Proposal to Encode the Typikon Symbols in Unicode
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
Memorandum of the Secretariat General on the European Flag Pacecom003137
DE L'EUROPE - COUNCIL OF EDMFE Consultative Assembly Confidential Strasbourg,•15th July, 1951' AS/RPP II (3) 2 COMMITTEE ON RULES OF PROCEDURE AND PRIVILEGES Sub-Committee on Immunities I MEMORANDUM OF THE SECRETARIAT GENERAL ON THE EUROPEAN FLAG PACECOM003137 1.- The purpose of an Emblem There are no ideals, however exalted in nature, which can afford to do without a symbol. Symbols play a vital part in the ideological struggles of to-day. Ever since there first arose the question of European, organisation, a large number of suggestions have more particularly been produced in its connection, some of which, despite their shortcomings, have for want of anything ;. better .been employed by various organisations and private ' individuals. A number of writers have pointed out how urgent and important it is that a symbol should be adopted, and the Secretariat-General has repeatedly been asked to provide I a description of the official emblem of the Council of Europe and has been forced to admit that no such emblem exists. Realising the importance of the matter, a number of French Members of Parliament^ have proposed in the National Assembly that the symbol of the European Movement be flown together with the national flag on public buildings. Private movements such as'the Volunteers of Europe have also been agitating for the flying of the European Movement colours on the occasion of certain French national celebrations. In Belgium the emblem of the European Movement was used during the "European Seminar of 1950" by a number of *•*: individuals, private organisations and even public institutions. -
Atlas of American Orthodox Christian Monasteries
Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
Liturgy As Ethicizer: Cultivating Ecological Consciousness Through a Coptic Orthodox Liturgical Ethos
Sacred Heart University DigitalCommons@SHU Catholic Studies Faculty Publications Catholic Studies 2020 Liturgy as Ethicizer: Cultivating Ecological Consciousness through a Coptic Orthodox Liturgical Ethos Stephen M. Meawad Follow this and additional works at: https://digitalcommons.sacredheart.edu/cath_fac Part of the Christian Denominations and Sects Commons, Environmental Studies Commons, and the Ethics in Religion Commons 1 Stephen M. Meawad Liturgy as Ethicizer: Cultivating Ecological Consciousness through a Coptic Orthodox Liturgical Ethos 1 – Introduction Eastern Orthodox Christianity’s recent expression of its ecological concern has been vast and strong, evidenced by its designation of September 1st as a day of prayer for the “protection of the environment” and also through the scholarly contributions of more than a dozen theologians and religious figures, including Patriarch Bartholomew, Elizabeth Theokritoff, and John Chryssavgis.1 Much of this witness can and does extend to Oriental Orthodoxy in numerous respects.2 Among others, some examples include similarities in the doctrine of creation, proper relation to non-human animals, spiritual degradation as a precursor to ecological degradation, and extending love of neighbor to include all of creation. Yet, analyzing ways that other families of Orthodoxy conceive of the relationship between ecology and theology—a promising endeavor—has remained largely untapped contemporarily. This project will examine the liturgical ethos of the Coptic Orthodox Church and how this ethos is effective in creating self-sustaining, ecologically aware communities. A more comprehensive version of this project would develop what might be called a politeia (behavior or ethos of a given community) of the Coptic Orthodox Church that would include monasticism and asceticism; fasting; agriculture and co-stewardship; and self-sustenance. -
THO 3347 Byzantine Liturgy of the Hours and Liturgical Year Winter 2015, Thursdays 17:30-20:30, Room 1141
1 THO 3347 Byzantine Liturgy of the Hours and Liturgical Year Winter 2015, Thursdays 17:30-20:30, Room 1141 Professor: Fr. Michael Winn Office Phone: 613-727-1255, Cell Phone: 613-894-5833 Email: [email protected] (please use only this email address for this course) SYLLABUS January 15, 2015 Introduction; Distribution of Syllabus, Course Overview Class 1 January 22, 2015 Byzantine Liturgy of the Hours I Class 2 Anthropological, Sociological, and Psychological Issues; Related to the Celebration of the Hours Reading: George Guiver, Company of Voices: Daily Prayer and the People of God, 3-45. January 29, 2015 Byzantine Liturgy of the Hours II Class 3 New Testament, Pre-Nicean, and Patristic Heritage; History of the Byzantine Office in Particular Reading: George Guiver, Company of Voices: Daily Prayer and the People of God, 49-114. Supplemental Reading: Robert Taft, The Liturgy of the Hours in East and West, 3-29, 273-291. READING QUIZ #1 will occur at the beginning of this class. February 5, 2015 Byzantine Liturgy of the Hours III Class 4 General Theology of the Liturgy of the Hours Reading: George Guiver, Company of Voices: Daily Prayer and the People of God, 149-200. Supplemental Reading: Robert Taft, The Liturgy of the Hours in East and West, 331-373. February 12, 2015 Byzantine Liturgy of the Hours IV Class 5 Byzantine Vespers: Structure and Meaning Readings: Robert Taft, “Thanksgiving for the Light: Towards a Theology of Vespers,” in Beyond East and West: Problems in Liturgical Understanding, 127-149. Alexander Schmemann, For the Life of the World, 59-65. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
TEOLOGIA Anul XV, Nr. 3 (48), 2011 the Review Publishes Studies, Translations from Holly Fathers, Notes, Comments and Book Reviews
TEOLOGIA anul XV, nr. 3 (48), 2011 The review publishes studies, translations from Holly Fathers, notes, comments and book reviews. REQUIREMENTS The authors are expected to send the studies that meet the specifi ed requirements 2.0 lines spacing. The authors assume the responsability of the contents of the articles. The unpublished studies are not returned. TEOLOGIA TEOLOGIA Orice corespondenţă se va adresa: Any correspondence will be sent to the fol- lowing address: FACULTATEA DE TEOLOGIE FACULTATEA DE TEOLOGIE 310096 ARAD 310096 ARAD Strada Academiei Teologice Nr. 9 Strada Academiei Teologice Nr. 9 Tel/Fax: 0040-257-285855 Tel/Fax: 0040-257-285855 Preţuri/ Prices: Uniunea Europeană (UE): 1 abonament (4 exemplare/ copies = 24 €; 1 exemplar/ copy = 6 €) Alte ţări/ Other countries: 1 abonament (4 exemplare/ copies = 40 €; 1 exemplar/ copy = 10 €) UNIVERSITATEA „AUREL VLAICU” ARAD FACULTATEA DE TEOLOGIE ORTODOXĂ TEOLOGIA ANUL XV, NR. 3 (48), 2011 Editura Universităţii „Aurel Vlaicu” A R A D EDITORIAL STAFF PUBLISHER The Orthodox Theology Faculty from “Aurel Vlaicu” University of Arad PRESIDENT OF HONOR: M.R. Ph D. TIMOTEI SEVICIU, Archbishop of Arad CHAIRMAN OF EDITORIAL BOARD: Rev. PhD. IOAN TULCAN, „Aurel Vlaicu” University of Arad [email protected] EDITOR IN CHIEF: PhD. CRISTINEL IOJA, „Aurel Vlaicu” University of Arad [email protected] ADVISORY BOARD: Rev. PhD. ŞTEFAN BUCHIU, University from Bucharest ([email protected]); Rev. PhD. CON- STANTIN RUS, „Aurel Vlaicu” University of Arad ([email protected]); Rev. PhD. ERNST CHR. SUTTNER, University from Wien ([email protected]); PhD. IRINI CHRISTINAKIS-GLAROS, Uni- versity from Athens ([email protected]); PhD. -
Service and Akathist to Saint Elisabeth Romanov
SERVICE ТО OUR VENERABLE MOTHER, THE HOLY NEW MARTYR GRAND DUCHESS ELIZABETH Commemorated on July 5 AT LITTLE VESPERS At “Lord, I have cried..., ’’ stichera for four verses, in the Seventh Tone : ome, let us praise and hymn the nun and martyr Elizabeth, C a faithful warrior in Christ’s army, an illustrious star which super- naturally arose in the West and finished its course in the East, and which by its appearance gave light to the darkness of this godless age, only to shine even more brightly afterwards in the Kingdom of Christ our God, for He is the King of Glory, the Dayspring of all dawns. (twice) ell us, О Elizabeth, what mysteries thou dost now behold: T the things which thou didst desire to see from thy youth, and for whose sake thou didst forsake the imaginary pleasures of this passing life, and didst account as nothing the malice of thy tormentors. Thus may we also be incurably wounded by this blessed desire; and having suffered well the pain of this salutary sickness, may we ignore what is temporal in order to obtain eternal good things. 1 witnesses of the Lord, ye holy martyrs, clear mirrors of the hile resplendent in royal glory on earth, thou didst have О divine glory, if the night of godlessness had not been il- Wthe Kingdom of God within thyself, О Grand Duchess lu¬mined by the light of your struggles, how would we have seen Elizabeth; therefore, thou art rightly called a royal martyr, and thou the path to salvation? And if the Russian land had not been made hast received a most precious crown from Christ, the King of Glory, fertile by your blood, how would it have been kept from drying up with Whom thou now dost reign. -
Izydora Dąmbska SYMBOL
Izydora Dąmbska SYMBOL Originally published as ”Symbol,” Studia Semiotyczne 12 (1982), 125–132. Translated by Magdalena Tomaszewska. The word ”symbol” (Gr. συµβoλoν´ , Lat. symbolum) has many senses. Origi- nally, symbol was understood as an identification sign, especially one created from two pieces of one object (e.g. a ring) divided with this purpose in view. Later, it could refer to any type of signitive objects — Goclenius writes: ”Symbola accipiuntur pro indiciis significantibus animo aliquid, ut loquuntur, intimantibus.” 1 The term ”symbol” also covered certain legal acts, agreements and ritual professions of faith. This sense has survived till today in such Polish names as ”symbol apostolski” ( the Apostoles’ Creed ; Lat. Symbolum Apostolorum ), ”symbol nicejski” ( the Nicene Creed ; Lat. Symbolum Nicaenum ), ”symbol trydencki” ( the Trent Creed ; Lat. Symbolum Tridentinum ). 2 Also, contemporary semiotics offers various conceptions of symbol. There are logical and mathematical symbols in science, quality sym- bols in technology and industry, religious symbols, symbols in poetry and art, symbols and symbolism in night dreams. A number one is the symbol of truth in Boolean algebra, and the symbol of an object’s high quality in technology. However, it is also said that the Cross of Lorraine became the symbol of the Resistance in France, while a skeleton has been a symbol of death for ages. There are symbols that are emotionally neutral (introduced 1Lexicon Philosophicum Graecum , Marchioburgi 1615: 215. 2The relationship between this -
The Plainchant of the Byzantine Catholic Church
The Plainchant of the Byzantine Catholic Church Week 1: Liturgical background for this course Byzantine Catholic Seminary, Pittsburgh, Pennsylvania Instructor: Deacon Jeffrey Mierzejewski Spring 2017 What is the Byzantine Rite? • Liturgy: the organized, public liturgy of the Christian Church • Rite – a particular arrangement of the divine services, consisting of the texts and actions used in worship, and the chant that accompanies them – Roman Rite: the liturgical order of the city of Rome, used in much of the Catholic Church – Byzantine Rite: the liturgical order of the city of Constantinople, used in the Orthodox churches and most (not all) Eastern Catholic churches – Antiochene (Syrian) Rite: the liturgical order of the city of Antioch, used by Maronite, Syriac, Malabar, Malankar, and Chaldean Catholics, and well as some Oriental Orthodox churches – Alexandrian (Coptic) Rite: the liturgical order of the city of Alexandria, used by Coptic and Ethiopian Catholics and Orthodox – Jerusalem Rite: the liturgical order of the city of Jerusalem, now largely absorbed into the other Eastern Rites • Each of these rites has changed over time, and has been adapted locally by the various churches that use them. The Byzantine Catholic Church follows the Byzantine Rite, and this lecture will focus on this tradition. The Divine Praises In the Byzantine Rite, the day begins at sundown. “Thus evening came, and morning followed - the first day.” (Genesis 1:5) – At sunset: Vespers - praise for creation, and intercession for the world –Before sleep: Compline -
Hymnographica & Liturgica
Hymnographica & Liturgica 1 Downloaded from Brill.com09/27/2021 04:01:58AM via free access . 2 Downloaded from Brill.com09/27/2021 04:01:58AM via free access Roman Krivko Moscow, Russia [email protected] A TYPOLOGY OF BYZANTINE OFFICE MENAIA OF THE NINTH — FOURTEENTH CENTURIES* I. Introduction I.1. The Research Goal and Classifi cation Criteria This article aims at describing the structure of Byzantine offi ce Menaia of the 9th–14th cc. from a historical point of view. The typo- logical classifi cation of sources will be based on a) genre content, and b) structure, i. e. the order in which the genres are arranged. The fol- lowing classifi cation criteria are taken into consideration: 1) the use of (*) This article was wri en as a part of the research project “Sprache der altkirchenslavischen liturgischen Denkmäler” carried out at the Seminar für Slavische Philologie der Georg-August-Universität Gö ingen (2009-2010) and fi nanced by the Alexander von Humboldt Foundation. For the invitation to Gö ingen and for every support provided during my research stay in Göt- tingen, I am deeply grateful to Prof. em. Dr. Dr. h.c. Werner Lehfeldt. The manuscripts from the collections of the Bibliotheca Apostolica Vaticana were consulted according to the microfi lms held by the Vatican Film Library — Center for Medieval and Renaissance Studies at St. Louis University (St. Louis, MO, USA); the research in the Vatican Film Library was supported by the NEH — National Endowment for the Humanities Fellowship (October 2008). For numerous bibliographical consultations regarding Vatican manuscripts I am obliged to Dr.