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The Porn User in Public and Academic Discourse ATTWOOD, F
”Other” or “one of us”?: the porn user in public and academic discourse ATTWOOD, F. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/31/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version ATTWOOD, F. (2007). ”Other” or “one of us”?: the porn user in public and academic discourse. Participations: journal of audience and reception studies, 4 (1). Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk ‘ ”Other ” or “one of us ”?: The porn user in public and academic discourse.’ Published in Participations: Journal of Audience and Reception Studies 4(1), http://www.participations.org/. 2007. Summary The consumption of sexually explicit media has long been a matter of public and political concern. It has also been a topic of academic interest. In both these arenas a predominantly behaviourist model of effects and regulation has worked to cast the examination of sexually explicit texts and their consumption as a debate about harm. The broader area of investigation remains extraordinarily undeveloped. Sexually explicit media is a focus of interest for academics because of the way it ‘speaks’ sex and sexuality for its culture. In this paper I examine existing and emerging figures of the porn consumer, their relation to ways of thinking and speaking about pornography, and the implications of these for future work on porn consumption. Key words: Pornography, consumer, figure, discourse, audience research Despite the fact that pornography is a multi-billion- dollar global industry we know far less about its audiences than ‘probably any other genre of popular entertainment’ (Jenkins, 2004:2). -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
AS Sociology For
3.The mass media INTRODUCTION The focus of this opening section is an examination of different explanations of the relationship between ownership and control of the mass media and, in order to do this, we need to begin by thinking about how the mass media can be defined. person (the author of a book, for example), Defining mass communicates to many people (their readers) at the same time. This deceptively media simple definition does, of course, hide a number of complexities – such as, how large Preparing the does an audience have to be before it qualifies as ‘mass’? ground In addition to thinking about a basic We can start by breaking down the concept definition of the term, we can note how of a ‘mass media’ into its constituent parts. Dutton et al (Studying the Media, 1998) A medium, is a ‘channel of communication’ suggests that, traditionally (an important – a means through which people send and qualification I will develop in a moment), receive information. The printed word, for the mass media has been differentiated from example, is a medium; when we read a other types of communication (such as newspaper or magazine, something is interpersonal communication that occurs on communicated to us in some way. Similarly, a one-to-one basis) in terms of four essential electronic forms of communication – characteristics. television, telephones, film and such like – • Distance: Communication between those are media (the plural of medium). Mass who send and receive messages (media- means ‘many’ and what we are interested in speak for information) is impersonal, here is how and why different forms of lacks immediacy and is one way (from the media are used to transmit to – and be producer/creator of the information to the received by – large numbers of people (the consumer/audience). -
UK Confidential Cover 4/24/08 9:12 AM Page 1 Kcnieta | UK Confidential
UK Confidential cover 4/24/08 9:12 AM Page 1 UK Confidential | The transformation of our social lives and the “An open society increases in surveillance and technological innovations have led us to believe that privacy is in the midst of a very public death. But privacy is depends on individuals not dying, nor can we let it do so. Privacy protects a set of deeply significant values that no society can do without; it is about the lines, boundaries and and Catherine FieschiCharlie Edwards | rediscovering the social relationships we draw between and among ourselves, communities and institutions. Privacy appears value of privacy...” threatened because our perception of what it means has radically changed. This collection argues that we get the privacy culture we deserve. Our appetite for a connected society means we have yet to determine why we UK CONFIDENTIAL still care about privacy. These essays explore the underlying challenges and realities of privacy in an open society, and argue for a new settlement between Edited by Charlie Edwards the individual and society; the public and the state; the consumer and business. To achieve this, we need and Catherine Fieschi collective participation in negotiating the terms and conditions of twenty-first century privacy. Charlie Edwards is Head of the Security Programme COLLECTION at Demos. Catherine Fieschi is Director of Demos. 25 ISBN 978-1-84180-192-6 £10 © Demos 2008 COLLECTION 25 UK Confidential cover 4/28/08 12:37 PM Page 2 Contributors: This project was supported by: Jonathan Bamford Peter Bazalgette Chris Bellamy Peter Bradwell Gareth Crossman Simon Davies Peter Fleischer Niamh Gallagher Tom Ilube Markus Meissen Perri 6 Charles Raab Jeffrey Rosen Robert Souhami Zoe Williams Marlene Winfield First published in 2008 © Demos. -
Episodes During Three Weeks of June 2008
the way we live right now dramatised for 2008 by jonathan myerson from the 1875 novel by anthony trollope 2 about the research process and content: This adaptation of The Way We Live Now was commissioned by BBC for broadcast in 2008. The research task was to update Trollope’s 1875 novel and show how the financial venality which he sought to expose was just as prevalent in the Twenty-First century. Thus the research task was to find the modern equivalent of the aristocrats-for-sale whom Trollope pillories in his original story. I also had to research the modern equivalent of a railroad – the bogus scheme in which the moneys are invested: after much research, in the end, I settled on Big Pharma and found a company offering an alternative to antibiotics. The further task was to find the equivalence in how information was disseminated and how reputations could be manufactured. Trollope’s anti-hero required the acquiescence of aristocrats: today’s equivalents are ‘celebs’. And the overall task was to do all this while remaining wholly true to the tone and anger of the Trollope's prose. The series was broadcast on BBC Radio 4 in 15-minute episodes during three weeks of June 2008. thewayweliverightnow:episode1:page2 3 the way we live right now episode 1 cast 1. TROLLOPE 2. TILLY 3. FLEX 4. NICK 5. MARIE 6. HETTA IT’S 1875 AND TROLLOPE IS IN HIS STUDY IN CAVENDISH SQUARE SCENE 1. INT. TROLLOPE’S STUDY. TROLLOPE Let us be introduced to the Carbury Family, upon whose character and doings much will depend. -
Rewiring the Text
Rewiring the Text: Adaptation and Translation in the Digital Heterogossia. Richard Berger. A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Philosophy Doctorate. March 2005. Bournemouth University. Rewiring the Text: Abstract. This dissertation is concerned with adaptation, in the context of new emerging digital media platforms. The project proposes that new media has allowed for the creation of a universal digital heteroglossia; a heteroglossia that contains the plurality of the unstable utterances of cinema, radio, television, the web and computer games. This has allowed for the process of adaptation to become more instantaneous in the simultaneous deployment of narratives across the digital heteroglossia. Therefore, the process of adaptation is far more dialogical, with previous variants of narratives being ‘rewired’ and gaining an ‘afterlife’ through adaptation, and through the creation of new variants and versions. The Internet has allowed for adaptation to move into a participatory mode, where fanfic writers fill in ‘gaps’ left by the creators of televisual and filmic texts. Videogames, based on pre-existing or co-existing texts, mean that players can experience moments of supreme and non-permanent adaptation themselves. This thesis suggests that this participation has democratised adaptation, and has fundamentally altered the nature of ‘traditional’ adaptation. The thesis concludes that, due to a digital heteroglossia, ‘traditional’ adaptation will decline, as the process becomes more plural and instantaneous. With previous variants of narratives being summoned back into life - due to adaptation, remaking and refashioning - it is increasingly unlikely that ‘fidelity’ strategies of adaptation will continue to be the dominant discourse, as all variants of narratives begin to exist in a dialogical plurality with one another; a mutual exchange of fluctuating source and target texts, cross-referenced through intertextuality and assembling a collage of influences. -
JEREMY CLARKSON Round the Bend MICHAEL JOSEPH an Imprint of PENGUIN BOOKS
JEREMY CLARKSON Round the Bend MICHAEL JOSEPH an imprint of PENGUIN BOOKS Contents Just a couple of tweaks and it’s an iPhone on wheels Daihatsu Materia It’s far too cool for you, Mr Footballer Mazda MX-5 Roadster Coupé 2.0i Tailor-made for the hard of thinking Subaru Impreza WRX STi Clarkson on road safety Jeremy’s wit and wisdom The rubbish, brilliant saviour of Jaguar Jaguar XF SV8 David Dimbleby made me wet myself Mercedes-Benz CLK Black Series Look, you traffic wombles, I’ve had enough Renaultsport Clio 197 Cup No, princess, you may not have my Fiat Fiat 500 1.2 Pop A mainstay of the car-washing classes Renault Laguna Sport Tourer Dynamique 2.0 Lovely to drive, awful to live with Porsche Cayenne GTS The aristo ruined by the devil’s brew Subaru Legacy Outback TD RE A beauty cursed by travel sickness Callaway Corvette C6 … catch me if you can Mitsubishi Lancer Evolution X FQ-360 GSR Look, mums – a 4×4 planet saver Mitsubishi Outlander 2.2 DI-DC Diamond Press a button and pray it’s the right one Citroën C5 2.7 HDi V6 Exclusive Face lifted, clanger dropped Mercedes-Benz SL 63 AMG So awful even the maker tells you to walk Kia Sedona 2.9 CRDi TS The problem is … it’s out of this world Nissan GT-R Fair Porsche, my sweet Italian lover Boxster RS 60 Spyder Mr Weedy comes up with the goods Mercedes-Benz SL 350 Herr Thruster’s gone all limp and lost BMW M3 convertible It takes you to the edge … and shoves Porsche 911 Carrera GT2 The Devil’s done a fruity one Mercedes SLR McLaren Roadster Eat my dust, Little England Jaguar XKR-S Coupé Calm yourselves, campers Ford Kuga 2.0 TDCi Titanium Très bien – a plumber in a tux Citroën Berlingo Multispace This is an epic car. -
Men's Lifestyle Magazines and the Construction of Male Identity
Men’s Lifestyle Magazines and the Construction of Male Identity Ross Horsley Submitted in accordance with the requirements for the degree of PhD The University of Leeds Institute of Communications Studies September 2005 This copy downloaded from ArtLab (www.artlab.org.uk), the online resource centre for creative and visual methodologies. This thesis is copyright © Ross Horsley 2005. Not to be reproduced without permission. The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. i Acknowledgements I would like to thank Professor David Gauntlett of the Bournemouth Media School, Bournemouth University*, whose initial supervision of my research at the Institute of Communications Studies, University of Leeds, generously continued after his move to another institution. His guidance, comments and ideas have been invaluable, and his encouragement unflagging at every stage. At the University of Leeds, Dr Graham Roberts took over my supervision with enthusiasm and interest, bringing his own wisdom to the later stages of my study. Also at the Institute of Communications Studies, Dr Robin Brown and Dr Richard Howells have shown great consideration and support, as well as offering their insights and advice during the preparation of my research methodology. In addition, I am extremely grateful for the financial support of the University of Leeds, in the form of a research scholarship. The dedication of Matthew Browne, Lorna Horsley and Dominic Hall in securing participants for the practical project has been, quite simply, essential to its ever taking place. -
Cas D'étude Sur Kate Middleton, Duchesse De Cambridge
Les chaînes de référence dans la presse anglaise : cas d’étude sur Kate Middleton, Duchesse de Cambridge Célia Hoffstetter To cite this version: Célia Hoffstetter. Les chaînes de référence dans la presse anglaise : cas d’étude sur Kate Middleton, Duchesse de Cambridge. Sciences de l’Homme et Société. 2016. dumas-02048045 HAL Id: dumas-02048045 https://dumas.ccsd.cnrs.fr/dumas-02048045 Submitted on 25 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Ecole Normale Supérieure de Lyon 2016 Les chaînes de référence dans la presse anglaise Cas d’étude sur Kate Middleton, Duchesse de Cambridge Célia Hoffstetter Sous la direction de Laure Gardelle Table des matières Introduction ................................................................................................................................ 4 PREMIERE PARTIE ................................................................................................................. 8 I. La distinction traditionnelle entre expressions anaphoriques et non-anaphoriques ........ 9 II. L’échelle d’accessibilité -
Gary Dollner ACE Editor
Gary Dollner ACE Editor Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Drama Production Company Notes THE BABY Sister Pictures / Sky Dir: Nicole Kassell EPS 1 & 3 / HBO Prod: Lucy Gaymer 2021 GODMOTHERED The Montecito Dir: Sharon McGuire FEATURE FILM Picture Company / Prod: Justin Springer 2020 Disney+ AVENUE 5 HBO Dir: Armando Iannucci EPS 1, 4 & 8 Prod: Steve Clark-Hall 2020 HOW TO BUILD A GIRL Monumental Dir: Coky Giedroyc FEATURE FILM Pictures / Film4 Prods: Debra Hayward, Alison Owen 2019 * Won: FIPRESCI Prize for the Special Presentations program, TIFF 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes FLEABAG Two Brothers Dir: Harry Bradbeer SERIES 2 Pictures / BBC Three Prod: Lydia Hampson 2019 / Amazon Studios * Won: "Episode 1" - Outstanding Single-Camera Picture Editing for a Comedy Series, Emmy Awards 2019 * Won: "Episode 1" - Best Edited Comedy Series for non-Commercial Television, ACE Eddie Awards 2020 TURN UP CHARLIE Brown Eyes Boy / Dir: Tristram Shapeero EPS 1-4 Netflix Prod: Gill Isles 2018 WANDERLUST Drama Republic / Dir: Lucy Tcherniak EPS 4-6 BBC One Prod: Kate Crowther 2018 KILLING EVE Sid Gentle Films / Dir: Harry Bradbeer EPS 1 & 2 BBC America Prod: Colin Wratten 2018 * Won: "Nice Face" - Best Edited Drama Series for Commercial Television, ACE Eddie Awards 2019 * Nominated: Best Television Series – Drama, Golden Globes 2019 * Nominated: "Nice -
Gay Masculinity” 1991-2011
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository ASPIRATIONAL IDENTITY IN BRITISH “GAY MASCULINITY” 1991-2011 by KEN SEARLE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Political Science and International Studies College of Social Sciences The University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. In memory of Susi, warm and caring, and Tony, who I hope will be able to provide future analyses through his own experiences ‘No one takes pleasure from people making money out of the misery of others, but that is a function of capitalist markets’ George Osborne ‘If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn't. And contrary-wise; what it is it wouldn't be, and what it wouldn't be, it would. You see?’ Lewis Carroll, Alice’s Adventures in Wonderland Abstract Much of the mainstream literature surrounding “masculine” lifestyle(s) in post-Thatcherite British politics reflects an aspirational identity, increasingly basing itself round neo-liberal binaries of “success” and “failure”, similar to sexual dichotomies of “gay abject” and “straight subject”. -
News Writing-Anna Mckane.Pdf
McKane-Prelims.qxd 10/19/2006 5:09 PM Page i News Writing McKane-Prelims.qxd 10/19/2006 5:09 PM Page ii McKane-Prelims.qxd 10/19/2006 5:09 PM Page iii News Writing Anna McKane SAGE Publications London ●●Thousand Oaks New Delhi McKane-Prelims.qxd 10/19/2006 5:09 PM Page iv © Anna McKane 2006 First published 2006 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. SAGE Publications Ltd 1 Oliver’s Yard 55 City Road London EC1Y 1SP SAGE Publications Inc. 2455 Teller Road Thousand Oaks, California 91320 SAGE Publications India Pvt Ltd B-42, Panchsheel Enclave Post Box 4109 New Delhi 110 017 British Library Cataloguing in Publication data A catalogue record for this book is available from the British Library ISBN-10 1-4129-1914-2 ISBN-13 978-1-4129-1914-2 ISBN-10 1-4129-1915-0 (pbk) ISBN-13 978-1-4129-1915-9 Library of Congress Control Number: 2006924529 Typeset by C&M Digitals (P) Ltd, Chennai, India Printed in Great Britain by The Cromwell Press Ltd, Trowbridge, Wiltshire Printed on paper from sustainable resources McKane-Prelims.qxd 10/19/2006 5:09 PM Page v CONTENTS Foreword