hyatt- regency/gallery/124651 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 16 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 17 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 18 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 19 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 20 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 21 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 22 L01A_R2E Media 2013_Q8 1/29/14 7:57 AM Page 23 Monday, 05/ 6/2013 2:30 PM http://///wwww.glamour.com/entertainment/blogs/obsessed/2013/05//wwhats-it-like-to-attend-a-priv.html What It's Like to Attend a Private Elton John Concert.