Call Sign Jan 08
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Gerrit Swanepoel DUBBING MIXER
Gerrit Swanepoel DUBBING MIXER C R E D I T L I S T Horizon – Trail – The Lost Tribes Of Humanity Factual - 1x60’ - BBC2 - BBC Factual All Together Now: The Great Orchestra Challenge Factual - 4x60’ - BBC2 & 4 - BBC Music Coach Trip - Road To Ibiza Light Entertainment - 30x30’- E4 - 12 Yard Separated at Birth Factual - 7x60’ - TLC – CTVC British Army Girls Factual - 1x60’ - Lion TV – Channel 4 The Real Story Of…. Factual–10 x 60' - Discovery - World Media Rights Great British Benefits Handout Factual - 4x60’ - Channel 5 - Dragonfly TV PQ 17: An Arctic Convoy Disaster Factual - 1 x 60’ - BBC2 - BBC Factual Steve Backshall's Extreme Mountain Challenge Factual - 2 x 60’ - BBC2 - BBC Factual Psychedelic Britannia Factual - 1x60' - BBC4 - BBC Factual Music Moguls: Mythmakers Factual - 1x60' - BBC4 - BBC Music Britain's Bomb Factual - 1x60' - BBC – BBC 4 Wonders Of Nature Factual - 6x30' - BBC – BBC Science George Clarke's Amazing Spaces Series 1-4 Factual - 26 x 60’ - Channel 4 - Plum Pictures Sex And The West Factual 3 x 60’ - BBC2 - BBC Factual My Life: Mr Alzheimers and Me Factual - 1 x 30' - CBBC - Tigerlily Films World’s Most Extreme: Airports Factual Entertainment - 1 x 60’ - More4 - Arrow Media Border Country: The Story Of Britain's Lost Middleland Factual - 2 x 60’ - BBC2 - BBC Factual Come Dine Champion Of Champions Factual - 20 x 60’– Channel 4 - Shiver Hair Factual - 1 x 30' - BBC Series Horizon - First Britons Factual - 1 x 60' – BBC2 – BBC Factual Jodie Marsh: Women Who Pay For Sex Factual - 1 x 60’ - Discovery TLC - Thumbs Up -
Dramatis Personae
Dramatis Personae Chris McCabe and Tom Jenks Argotist Ebooks 2 Cover image by Chris McCabe and Tom Jenks Copyright © Chris McCabe and Tom Jenks 2014 A rights reserved Argotist Ebooks 3 This is a se ection from the five co aborations written by Chris McCabe and Tom Jenks for the Camarade pro$ect between 2011 and 2013. Thanks to SJ Fow er, the curator of the pro$ect, for initiating and supporting the co aborations. Thanks a so to Mark Cob ey whose Red Cei ings Press pub ished the first co aboration as Gnomes in 2011, and to Sophie ,er-heimer for costumery and other visua input into the performances of this piece. 4 Dramatis Personae 5 The fo owing is a se ection from co aboration 1, written in August 2011 Avai ab e at http.//cmt$maintenant.wordpress.com This se0uence was pub ished by Red Cei ings Press with the tit e Gnomes. 6 THE LONDON FINGER 1hy did you put your finger in your mouth in 2ondon3 I didn’t put my finger in my mouth in London. 1hose finger did you put in your mouth in 2ondon3 I didn’t put anyone’s finger in my mouth in London. 1hose finger was it then3 4Chris McCabe5 7 RADIO PLAY ,op-scotching dog shits on the pavement. Knots of bronze. 7ou know about the white ones3 The white ones? 1hite dog shits. What? 8utcher9s bones : turns to ca cium in the intestines. How do strays get the butcher’s bones is it a Beano chase? It9s not the strays, they eat out the back of the baker9s. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture. -
The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence. -
Riotous Assembly: British Punk's Diaspora in the Summer of '81
Riotous assembly: British punk's diaspora in the summer of '81 Book or Report Section Accepted Version Worley, M. (2016) Riotous assembly: British punk's diaspora in the summer of '81. In: Andresen, K. and van der Steen, B. (eds.) A European Youth Revolt: European Perspectives on Youth Protest and Social Movements in the 1980s. Palgrave Macmillan, pp. 217-227. ISBN 9781137565693 Available at http://centaur.reading.ac.uk/52356/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.palgrave.com/gb/book/9781137565693 Publisher: Palgrave Macmillan All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Riotous Assembly: British punk’s diaspora in the summer of ‘81 Matthew Worley Britain’s newspaper headlines made for stark reading in July 1981.1 As a series of riots broke out across the country’s inner-cities, The Sun led with reports of ‘Race Fury’ and ‘Mob Rule’, opening up to provide daily updates of ‘Burning Britain’ as the month drew on.2 The Daily Mail, keen as always to pander a prejudice, described the disorder as a ‘Black War on Police’, bemoaning years of ‘sparing the rod’ and quoting those who blamed the riots on a ‘vociferous -
2 Punk – Eine Einleitung
DIPLOMARBEIT Titel der Diplomarbeit „Die Geschichte des Punk und seiner Szenen“ >Band 1 von 1< Verfasser Armin Wilfling angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 316 Studienblatt: Studienrichtung lt. Musikwissenschaft Studienblatt: Betreuerin / Betreuer: Dr. Emil Lubej Die Geschichte des Punk und seiner Szenen, Armin Wilfling Seite 2 1 KURZBESCHREIBUNGEN...................................................................................................................... 7 1.1 DEUTSCHSPRACHIGE ZUSAMMENFASSUNG ........................................................................................... 7 1.2 ENGLISH ABSTRACT .............................................................................................................................. 7 2 PUNK – EINE EINLEITUNG.................................................................................................................... 9 2.1 STILDEFINIERENDE MERKMALE DES PUNKS ......................................................................................... 9 2.2 LESEANLEITUNG ................................................................................................................................. 13 3 PUNK – EINE GESCHICHTE ................................................................................................................ 15 3.1 URSPRÜNGE UND VORLÄUFER ............................................................................................................ 17 3.1.1 Garage Rock................................................................................................................................. -
Before-The-Act-Programme.Pdf
Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu The money raised by Before The Act will go into ality by local authorities. -
Sheila Hancock and Jenna Russell to Star in The
SHEILA HANCOCK AND JENNA RUSSELL TO STAR IN THE EUROPEAN PREMIÈRE OF ACCLAIMED MUSICAL GREY GARDENS, WINNER OF 3 TONY AWARDS & NOMINATED FOR A FURTHER 7, ALONG WITH 12 DRAMA DESK AWARDS ON BROADWAY, FROM THE TEAM BEHIND TITANIC AND GRAND HOTEL Olivier Award-winning West End stars, Sheila Hancock and Jenna Russell, are to star in the eagerly awaited European première of Grey Gardens. Based on an iconic 1975 documentary, Grey Gardens, with Book by Doug Wright, Music by Scott Frankel, Lyrics by Michael Korie, tells the spectacular real life rise and fall of Jacqueline Kennedy Onassis’s aunt and cousin, Edith and Edie Bouvier Beale. Starting in 1941 at an engagement party at Grey Gardens, the Bouvier’s mansion in East Hampton, Long Island, the musical tracks the progression of the two women’s lives from American aristocrats to reclusive social outcasts living in such squalid conditions, in a home overrun by cats, that the Health Department deemed the mansion ‘unfit for human habitation’. Grey Gardens, produced by Danielle Tarento and directed by Thom Southerland, the award-winning team behind Grand Hotel, Titanic, Parade and Mack & Mabel, will open for a 6-week season in The Large at Southwark Playhouse from Saturday 2 January, 2016. “The best argument I can think of for the survival of the American musical” Press night is Thursday 7 January at 7.30pm. Ben Brantley, New York Times More cast to be announced. Press contact: Kevin Wilson at KWPR Tel: 07884 368697 [email protected] 49 Western Lane London SW12 8JS T: 020 8673 0658 M: 07884 368697 E: [email protected] www.kevinwilsonpublicrelations.co.uk Sheila Hancock (Edith “Big Edie” Ewing Bouvier Beale) Sheila’s extensive career spans theatre, radio, television and film, LISTINGS INFO and she is also now enjoying a career as a features presenter and as a writer including The Two of Us which won the British Book Danielle Tarento Award for Author of the Year, and her debut novel Miss Carter’s presents the European Premiére of War. -
Call Sign Nov 07
November 2007 From the home of Dial-a-Cab International Inside this issue… WhatWhat doesdoes thisthis RussianRussian taxitaxi drivingdriving throughthrough RedRed SquareSquare inin Carbon Footprints: MoscowMoscow havehave toto dodo withwith DaC?DaC? DaC offloading CO2… How the Police found DaC driver’s stolen camera… Call Sign writer wins international award… Taxi driver heals himself! Call Sign carries out fuel tests… TheThe oldold meetsmeets thethe new!new! Keith Cain looks at signals again DaC website relaunched… DaC driver working in a DaCDaC drdriveriver LaLawrencewrence BMW TX4! KKelvinelvin meetsmeets 9393 yyearear oldold formerformer ChairmanChairman JJacackk RussellRussell atat thethe neneww buildingbuilding launclaunchh Call Sign November 2007 Page 2 NASH’S NUMBERS By Alan Nash (A95) The new Eurostar terminal opens at St. Pancras on 14 November 2007. This month I’ve tried to give you the arrival times to give you work and the travelling public a good service. On 9 October, the Eurostar website’s timetable was valid until July 07. I contacted Eurostar and they told me the website would be up to date on 10 October and they would also send me the St. Pancras timetable. I visited the website on 10 Oct and it was updated to show arrivals at Waterloo until 13/11/07! The timetable for St.Pancras has yet to arrive. So the following table was constructed by checking each train by arrival time for the first day (14 Nov) and the following week Mon to Sun. There were major changes in the early days of Waterloo Eurostar, which then settled into a fairly stable timetable. -
Facial Motion Analysis Using Clustered Shortest Path Tree Registration David Cristinacce, Tim Cootes
Facial Motion Analysis using Clustered Shortest Path Tree Registration David Cristinacce, Tim Cootes To cite this version: David Cristinacce, Tim Cootes. Facial Motion Analysis using Clustered Shortest Path Tree Regis- tration. The 1st International Workshop on Machine Learning for Vision-based Motion Analysis - MLVMA’08, Oct 2008, Marseille, France. inria-00326726 HAL Id: inria-00326726 https://hal.inria.fr/inria-00326726 Submitted on 5 Oct 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Facial Motion Analysis using Clustered Shortest Path Tree Registration David Cristinacce and Tim Cootes Dept. Imaging Science and Biomedical Engineering University of Manchester, Manchester, M13 9PT, U.K. [email protected] Abstract. We describe a method of automatically annotating video se- quences, de¯ning a set of corresponding points in every frame. This is an important pre-processing step for many motion analysis systems. Rather than tracking feature points through the sequence, we treat the problem as one of `groupwise registration', in which we seek to ¯nd the corre- spondence between every image and an automatically computed model reference, ignoring the ordering of frames. The main contribution of this work is to demonstrate a method of clustering the frames and construct- ing a shortest path tree over the clusters. -
AS Sociology For
3.The mass media INTRODUCTION The focus of this opening section is an examination of different explanations of the relationship between ownership and control of the mass media and, in order to do this, we need to begin by thinking about how the mass media can be defined. person (the author of a book, for example), Defining mass communicates to many people (their readers) at the same time. This deceptively media simple definition does, of course, hide a number of complexities – such as, how large Preparing the does an audience have to be before it qualifies as ‘mass’? ground In addition to thinking about a basic We can start by breaking down the concept definition of the term, we can note how of a ‘mass media’ into its constituent parts. Dutton et al (Studying the Media, 1998) A medium, is a ‘channel of communication’ suggests that, traditionally (an important – a means through which people send and qualification I will develop in a moment), receive information. The printed word, for the mass media has been differentiated from example, is a medium; when we read a other types of communication (such as newspaper or magazine, something is interpersonal communication that occurs on communicated to us in some way. Similarly, a one-to-one basis) in terms of four essential electronic forms of communication – characteristics. television, telephones, film and such like – • Distance: Communication between those are media (the plural of medium). Mass who send and receive messages (media- means ‘many’ and what we are interested in speak for information) is impersonal, here is how and why different forms of lacks immediacy and is one way (from the media are used to transmit to – and be producer/creator of the information to the received by – large numbers of people (the consumer/audience).