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Laupäev / Saturday 17.10.2020 RING 1 Kohtunik / Judge: Anne Klaas, Eesti
Laupäev / Saturday 17.10.2020 RING 1 Kohtunik / Judge: Anne Klaas, Eesti BOSTONI TERJER / BOSTON TERRIER (140) kell / time 10:00 ISASED BEEBIKLASS / DOGS BABY CLASS 1 BOKS-BEST SAIZ KEEP SMILING BRUNO EST-02409/20 978101082406629 sünd 30.04.2020 i CANMOY'S BOSTON LET'S ROCK e CANMOY'S BOSTON CELEBRATION kasv Klarissa Orgusaar & Igor Orgusaar, Eesti om Eveli Mäepalu, Eesti EMASED AVAKLASS / BITCHES OPEN CLASS 2 HAZEL APHRODITE EST JCH LTU JCH EST-04069/19 982126054683815 sünd 23.11.2018 i ARCUS MANO AREKA e MATERA'S UBI A STAR kasv J Jevtichova, United Kingdom om Jelena Aleksejeva, Eesti CHIHUAHUA, PIKAKARVALINE / CHIHUAHUA, LONG-HAIRED (218) kell / time 10:00 ISASED JUUNIORIKLASS / DOGS JUNIOR CLASS 3 AMIROYAL VERSAL II EST-03213/20 643094100627616 sünd 15.06.2019 i AMIROYAL IN LOVE e LYUPRI J'AI DE LA CHANCE kasv N.A. Kanaeva, Russia om Svetlana Araslanova, Eesti 4 VINZENTA TEMI ORLANDO BLOOM EST-03394/19 978101082606977 sünd 10.06.2019 i PHILFORT HARLEI HELIOS e VINZENTA TEMI LESEDY LA RONA kasv Irene Montvila, Eesti om Irene Montvila & Valentina Voropai, Eesti ISASED AVAKLASS / DOGS OPEN CLASS 5 YUZHNIY ANGEL BILLY BOS RKF5473600 643094100636417 sünd 09.10.2018 i VARTTAVO BOMBEY e YUZHNIY ANGEL GRACE KELLI kasv Anastasia Popandupolo, Russia om Anastasia Popandupolo, Russia EMASED JUUNIORIKLASS / BITCHES JUNIOR CLASS 6 RUTA DEL SOL DALI DIAMOND EST JCH EST-00565/20 991001003083380 sünd 21.11.2019 i OBAMA DES ETOILES D’ARTEMIS e RUTA DEL SOL DIAMOND ARE FOREVER kasv Jaana Vahter, Eesti om Jaana Vahter, Eesti EMASED NOORTEKLASS / BITCHES -
Reality Television Participants As Limited-Purpose Public Figures
Vanderbilt Journal of Entertainment & Technology Law Volume 6 Issue 1 Issue 1 - Fall 2003 Article 4 2003 Almost Famous: Reality Television Participants as Limited- Purpose Public Figures Darby Green Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Privacy Law Commons Recommended Citation Darby Green, Almost Famous: Reality Television Participants as Limited-Purpose Public Figures, 6 Vanderbilt Journal of Entertainment and Technology Law 94 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol6/iss1/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. All is ephemeral - fame and the famous as well. betrothal of complete strangers.' The Surreal Life, Celebrity - Marcus Aurelius (A.D 12 1-180), Meditations IV Mole, and I'm a Celebrity: Get Me Out of Here! feature B-list celebrities in reality television situations. Are You Hot places In the future everyone will be world-famous for fifteen half-naked twenty-somethings in the limelight, where their minutes. egos are validated or vilified by celebrity judges.' Temptation -Andy Warhol (A.D. 1928-1987) Island and Paradise Hotel place half-naked twenty-somethings in a tropical setting, where their amorous affairs are tracked.' TheAnna Nicole Show, the now-defunct The Real Roseanne In the highly lauded 2003 Golden Globe® and Show, and The Osbournes showcase the daily lives of Academy Award® winner for best motion-picture, Chicago foulmouthed celebrities and their families and friends. -
What About the Osbournes? Each Member of the Osbournes Has a Developed
The Osbournes’: Genre, Reality TV, and the Domestication of Rock ‘n Roll by Rick Pieto and Kelly Otter The latest trend of television programming is reality TV, a genre that finds its most valuable content in the unabashed display of individuals willing to be put on display as they part with their privacy, dignity, and composure. The genre is clear, yet the formula varies so as to keep it fresh and increasingly bizarre to maintain its audience. Young women compete for a husband on camera by attempting to win the affection of a bachelor in six weeks; individuals compete for money by conquering their fears and consume live insects or allow themselves to be submerged under water for as long as possible; and couples test the strength of their relationships by subjecting themselves to the temptation of desirable strangers. Love, fear, and conflict provide the substance of a good story, and television producers have found a context in which drama is manufactured before a camera crew. But given the absence of a constructed context and specific roles to play, how do we define The Osbournes? How should we generically define this program about an aging heavy metal rock star and his “dysfunctional family?” One way to begin to place The Osbournes within an appropriate genre is to look at MTV’s presentation of the show. MTV sells The Osbournes as a reality TV sitcom and indeed its narrative structure is loosely similar to the sitcom formula, with real-life segments edited and sequenced to be reminiscent of a scripted program. -
De Garagemannen Van 'Pimp My Ride'
De MTV-tv-serie ‘Pimp My Ride’, over het omtoveren van oude roestige auto’s in glimmende pooierbakken, maakte ‘pimpen’ tot een trend. Huizen, fietsen, dieren, mensen, alles wordt tegenwoordig gepimpt – luxe opgekalefaterd. Maar de mensen in de originele ‘Pimp My Ride’-garage, West Coast Customs in Los Angeles, willen niet meer op MTV. Ze vertellen aan Freek Staps waarom ISH: Ik ben nu acteur, man Foto’s Claudia van Roudendal UITGEPIMPT: Deel van de crew van de garage WestCoast Customs in Los Angeles,bij een ‘gepimpte' wagen: ‘Teleurgesteld’. Foto Patrik Giardino/ Corbis SEAN: Ik weet niet of dit programma goed was voor ons. Ik laste, maar je zag mij nooit De garagemannen van ‘Pimp My Ride’ willen geen auto’s meer pimpen voor MTV aan het einde van het jaar die loonsver- nog een beroemdheid kende die de boel Alleen aan die laatste kostenpost wist probeerden er wel iets moois en veiligs de garage. hoging eindelijk doorkomt) toch echt gratis aan elkaar wilde praten? Nou, nee hij een mouw te passen: fabrikanten van van te maken. Maar het waren barrels, Haus: „De mannen die wel werkten eens de bekleding van de stoelen te ruk- dus.” Maar de inmiddels dertigjarige geluidsboxen zo groot als automoto- man, big pieces of shit, echt waar. Maar kregen geen waardering van buiten- ken en er massagemotortjes onder te in- Haus gelooft in risico’s nemen. Daarom ren, van schuifdaken van zwart suède wat kun je doen in een paar dagen?” staanders. Ik was ze de hele dag maar RYAN HAUS: We probeerden er iets stalleren zodat het cruisen door de stad, maakte hij zijn middelbare school niet en van gele en rode verf, ideaal voor wil- De kijker ervaart de serie als een aan- schouderklopjes aan het geven.” moois en veiligs van te maken over de snelweg of langs het strand nog af, daarom begon hij een eigen bedrijf de vlammen op de zijkant van de auto, eenschakeling van grappen en grollen. -
Pimp My Ride: Mapping Vernacular Creativity in an Industrial City Andrew T
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Social Sciences 2013 Pimp My Ride: mapping vernacular creativity in an industrial city Andrew T. Warren University of Wollongong, [email protected] Publication Details Warren, A. (2013). Pimp My Ride: mapping vernacular creativity in an industrial city. In L. Andersen & M. Malone (Eds.), All Culture is Local: Good practice in regional cultural mapping and planning from local government (pp. 42-47). Sydney, Australia: UTS epress. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Pimp My Ride: mapping vernacular creativity in an industrial city Abstract This case study reveals how a researcher mapped a creative industry sector - custom car designing in Wollongong - and made it 'visible'. It outlines a process of responsive engagement with youth that revealed a skilled and economic scene that challenges standard conceptions of artistic expression. 'Cruising' with youth and plotting their sites of activity using Google Maps identified an extensive, largely overlooked market and encouraged a renewed discussion about what constituted the city's creative strengths and assets. Keywords my, pimp, ride, mapping, city, vernacular, creativity, industrial Disciplines Education | Social and Behavioral Sciences Publication Details Warren, A. (2013). Pimp My Ride: mapping vernacular creativity in an industrial city. In L. Andersen & M. Malone (Eds.), All Culture is Local: Good practice in regional cultural mapping and planning from local government (pp. 42-47). Sydney, Australia: UTS epress. This book chapter is available at Research Online: http://ro.uow.edu.au/sspapers/2275 CASE STUDY 07 This case study reveals how a researcher mapped Wollongong City Council a creative industry sector – custom car designing in Wollongong – and made it ‘visible’. -
Inspirational Reality TV: the Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism
Inspirational Reality TV: The Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism Mina Tsay-Vogel and K. Maja Krakowiak In light of recent theories of meaningful media that suggest a host of psychological benefits, the present study uniquely extends the boundaries of the effects of reality TV from simply offering pleasure, diversion, and amusement to its viewers to also providing deep insight and meaning. In particular, a between-subjects experiment (N = 143) examined differences in affective, cognitive, and motivational responses to lifestyle transforming versus game based reality programs. Findings indicate that lifestyle transforming reality TV produced stronger feelings of elevation and percep- tions of the program as moving and thought-provoking than game reality TV, which in turn increased motivations for altruism. Avenues for future research and theore- tical implications of meaningful and inspiring reality TV for positive psychology are discussed. The proliferation and dominance of reality-based programs on television continues to generate considerable scholarly attention. The term, “reality TV,” has commonly encompassed programs that showcase real people or non-actors in unscripted scenarios (Hill, 2005; Nabi, Biely, Morgan, & Stitt, 2003) and claim to portray reality (Cavendar & Fishman, 1998). Such programs (e.g., The Bachelor, Survivor,andThe Real World) have generally been attributed under a single or collective genre. However, in recent years, the emergence of reality TV subgenres based -
Reality TV and the Reinvention of Britishness
From Making Do to Making-Over: Reality TV and the Reinvention of Britishness RACHEL JENNINGS O YOU LIVE IN TRACK SUITS TO CONCEAL YOUR SAGGY TITS AND big bum? Do not despair—you can still go to the ball. If you Dare brave enough to face those scary godmothers Trinny and Susannah, they will tell you in no uncertain terms What Not to Wear. Do you suspect your garden may have inspired T. S. Eliot to write The Wasteland? No fear. The matey experts from Ground Force can transform it into a pastoral idyll in two days. Has your pokey, gloomy British house been stagnating on the market? Perhaps you need the infamous House Doctor to breeze through and eradicate both your personal history and personality with a few cans of magnolia. A significant proportion of British reality TV is in the makeover line, involving the rapid transformation of some facet of a person’s lifestyle through a process that blends fairytale themes with religious ritual. The subject (or victim) on each episode is a Cinderella character (hereafter referred to collectively as ‘‘Cindy,’’ whether an individual, couple, or family unit) who relinquishes existential responsibility and personal power to one or more authority figures. These fairy god- mothers (of both sexes) navigate Cindy through a battle to give up the past leading to her rebirth, frequently on the third or seventh day. It is easy to comprehend why makeover shows are a hit in the United States—they slot neatly into the American dream of con- stant reinvention of the self, played out on a moving frontier. -
To Teach and to Please: Reality TV As an Agent of Societal Change
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship@BC To Teach and to Please: Reality TV as an Agent of Societal Change Author: Robert J. Vogel Persistent link: http://hdl.handle.net/2345/2653 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2012 Copyright is held by the author, with all rights reserved, unless otherwise noted. To Teach and to Please: Reality TV as an Agent of Societal Change Robert Vogel Undergraduate Honors Thesis William E. Stanwood, Thesis Advisor Boston College December 2011 i Acknowledgements Many people have contributed to the completion of this senior thesis. First and foremost, I would like to recognize my family for encouraging me to attempt new things, and to always pursue a challenging course of study. My mother and father have shown nothing but the utmost love and support for me in every venture (and adventure) that I have undertaken, and I am eternally thankful to them. Further, I want to recognize my peers. First, my roommates: Drew Galloway, Jay Farmer, Dan Campbell, Fin O’Neill, and (at one time) Jonah Tomsick. Second, my a capella group, the BC Acoustics. Third, my friends, both from Boston College and from home (you know who you are). And fourth, my wonderful girlfriend, Sarah Tolman. Having no siblings, I embrace my close friends as my family. Each one of you gave me inspiration, determination, love, laughter, and support during the conducting of this research, and I sincerely thank you for this. -
The Restorative Justice Guide, 2Nd Edition
The Restorative Justice Guide, 2nd Edition Juvenile Detention Center 18th Judicial Circuit Court DuPage County, IL 1 . WHAT IS RESTORATIVE JUSTICE? In the dictionary, restore means to bring back to a former or original condition or to give back: return. This is different from retribution, which means a suitable return, esp. punishment, for what one has done. Our current criminal justice system is based on a retribution system. Restorative Justice seeks to identify crime as a break in relationships: to self, to family, to neighborhood, to community, and to the nation and society in general. Instead of retribution, Restorative Justice seeks to restore those relationships which have been broken due to crime or other inappropriate behaviors. There is a lot of restoration going on in our society and community. For example, certain old buildings, which have been determined to have historical or artistic value, are protected. The owners may not tear them down. Instead they are encouraged to fix them up and bring them back to their original condition. While some have said that we live in a throw away society (What does that mean to you?), some things are too valuable to just throw away. A very valuable American Girl doll or 1956 T-bird certainly are worth making new again! Even if you just casually channel surf on TV, you will find shows that focus on restoring things, or bringing them back to their original condition. HGTV, TLC, The Discovery Channel and PBS have shows like “This Old House”, “While You Were Out,” “Trading Spaces,” and “Pimp My Ride” which focus on fixing rooms, furniture, buildings, and cars. -
Global Patterns for National Stars? Celebreality in Slovakia
Kultura – Media – Teologia 2012 nr 10 s. 103-114. Peter Mikuláš Global Patterns for National Stars? Celebreality in Slovakia STRESZCZENIE: ABSTRACT: WYKORZYSTANIE CELEBRYTÓW W KOMUNIKACJI MEDIALNEJ THE USE OF CELEBRITIES IN THE MEDIA COMMUNICATION IS NIE JEST ZJAWISKIEM NOWYM, ALE MOŻNA ZAUWAŻYĆ NOT NEW PHENOMENON, BUT FREQUENCY OF ITS USE IS ON NASILENIE TEGO ZJAWISKA. W BADANIU AUTOR SKUPIA SIĘ NA THE RISE. IN THIS STUDY, WE FOCUS ON THE USE OF WYKORZYSTANIU ZNANYCH BIEŻĄCYCH PROGRAMÓW CELEBRITIES IN CURRENT TELEVISION PROGRAMS, FOCUSING TELEWIZYJNYCH, KONCENTRUJĄC SIĘ PRZEDE WSZYSTKIM NA PRIMARILY ON THE REALITY TV GENRE. WE PRESENT GATUNKACH TE;EWIZYJNYCH Z OBSZARU REALITY. PREZENTUJE A COMPARATIVE ANALYSIS OF AMERICAN AND SLOVAK ANALIZĘ PORÓWNAWCZĄ AMERYKAŃSKICH I SŁOWACKICH CELEBRITIES - PROTAGONISTS OF SELECTED REALITY TV CELEBRYTÓW - BOHATERÓW WYBRANYCH FORMATÓW FORMATS. THE FUNDAMENTAL QUESTION THAT WE ASK IS: TELEWIZYJNYCH REALITY SHOW.PODSTAWOWE PYTANIE, KTÓRE IS THERE A GLOBAL FORMULA FOR NATIONAL STARS IN ZADAJE AUTOR, BRZMI: CZY ISTNIEJE GLOBALNE FORMUŁA REALITY TV, OR IS PRESENTED DEGREE OF ORIGINALITY KRAJOWYCH GWIAZD REALITY TV, CZY TEŻ STOPIEŃ SUFFICIENT ENOUGH, SO WE CAN TALK ABOUT THE ORYGINALNOŚCI WYSTARCZA, ABY MOŻNA BYŁO MÓWIĆ O DEVELOPMENT OF AUTONOMOUS LINES AT BOTH LEVELS? AUTONOMICZNOŚCI TYCH GATUNKÓW NA RÓŻNYCH POZIOMACH? KEYWORDS: SŁOWA KLUCZOWE: CELEBRITY, CELEBREALITY, REALITY TV, OSBOURNES, MOJSEJ FAMILY CELEBRYCI, REALITY TV, OSBOURNES, RODZINA MOJSEJ Kultura – Media – Teologia 10/2012 103 OBLICZA MEDIÓW he presence of celebrities in television, especially in reality TV programmes, is without a doubt an effective way of their presentation in media. Television can Tcreate celebrities out of ordinary people, as well as it can use well-known people from other media or even different areas of social life, who are trying to get more media attention. -
New Development Causes Tiger Point Flooding
A W A R D ● W I N N I 11BB N G 50¢ YOUR COMMUNITY NEWSPAPER September 21, 2006 Residents: new development Gazebos added to causes Tiger Point flooding Wayside Park East Page A4 BY FRANKLIN HAYES Gulf Breeze News Inside in [email protected] Ganges Trail, Tiger Point res- idents would have been better off taking a canoe to work on PAGE Tuesday, Aug. 12 as overnight 1B rainfall left two feet of standing water in their neighborhood. ■ At 7:15 a.m., Midway Fire Bubba’s name in District emergency responders lights arrived on scene with their res- ■ PBOC installs cue boat in tow to assist three motorists stranded in the flood- new officers ed roadway. Rescue workers ■ Casting Nets ferried motorists from their vehicles to dry land with their fire truck and closed Ganges Trail and portions of Tiger Point Boulevard to traffic until the water receded about an hour later. Although flooding was on WEEKEND a much smaller scale, some res- Weather idents compared the situation to THURSDAY 9/21 the 100-year flood event during Partly Cloudy the spring of 2005 that dumped O more than 20 inches of rain in Karen Murphy/Gulf Breeze News high 84 the Gulf Breeze area in two O Midway Fire District rescue workers respond to emergency calls from Tiger Point residents Sept. 12. Overnight rainfall flood- low 70 weeks. Midway Fire Chief ed yards and left roadways impassable. Stephen Demeter said the water FRIDAY 9/22 level seemed higher than it did a that the standing water drained a torrent of pointed emails and residents. -
10 Shake Jan 17
Firefox http://prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Repor... SYDNEY PROGRAM GUIDE Sunday 17th January 2021 06:00 am Bubble Guppies (Rpt) G Bubble Puppy Gil wants to adopt a puppy! But before he can bring the puppy home, the Bubble Guppies must learn how to take care of pets. 06:30 am Blaze And The Monster Machines (Rpt) G Blaze Of Glory Part 2 Blaze and AJ must find their Monster Machines friends and get back to the race using Blaze's blazing speed engine before Crusher wins and get the Monster Machine World Championship trophy. 07:00 am Blaze And The Monster Machines (Rpt) G The Driving Force When Starla the friendly cowgirl truck loses one of her pistons in the mud pit, Blaze and AJ set out to get it back. But they'll have to hurry before Crusher gets his greedy tyres on it! 07:30 am Paw Patrol (Rpt) G Pups And The Big Freeze / Pups Save A Basketball Game An ice storm causes trouble all over Adventure Bay. The PAW Patrol races to the rescue! Marshall is nervous about playing when Mayor Goodway challenges Mayor Humdinger's basketball team to a game. 07:56 am Shake Takes 08:00 am Paw Patrol (Rpt) G Pups Save An Ace / Pups Save A Wedding Famous stunt pilot Ace runs into engine trouble, and the PAW Patrol must save her so the air show can go on! The pups help Farmer Yumi prepare for her wedding day after a storm blows her barn apart. 08:30 am SpongeBob SquarePants (Rpt) G Keep Bikini Bottom Beautiful/a Pal For Gary Squidward cleans up the city of Bikini Bottom with "help" from SpongeBob.