The Merovingian Dynasty with Their King Dagobert II Presents An
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Memorandum of the Secretariat General on the European Flag Pacecom003137
DE L'EUROPE - COUNCIL OF EDMFE Consultative Assembly Confidential Strasbourg,•15th July, 1951' AS/RPP II (3) 2 COMMITTEE ON RULES OF PROCEDURE AND PRIVILEGES Sub-Committee on Immunities I MEMORANDUM OF THE SECRETARIAT GENERAL ON THE EUROPEAN FLAG PACECOM003137 1.- The purpose of an Emblem There are no ideals, however exalted in nature, which can afford to do without a symbol. Symbols play a vital part in the ideological struggles of to-day. Ever since there first arose the question of European, organisation, a large number of suggestions have more particularly been produced in its connection, some of which, despite their shortcomings, have for want of anything ;. better .been employed by various organisations and private ' individuals. A number of writers have pointed out how urgent and important it is that a symbol should be adopted, and the Secretariat-General has repeatedly been asked to provide I a description of the official emblem of the Council of Europe and has been forced to admit that no such emblem exists. Realising the importance of the matter, a number of French Members of Parliament^ have proposed in the National Assembly that the symbol of the European Movement be flown together with the national flag on public buildings. Private movements such as'the Volunteers of Europe have also been agitating for the flying of the European Movement colours on the occasion of certain French national celebrations. In Belgium the emblem of the European Movement was used during the "European Seminar of 1950" by a number of *•*: individuals, private organisations and even public institutions. -
Complete Dissertation
University of Groningen The growth of an Austrasian identity Stegeman, Hans IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2014 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Stegeman, H. (2014). The growth of an Austrasian identity: Processes of identification and legend construction in the Northeast of the Regnum Francorum, 600-800. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 02-10-2021 The growth of an Austrasian identity Processes of identification and legend construction in the Northeast of the Regnum Francorum, 600-800 Proefschrift ter verkrijging van het doctoraat aan de Rijksuniversiteit Groningen op gezag van de rector magnificus dr. -
Frank Royal Ancestry
GRANHOLM GENEALOGY FRANK ROYAL ANCESTRY Introduction by Lars Granholm The Frank empire lasted about 500 years, (300-800 AD) as listed below. It covered approximately the present France and Germany, but during several wars the area changed constantly. Also different areas were split up among sons and other relatives and favorites. After Charlemagne France and Germany were established as separate countries. This presentation begins where the myth turns into history and ends with Charlemagne . For earlier legendary ancestry, to the time of the birth of Christ, see the link below by Jacob Holdt. http://www.american-pictures.com/english/jacob/x2269.htm (click on the yellow star) Descendants of: Pharamond King of the Franks As Related to: Lars Erik Granholm 1 Pharamond King of the Franks #16052 (51st great grand father) 2 Clodio King of the Franks #16051 b. 395 d. 448 (50th great grand father) 3 Merovech King of the Franks #16050 b. 411 France d. 457 (49th great grand father) m. Verica Queen of the Franks #16049 b. 419 Westfalen, Germany 4 Childeric I King of the Franks #16046 b. 440 Westfalen, Germany d. 481 (48th great grand father) m. Basina Queen of Thuringia #16047 b. 438 Thüringen d. abt 470 [daughter of Basin King of Thuringia #16048] 5 Clovis I King of the Franks #16040 b. 466 Loire-Atlantique, France d. 511 Saint Pierre church (47th great grand father) m. Saint Clotilde Queen of the Franks #16041 b. 475 d. 545 [daughter of Chilperic II King of Burgundy #16042 and Caretena Queen of Burgundy #16043] 6 Clotaire I King of the Franks #16037 b. -
Izydora Dąmbska SYMBOL
Izydora Dąmbska SYMBOL Originally published as ”Symbol,” Studia Semiotyczne 12 (1982), 125–132. Translated by Magdalena Tomaszewska. The word ”symbol” (Gr. συµβoλoν´ , Lat. symbolum) has many senses. Origi- nally, symbol was understood as an identification sign, especially one created from two pieces of one object (e.g. a ring) divided with this purpose in view. Later, it could refer to any type of signitive objects — Goclenius writes: ”Symbola accipiuntur pro indiciis significantibus animo aliquid, ut loquuntur, intimantibus.” 1 The term ”symbol” also covered certain legal acts, agreements and ritual professions of faith. This sense has survived till today in such Polish names as ”symbol apostolski” ( the Apostoles’ Creed ; Lat. Symbolum Apostolorum ), ”symbol nicejski” ( the Nicene Creed ; Lat. Symbolum Nicaenum ), ”symbol trydencki” ( the Trent Creed ; Lat. Symbolum Tridentinum ). 2 Also, contemporary semiotics offers various conceptions of symbol. There are logical and mathematical symbols in science, quality sym- bols in technology and industry, religious symbols, symbols in poetry and art, symbols and symbolism in night dreams. A number one is the symbol of truth in Boolean algebra, and the symbol of an object’s high quality in technology. However, it is also said that the Cross of Lorraine became the symbol of the Resistance in France, while a skeleton has been a symbol of death for ages. There are symbols that are emotionally neutral (introduced 1Lexicon Philosophicum Graecum , Marchioburgi 1615: 215. 2The relationship between this -
740000022 D11.Pdf
Culture and Sights Stenay the Merovingian The town of Stenay built in Stenay a chapel Dagobert II incorporate the Kingdom named Saint Remi, in of the Franks in 486 when memory of the bishop of Grandson of the king street 'rue de la Citadel' near Clovis rose to power. Af- Reims who baptized his Dagobert I, the young king of the actual Beer Museum ter his death in 511, the father around 496. Austrasia Dagobert II was (engravings). The portal, sin- kingdom is shared among After four generations of threaten by Ebroin, frankish gle surviving relic from the his sons. Theuderic re- reigns breaking up the mayor of the palace of Neus- construction destroyed by a ceived the East part of realm, Chlothar II, then tria, wishing to take over Aus- german bomb in 1944, was kingdom : Austrasia, Dagobert I were pro- trasia. He makes Dagobert II disclosed in 1965, then be- where Metz became the claimed King of the be murdered on 23 December queased to the Saint Dago- capital city. Franks. 679 during a hunting incident bert Circle. It is from now on Around 530, Theuderic in the forest of Woëvre, at preserved by the Circle in a the same location we found cellar in downtown called the actual fountain holy Da- Crypt Saint Dagobert at the gobert II, at 9 km from Ste- n°3 Place R. Poincaré. nay. The king was buried at Stenay in the chapel Saint Remi wich day and Friday from 9 a.m. to became afterwards Saint Da- 12 p.m. noon and 2pm to 6pm gobert. -
16088-Chars-For-Emoji-Provisional.Pdf
Characters Proposed for Emoji=Provisional To: UTC From: Emoji Subcommittee Date: 2016-04-21 Emoji_ Emoji_ Emoji_ Code Name Char LG Microsoft Samsung Presentation Modifier_Base Direction_Base U+2605 BLACK STAR ★ Provisional U+2607 LIGHTNING ☇ Provisional U+2608 THUNDERSTORM ☈ Provisional U+2609 SUN ☉ Provisional U+260A ASCENDING NODE ☊ Provisional U+260B DESCENDING NODE ☋ Provisional U+260C CONJUNCTION ☌ Provisional U+260D OPPOSITION ☍ Provisional U+260F WHITE TELEPHONE ☏ Provisional U+2610 BALLOT BOX ☐ Provisional U+2612 BALLOT BOX WITH X ☒ Provisional U+2616 WHITE SHOGI PIECE ☖ Provisional U+2617 BLACK SHOGI PIECE ☗ Provisional U+2619 REVERSED ROTATED FLORAL HEART BULLET ☙ Provisional 1 U+261A BLACK LEFT POINTING INDEX ☚ Provisional U+261B BLACK RIGHT POINTING INDEX ☛ Provisional U+261C WHITE LEFT POINTING INDEX ☜ Provisional Provisional U+261E WHITE RIGHT POINTING INDEX ☞ Provisional Provisional U+261F WHITE DOWN POINTING INDEX ☟ Provisional Provisional U+2621 CAUTION SIGN ☡ Provisional U+2624 CADUCEUS ☤ Provisional U+2625 ANKH ☥ Provisional U+2627 CHI RHO ☧ Provisional U+2628 CROSS OF LORRAINE ☨ Provisional U+2629 CROSS OF JERUSALEM ☩ Provisional U+262B FARSI SYMBOL ☫ Provisional U+262C ADI SHAKTI ☬ Provisional U+262D HAMMER AND SICKLE ☭ Provisional U+263B BLACK SMILING FACE ☻ Provisional U+263C WHITE SUN WITH RAYS ☼ Provisional U+263D FIRST QUARTER MOON ☽ Provisional U+263E LAST QUARTER MOON ☾ Provisional U+263F MERCURY ☿ Provisional 2 U+2640 FEMALE SIGN ♀ Provisional U+2641 EARTH ♁ Provisional U+2642 MALE SIGN ♂ Provisional U+2643 -
Carolingian Propaganda: Kingship by the Hand of God
Isak M. C. Sexson Hist. 495 Senior Thesis Thesis Advisor: Martha Rampton April 24, 2000 Carolingian Propaganda: Kingship by the Hand of God Introduction and Thesis Topic: The Carolingians laid the foundation for their successful coup in 751 very carefully, using not only political and religious alliances, but also the written word to ensure a usurpation of Merovingian power. Up until, and even decades after Pippin III’s coup, the Carolingians used a written form of propaganda to solidify their claims to the throne and reinforce their already existent power base. One of the most successful, powerful and prominent features of the Carolingians’ propaganda campaign was their use of God and divine support. By divine support, I mean the Carolingians stressed their rightful place as rulers of Christiandom and were portrayed as both being aided in their actions by God and being virtuous and pious rulers. This strategy of claiming to fulfill Augustine’s vision of a “city of God” politically would eventually force the Carolingians into a tight corner during the troubled times of Louis the Pious. The Word Propaganda and Historiography: The word propaganda is a modern word which did not exist in Carolingian Europe. It carries powerful modern connotations and should not be applied lightly when discussing past documents without keeping its modern usage in mind at all times. As Hummel and Huntress note in their book The Analysis of Propaganda, “‘Propaganda’ is a 1 word of evil connotation . [and] the word has become a synonym for a lie.”1 In order to avoid the ‘evil connotations’ of modern propaganda in this paper I will limit my definition of propaganda to the intentional reproduction, distribution and exaggeration or fabrication of events in order to gain support. -
Guide to Saints and Symbols in Stained Glass
Guide to Saints and Symbols in Stained Glass In churches and chapels, stained glass windows help create the sense of a sacred space. Stained glass windows of the saints can provide worshipers with inspirational illustrations of the venerated. The various saints may be depicted in stained glass either symbolically or in scenes from their lives. One of the challenges facing church designers, building committees and pastors doing church construction or remodeling is finding the right stained Saint Matthew Saint Mark glass images for your church or chapel. Panel #1001 Panel #1000 To help you, Stained Glass Inc. offers the largest selection of stained glass in the world. You will find Stained Glass Inc. windows to be of the finest quality, affordable and custom made to the size and shape of your window. If your church or organization is looking for a stained glass window of a saint, we can help. Not all the saints are listed here. If you are looking for a particular saint and you don’t find him or her listed here, just contact us, we can create a stained glass artwork for you. Saint Luke Saint John Panel #1005 Panel #1006 4400 Oneal, Greenville, TX • Phone: (903) 454-8376 [email protected] • www.StainedGlassInc.com To see more Saints in stained glass, click here: http://stainedglassinc.com/religious/saints-and-angels/saints.html The following is a list of the saints and their symbols in stained glass: Saint Symbol in Stained Glass and Art About the Saint St. Acathius may be illustrated in Bishop of Melitene in the third century. -
The Unicode Standard, Version 4.1 This File Contains an Excerpt from the Character Code Tables and List of Character Names for the Unicode Standard, Version 4.1
Miscellaneous Symbols Range: 2600–26FF The Unicode Standard, Version 4.1 This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 4.1. Characters in this chart that are new for The Unicode Standard, Version 4.1 are shown in conjunction with any existing characters. For ease of reference, the new characters have been highlighted in the chart grid and in the names list. This file will not be updated with errata, or when additional characters are assigned to the Unicode Standard. See http://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See http://www.unicode.org/Public/4.1.0/charts/ for a complete archived file of character code charts for Unicode 4.1. Disclaimer These charts are provided as the on-line reference to the character contents of the Unicode Standard, Version 4.1 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this excerpt file, please consult the appropriate sections of The Unicode Standard, Version 4.1, at http://www.unicode.org/versions/Unicode4.1.0/, including sections unchanged in The Unicode Standard, Version 4.0 (ISBN 0-321-18578-1), as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, and #34, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available on-line. See http://www.unicode.org/ucd/ and http://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
The Migration of an Emblem Through the Example of the Cross of Burgundy
The migration of an emblem through the example of the cross of Burgundy by Patrice de La Condamine Abstract The choice for the subject of this paper, The migration of an emblem through the example of the cross of Burgundy, needs an explanation. The purpose of this subject is double. The first one, as the first part of the title indicates, is to show the migration of the emblems, showing that they follow the movements of populations. The second purpose is to explain this reality through an example: the cross of Burgundy. This choice seems to be all the more appropriate since the country which welcomes us was one of the first to receive this emblem on its ter - ritory, in historic circumstances that everybody knows. The story could begin with Once upon a time, there was a cross... The Burgundian native land I do not pretend to know everything about the origins of the cross of Burgundy, how - ever I can talk about its history. First, its name ‘Cross of Burgundy’ does not let any doubt 1 about its origin: Burgundy, the actual region situated in the east of France. On the graphic aspect, it’s a saltirewise cross, called a Saint-Andrew’s cross 2, which is particular, as on the edges of its four limbs some small branch-like offshoots from the main cross can be noticed. That is why this emblem is also called “croix écotée”, 6 in The saltire of Burgundy French. Originally, it represented two crossed tree trunks of which the branches had been cut off, so that only the sawn-off ends remained. -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
Approaches to Community and Otherness in the Late Merovingian and Early Carolingian Periods
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by White Rose E-theses Online Approaches to Community and Otherness in the Late Merovingian and Early Carolingian Periods Richard Christopher Broome Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2014 ii The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Richard Christopher Broome to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. © 2014 The University of Leeds and Richard Christopher Broome iii Acknowledgements There are many people without whom this thesis would not have been possible. First of all, I would like to thank my supervisor, Ian Wood, who has been a constant source of invaluable knowledge, advice and guidance, and who invited me to take on the project which evolved into this thesis. The project he offered me came with a substantial bursary, for which I am grateful to HERA and the Cultural Memory and the Resources of the Past project with which I have been involved. Second, I would like to thank all those who were also involved in CMRP for their various thoughts on my research, especially Clemens Gantner for guiding me through the world of eighth-century Italy, to Helmut Reimitz for sending me a pre-print copy of his forthcoming book, and to Graeme Ward for his thoughts on Aquitanian matters.