AAHS 100Th Anniversary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Finding Aid Formatting
Title: Museum of Northern Arizona Photo Archives – Crafts and Arts Prints Dates: 1930s-1990s Extent: 2802 images Name of Creator(s): Museum of Northern Arizona staff including Leland Abel, John Adair, E. Capps, Harold S. Colton, S. Cooper, Robert Fronske, Marc Gaede, Parker Hamilton, Lyndon L. Hargrave, Neil Judd, A.J. "Lex" Lindsay, P. Long, M. Middleton, T. Nichols, L. W. Smith, C. Turner, W.M. Wells, and Barton Wright. Organizational History: In 1959, the Photography Department and position of Photographer created by director Dr. E. B. Danson, with Parker Hamilton as MNA’s first Assistant in Photography, later that year promoted to Photographer. Prior to 1959, the photo archives were a part of the Publications Department but not under the management of a photographer. In 1960, a large-scale cataloging initiative of new and old prints, negatives, and slides was undertaken. A photography studio and cataloging room was established in Fleischman Hall (now Schaeffer) in 1965. An inventory was made of negatives in June 1969 which noted missing negatives. By the early 1980s the Photography Department became the Photo Archives, reflecting a shift in focus from active photography to preservation of and access to existing materials. An inventory of negatives was done again in February 1988 with notes made of missing negatives. The Photo Archives moved to the Library in 1995. In 2005, the Photo Archives ceased operation as a department, and staff photography became the responsibility of the Marketing Department while the care of materials and use requests were the responsibility of the Library staff. The Photo Archives were made the responsibility of the Archivist in 2008. -
Arizona Highways
CUMULATIVE INDEX· ARIZONA HIGHWAYS VOLUME 1, 1925 through VOLU~IE 27, 1951 ARTICLES appearing in ARIZONA HIGHWAYS from volume 1 in 1925 through volume 27 in 1951 are indexed here under author and subject. Indexing is similar to that found in READERS' GurnE TO PERIODICAL LITERATURE; each article is listed under the heading or headings most closely indicating the general subject matter. This is not a detailed analytical index to contents of articles. The user will find, for instance, those articles which deal with Katchinas, but not the names of various Katchinas discussed in the articles. Very general headings such as DESCRIPTION have been used only where more specific headings were not possible. A series of tall tales which appeared during early years of the magazine have been listed under that heading. Portraits have been indexed wherever there was a clear likeness. Group por traits have been incJuded when likenesses were clear and recognizable. There is a special index to color illustrations which have been an outstanding feature of ARIZONA HrGHWAYS for the past 10 years. Generally each picture has been listed under a single subject, the one which in the fallible judgment of the compiler, seemed most appropriate. It is hoped this will be of use to teachers and armchair travelers. ♦ COMPILED BY DONALD M. POWELL Reference Librarian UNIYERSITY OF ARIZONA SPONSORED BY PUBLISHED BY ARIZONA STATE ARIZONA TRADE BINDERY LIBRARY 311 West ;\lonroe ASSOCIATION PHOE:-IIX, ARIZONA $1.00 PER CoPY - ADD 10c FOR PosTAGE CDllYt'lth 1952 r>r a.ld \J ':'owe.I ]JuL 'JjJUlluL /Jt .,) ,)·• ..:-·'' tl!uv,JUL ;J{iq.JwD.ljlL and engineering equipment, asphalt, Rickenbacker THE first issue of ARIZONA HIGHWAYS appeared in cars, Cactus bacon and Armour's Star Hams. -
Visual Violence in the Land of Enchantment
VISUAL VIOLENCE IN THE LAND OF ENCHANTMENT A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Patricia Marroquin Norby IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Brenda Child Adviser, Jennifer Marshall Co-adviser June, 2013 © Patricia Marroquin Norby 2013 i Acknowledgements Simultaneously working full-time while raising a family and completing a doctoral program has been one of the most rewarding and challenging experiences of my life. Such an accomplishment would not have been possible without the generous support of numerous individuals. The following is a list of truly amazing people including colleagues, friends, and family who believed in this project and in me even when I suffered my own doubts. To my committee members Brenda Child, Jennifer Marshall, Patricia Albers, and Jane Blocker I thank you for your guidance and encouragement throughout the completion of this project. I am honored to have you as my professional mentors. To good friends and graduate colleagues at the University of Minnesota Twin Cities including Karissa White, Erik Redix, Scott Shoemaker, Kate Beane, and Rudy Aguilar, I cherish your friendship and the camaraderie we shared. Special thanks goes to Karissa White, Issac Lopit, and Kate Beane for offering a place to stay and providing a sense of warmth and family on so many cold Minnesota winter nights. You helped make the long-distance commute and time away from my own family much more bearable. My family and our home are so precious to me. I thank my husband Nathan Norby and our children Alejandro Marroquin, Derek Norby, and Madeline Marroquin-Norby for all your love. -
Sep 2 3 \975 I N D E X 1974
ARIZONA HIGHWAYS MAGAZINE I N D E X 1974, Compiled by Department of Administration Division of Library, Archives and Public Records Published by The Arizona State Library Association Phoenix, Arizona 1975 NUMSI" 55880 AECl!l'IJ'l!O' . SEP 2 3 \975 I N D E X 1974, ARIZONA HIGHWAYS AIRPORTS ART AND ARTISTS DOT's _Grand Canyon airport. Allan C. Houser. N'74 p.7 N '74 p.37 Another Picasso? Fritz Scholder. Joshua C. Taylor. Ja 1 74. p. 5 Alison, Kathy The Art of Lowren West. Ja '74 p. 38 The Indian view of night. S'74 p.4 Bronzes of the American West. Patricia Janis Broder. N'74 p.2 Amsden, Charles Avery DeGrazia, Ted. King of the night. Navaho Weaving (excerpt) S'74. p.38 Jl '74. p. 8-9 Joe Noggle, Carol Osman Brown. N'74 p.10 ''Another Picasso? Fritz Scholder" Lon Megargee. F'74 p.6 Joshua C. Taylor. Ja'74 p.5 Naranho, Michael, Blind sculptor creates Indian ritual classics. ''Arab Hoofbeats: A Sound of Scottsdale's N' 74 p.4.3 Success 11 Olaf Wieghorst retrospective •.. a Carol Osman Brown. Ap'74. p.44 million dollar exhibition. QI 74 P• 34 "Arizona After Dark" Phoenix hosts cowboy artists of S'74 p.2 America seminar, exhibition and sale. 0'74 p.30 "The Arizona Biltmore" Seeger, Dick. Thought capsules, Margaret Dudley Thomas. Ap' 74 p.14- Mr'74- p.35, 46, 47 Testament on art. 0'74 p.32 "The Arizona Highways Ha 11 of Fame The Tony Begay story. -
KIVA INDEX: Volumes 1 Through 83
1 KIVA INDEX: Volumes 1 through 83 This index combines five previously published Kiva indexes and adds index entries for the most recent completed volumes of Kiva. Nancy Bannister scanned the indexes for volumes 1 through 60 into computer files that were manipulated for this combined index. The first published Kiva index was prepared in 1966 by Elizabeth A.M. Gell and William J. Robinson. It included volumes 1 through 30. The second index includes volumes 31 through 40; it was prepared in 1975 by Wilma Kaemlein and Joyce Reinhart. The third, which covers volumes 41 through 50, was prepared in 1988 by Mike Jacobs and Rosemary Maddock. The fourth index, compiled by Patrick D. Lyons, Linda M. Gregonis, and Helen C. Hayes, was prepared in 1998 and covers volumes 51 through 60. I prepared the index that covers volumes 61 through 70. It was published in 2006 as part of Kiva volume 71, number 4. Brid Williams helped proofread the index for volumes 61 through 70. To keep current with our volume publication and the needs of researchers for on-line information, the Arizona Archaeological and Historical Society board decided that it would be desirable to add entries for each new volume as they were finished. I have added entries for volumes 71 through 83 to the combined index. It is the Society's goal to continue to revise this index on a yearly basis. As might be expected, the styles of the previously published indexes varied, as did the types of entries found. I changed some entries to reflect current terminology. -
Pottery and Baskets: C.1100–C.1960
1a Pottery and Baskets: c.1100–c.1960 Anasazi Cylinder Jars, c. 1100 each pot, circular coils of clay were layered over a flat base A thousand years ago, American Indians used plants, bone, and then given a smooth surface by hand or use of a scraper. skin, earth, and stone to fashion the objects needed for daily The smoothed surface was covered with a slip (a thin mixture life: pots for cooking, baskets for storage, or arrowheads for of clay and water) and painted with a mineral-based color. hunting. Many of these objects indicate, in addition to a con- When the pot was dry, it was fired, or baked, in a kiln to cern for usefulness, a deep regard for beauty. harden it and set the decoration. The pots and baskets illustrated are indeed beautiful, and also We do not know how these jars were used. The cylindrical provide a glimpse of the cultures and traditions that produced shape, which is rare in Anasazi pottery, varies slightly with them. Each object exemplifies a craft and a tradition that were each pot: some are fatter, some are taller, and some are a handed down and improved upon through generations. A styl- little tipsy. They have flat bottoms and can stand upright. Small ized corn stalk painted on a cooking pot reminded everyone holes or loops near the opening show they could be hung of that crop’s central importance in their lives, and a better by some kind of cord, perhaps, as some archaeologists think, source of clay meant that new pots lasted longer than the old for use in rituals. -
ATADA Profile
For Hundreds of Years, Jars Like This Offered What Do You Collect? Protection & Security Collect with confidence with ATADA dealers. Hopi seed jar attributed to Nampeyo Authenticity and integrity are more than circa 1910-1920s Marcy Burns American Indian Arts, LLC words in our logo. New York, New York Collectors • Dealers • Museums Protecting seeds from moisture and rodents helped the Hopi tribes sustain themselves for centuries. Protecting your collection from unexpected loss will help your assets remain secure. Today’s values make the right Fine Arts insurance more important than ever. You need the broadest coverage available at the best possible price; a company knowlegeable in every detail of Fine Arts insurance; and one that stays abreast of trends and current market conditions in this highly specialized field. For information about our exclusive Fine Arts programs for ATADA members, call Flather & Perkins at (800) 422-8889 or (202) 466-8888. FLATHER & PERKINS, INC. www.atada.org Insuring fine homes and prized possessions since 1917 19th century Mapuche chief’s poncho Andres Moraga Textile Art 888 17th Street, NW Washington, DC 20006 • (202) 466-8888 • (800) 422-8889 Zuni warrior [email protected] • www.flatherperkins.net John Hill Antique Indian Art What Do You Collect? Collect with confidence with ATADA dealers. Authenticity and integrity are more than words in our logo. Collectors • Dealers • Museums www.atada.org 19th century Mapuche chief’s poncho Andres Moraga Textile Art Zuni warrior John Hill Antique Indian Art Contents -
Mennonite Streams to Kansas from 1874 to 1890, Eight Different Streams of Mennonite Immigrants Settled in Kansas
Unit 1 StoryCard 1 Mennonite Streams to Kansas From 1874 to 1890, eight different streams of Mennonite immigrants settled in Kansas. Emil and Waldo represent two of those ethnic groups. Swiss-Germans Emil W. Haury (1904-1992) was born in Newton to Clara K. (Ruth) Haury and Gustav A. Haury. The Haury and Ruth families originated in Switzerland and moved to German-speaking areas in search of economic opportunities and religious freedom. The lack of land for young families, poor economic conditions, and threats of compulsory military service led both families to migrate from Bavaria to the United States in the 1850s. The Haury family settled in Iowa and the Ruth family in Illinois before joining the new settlements in Kansas. G.A. & Clara Haury Family at Christmas, ca. 1911 Mennonite Library and Archives Unit 1 StoryCard 1 Mennonite Streams German-Russiansto Kansas Waldo R. Wedel (1908-1996) was born in Newton to Magdalena (Krehbiel) Wedel and Peter J. Wedel. The Wedel and Krehbiel families originated in the Netherlands and Switzerland and moved eastward in search of economic opportunities and religious freedom. The Low German-speaking Wedels settled in Przechovka, Prussia, where they married into a Volhynian group that had originated in Switzerland. In 1874 the Wedels and Krehbiels were part of a Swiss Volhynian congregation that immigrated to the United States, settling on the Kansas prairie. P.J. & Lena Wedel family and friends, 1915 Back of photo postcard message by 7 year-old Waldo Mennonite Library and Archives Unit 1 StoryCard 1.2 Komm, Herr Jesu; sei du unser Gast; und segne, was du uns bescheret hast. -
A CENTUR Y of HOPI-TE W a PO TTER Y from Nampeyo of Hano To
AUGUST 2017 A CENTURY OF HOPI-TEWA POTTERY from Nampeyo of Hano to Mark Tahbo Introduction We have found collectors of Hopi pottery to be a particularly knowledgeable and enthusiastic bunch. They send us pictures of their latest auction fi nds. They call us to ask for help fi nding works from specifi c periods by specifi c potters. They generously share information about the potters whose works we sell. They write us letters of gratitude, thanking us for helping them build their collections. We treasure these interactions because these interactions are about treasures. With this exhibit, we wish to shine a light on the link between the New Mexico Pueblo Indians and the pottery being produced today at Hopi. The majority of the potters whose works we feature in this exhibit are actually Hopi-Tewa people—the descendants of those who migrated to Hopi from New Mexico’s Tano Pueblo in the 1690s. The pueblo revolt of 1680 did not end the reign of the Spanish over the Pueblo peoples. The Walpi villagers, who were subject to constant harassment from the Spanish, visited Tano Pueblo in New Mexico to propose an alliance. The Tano people, who were suffering from Spanish harassment and a crippling lack of resources, joined forces with the Walpi, moving to a village atop First Mesa. The Walpi and Tano peoples were, together, better equipped to fi ght off invading Spanish settlers and nomadic Indian tribes. These Tano Indians, who originally lived just south of Santa Fe, became the Hopi-Tewa people: the world-renowned potters whose works we celebrate in this exhibit. -
Journal of Arizona History Index, A
Index to the Journal of Arizona History, A Arizona Historical Society, [email protected] 480-387-5355 NOTE: the index includes two citation formats. The format for Volumes 1-5 is: volume (issue): page number(s) The format for Volumes 6 -54 is: volume: page number(s) A Aa Indians 20:282 Aandahl, Fred G. 40:283 A. and B. Schuster Company 41:24 A. & L. Zeckendorf, Wholesale and Retail 22:134, 389, 396 Aaron, Sam, describes Millville 7:15-16 memoir 7:22 Abadie and Tapie Saloon 11:190 Abadie, Paul 24:45 A. Bail & Co. 24:48 Abajo, Miguel de 45:295, 296, 300, 301, 306 n. 13 Aballo, Ramon 54:281 “Abalone,” by Richard A. Summers, discussed 35:255-56 abalone shells, article on II(1)3 photo of II(1)5 Abasolo, Alberto 51:17 Abate, Jose Maria 44:58, 59, 71 n. 26 Abbey, Edward 19:376 n. 1; 23:432-33; 25:181; 34:68; 53:123-25, 1 Index to the Journal of Arizona History, A Arizona Historical Society, [email protected] 480-387-5355 152 book by, reviewed 18:370-71; 30:221-23 book about, reviewed 24:432-33; 26:452-54; 30:468; 32:235-36; 44:203-5 book with essay on, reviewed 18:219-20 book with introduction by, reviewed 19:340-41; 21:96-97 Abbey, Stephen H. 14:20-21, 24 Abbey, Sue Wilson, article by 14:10-30; 15:373-390 Abbink, Emily, book by, reviewed 50:97 Abbot, Charles Greeley 34:24, 26-39, 42, 43 n. -
[2]Ffij]~ WOMEN's HALL of FAME Rr ;L1
.3 :\iJ55/987 , [!!]~m[!] [[2]ffiJ]~ WOMEN'S HALL of FAME rr ;l1 sponsored by Arizona Historical Society and Arizona Department of Library, Archives & Public Records "To err is human, to forgive divine" ERRATA p. 31-Arizona Women's Hall ofFame (1985,1986,1987): paragraph 1: Capt. Francisco Elias Gonzalez de Zayas came to Mexico in 1721 at the age offourteen. He marriedMariaAgueda Campoyon May 15, 1729. paragraph2: Thefamilycontributeda presidentofMexico, eightgovernors ofSonora, one ofChihuahua and one ofBaja California, Norte. ~~m[!]~8~ WOMEN'S HALL of FAME Arizona Historical Society Museum Monograph Central Arizona Division 1242 North Central Phoenix, Arizona 85004 1987 1987 Arizona Women's Hall of Fame STEERING COMMITTEE Arlene Bansal Deputy Director, Arizona Department ofLibrary, Archives and Public Records Betsy Bolding Executive Director, Tucson Tomorrow, Tucson Frank Kelley Scottsdale Ken Kimsey, Ph.. D. Director, Sharlot Hall Museum, Prescott Bill McCune William McCune Productions for Television, Phoenix Andrew E.. Masich Director, Central Arizona Division, Arizona Historical Society, Phoenix Betty Rockwell State Representative, Phoenix Jane Rosenbaum Phoenix Polly Rosenbaum State Representative, Globe Sharon G Womack Director, Arizona Department ofLibrary, Archives and Public Records SELECTION COMMITTEE Kenneth Arline History Columnist, Mesa Ben Avery Columnist, Arizona Republic, Phoenix Margaret BretHarte Head Librarian, Arizona Historical Society, Tucson Raquel Rubio Goldsmith Instructor, Pima Community College, Tucson Alison -
The Educational Function of Native American Art Shops in Flagstaff, Arizona Tamara Mcpeak
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 The Educational Function of Native American Art Shops in Flagstaff, Arizona Tamara McPeak Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE EDUCATIONAL FUNCTION OF NATIVE AMERICAN ART SHOPS IN FLAGSTAFF, ARIZONA By TAMARA McPEAK A Thesis submitted to the Department of Anthropology in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2004 The members of the Committee approve the thesis of Tamara McPeak defended on March 18, 2004. ________________________ Kathryn Josserand Professor Directing Thesis ________________________ Bruce Grindal Committee Member ________________________ Elizabeth Peters Committee Member Approved: Dean Falk, Chair, Department of Anthropology The Office of Graduate Studies has verified and approved the above named committee members ii TABLE OF CONTENTS List of Figures v Abstract vi INTRODUCTION 1 1. EARLY INFLUENCES ON THE SOUTHWESTERN NATIVE AMERICAN ART MARKET The Santa Fe Railroad and the Fred Harvey Company 9 The Santa Fe Indian Market 14 The Indian Arts and Crafts Board 16 The Museum of Northern Arizona 20 2. MODERN INFLUENCES ON THE SOUTHWESTERN NATIVE AMERICAN ART MARKET The Santa Fe Indian Market 25 The Museum of Northern Arizona 27 Popular and Scholarly Literature 30 3. OBSERVATIONS IN NATIVE AMERICAN ART SHOPS IN FLAGSTAFF, ARIZONA 33 Puchteca Indian Art 34 Winter Sun Trading Company 46 Painted Desert Trading Company 52 Thunder Mountain 58 The Jonathan Day Collection 60 The Museum Shop in the Museum of Northern Arizona 66 iii 4.