Sep 2 3 \975 I N D E X 1974

Total Page:16

File Type:pdf, Size:1020Kb

Sep 2 3 \975 I N D E X 1974 ARIZONA HIGHWAYS MAGAZINE I N D E X 1974, Compiled by Department of Administration Division of Library, Archives and Public Records Published by The Arizona State Library Association Phoenix, Arizona 1975 NUMSI" 55880 AECl!l'IJ'l!O' . SEP 2 3 \975 I N D E X 1974, ARIZONA HIGHWAYS AIRPORTS ART AND ARTISTS DOT's _Grand Canyon airport. Allan C. Houser. N'74 p.7 N '74 p.37 Another Picasso? Fritz Scholder. Joshua C. Taylor. Ja 1 74. p. 5 Alison, Kathy The Art of Lowren West. Ja '74 p. 38 The Indian view of night. S'74 p.4 Bronzes of the American West. Patricia Janis Broder. N'74 p.2 Amsden, Charles Avery DeGrazia, Ted. King of the night. Navaho Weaving (excerpt) S'74. p.38 Jl '74. p. 8-9 Joe Noggle, Carol Osman Brown. N'74 p.10 ''Another Picasso? Fritz Scholder" Lon Megargee. F'74 p.6 Joshua C. Taylor. Ja'74 p.5 Naranho, Michael, Blind sculptor creates Indian ritual classics. ''Arab Hoofbeats: A Sound of Scottsdale's N' 74 p.4.3 Success 11 Olaf Wieghorst retrospective •.. a Carol Osman Brown. Ap'74. p.44 million dollar exhibition. QI 74 P• 34 "Arizona After Dark" Phoenix hosts cowboy artists of S'74 p.2 America seminar, exhibition and sale. 0'74 p.30 "The Arizona Biltmore" Seeger, Dick. Thought capsules, Margaret Dudley Thomas. Ap' 74 p.14- Mr'74- p.35, 46, 47 Testament on art. 0'74 p.32 "The Arizona Highways Ha 11 of Fame The Tony Begay story. Clara Lee Classics 11 Tanner. ~r'74 p.38 Joseph Stacey. Ag'74 p.16 The Promising Art of William Whitaker. Ap'74- p.11 ARIZONA THE BEAUTIFUL (excerpt) Don Dedera. 0'74 p.9 "Artists in Equitation in Mexico" Lois Hobart. Mr'74 p.11 ''Arizona's Night Sky ... The Doorway To Space" " ... As Long as Space is Time" SI 74 p.14 Desert Country. (excerpt) Edwin Corle. Je'74 p.23 "Arizona's Prehistoric Potters-Artisans of the Past" Ashton, Sharon and Robert Jerry Jacka. F 1 74 p.16 The first silversmiths of the South­ west. Ag'74 p.10 ''Arizona's Treasure of Prehistoric Jewelry" ASTRONOMERS Nancy Hammack. Ag'74 p.2 Call them night people. Ellen Hale. S'74 p.10 2 ASTRONOMY. S '74 p . 16, 17 Brown, Carol Osman Arab hoofbeats: a sound of Scotts­ "The Aue tion of One of Arizona I s Most dale's success. Ap'74 p . 44 Important Indian Art Collections" Joe Noggle . N'74 p.10 Mr '74 p . 43 Yoga tennis. Ap'74 p,12 "The Autumn of 1974 11 BUFFALOE, TOM Joseph Stacey. 0'74 p . 12 Jet age rug merchant. Jl'74 p.27 Babbit, Lorraine Bungarz, Winona Bowen Until (poem) Mr'74 p.48 Woman at the loom (poem) F'74 p.48 Ba rker, S . Omar "Ca 11 Them Night People 11 A cowboy's Christmas prayer (poem) Ellen Hale. S'74 p.10 D'74 p . 30 "Camelback Racquet Club" Barnes, Charles W. Ap'74 p~l3 The grand Grand Canyon, Je'74 p.9 "Gas tle Hot Springs 11 Barnes, Patricia Margaret Dudley Thomas. Mr'74 p.5 Sun City, Arizona, U.S.A. Je'74 p.30 CITIES AND TOWNS~ specific place name BA.S EBA.LL STADIUMS The no bad-hop baseball stadium. Collier, John Je'74 p,36 On the gleaming way (excerpt) Ag' 74 p.47 Baylor, Byrd When Clay Sings (excerpt) F 174 p.42 COLORADO RIVER ... as long as space is time, From "Th e Beauty Collectors" Desert Country . Edwin Corle. Barbara Cortwright. My'74 p.12 Je'74 p.23 "The Beauty Makers" "The Comeback Country" Maggie Wilson, ·My 174. p.37 Joseph Stacey . Mr'74 p.l "Blue Corn, A Potter, Takes Her Materials COMETS From the Earth Itself" The promise of Kohoutek. Joseph (reprint) Mike Tharp. My'74 p.33 Sta cey. D'74 p.45 Broadwater, John D. COMMUNITIES Petroglyphs (poem) F'74 p.48 The McCormick Ranch. Ap' 74 p .42 Broder, Patricia Janis Cooper, Tom C. Bronzes of the American West, Arizona after dark. S'74 p.2 ( review) N ' 7 4 p • 2 Night photography is challenging S'74 p.18 BRONZES OF THE AMERICAN WEST. (review) Those Arizona nights. S'74 p.l Patricia Janis Broder, N'74 p.2 Corle, Edwin ... as long as space is time. Desert Country . (excerpt) Je 174 p.23 3 Cortwright, Barbara Dutton, Clarence E. The beauty collectors. My'74, p.12 The Toroweap. (excerpt) Je 1 74 p . 20 Vermilion cliffs . The Physical Geo ­ "Cowboy's Christmas Prayer" logy of the Grand Canyon district. s . , Omar Barker. D'74 p.30- )t (excerpt) Je'74 p.18 "Cure for Autumn Blues" DWELLERS AT THE SOURCE Joseph Stacey. 0 1 74 p.l (excerpt and review) William Webb and Robert A. Weinstein . Ja 1 74 p . 8 Da, Anita The quality market. My'74, p.43 '~ffigy Vessels in the Prehistoric American Southwest" Danson, Edward B. Laurens C. Hammack. F'74, p.33 The prehistoric pottery of Arizona. F'74 p . 2 Elmer, Carlos Arizona in Color (review) Dean, Paul Mr'74 p . 44 John Gardiner's tennis ranch on Camelback. Ap'74 p.33 "The Enduring Desert" Tennis everyone. Ap'74 p.2 D' 74 ·p .14- · Dedera, Don Fewkes, Jesse Walter Arizona the beautiful. (excerpt) "The pottery of Si tya tki. " An 0 1 74 p.9 Archeological Expedition to Arizona in 1895 . (excerpt) F'74 p.36 DE GRAZIA MOODS, IN GOLD, SILVER PRECIOUS GEMS AND COOKIES. (review) "The First Silversmiths of the South­ S'74- p.38 . west" Sharon and Robert Ashton. Ag 1 74- p.10 "Del E. Webb, The All American Arizona Legend" Je 1 74 p.35 GANADO RED KLAGETOH Jl 1 74- p.38 Dentzel, ~arl Schaefer Native American tapestries of the GLORY (album review) N1 74- p.43 Navajo. Jl'74 p.4 "Granada Royale Hometels" DESERT Ap'74 p . 4-0 The desert. John C. Van Dyke. Condensed from Southwest classics GRAND CANYON by Lawrence Clark Powell. Mr'74- p.2 The grand Grand Canyon. Charles W. The desert as dwelled on. (excerpt) Barnes. Je'74 p.9 Lawrence Clark Powell. Mr 1 74 p.9 The Toroweap. Physical Geology of The desert lives at night. Merritt S. the Grand Canyon. (excerpt) Keasey III. S 1 74 p.22 Clarence E. Dutton . Je'74 p.20 The enduring desert. D'74 p.14 Vermilion cliffs. (excerpt) Clarence E. Duttcin. Je 1 74 p.18 "Dimension" Water doesn't run uphill. Grand Grand Canyon-the Story behind Canyon Today and all its Yesterdays. the scenery . (excerpt) Je'74 p.12 (excerpt) Joseph Wood Krutch. Je 1 74 p . 26 "DOT's Grand Canyon Airport" N' 74- p.37 "Dreams in Clay, Water and Fire" Joseph Stacey. My'74 p.l 4. GUEST RANCHES HOSPITALS Our changing west. Joseph Stacey, Walter O. Boswell Memorial Hospital. Mr 1 74 p.16 Je'74- p.37 Hale, Ellen Houlihan, Patrick T. Call them night people. S 1 74 p.10 Southwest pottery today. My '74- p.2 Hamann, Skee Howden, Katherine W. Ninety-one years of enthusiasm. Westering, westairing in and out of 0•74. p.2 Arizona. N'74 p.34 Hammack, Laurens C. "In the End, ..Fire Determines" Effigy vessels in the prehistoric My'74 p.8 Southwest. F '74 p. 33 INDIAN BIANKETS AND THEIR MAKERS Hammack, Nancy (excerpt) Jl'74 p.10 Arizona's treasure of prehistoric jewelry. Ag 1 74- p.2 INDIAN JEWELRY The Arizona Highways Hal~ of Fame Harris, Lynn A. classics. Joseph Stacey. Ag'74 p.16 Silent interlude. Mr 1 74- p.37 Arizona's treasure of prehistoric jewelry. Nancy Hammack. Ag'74 p.2 Heatwole, Thelma The first silversmiths of the South­ The town too busy to retire. west. Sharon and Robert Ashton. Je'74- p.39 Ag'74- p.10 Silver overlay Hopi tradition in Hobart, Lois jewelry. Jerry D. Jacka. Ag 1 74 p.15 Artists in equitation in Mexico. Tools,dies and molds determine the art Mr 1 74 p.11 form. Ag'74 p.12, 13 ''What you see here is a lot of soul". Holden, Wesley Wesley Holden. Ag'74 p.6 ''What you see here is a lot of soul". Ag 1 74 p.6 INDIAN MYTHOLOGY The Indian view of night. Kathy Hollister, Uriah S, Alison. S'74 p.4 The Navajo and his blanket (review) Jl'74 p.35 INDIAN TRADERS Charles Garrett Wallace. ''You can't "Hopi Weaving" beat something with nothing". Mike Jerry D. Jacka. Jl'74 p.2 Tharp. Ag'74 p.36 HORSES INDIAN POTTERS Arab hoofbeats: a sound of Scotts­ The beauty makers. Maggie Wilson. dale's success. Carol Osman Brown. My'74 p.37 Ap'74 p.44 Blue Corn, a potter, takes her materials Artists in equitation in Mexico, Lois from the earth itself. (Reprint). Hobart. Mr ' 74 p . 11 Mike Tharp. My'74- p.33 Nampeyo. My'74 p.16 Tony Da • My ' 7 4 p. 11 5 11 The Indian View of Night 11 LOLO:MA, CHARLES Ka thy Alison. S'74 p.4. Jewelry. ·Ag 174- throughout issue. ''What you see ·here is a lot of soul 11 . •~ack Peterson, Arizona's Three­ Wesley Holden. Ag 1 74 p . 6 dimension Portrait Artist 11 Elizabeth Rigby . 0 1 74 p.11 11 The McCormick Collection of American Indian Arts; the auction of one of Jacka, Jerry D.
Recommended publications
  • Finding Aid Formatting
    Title: Museum of Northern Arizona Photo Archives – Crafts and Arts Prints Dates: 1930s-1990s Extent: 2802 images Name of Creator(s): Museum of Northern Arizona staff including Leland Abel, John Adair, E. Capps, Harold S. Colton, S. Cooper, Robert Fronske, Marc Gaede, Parker Hamilton, Lyndon L. Hargrave, Neil Judd, A.J. "Lex" Lindsay, P. Long, M. Middleton, T. Nichols, L. W. Smith, C. Turner, W.M. Wells, and Barton Wright. Organizational History: In 1959, the Photography Department and position of Photographer created by director Dr. E. B. Danson, with Parker Hamilton as MNA’s first Assistant in Photography, later that year promoted to Photographer. Prior to 1959, the photo archives were a part of the Publications Department but not under the management of a photographer. In 1960, a large-scale cataloging initiative of new and old prints, negatives, and slides was undertaken. A photography studio and cataloging room was established in Fleischman Hall (now Schaeffer) in 1965. An inventory was made of negatives in June 1969 which noted missing negatives. By the early 1980s the Photography Department became the Photo Archives, reflecting a shift in focus from active photography to preservation of and access to existing materials. An inventory of negatives was done again in February 1988 with notes made of missing negatives. The Photo Archives moved to the Library in 1995. In 2005, the Photo Archives ceased operation as a department, and staff photography became the responsibility of the Marketing Department while the care of materials and use requests were the responsibility of the Library staff. The Photo Archives were made the responsibility of the Archivist in 2008.
    [Show full text]
  • Arizona Highways
    CUMULATIVE INDEX· ARIZONA HIGHWAYS VOLUME 1, 1925 through VOLU~IE 27, 1951 ARTICLES appearing in ARIZONA HIGHWAYS from volume 1 in 1925 through volume 27 in 1951 are indexed here under author and subject. Indexing is similar to that found in READERS' GurnE TO PERIODICAL LITERATURE; each article is listed under the heading or headings most closely indicating the general subject matter. This is not a detailed analytical index to contents of articles. The user will find, for instance, those articles which deal with Katchinas, but not the names of various Katchinas discussed in the articles. Very general headings such as DESCRIPTION have been used only where more specific headings were not possible. A series of tall tales which appeared during early years of the magazine have been listed under that heading. Portraits have been indexed wherever there was a clear likeness. Group por­ traits have been incJuded when likenesses were clear and recognizable. There is a special index to color illustrations which have been an outstanding feature of ARIZONA HrGHWAYS for the past 10 years. Generally each picture has been listed under a single subject, the one which in the fallible judgment of the compiler, seemed most appropriate. It is hoped this will be of use to teachers and armchair travelers. ♦ COMPILED BY DONALD M. POWELL Reference Librarian UNIYERSITY OF ARIZONA SPONSORED BY PUBLISHED BY ARIZONA STATE ARIZONA TRADE BINDERY LIBRARY 311 West ;\lonroe ASSOCIATION PHOE:-IIX, ARIZONA $1.00 PER CoPY - ADD 10c FOR PosTAGE CDllYt'lth 1952 r>r a.ld \J ':'owe.I ]JuL 'JjJUlluL /Jt .,) ,)·• ..:-·'' tl!uv,JUL ;J{iq.JwD.ljlL and engineering equipment, asphalt, Rickenbacker THE first issue of ARIZONA HIGHWAYS appeared in cars, Cactus bacon and Armour's Star Hams.
    [Show full text]
  • AAHS 100Th Anniversary
    site in the country to receive AAHS Congressional protection. It was made a national 100th Anniversary monument after the creation of the National Park Service, which is also celebration its In celebration of our 100th Anniversary, we are pleased to share frst 100 in 2016. Dr. Raymond H. Thompson’s April 18, 2016 AAHS lecture In late territorial Arizona, concerned citizens began Arch and Hist Ancestors to take action under the leadership of Dr. Joshua Raymond H. Thompson Miller, our proto-ancestor. A native of Missouri, he earned hank you for inviting me to join you in celebrating the founding a medical degree from the of the Arizona Archaeological and Historical Society 100 ago on T University of Michigan and 14 April 1916, even though we are four days late in getting started. taught in a Kansas medical By starting a bit late we are honoring one of the oldest traditions of school before moving this society, holding meetings on the third Monday of the month. to Prescott in 1888. He Such traditions are important to an organization for they help became active in territorial Casa Grande Ruin, then and now provide structure, stability, and continuity. However, organizations affairs, serving twice as do not exist without the ideas and energy of inspired and creative superintendent of the Arizona Insane Asylum. He was interested in individuals. So rather than try to catalogue the traditions and glories the treatment of snake bites and consulted with participants in the of Arch and Hist, I am going to talk about some of the visionary Hopi Snake Dance, which he regularly attended.
    [Show full text]
  • Visual Violence in the Land of Enchantment
    VISUAL VIOLENCE IN THE LAND OF ENCHANTMENT A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Patricia Marroquin Norby IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Brenda Child Adviser, Jennifer Marshall Co-adviser June, 2013 © Patricia Marroquin Norby 2013 i Acknowledgements Simultaneously working full-time while raising a family and completing a doctoral program has been one of the most rewarding and challenging experiences of my life. Such an accomplishment would not have been possible without the generous support of numerous individuals. The following is a list of truly amazing people including colleagues, friends, and family who believed in this project and in me even when I suffered my own doubts. To my committee members Brenda Child, Jennifer Marshall, Patricia Albers, and Jane Blocker I thank you for your guidance and encouragement throughout the completion of this project. I am honored to have you as my professional mentors. To good friends and graduate colleagues at the University of Minnesota Twin Cities including Karissa White, Erik Redix, Scott Shoemaker, Kate Beane, and Rudy Aguilar, I cherish your friendship and the camaraderie we shared. Special thanks goes to Karissa White, Issac Lopit, and Kate Beane for offering a place to stay and providing a sense of warmth and family on so many cold Minnesota winter nights. You helped make the long-distance commute and time away from my own family much more bearable. My family and our home are so precious to me. I thank my husband Nathan Norby and our children Alejandro Marroquin, Derek Norby, and Madeline Marroquin-Norby for all your love.
    [Show full text]
  • Pottery and Baskets: C.1100–C.1960
    1a Pottery and Baskets: c.1100–c.1960 Anasazi Cylinder Jars, c. 1100 each pot, circular coils of clay were layered over a flat base A thousand years ago, American Indians used plants, bone, and then given a smooth surface by hand or use of a scraper. skin, earth, and stone to fashion the objects needed for daily The smoothed surface was covered with a slip (a thin mixture life: pots for cooking, baskets for storage, or arrowheads for of clay and water) and painted with a mineral-based color. hunting. Many of these objects indicate, in addition to a con- When the pot was dry, it was fired, or baked, in a kiln to cern for usefulness, a deep regard for beauty. harden it and set the decoration. The pots and baskets illustrated are indeed beautiful, and also We do not know how these jars were used. The cylindrical provide a glimpse of the cultures and traditions that produced shape, which is rare in Anasazi pottery, varies slightly with them. Each object exemplifies a craft and a tradition that were each pot: some are fatter, some are taller, and some are a handed down and improved upon through generations. A styl- little tipsy. They have flat bottoms and can stand upright. Small ized corn stalk painted on a cooking pot reminded everyone holes or loops near the opening show they could be hung of that crop’s central importance in their lives, and a better by some kind of cord, perhaps, as some archaeologists think, source of clay meant that new pots lasted longer than the old for use in rituals.
    [Show full text]
  • ATADA Profile
    For Hundreds of Years, Jars Like This Offered What Do You Collect? Protection & Security Collect with confidence with ATADA dealers. Hopi seed jar attributed to Nampeyo Authenticity and integrity are more than circa 1910-1920s Marcy Burns American Indian Arts, LLC words in our logo. New York, New York Collectors • Dealers • Museums Protecting seeds from moisture and rodents helped the Hopi tribes sustain themselves for centuries. Protecting your collection from unexpected loss will help your assets remain secure. Today’s values make the right Fine Arts insurance more important than ever. You need the broadest coverage available at the best possible price; a company knowlegeable in every detail of Fine Arts insurance; and one that stays abreast of trends and current market conditions in this highly specialized field. For information about our exclusive Fine Arts programs for ATADA members, call Flather & Perkins at (800) 422-8889 or (202) 466-8888. FLATHER & PERKINS, INC. www.atada.org Insuring fine homes and prized possessions since 1917 19th century Mapuche chief’s poncho Andres Moraga Textile Art 888 17th Street, NW Washington, DC 20006 • (202) 466-8888 • (800) 422-8889 Zuni warrior [email protected] • www.flatherperkins.net John Hill Antique Indian Art What Do You Collect? Collect with confidence with ATADA dealers. Authenticity and integrity are more than words in our logo. Collectors • Dealers • Museums www.atada.org 19th century Mapuche chief’s poncho Andres Moraga Textile Art Zuni warrior John Hill Antique Indian Art Contents
    [Show full text]
  • A CENTUR Y of HOPI-TE W a PO TTER Y from Nampeyo of Hano To
    AUGUST 2017 A CENTURY OF HOPI-TEWA POTTERY from Nampeyo of Hano to Mark Tahbo Introduction We have found collectors of Hopi pottery to be a particularly knowledgeable and enthusiastic bunch. They send us pictures of their latest auction fi nds. They call us to ask for help fi nding works from specifi c periods by specifi c potters. They generously share information about the potters whose works we sell. They write us letters of gratitude, thanking us for helping them build their collections. We treasure these interactions because these interactions are about treasures. With this exhibit, we wish to shine a light on the link between the New Mexico Pueblo Indians and the pottery being produced today at Hopi. The majority of the potters whose works we feature in this exhibit are actually Hopi-Tewa people—the descendants of those who migrated to Hopi from New Mexico’s Tano Pueblo in the 1690s. The pueblo revolt of 1680 did not end the reign of the Spanish over the Pueblo peoples. The Walpi villagers, who were subject to constant harassment from the Spanish, visited Tano Pueblo in New Mexico to propose an alliance. The Tano people, who were suffering from Spanish harassment and a crippling lack of resources, joined forces with the Walpi, moving to a village atop First Mesa. The Walpi and Tano peoples were, together, better equipped to fi ght off invading Spanish settlers and nomadic Indian tribes. These Tano Indians, who originally lived just south of Santa Fe, became the Hopi-Tewa people: the world-renowned potters whose works we celebrate in this exhibit.
    [Show full text]
  • [2]Ffij]~ WOMEN's HALL of FAME Rr ;L1
    .3 :\iJ55/987 , [!!]~m[!] [[2]ffiJ]~ WOMEN'S HALL of FAME rr ;l1 sponsored by Arizona Historical Society and Arizona Department of Library, Archives & Public Records "To err is human, to forgive divine" ERRATA p. 31-Arizona Women's Hall ofFame (1985,1986,1987): paragraph 1: Capt. Francisco Elias Gonzalez de Zayas came to Mexico in 1721 at the age offourteen. He marriedMariaAgueda Campoyon May 15, 1729. paragraph2: Thefamilycontributeda presidentofMexico, eightgovernors ofSonora, one ofChihuahua and one ofBaja California, Norte. ~~m[!]~8~ WOMEN'S HALL of FAME Arizona Historical Society Museum Monograph Central Arizona Division 1242 North Central Phoenix, Arizona 85004 1987 1987 Arizona Women's Hall of Fame STEERING COMMITTEE Arlene Bansal Deputy Director, Arizona Department ofLibrary, Archives and Public Records Betsy Bolding Executive Director, Tucson Tomorrow, Tucson Frank Kelley Scottsdale Ken Kimsey, Ph.. D. Director, Sharlot Hall Museum, Prescott Bill McCune William McCune Productions for Television, Phoenix Andrew E.. Masich Director, Central Arizona Division, Arizona Historical Society, Phoenix Betty Rockwell State Representative, Phoenix Jane Rosenbaum Phoenix Polly Rosenbaum State Representative, Globe Sharon G Womack Director, Arizona Department ofLibrary, Archives and Public Records SELECTION COMMITTEE Kenneth Arline History Columnist, Mesa Ben Avery Columnist, Arizona Republic, Phoenix Margaret BretHarte Head Librarian, Arizona Historical Society, Tucson Raquel Rubio Goldsmith Instructor, Pima Community College, Tucson Alison
    [Show full text]
  • The Educational Function of Native American Art Shops in Flagstaff, Arizona Tamara Mcpeak
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 The Educational Function of Native American Art Shops in Flagstaff, Arizona Tamara McPeak Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE EDUCATIONAL FUNCTION OF NATIVE AMERICAN ART SHOPS IN FLAGSTAFF, ARIZONA By TAMARA McPEAK A Thesis submitted to the Department of Anthropology in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2004 The members of the Committee approve the thesis of Tamara McPeak defended on March 18, 2004. ________________________ Kathryn Josserand Professor Directing Thesis ________________________ Bruce Grindal Committee Member ________________________ Elizabeth Peters Committee Member Approved: Dean Falk, Chair, Department of Anthropology The Office of Graduate Studies has verified and approved the above named committee members ii TABLE OF CONTENTS List of Figures v Abstract vi INTRODUCTION 1 1. EARLY INFLUENCES ON THE SOUTHWESTERN NATIVE AMERICAN ART MARKET The Santa Fe Railroad and the Fred Harvey Company 9 The Santa Fe Indian Market 14 The Indian Arts and Crafts Board 16 The Museum of Northern Arizona 20 2. MODERN INFLUENCES ON THE SOUTHWESTERN NATIVE AMERICAN ART MARKET The Santa Fe Indian Market 25 The Museum of Northern Arizona 27 Popular and Scholarly Literature 30 3. OBSERVATIONS IN NATIVE AMERICAN ART SHOPS IN FLAGSTAFF, ARIZONA 33 Puchteca Indian Art 34 Winter Sun Trading Company 46 Painted Desert Trading Company 52 Thunder Mountain 58 The Jonathan Day Collection 60 The Museum Shop in the Museum of Northern Arizona 66 iii 4.
    [Show full text]
  • Nellie Cashman """" " 3 Ida Redbird """ "" 6 Elsie Toles "" " " " " " 9 Mary Bernard Aguirre """ ""
    HS3 .. 3:w5SI1Qbb COpX cJ ~~m[!J]ffi]ffi]~ WOMEN'S HALL of FAME F .:11 sponsored by Arizona Historical Society and Arizona Department of Library, Archives & Public Records CDMPLIMENTS DF LIBRAEY$ AHCHIVES AND PUBLIC RECORDS ~r!J]00~ffi)]~ WOMEN'S HALL of FAME Arizona Historical Society Museum Monograph Central Arizona Division 1242 North Central Phoenix, Arizona 85004 1986 1986 Arizona Women's Hall of Fame STEERING COMMITTEE Ms, Arlene Bansal DeputyDirector, Department ofLibrary, Archives and Public Records Betsy Bolding Special Assistant, Governor's Office Bill McCune William McCune Productions for Television Andrew E ,. Masich Director, Central Arizona Division, Arizona Historical Society Betty Rockwell State Representative, Phoenix Jane Rosenbaum Special Assistnat, Governor's Office Polly Rosenbaum State Representative, Globe Sharon Turgeon Director, Department of Library, Archives and Public Records Kenneth Kimsey Director, Sharlot Hall Museum SELECTION COMMITTEE Kenneth Arline History Columnist Margaret BretHarte Librarian, Arizona Historical Society Dr James Byrkit Professor, Department of Geography, Northern Arizona University Raquel Rubio Goldsmith Instructor, Pima Community College Alison M.. Hughes Betty Rockwell State Representative, Phoenix Polly Rosenbaum State Representative, Globe Lester W. Ruffner Arizona Historian-Author Sylvia Laughlin President, Central Arizona Chapter Arizona Historical Society Christine Marin " Arizona Collection, Hayden Library, ASU ii Foreword Established by the Arizona Women's Commission in 1981, the Arizona Women's Hall of Fame is now in its sixth year under the joint sponsorship of the Arizona Historical Society and the Arizona Department of Library, Archives & Public Records. Each year nominations submitted from across the state are reviewed by a Selection Committee, a learned and impartial body.
    [Show full text]
  • Liberating Landscape Women Artists Discovering the Land, Tradition, and Themselves in Northern Arizona, 1900-1940
    Liberating Landscape Women Artists discovering the land, tradition, and themselves in Northern Arizona, 1900-1940 Introduction The dramatic scale and rich colors of the American Southwest exhilarated visitors who arrived in greater numbers with the establishment of railroad and tourism in the area. For women uneasy with Victorian social constraints, the new landscape was liberating. Their journeys in the new landscape were social as well as geographical; providing an opportunity for independence, self-discovery, and reinvention. The artists in this exhibition were all inspired by the sublime landscapes and the richness of Native American culture. In Arizona women developed the early art scene long before statehood (1912). These early artists faced challenges to establish themselves in their new state. Arizona lacked the institutions, patrons, and broad cultural support that had been developed in New Mexico, where writers based in Santa Fe and Taos wrote evocatively of the Southwest and enthusiastically promoted its rich cultural heritage. In Arizona, geographical distance made it more difficult to establish a sense of community. Despite being scattered throughout the state, a loose network developed. Kate Cory and Lillian Wilhelm Smith both moved to Prescott after spending years traveling the backroads of Northern Arizona. Mary-Russell Ferrell Colton moved to Flagstaff in 1926 from Philadelphia. The painter Jesse Benton Evans was one of the leaders in Phoenix where her Italianate villa, “Casa del Deserto,” was a welcoming oasis of gardens filled with flowers and fountains. Her regular salons became an important cultural hub. The far-flung network of artists, men and women, was unified through two annual exhibitions.
    [Show full text]
  • Use a Women's Studies Womenmexican
    DOCUMENT RESUME °ED 216 234 CE 032 693 AUTHOR Cotera,, Martha P., Comp.;Cunningham, Nella, Ed. TITLE Multi tural Women's Sourcebook.Materials Guide for Use A Women's Studiesand Bilingual/Multicultural. Programs. SPONS AGENCY Women's Educational EquityAct Program (ED), Washington, DC. PUB DATE 82 NOTE 167p. AVAILABLE FROM WEEA Publishing Center,Educational Development Center, 55 Chapel St.,Newton, MA 02160 ($7.75). EDRS PRICE MF01 Plus Postage. PCNot Available from EDRS. DESCRIPTORS American Indians; Annotated Bibliographies;Arabs; Asian Americans; BilingualEducation; Blacks; Cubans; *Cultural Differences;rtural Influences;*Cultural Pluralism; CurriculumD velopment; Elementary Secondary Education; *EfthnicGroups; *Females; Hispanic Americans;Instructional Materials;Jews; Mexican Americans;*Multicultural Education;North Americans; Puerto Ricans;Whites; Womens Education; *Womens Studies IDENTIFIERS Africans; Asians;Europeans; Iranians; *United States ABSTRACT This sourcebook forpersons involved with bilingual education, multiculturaleducation, and womens' contains over 2000 entries studies programs for materials onwomen of various cultures in the UnitedStates. Materials are organized specific racial as much as possible by or ethnic groups. Themany publications that present information on more than one o population groupare included in the first major categozl, thesection on Multicultural/Multiethnic Materials. Specific ethnicgroup categories are Asians Americans; Blacks and Asian (Afro-American and African);Hispanic Women--General References;Hispanic
    [Show full text]