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Celebrities As Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field
Celebrities as Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field Ellen Watts Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in Politics 2018 Declaration I, Ellen Watts, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Ellen Watts September 17, 2018. 2 Abstract The ability of celebrities to become influential political actors is evident (Marsh et al., 2010; Street 2004; 2012, West and Orman, 2003; Wheeler, 2013); the process enabling this is not. While Driessens’ (2013) concept of celebrity capital provides a starting point, it remains unclear how celebrity capital is exchanged for political capital. Returning to Street’s (2004) argument that celebrities claim to speak for others provides an opportunity to address this. In this thesis I argue successful exchange is contingent on acceptance of such claims, and contribute an original model for understanding this process. I explore the implicit interconnections between Saward’s (2010) theory of representative claims, and Bourdieu’s (1991) work on political capital and the political field. On this basis, I argue celebrity capital has greater explanatory power in political contexts when fused with Saward’s theory of representative claims. Three qualitative case studies provide demonstrations of this process at work. Contributing to work on how celebrities are evaluated within political and cultural hierarchies (Inthorn and Street, 2011; Marshall, 2014; Mendick et al., 2018; Ribke, 2015; Skeggs and Wood, 2011), I ask which key factors influence this process. -
Pity the Poor Citizen Complainant
ADVICE, INFORMATION. RESEARCH & TRAINING ON MEDIA ETHICS „Press freedom is a responsibility exercised by journalists on behalf of the public‟ PITY THE POOR CITIZEN COMPLAINANT Formal statement of evidence to The Leveson Inquiry into the Culture, Practice & Ethics of the Press The MediaWise Trust University of the West of England, Bristol BS16 2JP 0117 93 99 333 www.mediawise.org.uk Documents previously submitted i. Freedom and Responsibility of the Press: Report of Special Parliamentary Hearings (M Jempson, Crantock Communications, 1993) ii. Stop the Rot, (MediaWise submission to Culture, Media & Sport Select Committee hearings on privacy, 2003) iii. Satisfaction Guaranteed? Press complaints systems under scrutiny (R Cookson & M Jempson (eds.), PressWise, 2004) iv. The RAM Report: Campaigning for fair and accurate coverage of refugees and asylum-seekers (MediaWise, 2005) v. Getting it Right for Now (MediaWise submission to PCC review, 2010) vi. Mapping Media Accountability - in Europe and Beyond (Fengler et al (eds.), Herbert von Halem, 2011) The MediaWise Trust evidence to the Leveson Inquiry PITY THE POOR CITIZEN COMPLAINANT CONTENTS 1. The MediaWise Trust: Origins, purpose & activities p.3 2. Working with complainants p.7 3. Third party complaints p.13 4. Press misbehaviour p.24 5. Cheque-book journalism, copyright and photographs p.31 6. ‗Self-regulation‘, the ‗conscience clause‘, the Press Complaints Commission and the Right of Reply p.44 7. Regulating for the future p.53 8. Corporate social responsibility p.59 APPENDICES pp.61-76 1. Trustees, Patrons & Funders p.61 2. Clients & partners p.62 3. Publications p.64 4. Guidelines on health, children & suicide p.65 5. -
Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
View 2019 Edition Online
Emmanuel Emmanuel College College MAGAZINE 2018–2019 Front Court, engraved by R B Harraden, 1824 VOL CI MAGAZINE 2018–2019 VOLUME CI Emmanuel College St Andrew’s Street Cambridge CB2 3AP Telephone +44 (0)1223 334200 The Master, Dame Fiona Reynolds, in the new portrait by Alastair Adams May Ball poster 1980 THE YEAR IN REVIEW I Emmanuel College MAGAZINE 2018–2019 VOLUME CI II EMMANUEL COLLEGE MAGAZINE 2018–2019 The Magazine is published annually, each issue recording college activities during the preceding academical year. It is circulated to all members of the college, past and present. Copy for the next issue should be sent to the Editors before 30 June 2020. News about members of Emmanuel or changes of address should be emailed to [email protected], or via the ‘Keeping in Touch’ form: https://www.emma.cam.ac.uk/members/keepintouch. College enquiries should be sent to [email protected] or addressed to the Development Office, Emmanuel College, Cambridge CB2 3AP. General correspondence concerning the Magazine should be addressed to the General Editor, College Magazine, Dr Lawrence Klein, Emmanuel College, Cambridge CB2 3AP. Correspondence relating to obituaries should be addressed to the Obituaries Editor (The Dean, The Revd Jeremy Caddick), Emmanuel College, Cambridge CB2 3AP. The college telephone number is 01223 334200, and the email address is [email protected]. If possible, photographs to accompany obituaries and other contributions should be high-resolution scans or original photos in jpeg format. The Editors would like to express their thanks to the many people who have contributed to this issue, with a special nod to the unstinting assistance of the College Archivist. -
Dr Brooke Magnanti | Belle De Jour Radfems, Racism, and the Problem
Dr Brooke Magnanti | Belle de Jour: Radfems, racism, and the problem with "pimps" 12/30/13 9:00 AM Radfems, racism, and the problem with "pimps" sexonomics-uk.blogspot.de “Powerful … constructively controversial.” - Telegraph “As entertaining as it is erudite.” - Observer “Ambitious, meticulously researched and passionate.” - Independent "Impeccably well- researched" - Huffington Post "I disagree with just about everything she has to say" - Julie Bindel I was re-reading Iceberg Slim recently (as you do), and wondering what exactly it is the anti-sex brigade mean when they go around calling people "pimps". I've been called a pimp before. By Julie Bindel, to my face, and I laughed because it is so ridiculous: I have never profited off of anyone's erotic capital but my own… and arguably Billie Piper's, though that makes me no more and perhaps significantly less pimp-like than (say) her agent and the show's producers. I don't get particularly offended by such obviously over the top labels. But the word itself has started to crop up more and more in the arguments surrounding sex work and the proposed laws regarding prostitution. Take for example in Ireland, where the widespread assumption is that all sex workers are a) women and b) "pimped". Both of these are demonstrably and flagrantly not true, and yet are found in virtually any media coverage of the topic which is heavily influenced by an unholy coalition of extreme religious groups and extreme radfem ideologues. The side issue dogging the proposed changes, that is, the discourse about what exactly constitutes trafficking and who exactly is trafficked, is of course pretty openly racist - both the words and the imagery. -
Judgment Mr Justice Nicol
Neutral Citation Number: [2011] EWHC 2454 (QB) Case No: HQ10X022389 IN THE HIGH COURT OF JUSTICE QUEEN'S BENCH DIVISION Royal Courts of Justice Strand, London, WC2A 2LL Date: 29/09/2011 Before : THE HONOURABLE MR JUSTICE NICOL - - - - - - - - - - - - - - - - - - - - - Between : Rio Ferdinand Claimant - and - MGN Limited Defendant - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Hugh Tomlinson QC and Sara Mansoori (instructed by Simons Muirhead Burton ) for the Claimant Gavin Millar QC and Yuli Takatsuki (instructed by Reynolds Porter Chamberlain LLP) for the Defendant Hearing dates: 4th , 5 th , 6 th July 2011( Redacted Version) - - - - - - - - - - - - - - - - - - - - - Judgment Mr Justice Nicol : 1. On 25 th April 2010 the Sunday Mirror published an article under the headline “My Affair with England Captain Rio”. In very similar terms the article also appeared on the website www.mirror.co.uk between 25 th and 30 th April 2010. The Defendant is the publisher of the newspaper and website. The Claimant is the well known footballer, Rio Ferdinand. He claims that the article in both formats was an unjustified infringement of his right to privacy, a misuse of his private information and a breach of confidence. The Defendant defends its publications as a legitimate exercise of its right of freedom of expression. 2. The article gave an account of the Claimant’s relationship with Ms Carly Storey. They had met in 1996 or 1997 when he was a teenager and she was 17. They drifted apart from 2000, when the Claimant moved to Leeds United, until 2002. In 2002 they resumed contact via phone and text messages and also met up. The last time they met was in May 2005. -
Wonder Women
WONDER WOMEN: Online I Newspapers I Apps A FEMALE SLICE OF LIFE New for Q4 2012: The Telegraph’s women’s channel – An exciting digital daily digest filled with thinking women’s content All too often women’s content is either just lipsticks and handbags or BMW - bitching moaning and whining about the glass ceiling – a brand of feminism a new generation of women don’t identify with. By contrast, Wonder Women, The Telegraph’s new daily online section dedicated to attracting young female readers (25-44), is going to be filled with thinking women’s content – defined by its irreverent, quick-witted and honest tone. Being digital-first means the section will react quickly to breaking news and make use of the freedom the web brings – while retaining quality journalism by drawing upon on a fabulous new range of writers. Think of Wonder Women as a younger-skewed BBC Radio 4 Women’s Hour on paper – which adds a whole new slate of content, viewpoints and writers to Telegraph.co.uk – while also promoting all relevant existing content and great Telegraph writers. COVERAGE CONTRIBUTORS & CONTENT Politics | Business | Mother Tongue | Sex | Life • Cathy Newman, Channel 4 News presenter and former FT political correspondent – on politics • Felicity Parkes, the 20-something political assistant causing a stir in Westminster with her anonymous blog about the halls of power – on women at Westminster • Dr Brooke Magnanti, author of Belle de Jour – The Secret Diary of a Call Girl - on sex • Dr Petra Boynton, renowned sex educator and agony aunt, will solve reader’s issues in a weekly sex column • Tamara Mellon*, co-founder of Jimmy Choo – on business • Katy Brand, comedian and impersonator – on life • High profile mums, such as Lily Allen*, writing about their experiences for our brand new parent blog: Mother Tongue • Diary of a Board Babe - an anonymous female board director of a FTSE 100 company will pen a weekly blog on what life on a male-dominated board is really like *tbc OUR AUDIENCE LAUNCH MONTH SPONSORSHIP When compared to all women.. -
Trinity College Annual Report and Financial Statements
Trinity College Annual Report and Financial Statements Year ended 31 July 2018 Registered Charity No. 1143755 TRINITY COLLEGE Annual Report and Financial Statements Contents Page Governing Body, Officers and Advisers 2 Report of the Governing Body 5 Auditor’s Report 12 Statement of Accounting Policies 14 Consolidated Statement of Financial Activities 18 Consolidated and College Balance Sheets 19 Consolidated Statement of Cash Flows 20 Notes to the Financial Statements 21 1 TRINITY COLLEGE Governing Body, Officers and Advisers Year ended 31 July 2018 MEMBERS OF THE GOVERNING BODY The members of the Governing Body who are Professorial Fellows or who have been in post for more than one year are the College’s charity trustees under charity law. The members of the Governing Body who served during the year are detailed below. Those members who were not trustees of the College during the year are indicated by an asterisk. (1) (2) (3) (4) (5) Dame Hilary Boulding (President) Trustee 01 August 2017 * * * * Professor Dame Frances Ashcroft Professor Nicholas Barber * Professor Francis Barr Dr Maria del Pilar Blanco Mrs Felicity Susan Broers * Professor Keith Buckler Professor Christopher Butler Professor Craig Clunas Retired 30 September 2018 * Professor Pepper Culpepper Resigned 30 September 2018 * Dr Jan Czernuszka Dr Stefano-Maria Evangelista Professor Paul Fairchild Mr Christopher Ferguson* Trustee 10 October 2018 * * * Dr Andrea Ferrero * * Dr Stephen Fisher * Dr Kantik Ghosh * Dr Anil Gomes Dr Ian Hewitt * Professor Katherine Ibbett * Trustee -
ANNUALS-EXIT Total of 576 Less Doctor Who Except for 1975
ANNUALS-EXIT Total of 576 less Doctor Who except for 1975 Annual aa TITLE, EXCLUDING “THE”, c=circa where no © displayed, some dates internal only Annual 2000AD Annual 1978 b3 Annual 2000AD Annual 1984 b3 Annual-type Abba Gift Book © 1977 LR4 Annual ABC Children’s Hour Annual no.1 dj LR7w Annual Action Annual 1979 b3 Annual Action Annual 1981 b3 Annual TVT Adventures of Robin Hood 1 LR5 Annual TVT Adventures of Robin Hood 1 2, (1 for repair of other) b3 Annual TVT Adventures of Sir Lancelot circa 1958, probably no.1 b3 Annual TVT A-Team Annual 1986 LR4 Annual Australasian Boy’s Annual 1914 LR Annual Australian Boy’s Annual 1912 LR Annual Australian Boy’s Annual c/1930 plane over ship dj not matching? LR Annual Australian Girl’s Annual 16? Hockey stick cvr LR Annual-type Australian Wonder Book ©1935 b3 Annual TVT B.J. and the Bear © 1981 b3 Annual Battle Action Force Annual 1985 b3 Annual Battle Action Force Annual 1986 b3 Annual Battle Picture Weekly Annual 1981 LR5 Annual Battle Picture Weekly Annual 1982 b3 Annual Battle Picture Weekly Annual 1982 LR5 Annual Beano Book 1964 LR5 Annual Beano Book 1971 LR4 Annual Beano Book 1981 b3 Annual Beano Book 1983 LR4 Annual Beano Book 1985 LR4 Annual Beano Book 1987 LR4 Annual Beezer Book 1976 LR4 Annual Beezer Book 1977 LR4 Annual Beezer Book 1982 LR4 Annual Beezer Book 1987 LR4 Annual TVT Ben Casey Annual © 1963 yellow Sp LR4 Annual Beryl the Peril 1977 (Beano spin-off) b3 Annual Beryl the Peril 1988 (Beano spin-off) b3 Annual TVT Beverly Hills 90210 Official Annual 1993 LR4 Annual TVT Bionic -
The Porn User in Public and Academic Discourse ATTWOOD, F
”Other” or “one of us”?: the porn user in public and academic discourse ATTWOOD, F. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/31/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version ATTWOOD, F. (2007). ”Other” or “one of us”?: the porn user in public and academic discourse. Participations: journal of audience and reception studies, 4 (1). Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk ‘ ”Other ” or “one of us ”?: The porn user in public and academic discourse.’ Published in Participations: Journal of Audience and Reception Studies 4(1), http://www.participations.org/. 2007. Summary The consumption of sexually explicit media has long been a matter of public and political concern. It has also been a topic of academic interest. In both these arenas a predominantly behaviourist model of effects and regulation has worked to cast the examination of sexually explicit texts and their consumption as a debate about harm. The broader area of investigation remains extraordinarily undeveloped. Sexually explicit media is a focus of interest for academics because of the way it ‘speaks’ sex and sexuality for its culture. In this paper I examine existing and emerging figures of the porn consumer, their relation to ways of thinking and speaking about pornography, and the implications of these for future work on porn consumption. Key words: Pornography, consumer, figure, discourse, audience research Despite the fact that pornography is a multi-billion- dollar global industry we know far less about its audiences than ‘probably any other genre of popular entertainment’ (Jenkins, 2004:2). -
CHANGING JOURNALISM for the LIKELY PRESENT Abstract
CHANGING JOURNALISM FOR THE LIKELY PRESENT S T E P H E N Q U I N N , P H D (Refereed) Associate Professor of Journalism Deakin University Victoria Abstract Media convergence and newsroom integration have become industry buzzwords as the ideas spread through newsrooms around the world. In November 2007 Fairfax Media in Australia introduced the newsroom of the future model, as its flagship newspapers moved into a purpose-built newsroom in Sydney. News Ltd, the country’s next biggest media group, is also embracing multi-media forms of reporting. What are the implications of this development for journalism? This paper examines changes in the practice of journalism in Australia and around the world. It attempts to answer the question: How does the practice of journalism need to change to prepare not for the future, but for the likely present. early in November 2007 The Sydney Morning Herald, the Australian Financial Review and the Sun-Herald moved into a new building dubbed the ‘newsroom of the future’ at One Darling Island Road in Sydney’s Darling Harbour precinct. Phil McLean, at the time Fairfax Media’s group executive editor and the man in charge of the move, said three quarters of the entire process involved getting people to ‘think differently’ – that is, to modify their mindset so they could work with multi-media. The new newsroom symbolised the culmination of a series of major changes at Fairfax. In August 2006 the traditional newspaper company, John Fairfax Ltd, changed its name to Fairfax Media to reflect its multi-platform future. -
Tory Modernisation 2.0 Tory Modernisation
Edited by Ryan Shorthouse and Guy Stagg Guy and Shorthouse Ryan by Edited TORY MODERNISATION 2.0 MODERNISATION TORY edited by Ryan Shorthouse and Guy Stagg TORY MODERNISATION 2.0 THE FUTURE OF THE CONSERVATIVE PARTY TORY MODERNISATION 2.0 The future of the Conservative Party Edited by Ryan Shorthouse and Guy Stagg The moral right of the authors has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a re- trieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. Bright Blue is an independent, not-for-profit organisation which cam- paigns for the Conservative Party to implement liberal and progressive policies that draw on Conservative traditions of community, entre- preneurialism, responsibility, liberty and fairness. First published in Great Britain in 2013 by Bright Blue Campaign www.brightblue.org.uk ISBN: 978-1-911128-00-7 Copyright © Bright Blue Campaign, 2013 Printed and bound by DG3 Designed by Soapbox, www.soapbox.co.uk Contents Acknowledgements 1 Foreword 2 Rt Hon Francis Maude MP Introduction 5 Ryan Shorthouse and Guy Stagg 1 Last chance saloon 12 The history and future of Tory modernisation Matthew d’Ancona 2 Beyond bare-earth Conservatism 25 The future of the British economy Rt Hon David Willetts MP 3 What’s wrong with the Tory party? 36 And why hasn’t