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Judgment Mr Justice Nicol
Neutral Citation Number: [2011] EWHC 2454 (QB) Case No: HQ10X022389 IN THE HIGH COURT OF JUSTICE QUEEN'S BENCH DIVISION Royal Courts of Justice Strand, London, WC2A 2LL Date: 29/09/2011 Before : THE HONOURABLE MR JUSTICE NICOL - - - - - - - - - - - - - - - - - - - - - Between : Rio Ferdinand Claimant - and - MGN Limited Defendant - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Hugh Tomlinson QC and Sara Mansoori (instructed by Simons Muirhead Burton ) for the Claimant Gavin Millar QC and Yuli Takatsuki (instructed by Reynolds Porter Chamberlain LLP) for the Defendant Hearing dates: 4th , 5 th , 6 th July 2011( Redacted Version) - - - - - - - - - - - - - - - - - - - - - Judgment Mr Justice Nicol : 1. On 25 th April 2010 the Sunday Mirror published an article under the headline “My Affair with England Captain Rio”. In very similar terms the article also appeared on the website www.mirror.co.uk between 25 th and 30 th April 2010. The Defendant is the publisher of the newspaper and website. The Claimant is the well known footballer, Rio Ferdinand. He claims that the article in both formats was an unjustified infringement of his right to privacy, a misuse of his private information and a breach of confidence. The Defendant defends its publications as a legitimate exercise of its right of freedom of expression. 2. The article gave an account of the Claimant’s relationship with Ms Carly Storey. They had met in 1996 or 1997 when he was a teenager and she was 17. They drifted apart from 2000, when the Claimant moved to Leeds United, until 2002. In 2002 they resumed contact via phone and text messages and also met up. The last time they met was in May 2005. -
The Porn User in Public and Academic Discourse ATTWOOD, F
”Other” or “one of us”?: the porn user in public and academic discourse ATTWOOD, F. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/31/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version ATTWOOD, F. (2007). ”Other” or “one of us”?: the porn user in public and academic discourse. Participations: journal of audience and reception studies, 4 (1). Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk ‘ ”Other ” or “one of us ”?: The porn user in public and academic discourse.’ Published in Participations: Journal of Audience and Reception Studies 4(1), http://www.participations.org/. 2007. Summary The consumption of sexually explicit media has long been a matter of public and political concern. It has also been a topic of academic interest. In both these arenas a predominantly behaviourist model of effects and regulation has worked to cast the examination of sexually explicit texts and their consumption as a debate about harm. The broader area of investigation remains extraordinarily undeveloped. Sexually explicit media is a focus of interest for academics because of the way it ‘speaks’ sex and sexuality for its culture. In this paper I examine existing and emerging figures of the porn consumer, their relation to ways of thinking and speaking about pornography, and the implications of these for future work on porn consumption. Key words: Pornography, consumer, figure, discourse, audience research Despite the fact that pornography is a multi-billion- dollar global industry we know far less about its audiences than ‘probably any other genre of popular entertainment’ (Jenkins, 2004:2). -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture. -
Riotous Assembly: British Punk's Diaspora in the Summer of '81
Riotous assembly: British punk's diaspora in the summer of '81 Book or Report Section Accepted Version Worley, M. (2016) Riotous assembly: British punk's diaspora in the summer of '81. In: Andresen, K. and van der Steen, B. (eds.) A European Youth Revolt: European Perspectives on Youth Protest and Social Movements in the 1980s. Palgrave Macmillan, pp. 217-227. ISBN 9781137565693 Available at http://centaur.reading.ac.uk/52356/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.palgrave.com/gb/book/9781137565693 Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Riotous Assembly: British punk’s diaspora in the summer of ‘81 Matthew Worley Britain’s newspaper headlines made for stark reading in July 1981.1 As a series of riots broke out across the country’s inner-cities, The Sun led with reports of ‘Race Fury’ and ‘Mob Rule’, opening up to provide daily updates of ‘Burning Britain’ as the month drew on.2 The Daily Mail, keen as always to pander a prejudice, described the disorder as a ‘Black War on Police’, bemoaning years of ‘sparing the rod’ and quoting those who blamed the riots on a ‘vociferous -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Call Sign Jan 08
January 2008 From the home of Dial-a-Cab International Inside this issue… Sid Gold leaves DaC after 42 years The DaC driver who enjoys 100 mile walks! DaC driver on Chris Tarrant quiz Keith Cain meets Westminster City Council re parking problems He doesn't just watch Strictly Come Dancing, this DaC driver How many different vehicles can is now British Champion! use a bus lane? You may be wrong! Why is this young lady Lib-Dem Mayoral candidate answers DaC driver’s questions sitting in the back of a DaC taxi with her own DaC driver’s wishes for 2008 terminal? DaC driver on fraud protection Call Sign January 2008 Page 2 NASH’S NUMBERS By Alan Nash (A95) Happy New Year to you all. Do you know your SM3 from your IG3? Outer London postal districts within the M25, a total of 135. If you want all 475 in the home counties visit www.nashsnumbers.co.uk BR1 Bromley EN5 Barnet KT12 Walton-on-T TW4 Hounslow BR2 pr Bromley HA0 Wembley KT13 Weybridge TW5 Hounslow BR2 8x Keston HA1 Harrow KT16 Chertsey TW6 Hounslow BR3 Beckenham HA2 Harrow KT17 Epsom TW7 Isleworth BR4 W. Wickham HA3 Harrow KT18 Epsom TW8 Brentford BR5 Orpington HA4 Ruislip KT19 Epsom TW9 Richmond BR6 Orpington HA5 Pinner KT20 Tadworth TW10 Richmond BR7 Chislehurst HA6 Northwood KT21 Ashtead TW11 Teddington BR8 Swanley HA7 Stanmore RG27 Hook TW12 Hampton CR0 Croydon HA8 Edgware RM1 Romford TW13 Feltham CR2 South Croydon HA9 Wembley RM2 Gidea Park TW14 Feltham CR3 Caterham IG1 Ilford RM3 Harold HillTW16 Sunbury-on-T CR4 Mitcham IG2 Ilford RM3 Harold Wood TW17 Shepperton CR5 Coulsdon IG3 -
Call Sign Nov 07
November 2007 From the home of Dial-a-Cab International Inside this issue… WhatWhat doesdoes thisthis RussianRussian taxitaxi drivingdriving throughthrough RedRed SquareSquare inin Carbon Footprints: MoscowMoscow havehave toto dodo withwith DaC?DaC? DaC offloading CO2… How the Police found DaC driver’s stolen camera… Call Sign writer wins international award… Taxi driver heals himself! Call Sign carries out fuel tests… TheThe oldold meetsmeets thethe new!new! Keith Cain looks at signals again DaC website relaunched… DaC driver working in a DaCDaC drdriveriver LaLawrencewrence BMW TX4! KKelvinelvin meetsmeets 9393 yyearear oldold formerformer ChairmanChairman JJacackk RussellRussell atat thethe neneww buildingbuilding launclaunchh Call Sign November 2007 Page 2 NASH’S NUMBERS By Alan Nash (A95) The new Eurostar terminal opens at St. Pancras on 14 November 2007. This month I’ve tried to give you the arrival times to give you work and the travelling public a good service. On 9 October, the Eurostar website’s timetable was valid until July 07. I contacted Eurostar and they told me the website would be up to date on 10 October and they would also send me the St. Pancras timetable. I visited the website on 10 Oct and it was updated to show arrivals at Waterloo until 13/11/07! The timetable for St.Pancras has yet to arrive. So the following table was constructed by checking each train by arrival time for the first day (14 Nov) and the following week Mon to Sun. There were major changes in the early days of Waterloo Eurostar, which then settled into a fairly stable timetable. -
UK Confidential Cover 4/24/08 9:12 AM Page 1 Kcnieta | UK Confidential
UK Confidential cover 4/24/08 9:12 AM Page 1 UK Confidential | The transformation of our social lives and the “An open society increases in surveillance and technological innovations have led us to believe that privacy is in the midst of a very public death. But privacy is depends on individuals not dying, nor can we let it do so. Privacy protects a set of deeply significant values that no society can do without; it is about the lines, boundaries and and Catherine FieschiCharlie Edwards | rediscovering the social relationships we draw between and among ourselves, communities and institutions. Privacy appears value of privacy...” threatened because our perception of what it means has radically changed. This collection argues that we get the privacy culture we deserve. Our appetite for a connected society means we have yet to determine why we UK CONFIDENTIAL still care about privacy. These essays explore the underlying challenges and realities of privacy in an open society, and argue for a new settlement between Edited by Charlie Edwards the individual and society; the public and the state; the consumer and business. To achieve this, we need and Catherine Fieschi collective participation in negotiating the terms and conditions of twenty-first century privacy. Charlie Edwards is Head of the Security Programme COLLECTION at Demos. Catherine Fieschi is Director of Demos. 25 ISBN 978-1-84180-192-6 £10 © Demos 2008 COLLECTION 25 UK Confidential cover 4/28/08 12:37 PM Page 2 Contributors: This project was supported by: Jonathan Bamford Peter Bazalgette Chris Bellamy Peter Bradwell Gareth Crossman Simon Davies Peter Fleischer Niamh Gallagher Tom Ilube Markus Meissen Perri 6 Charles Raab Jeffrey Rosen Robert Souhami Zoe Williams Marlene Winfield First published in 2008 © Demos. -
Abandoned Streets and Past Ruins of the Future in the Glossy Punk Magazine
This is a repository copy of Digging up the dead cities: abandoned streets and past ruins of the future in the glossy punk magazine. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/119650/ Version: Accepted Version Article: Trowell, I.M. orcid.org/0000-0001-6039-7765 (2017) Digging up the dead cities: abandoned streets and past ruins of the future in the glossy punk magazine. Punk and Post Punk, 6 (1). pp. 21-40. ISSN 2044-1983 https://doi.org/10.1386/punk.6.1.21_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Digging up the Dead Cities: Abandoned Streets and Past Ruins of the Future in the Glossy Punk Magazine Abstract - This article excavates, examines and celebrates P N Dead! (a single issue printed in 1981), Punk! Lives (11 issues printed between 1982 and 1983) and Noise! (16 issues in 1982) as a small corpus of overlooked dedicated punk literature coincident with the UK82 incarnation of punk - that takes the form of a pop-style poster magazine. -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.