Scottsdale's Museum of the West Management Agreement
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4312-52 DEPARTMENT of the INTERIOR National Park Service
This document is scheduled to be published in the Federal Register on 04/22/2021 and available online at federalregister.gov/d/2021-08401, and on govinfo.gov 4312-52 DEPARTMENT OF THE INTERIOR National Park Service [NPS-WASO-NAGPRA-NPS0031764; PPWOCRADN0-PCU00RP14.R50000] Notice of Intent to Repatriate Cultural Items: Gilcrease Museum, Tulsa, OK AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Gilcrease Museum, in consultation with the appropriate Indian Tribes or Native Hawaiian organizations, has determined that the cultural items listed in this notice meet the definitions of sacred objects and objects of cultural patrimony. Lineal descendants or representatives of any Indian Tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request to the Gilcrease Museum. If no additional claimants come forward, transfer of control of the cultural items to the lineal descendants, Indian Tribes, or Native Hawaiian organizations stated in this notice may proceed. DATES: Lineal descendants or representatives of any Indian Tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request with information in support of the claim to the Gilcrease Museum at the address in this notice by [INSERT DATE 30 DAYS AFTER PUBLICATION IN THE FEDERAL REGISTER]. ADDRESSES: Laura Bryant, Gilcrease Museum, 1400 N. Gilcrease Museum Road, Tulsa, OK 74127, telephone (918) 596-2747, email [email protected]. SUPPLEMENTARY INFORMATION: Notice is here given in accordance with the Native American Graves Protection and Repatriation Act (NAGPRA), 25 U.S.C. -
2013-2014 Program Guide.Pub
Community Performance & Art Center Foundation BOARD OF DIRECTORS Chairman Harry Paxton Vice Chair Eloise Fredrickson Secretary Marie Cory Mary Lou Catania Richard Ducote Mike Finkelstein Eugene Friesen Nancy Karsh David Urbaniak Susan Voorhees Mary Wehmeyer STAFF Executive Director Chris Ashcraft Director of Development Al Saterbak Office Manager Amanda Urbaniak Facilities Supervisor George Cantu Sound & Lighting Technicians Phil Wenstrand Mark Marlatt Welcome to CPAC Welcome to the 2013-2014 season at CPAC! This year will feature more than 75 performances including some of the region’s most tal- ented performers such as Arizona’s Official State Balladeer Dolan Ellis, the Larry Redhouse Trio and critically acclaimed western singer Bill Ganz. CPAC will welcome international touring ragtime pianist, Mimi Blais, from Montreal, Canada and the Tucson Arizona Boys Chorus who have performed in dozens of countries throughout the world. CPAC also welcomes back many audience favorites in- cluding magician Rodney Housley, Jack Lasseter, Forever Young, Arthur Migliazza, Lisa Otey, a Tribute to Simon and Garfunkel and much more! Shoestring Theater Company will feature four produc- tions this season including a summer show entitled “Charlie and the Chocolate Factory.” I hope to see you at many of our performances, art shows, classes and events over the coming year. Once again, thank you for your ongoing support of the Community Performance and Art Center. None of this would be possible without your sup- port. Christopher Ashcraft Executive Director Support CPAC Today! Membership and individual donations help fund CPAC’s wide array of diverse arts programs for our community. The arts entertain and educate audiences, bring people of all ages and backgrounds to- gether, promote economic vitality and enrich quality of life. -
The Paystreak 2007
The Paystreak Volume 9, No. 1, Spring, Summer and Fall, 2007 The Newsletter of the Alaska Mining Hall of Fame Foundation (AMHF) In This Issue: Alaska Mining Hall of Fame Foundation New Inductees.......................................................................................1 Program ................................................................................................................................................................... 2 Acknowledgements ................................................................................................................................................. 2 Alaska’s Quicksilver Mining Industry .................................................................................................................... 3 Previous Inductees, Alaska Mining Hall of Fame................................................................................................... 4 New Inductee Biographies ......................................................................................................................................9 Other 2007 Inductee Biographies..........................................................................................................................28 Distinguished Alaskans Aid Foundation...............................................................................................................42 AMHF Directors and Officers: .............................................................................................................................42 Alaska Mining -
“Willie Or Billy” Claiborne, A.K.A
OLD WEST STORUES William Floyd “Willie or Billy” Claiborne, a.k.a. “The Kid” Or was his name Calyborne? Clayborn? Or was it Claborn? Or did Billy even know. There are copies of his signature in at least two of these versions. All his trial documents list him as Clayborne. Viola Slaughter, wife of the noted Arizona lawman John Horton Slaughter, knew him well and spelled it as Claibourne. Well, we do know for sure that he was born in Mississippi. Or was it Louisiana? But more than likely it was in Alabama. The 1870 census shows records that would fit all three states. The record for Mississippi spells the name as Claborn, but the census takers were not the best for spelling. But this one seems to best fit the bill for Billy (Photo at right) and it shows that he was born in Alabama. He stated in court that he was born on October 21, 1860, and was from Mississippi. So we accept the date and the fact that he probably meant that he was raised in Mississippi. He migrated to the Devil’s River area of west Texas where some accounts say he killed two men. He became a cowboy and went to work for John Horton Slaughter. He was part of a crew that drove a Slaughter herd of cattle from Texas to Arizona and stayed. On October 1, 1881, in Charleston, Arizona Territory (now a ghost town), he shot and killed a blacksmith named James Hickey at Harry Queen’s Saloon. Exactly why he did it is not known. -
Finding Aid Formatting
Title: Museum of Northern Arizona Photo Archives – Crafts and Arts Prints Dates: 1930s-1990s Extent: 2802 images Name of Creator(s): Museum of Northern Arizona staff including Leland Abel, John Adair, E. Capps, Harold S. Colton, S. Cooper, Robert Fronske, Marc Gaede, Parker Hamilton, Lyndon L. Hargrave, Neil Judd, A.J. "Lex" Lindsay, P. Long, M. Middleton, T. Nichols, L. W. Smith, C. Turner, W.M. Wells, and Barton Wright. Organizational History: In 1959, the Photography Department and position of Photographer created by director Dr. E. B. Danson, with Parker Hamilton as MNA’s first Assistant in Photography, later that year promoted to Photographer. Prior to 1959, the photo archives were a part of the Publications Department but not under the management of a photographer. In 1960, a large-scale cataloging initiative of new and old prints, negatives, and slides was undertaken. A photography studio and cataloging room was established in Fleischman Hall (now Schaeffer) in 1965. An inventory was made of negatives in June 1969 which noted missing negatives. By the early 1980s the Photography Department became the Photo Archives, reflecting a shift in focus from active photography to preservation of and access to existing materials. An inventory of negatives was done again in February 1988 with notes made of missing negatives. The Photo Archives moved to the Library in 1995. In 2005, the Photo Archives ceased operation as a department, and staff photography became the responsibility of the Marketing Department while the care of materials and use requests were the responsibility of the Library staff. The Photo Archives were made the responsibility of the Archivist in 2008. -
Marshall Noice – Selected Exhibits
Marshall Noice – Selected Exhibits 2015 Hockaday Museum of Art, Kalispell, MT, one man show Waxlander Gallery, Santa Fe, NM, one man show Anne Loucks Gallery, Glencoe, IL, two man show Lanning Gallery, Sedona, AZ, one man show National Cowboy and Western Heritage Museum, group invitational show 2014 Booth Western Art Museum, Cartersville, GA, Western American Art South of The Sweet Tea Line IV, invitational group show Gilcrease Museum, Tulsa, OK, Collector’s Reserve, invitational group show CODA Gallery, Palm Desert, CA, Exploring The Landscape of Color invitational group show 2013 Lustre Gallery, Telluride , CO, one man show Wells Gallery, Kiawah, SC, invitational group show M.A. Doran Gallery, Tulsa, OK, one man show National Cowboy and Western Heritage Museum, group invitational show Waxlander Gallery, Santa Fe, NM, one man show 2012 Waxlander Gallery, Santa Fe, NM, one man show Lustre Gallery, Telluride, CO, one man show Merritt Gallery, Chevy Chase, MD, invitational group show Bill Hester Fine Art, Chapel Hill, NC, one man show 2011 Altamira Fine Art, Jackson, WY, one man show Gilcrease Museum, Tulsa, OK Collector’s Reserve, invitational show The Art of Conservation, Jackson, WY, invitational show Terzian Galleries, Park City, UT, one man show National Cowboy and Western Heritage Museum, Small Works Great Wonders Oklahoma City, OK, invitational show Anne Loucks Gallery, Glencoe, IL, one man show 2010 Collector’s Reserve, Gilcrease Museum, Tulsa OK invitational show Waxlander Gallery, Santa Fe, NM, one man show 2009 Art Feast, Santa Fe , NM, featured artist Waxlander Gallery, Santa Fe, NM, one man show American Art in Miniature, Gilcrease Museum, Tulsa, OK invitational show 2008 Western American Art South of the Sweet Tea Line II, Booth Western Art Museum,Cartersville, GA, group invitational show Sun Valley Contemporary, Ketchum, ID, one man show Waxlander Gallery, Santa Fe, NM, one man show Center Street Gallery, Jackson, WY, one man show M.A. -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
Tombstone, Arizona Shippensburg University
Trent Otis © 2011 Applied GIS with Dr. Drzyzga Tombstone, Arizona Shippensburg University Photo © dailyventure.com. Photographer unknown. Tombstone and the Old West The People Wyatt Earp Virgil and Morgan Earp Tombstone established itself as a boomtown after The tragedy that occurred at Tombstone, Arizona involved Wyatt has been most often Virgil and Morgan Earp are the silver was discovered in a local mine in 1877. It quickly characters who were as interesting as the time period. From characterized as a strict, no nonsense brothers of Wyatt. Virgil held various became a prospering community which attracted all lawmen turned silver prospectors, dentists turned gam- person who prefered to settle disputes law enforcement positions throughout walks of life. blers, outlaws and worse, these men all had their stakes in with words rather than confrontation. his life and was appointed as a Deputy the events at Tombstone. Following are short descriptions U.S Marshal before moving to of these men. Wyatt is arguably one of the most Tombstone. Later on, he was The American Old West has captured the minds and inuential individuals in the Old West. appointed as acting marshal for the imaginations of the American people since the West He encoutered some initial hardship in town after the current marshal was became more civilized in the late 1800s to early 1900s. his life when his rst wife died. accidentally slain by one of the Earp In the early 1880s, a specic event occurred that would Eventually, his sutuation improved and antagonists. capture the essence of the old west in one story. -
Harriet Rochlin Collection of Western Jewish History, Date (Inclusive): Ca
http://oac.cdlib.org/findaid/ark:/13030/kt9p3022wh No online items Finding Aid for the Harriet Rochlin Collection of Western Jewish History Processed by Manuscripts Division staff © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Harriet 1689 1 Rochlin Collection of Western Jewish History Finding Aid for the Harriet Rochlin Collection of Western Jewish History UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Processed by: Manuscripts Division staff Encoded by: ByteManagers using OAC finding aid conversion service specifications Encoding supervision and revision by: Caroline Cubé Edited by: Josh Fiala, May 2004 © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Harriet Rochlin Collection of Western Jewish History, Date (inclusive): ca. 1800-1991 Collection number: 1689 Extent: 82 boxes (41.0 linear ft.) 1 oversize box Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Abstract: Harriet Shapiro (1924- ) was a freelance writer and contributor of articles, feature stories, and reviews to magazines and scholarly journals. The collection consists of biographical information relating to Jewish individuals, families, businesses, and groups in the western U.S. Includes newspaper and magazine articles, book excerpts, correspondence, advertisements, interviews, memoirs, obituaries, professional listings, affidavits, oral histories, notes, maps, brochures, photographs, and audiocassettes. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Language: English. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. -
Interpretive Master Plan and Feasibility Study January 22, 2019 OVERVIEW OVERVIEW
GILCREASE MUSEUM Interpretive Master Plan and Feasibility Study January 22, 2019 OVERVIEW The following Core Idea Framework will guide the development of the Gilcrease Museum visitor experience. Each primary core idea has 3 "sub-ideas". Our Changing America is included as part of each primary core idea. This serves to keep the core ideas fresh and relevant, and emphasizes that America is a young, ever-evolving country, with myriad opportunities for inquiry, involvement, and engagement. Thomas Gilcrease Institute of American History & Art | Interpretive Master Plan | Gallagher & Associates A concise number of core concepts allows visitors to CORE IDEAS, quickly grasp complex ideas THEMES, & VISITOR EXPERIENCE Thomas Gilcrease Institute of American History & Art | Interpretive Master Plan | Gallagher & Associates CORE IDEA I THIS AMERICAN LANDSCAPE The American Landscape, and our beautiful, complicated, fragile, awestruck relationship in and with this vast place. Thomas Gilcrease Institute of American History & Art | Interpretive Master Plan | Gallagher & Associates CORE IDEA I THIS AMERICAN LANDSCAPE Juxtapositions of disparate artifacts/art create dialogues that reinforce the meaning of each object. Primary Message How do we experience the American landscape and think about our place within it? It is a natural environment of rich resources and materials to discover, a place that ignites the creativity and passion of artists and innovators, and a landscape that encourages independence and self-expression. Secondary Messages What is the -
Wyatt Earp by Robert Hilliard
Wyatt Earp By Robert Hilliard One of the greatest legends of the American West, Wyatt Berry Stapp Earp was born on March 19, 1848, in Monmouth, Illinois, the third of five sons born to Nicholas and Virginia Ann Earp. The Civil War broke out when Wyatt was 13 years old. Desperate to leave the family farm in Illinois and find adventure, Earp tried several times to join his two older brothers, Virgil and James, in the Union army. But each time, Wyatt was caught before he ever reached the battlefield, and was returned home. At the age of 17 he finally left his family, now living in California, for a new life along the frontier. He worked hauling freight, and then later was hired to grade track for the Union Pacific Railroad. In his downtime he learned to box and became a respectable gambler. In 1869, Earp returned to the fold of his family, who had made a home in Lamar, Missouri. A new, more settled life seemed to await Earp. After his father resigned as constable of the township, Earp replaced him. By 1870 Wyatt married Urilla Sutherland, the daughter of the local hotel owner, built a house in town and was an expecting father. Suddenly, everything changed. Within a year of their marriage Urilla contracted typhus and died, along with her unborn child. Broken and devastated by his wife's death, Wyatt left Lamar, Missouri and set off on a new life devoid of any kind of discipline. In Arkansas, he was arrested for stealing a horse, but managed to avoid punishment by escaping from his jail cell.