The Unicode Standard, Version 4.1 This File Contains an Excerpt from the Character Code Tables and List of Character Names for the Unicode Standard, Version 4.1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Transport and Map Symbols Range: 1F680–1F6FF
Transport and Map Symbols Range: 1F680–1F6FF This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
Memorandum of the Secretariat General on the European Flag Pacecom003137
DE L'EUROPE - COUNCIL OF EDMFE Consultative Assembly Confidential Strasbourg,•15th July, 1951' AS/RPP II (3) 2 COMMITTEE ON RULES OF PROCEDURE AND PRIVILEGES Sub-Committee on Immunities I MEMORANDUM OF THE SECRETARIAT GENERAL ON THE EUROPEAN FLAG PACECOM003137 1.- The purpose of an Emblem There are no ideals, however exalted in nature, which can afford to do without a symbol. Symbols play a vital part in the ideological struggles of to-day. Ever since there first arose the question of European, organisation, a large number of suggestions have more particularly been produced in its connection, some of which, despite their shortcomings, have for want of anything ;. better .been employed by various organisations and private ' individuals. A number of writers have pointed out how urgent and important it is that a symbol should be adopted, and the Secretariat-General has repeatedly been asked to provide I a description of the official emblem of the Council of Europe and has been forced to admit that no such emblem exists. Realising the importance of the matter, a number of French Members of Parliament^ have proposed in the National Assembly that the symbol of the European Movement be flown together with the national flag on public buildings. Private movements such as'the Volunteers of Europe have also been agitating for the flying of the European Movement colours on the occasion of certain French national celebrations. In Belgium the emblem of the European Movement was used during the "European Seminar of 1950" by a number of *•*: individuals, private organisations and even public institutions. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
Izydora Dąmbska SYMBOL
Izydora Dąmbska SYMBOL Originally published as ”Symbol,” Studia Semiotyczne 12 (1982), 125–132. Translated by Magdalena Tomaszewska. The word ”symbol” (Gr. συµβoλoν´ , Lat. symbolum) has many senses. Origi- nally, symbol was understood as an identification sign, especially one created from two pieces of one object (e.g. a ring) divided with this purpose in view. Later, it could refer to any type of signitive objects — Goclenius writes: ”Symbola accipiuntur pro indiciis significantibus animo aliquid, ut loquuntur, intimantibus.” 1 The term ”symbol” also covered certain legal acts, agreements and ritual professions of faith. This sense has survived till today in such Polish names as ”symbol apostolski” ( the Apostoles’ Creed ; Lat. Symbolum Apostolorum ), ”symbol nicejski” ( the Nicene Creed ; Lat. Symbolum Nicaenum ), ”symbol trydencki” ( the Trent Creed ; Lat. Symbolum Tridentinum ). 2 Also, contemporary semiotics offers various conceptions of symbol. There are logical and mathematical symbols in science, quality sym- bols in technology and industry, religious symbols, symbols in poetry and art, symbols and symbolism in night dreams. A number one is the symbol of truth in Boolean algebra, and the symbol of an object’s high quality in technology. However, it is also said that the Cross of Lorraine became the symbol of the Resistance in France, while a skeleton has been a symbol of death for ages. There are symbols that are emotionally neutral (introduced 1Lexicon Philosophicum Graecum , Marchioburgi 1615: 215. 2The relationship between this -
16088-Chars-For-Emoji-Provisional.Pdf
Characters Proposed for Emoji=Provisional To: UTC From: Emoji Subcommittee Date: 2016-04-21 Emoji_ Emoji_ Emoji_ Code Name Char LG Microsoft Samsung Presentation Modifier_Base Direction_Base U+2605 BLACK STAR ★ Provisional U+2607 LIGHTNING ☇ Provisional U+2608 THUNDERSTORM ☈ Provisional U+2609 SUN ☉ Provisional U+260A ASCENDING NODE ☊ Provisional U+260B DESCENDING NODE ☋ Provisional U+260C CONJUNCTION ☌ Provisional U+260D OPPOSITION ☍ Provisional U+260F WHITE TELEPHONE ☏ Provisional U+2610 BALLOT BOX ☐ Provisional U+2612 BALLOT BOX WITH X ☒ Provisional U+2616 WHITE SHOGI PIECE ☖ Provisional U+2617 BLACK SHOGI PIECE ☗ Provisional U+2619 REVERSED ROTATED FLORAL HEART BULLET ☙ Provisional 1 U+261A BLACK LEFT POINTING INDEX ☚ Provisional U+261B BLACK RIGHT POINTING INDEX ☛ Provisional U+261C WHITE LEFT POINTING INDEX ☜ Provisional Provisional U+261E WHITE RIGHT POINTING INDEX ☞ Provisional Provisional U+261F WHITE DOWN POINTING INDEX ☟ Provisional Provisional U+2621 CAUTION SIGN ☡ Provisional U+2624 CADUCEUS ☤ Provisional U+2625 ANKH ☥ Provisional U+2627 CHI RHO ☧ Provisional U+2628 CROSS OF LORRAINE ☨ Provisional U+2629 CROSS OF JERUSALEM ☩ Provisional U+262B FARSI SYMBOL ☫ Provisional U+262C ADI SHAKTI ☬ Provisional U+262D HAMMER AND SICKLE ☭ Provisional U+263B BLACK SMILING FACE ☻ Provisional U+263C WHITE SUN WITH RAYS ☼ Provisional U+263D FIRST QUARTER MOON ☽ Provisional U+263E LAST QUARTER MOON ☾ Provisional U+263F MERCURY ☿ Provisional 2 U+2640 FEMALE SIGN ♀ Provisional U+2641 EARTH ♁ Provisional U+2642 MALE SIGN ♂ Provisional U+2643 -
The Merovingian Dynasty with Their King Dagobert II Presents An
On an article by Tracy R Twyman To read Tracy R Twyman’s full article, please refer to the internet. The Merovingian dynasty with their king Dagobert II presents an important spiritual link between Jesus Christ and the Cathar endeavour to restore genuine Christianity a few centuries later. The history of the Merovingian dynasty spans the history of human kind. Just as the dynasty was at the shaping of World’ events, so World’s events shaped the dynasty’s fate. The first phase of humanity has concluded and the Merovingian story stands as the archetype of societal evolution reflected through a significant blood line. The Cathar Testament explains the principles in theory, whilst focusing on the Soul. Using an article by Tracy R. Twyman, I have pinpointed some of the pivotal stages against the Merovingian story traced through legends from the times of Atlantis. My comments do not represent the views of Tracy R Twyman. The adaptation is a working tool for students of the Cathar Testament. My comments are in brackets. To read Tracy R Twyman’s full article, please refer to the internet. Corascendea 17.03.2013. The Myth: The Frankish King Dagobert II, and the Merovingian dynasty from which he came, have been romantically mythologized in the annals of both legend and mystical pseudo-history. The mystique that surrounds them includes attributions of divine origin from Atlantis. They were described as the descendants of Mary Magdalene and Jesus Christ, while legends talk of their powers, even of the magical powers of their regalia. The Merovingian race originated with a civilization far more ancient than recorded history, from which came all of the major arts and sciences. -
Guide to Saints and Symbols in Stained Glass
Guide to Saints and Symbols in Stained Glass In churches and chapels, stained glass windows help create the sense of a sacred space. Stained glass windows of the saints can provide worshipers with inspirational illustrations of the venerated. The various saints may be depicted in stained glass either symbolically or in scenes from their lives. One of the challenges facing church designers, building committees and pastors doing church construction or remodeling is finding the right stained Saint Matthew Saint Mark glass images for your church or chapel. Panel #1001 Panel #1000 To help you, Stained Glass Inc. offers the largest selection of stained glass in the world. You will find Stained Glass Inc. windows to be of the finest quality, affordable and custom made to the size and shape of your window. If your church or organization is looking for a stained glass window of a saint, we can help. Not all the saints are listed here. If you are looking for a particular saint and you don’t find him or her listed here, just contact us, we can create a stained glass artwork for you. Saint Luke Saint John Panel #1005 Panel #1006 4400 Oneal, Greenville, TX • Phone: (903) 454-8376 [email protected] • www.StainedGlassInc.com To see more Saints in stained glass, click here: http://stainedglassinc.com/religious/saints-and-angels/saints.html The following is a list of the saints and their symbols in stained glass: Saint Symbol in Stained Glass and Art About the Saint St. Acathius may be illustrated in Bishop of Melitene in the third century. -
Character Properties 4
The Unicode® Standard Version 14.0 – Core Specification To learn about the latest version of the Unicode Standard, see https://www.unicode.org/versions/latest/. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and the publisher was aware of a trade- mark claim, the designations have been printed with initial capital letters or in all capitals. Unicode and the Unicode Logo are registered trademarks of Unicode, Inc., in the United States and other countries. The authors and publisher have taken care in the preparation of this specification, but make no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein. The Unicode Character Database and other files are provided as-is by Unicode, Inc. No claims are made as to fitness for any particular purpose. No warranties of any kind are expressed or implied. The recipient agrees to determine applicability of information provided. © 2021 Unicode, Inc. All rights reserved. This publication is protected by copyright, and permission must be obtained from the publisher prior to any prohibited reproduction. For information regarding permissions, inquire at https://www.unicode.org/reporting.html. For information about the Unicode terms of use, please see https://www.unicode.org/copyright.html. The Unicode Standard / the Unicode Consortium; edited by the Unicode Consortium. — Version 14.0. Includes index. ISBN 978-1-936213-29-0 (https://www.unicode.org/versions/Unicode14.0.0/) 1. -
The Migration of an Emblem Through the Example of the Cross of Burgundy
The migration of an emblem through the example of the cross of Burgundy by Patrice de La Condamine Abstract The choice for the subject of this paper, The migration of an emblem through the example of the cross of Burgundy, needs an explanation. The purpose of this subject is double. The first one, as the first part of the title indicates, is to show the migration of the emblems, showing that they follow the movements of populations. The second purpose is to explain this reality through an example: the cross of Burgundy. This choice seems to be all the more appropriate since the country which welcomes us was one of the first to receive this emblem on its ter - ritory, in historic circumstances that everybody knows. The story could begin with Once upon a time, there was a cross... The Burgundian native land I do not pretend to know everything about the origins of the cross of Burgundy, how - ever I can talk about its history. First, its name ‘Cross of Burgundy’ does not let any doubt 1 about its origin: Burgundy, the actual region situated in the east of France. On the graphic aspect, it’s a saltirewise cross, called a Saint-Andrew’s cross 2, which is particular, as on the edges of its four limbs some small branch-like offshoots from the main cross can be noticed. That is why this emblem is also called “croix écotée”, 6 in The saltire of Burgundy French. Originally, it represented two crossed tree trunks of which the branches had been cut off, so that only the sawn-off ends remained. -
Miscellaneous Mathematical Symbols-A Range: 27C0–27EF
Miscellaneous Mathematical Symbols-A Range: 27C0–27EF This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
Musical Symbols Range: 1D100–1D1FF
Musical Symbols Range: 1D100–1D1FF This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation.