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Community Performance & Art Center Foundation BOARD OF DIRECTORS Chairman Harry Paxton Vice Chair Eloise Fredrickson Secretary Marie Cory Mary Lou Catania Richard Ducote Mike Finkelstein Eugene Friesen Nancy Karsh David Urbaniak Susan Voorhees Mary Wehmeyer STAFF Executive Director Chris Ashcraft Director of Development Al Saterbak Office Manager Amanda Urbaniak Facilities Supervisor George Cantu Sound & Lighting Technicians Phil Wenstrand Mark Marlatt Welcome to CPAC Welcome to the 2013-2014 season at CPAC! This year will feature more than 75 performances including some of the region’s most tal- ented performers such as Arizona’s Official State Balladeer Dolan Ellis, the Larry Redhouse Trio and critically acclaimed western singer Bill Ganz. CPAC will welcome international touring ragtime pianist, Mimi Blais, from Montreal, Canada and the Tucson Arizona Boys Chorus who have performed in dozens of countries throughout the world. CPAC also welcomes back many audience favorites in- cluding magician Rodney Housley, Jack Lasseter, Forever Young, Arthur Migliazza, Lisa Otey, a Tribute to Simon and Garfunkel and much more! Shoestring Theater Company will feature four produc- tions this season including a summer show entitled “Charlie and the Chocolate Factory.” I hope to see you at many of our performances, art shows, classes and events over the coming year. Once again, thank you for your ongoing support of the Community Performance and Art Center. None of this would be possible without your sup- port. Christopher Ashcraft Executive Director Support CPAC Today! Membership and individual donations help fund CPAC’s wide array of diverse arts programs for our community. The arts entertain and educate audiences, bring people of all ages and backgrounds to- gether, promote economic vitality and enrich quality of life. We could not offer these cultural opportunities without the loyalty, dedi- cation and support of our wonderful patrons. Please help us con- tinue to expand our programs and grow with the Green Valley com- munity. All contributions are tax deductible to the full extent of the law. Contribution Levels Member - Annual gifts of $100-$499 10% discount on CPAC performances (excludes season pass and rentals) and invitation to season kick-off event Supporter - Annual gifts of $500-$999 All of the above, plus: “meet the artist” opportunities upon request Producer - Annual gifts of $1000-$2999 All of the above, plus: 4 tickets to any CPAC sponsored performance Ambassador - Annual gifts of $3000 and above Custom benefit package Ticket Packages and Group Sales Season Pass: Tickets to 42 performances (September 17-June 22) $500 upper level/$700 premium seating - savings of $165 Flex Pass: Purchase 5 performances in a single transaction, get 6th free Shoestring Season Pass : All 4 productions for $50/$65 (save $10/$15) *Most performances feature two pricing tiers (premium and upper level) *Packages must be purchased through the office and include CPAC sponsored performances only (red font) *CPAC is not responsible for content of rental performances (blue font) Group Sales: A discount of 10% per person is offered for groups of 10 or more when purchased in a single transaction FOR MORE INFORMATION, PLEASE CONTACT US AT: 520.399.1750 www.performingartscenter.org 1250 W. Continental Road, Green Valley, AZ 85622 JACK LASSETER The Chiricahua Apaches, Warrior People of the Southwest Tuesday, August 20th 7:00 PM Tickets: $10/$15/$20 in advance - all tickets $20 at door All that most of us know about the Apaches comes from the western movies, and our knowledge of them seems to end there, with the movies, so for us they remain mysterious, an enigma. Here is their real story, not the movie version. In this new talk on the Apaches, Jack assumes the audience has already heard the basic facts about them from his prior talks. This is the next level, where he brings the Apaches alive and makes them seem real, telling about them as a people, and sharing fascinating stories of their leaders, that makes him feel their presence when- ever he walks in their land. You also will feel their presence! It is quintessential Jack, and will make you want to go to the Chiricahuas where Cochise was born, to Apache Pass where he fought, and to his Stronghold in the Dragoons where he died. YOU’RE LOOKIN’ AT COUNTRY Kip Calahan Young and Dale Young Friday, September 6th 7:00 PM Tickets: $10/$15/$20 in advance - all tickets $20 at door Dale shares stories and the history of Patsy Cline, Loretta Lynn, Tammy Wynette and Dolly Parton. Kip sings their hits and sig- nature songs. Together they guarantee to have you laughing, crying and singing along. The grand finale is a patriotic song/ poem combination that will have the audience on their feet! Kip and Dale’s last performance of this show sold out within days, so get your tickets early! THE ARIZONA BANJO BLASTERS Tuesday, September 17 th 7:00PM Tickets: $15/$20 in advance - all tickets $20 at door The Arizona Banjo Blasters were founded by Rob Wright in 2007 with the purpose of inspiring the spirit of playing "Happy" Banjo Music. Many members of the band have over 50 years of banjo performance experience. Instruments at Blasters concerts include the 4 string banjo, banjo mandolin, banjo ukulele, washboard, upright bass and female vocalist! The AZ Banjo Blasters have had the privilege of playing in multiple venues throughout southern Arizona. The Blasters are a volunteer group and any fees they receive for performances are used for expenses and to support local charities including Anthony’s Foundation, Mobile Meals of Tucson and TUSD’s Opening Minds Through the Arts. The band also hosts the Arizona Banjo and Ukulele Blast festival every two years. LAUGHING AWAY THE BLUES Humorist and Actor Tom Potter Tuesday, September 24 th 7:00PM Tickets: $15/$20 in advance - all tickets $20 at door Tom Potter is a former college dean and professor who began his career in comedy in 1989. As a professional actor and come- dian, Tom has worked with the best including Jay Leno & Jeff Dunham, and can be seen in a variety of film and television projects including The Skeleton Key , Days That Shook the World, Man-Eater and Who’s Your Daddy? . He also performed for ten years at The Gaslight Theatre. Tom has combined his 1960’s rocker roots, his stand-up comedy and his love of the blues into COMEDY BLUES and a new one man show, Laugh- ing Away the Blues , which highlights the benefits of laughter and ways to laugh more. JACK LASSETER Outlaws and Lawmen on the Arizona Frontier Tuesday, October 8th 7:00 PM Tickets: $15/$20 in advance - all tickets $20 at door Here Jack shares with us why the Arizona territory was so law- less, and how law and order was brought to this frontier. It includes both range wars, the Earps, Clantons, and the Gunfight at the O.K. Corral, Curly Bill Brocius, Johnny Ringo, Texas John Slaughter, Burt Alvord, the Arizona Rangers, the daring capture of Augustino Chacon, stories of some of the famous Arizona sheriffs, and much more. THE ARIZONA EXPERIENCE With Dolan Ellis, Arizona’s Official State Balladeer Thursday, October 10th 7:00 PM Tickets: $15/$20 in advance - all tickets $20 at door Dolan Ellis has been Arizona’s Official State Balladeer for 47 years. He is an expert photographer, and uses his digital photog- raphy to illustrate his Arizona ballads. Dolan is the founder of The Arizona Folklore Preserve in Ramsey Canyon. As an origi- nal member of the famous folk singing group, The New Christy Minstrels , Dolan has earned several gold records, as well as earning a coveted Grammy Award while with that group. To- day, Dolan is currently touring nationally with the NCM, in addition to fulfilling his busy performance schedule as “The Balladeer.” As Arizona’s Official State Balladeer , he has sung his ballads in more than twenty countries of the world. Dolan Ellis and his work have been entered into the United States Con- gressional Record, where he has been recognized as an “Arizona Treasure ”, by Senator John McCain. After many years of dedication to his work, Dolan Ellis and his music have be- come synonymous with Arizona, its lands, and its people. CIVIC ORCHESTRA OF TUCSON ~ rental “Inspired by Shakespeare” – Classical Concert Sunday, October 13th 3:00 PM Free Concert! (ticket required for entry) *unclaimed seats will be released 10 minutes before concert Overture to Merry Wives of Windsor ~ Otto Nicolai Love Scene from Romeo and Juliet, a "symphonie dramatique" ~ Hector Berlioz Overture to Midsummer Night's Dream ~ Felix Mendelssohn The Tempest, Symphonic Fantasy ~ Peter I. Tchaikovsky Othello Concert Overture ~ Antonin Dvorak The Civic Orchestra of Tucson (COT) was founded in the spring of 1975 by George Schwartz so that he and his friends could play classical music together. In1980, Dr. Herschel Kreloff be- came the orchestra’s artistic/musical director, and it has grown to full symphonic instrumentation. Now in its 37th year, COT enriches the cultural life of southern Arizona by presenting free concerts at various sites around the region. RHYTHM INC. Tuesday, October 15th 7:00 PM Tickets: $15/$20 in advance - all tickets $20 at door Fasten your seatbelts for an energetic evening of 60’s and 70’s Rhythm and Blues hits with Rhythm Inc . and the Apocalypse Horns . This Rhythm and Blues Review will also feature special guests performing hits by Sam and Dave, Spencer Davis Group, Wilson Pickett, Rufus Thomas, Three Dog Night, Blood Sweat and Tears, Mitch Ryder and many more. Rhythm Inc. is a re- cently formed variety dance band with focus on Rhythm and Blues covers from the 60’s and 70’s.
Recommended publications
  • “Willie Or Billy” Claiborne, A.K.A

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    OLD WEST STORUES William Floyd “Willie or Billy” Claiborne, a.k.a. “The Kid” Or was his name Calyborne? Clayborn? Or was it Claborn? Or did Billy even know. There are copies of his signature in at least two of these versions. All his trial documents list him as Clayborne. Viola Slaughter, wife of the noted Arizona lawman John Horton Slaughter, knew him well and spelled it as Claibourne. Well, we do know for sure that he was born in Mississippi. Or was it Louisiana? But more than likely it was in Alabama. The 1870 census shows records that would fit all three states. The record for Mississippi spells the name as Claborn, but the census takers were not the best for spelling. But this one seems to best fit the bill for Billy (Photo at right) and it shows that he was born in Alabama. He stated in court that he was born on October 21, 1860, and was from Mississippi. So we accept the date and the fact that he probably meant that he was raised in Mississippi. He migrated to the Devil’s River area of west Texas where some accounts say he killed two men. He became a cowboy and went to work for John Horton Slaughter. He was part of a crew that drove a Slaughter herd of cattle from Texas to Arizona and stayed. On October 1, 1881, in Charleston, Arizona Territory (now a ghost town), he shot and killed a blacksmith named James Hickey at Harry Queen’s Saloon. Exactly why he did it is not known.
  • The Wit & Wisdom of Doc Holliday

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  • Benson Safeway Plaza Evacuated for Bomb Scare

    VOLUME 015 ISSUE 51 A WEEKLY NEWSPAPER SERVING TOMBSTONE AND THE REST OF COCHISE COUNTY WITH HONEST AND ACCURATE REPORTING Friday, August 7, 2020 60 CENTS WELCOME TO THE ANNUAL DOC HOLLI-DAYS! Doc Holli-Days fore~ This weekend is packed person to meet his fans, in and Greet in Tombstone! How from the OK Corral). Be sure donated to our Tombstone full of Doc themed events in- an effort to promote safety it works: Go to the website to show up about 10 minutes Vigilettes! (501c non-profit, This event weekend is ded- cluding the weekend favorite, of staying home, Billy will www.fullempirepromotions. before your session is sched- charitable organization). icated to celebrating the life DOC HOLLIDAY look-a- be offering an opportunity to com and select the August uled to begin and we will Buck Taylor (Turkey Creek and legend of John Henry like contest which will also connect with him from the 8th Billy Zane Virtual Meet have a private area for your Jack Johnson) will be attend- “DOC” Holliday. Come join include a BIG NOSE KATE comfort of your own home. and Greet. 5 minute sessions 5 minute Virtual Meet and ing this years Annual DOC us this August 7th, 8th and Look-A-Like as well! While we have had to will begin at 11am and book Greet with Billy Zane! You’ll Holli-DAYS. Buck has 118 9th 2020 while we pay tribute We couldn’t be more make adjustments and con- from there depending on or- even get a recording of your movie credits to his name and to everything Doc related! pleased to announce that on tinue to work towards pro- der purchased.
  • Jaycees Award Bowling Citations

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  • Wyatt Earp by Robert Hilliard

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    Wyatt Earp By Robert Hilliard One of the greatest legends of the American West, Wyatt Berry Stapp Earp was born on March 19, 1848, in Monmouth, Illinois, the third of five sons born to Nicholas and Virginia Ann Earp. The Civil War broke out when Wyatt was 13 years old. Desperate to leave the family farm in Illinois and find adventure, Earp tried several times to join his two older brothers, Virgil and James, in the Union army. But each time, Wyatt was caught before he ever reached the battlefield, and was returned home. At the age of 17 he finally left his family, now living in California, for a new life along the frontier. He worked hauling freight, and then later was hired to grade track for the Union Pacific Railroad. In his downtime he learned to box and became a respectable gambler. In 1869, Earp returned to the fold of his family, who had made a home in Lamar, Missouri. A new, more settled life seemed to await Earp. After his father resigned as constable of the township, Earp replaced him. By 1870 Wyatt married Urilla Sutherland, the daughter of the local hotel owner, built a house in town and was an expecting father. Suddenly, everything changed. Within a year of their marriage Urilla contracted typhus and died, along with her unborn child. Broken and devastated by his wife's death, Wyatt left Lamar, Missouri and set off on a new life devoid of any kind of discipline. In Arkansas, he was arrested for stealing a horse, but managed to avoid punishment by escaping from his jail cell.
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    ORIGINAL SCIENTIFIC PAPER 791-51 DOI:10.5937/ ZRFFP48-18623 DANIJELA L J. P ETKOVIĆ1 UNIVERSITY OF N IŠ FACULTY OF P HILOSOPHY ENGLISH D EPARTMENT (IM)POSSIBLE MARTYRDOM: MASCULINITY, AGING, ILLNESS, AND DEATH IN TOMBSTONE AND LOGAN ABSTRACT. The title of this paper alludes to Hannah Arendt’s famous claim that in Nazi concentration camps martyrdom was made impossible, for the first time in Western history, by the utter anonymity and meaninglessness of inmates’ deaths (Arendt, 2000, p. 133): the paper, in contrast, examines two contem- porary films which, while intersecting normative/heroic masculinity with debilitating illness and death, allow for the possibility of martyrdom. Tomb- stone and Logan , directed by George P. Cosmatos and James Mangold respectively, depict the last days of such pop culture icons of masculinity as John Henry “Doc” Holliday and James Howlett, aka Logan/Wolverine. The films’ thematic focus on the (protracted) ending of life, which is evident not only in the storylines and dialogues but also in the numerous close-ups of emaciated, bleeding, scarred and prostrate male bodies, afflicted with tuberculosis and cancer-like adamantium poisoning, invites, first, a discus- sion of the relationship between the cinematic representations of normative and disabled masculinities. Specifically, since normative masculinity, as opposed to femininity, is synonymous with physical and mental strength, power and domination – including the control of one’s own body – the focus of this discussion is if, and how, the films depict Doc Holliday and Wolverine as feminized by their failing/disobedient bodies, thus contribut- ing to the cultural construction of gender. Secondly, the paper discusses the halo of martyrdom with which the films’ dying men are rewarded as emo- tionally deeply satisfying to the viewer: in Logan and Tombstone , death is not averted but hastened for the sake of friendship, family, and the protec- tion of the vulnerable and the marginalized.
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    Baker/Toughnut Angel/11 1 Chapter Eleven An Angel in Tombstone 1880 – 1881 Tombstone, Arizona Territory, 1800s (Courtesy Tombstone Courthouse) Nellie stepped off the stage onto Allen Street’s dusty board sidewalk. She turned to catch her carpetbag when the stage driver lifted it down, but stumbled over the hem of her skirt into the path of a dark-haired man with a full mustache. The stranger grabbed Baker/Toughnut Angel/11 2 her waist. “Whoa. Welcome to Tombstone! Got your balance there, Ma’am?” Nellie pulled her traveling skirt out from under her button-down shoe and noticed the man wore a silver star on his blue shirt. He took her grip from the driver and set it on the sidewalk. “My name’s Virgil Earp.” Next to him two other men attempted not to laugh. Virgil smiled, and indicated the other two with his hand. “May I present my brother, Wyatt, and Doc Holliday?” Earp, not a common name. These must be the Earps who had served as lawmen in Dodge City. She’d read newspaper articles and one of T.J.’s dime novels about Wyatt Earp. Doc Holliday stopped stamping his black boots to remove the dust, bowed at the waist and swept his bowler hat from his head. He smelled of leather and, what was that? Sage? “Indeed, welcome to Tombstone, lovely lady.” He drawled in a bass voice from under another wide black mustache. That made Nellie think of how Papa had always joked that men with mustaches were trying to hide something -- their upper lips.
  • George P. Johnson Negro Film Collection LSC.1042

    George P. Johnson Negro Film Collection LSC.1042

    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
  • Tombstone Arizona Trivia

    Tombstone Arizona Trivia

    Tombstone Arizona Trivia HTTP://TOMBSTONETRAVELTIPS.COM/TOMBSTONETRIVIA.HTML Karen McGowan A PRODUCTION OF PICTURE ROCKS NETWORKING LLC | [email protected] ©2017 Picture Rocks Networking LLC / TombstoneTravelTips.com All Rights Reserved Tombstone Arizona Trivia Tombstone Movies • In the Movie Tombstone: William Dafoe had been considered to play Doc Holliday, Richard Gere was considered for Wyatt Earp, & Mickey Rourke was first offered the role of Johnny Ringo – he turned it down • The 1971 movie called Doc stars Stacy Keach as Doc Holliday. The whole Tombstone & O.K. Corral gunfight story takes place from Doc’s viewpoint, with him as the most important and leading character. • The filming locations for the 1993 movie Tombstone were: Old Tucson, Mescal AZ, Babacomari Ranch in Elgin AZ, Patagonia AZ, Empire Ranch in Sonoita AZ, Texas Canyon off Interstate 10, Little Dragoon Mountains, other areas around Elgin AZ, Skeleton Canyon 30 miles NE of Douglas AZ, San Simon Valley in SE AZ, Harshaw AZ, Fort Crittenden near Sonoita & along the San Pedro River. Texas Canyon San Pedro River • Hour of the Gun released in 1967 stars James Garner as Wyatt Earp and Jason Robards as Doc Holliday. Based on the novel Tombstone’s Epitaph by D.D. Martin, it essentially begins with the O.K. Corral shootout. Then moves on to subsequent results between the Earps, and Clanton sympathizing cowboys. • There’s an imitation Boothill cemetery & “Here Lies Lester Moore” tombstone at Knott’s Berry Farm’s “Wild West” theme section in Buena Park, California. Several Tombstone movie intro scenes were shot there & thanks appear in the credits.
  • Tombstone Arizona's History and Information Journal

    Tombstone Arizona's History and Information Journal

    Tombstone Arizona’s History and Information Journal - September 2014 - Vol. 12 - Issue 09 - ISSN 1942-096X Interesting historical tidbits of news and information from the Town Too Tough to die. Tombstone Epitpah - December 15, 1927 “Oh! Oh! What a Night ‘Twas Says A. H. Gardner, Tombstone, Ariz. That Night Before Christmas “The evening’s entertainment began with a knockout. Johnny Walker – John W. Walker, you understand, then federal court reporter and fresh from Chicago – and I were just about putting the finishing touches to a roast mallard duck supper at the old Kreuder Café on Allen Street when Kreuder met one of his customers at the cashier’s counter and laid him cold with an uppercut that would have at that time done credit to even hard hitting bog Fitzsimmons. There were no frills to the affair. Kreuder just waited until his man came down the aisle, gave one glance at the check he handed to the cashier, and then applied a clenched fist to the point of his customer’s jaw. All was over but the shouting. “The proceedings struck me as not only being odd but as being carried out in a rather cold-blooded, businesslike manner. Being just from New York City, one might think that such an occurrence would have little effect on me. But I had never seen anything in which Kreuder laid low the man which 5 his establishment had just feasted. “Oh, yes! I did forget to tell you why Kreuder took a punch at his customer. It was this way. “I supposed the customer got some peculiar notion that a 50 per cent discount should be made on all T-bone steak dinners which he ate at Kreuder’s for every time a check for 50 cents was handed to him, he erased the ‘0,’ put a ‘2’ in front of the ‘5’ and then put the ‘cents’ mark – ‘c’ – after the ‘25.’ It seemed that the cashier became suspicious, told Kreuder CORNER OF 5TH & ALLEN STREETS about it, and according to the customs of old Tombstone of a quarter-century ago, the customer ‘had it coming to him.’ Forthwith Kreuder was duly bound to see that ‘it’ arrived in true western style.
  • Tombstone-Map-3-2020

    Tombstone-Map-3-2020

    More than 100 exciting stores, restaurants, gunfighter shows, historic saloons and museums… Downtown Walking Map plus great motels, an award-winning microbrewery and a true-West silver mine tour. How to see it all? Use this walking map. Each city block has a big black letter, and every DiscoverTombstone.com attraction has a number. Example -- the OK Corral, near 3rd on Allen, is ‘J-1’. R (see other side for highlights!) R-1 Saddles Leather Goods and Books 1 St. Paul’s 2 Sacred Heart R-2 Red Dirt Shirts Boothill Cemetery 1 Episcopal Church Catholic Church >> on Fremont F and Gift Shop 2 Schieffelin R-3 Smoke Signals Outlaw Social Club 1882 1881 Wizard’s Workshop Hall, 1881 R-4 Arlene’s Jewelry and Gifts Tombstone Trading Post Antique Mall 2 First Trail Rider’s Inn R-5 Madame Mustache B C PARKING D E Baptist A 1 3 1 1 Church Apache Market >> R-6 Big Nose Kate’s Saloon << to Benson R-7 J.L. Silver Co. Gifts FREMONT ST. Bisbee >> R-8 Western Edge Trains 1 1 Public Old 11 R-9 Vogan’s Bistro Restrooms City Hall M G H 1882 K 13 L >> Crazy Annie’s B&B R-10 Oil and Vinegar Company 2 J 11 Community 7 12 Johnny Ringo’s Bar R-11 Cochise of Tombstone Congregational City and Depot Restaurant R-13 Miss Kitty’s Victorian Boutique Church, 1903 3 Park 1 2 3 4 5 6 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 7 8 9 10 at 10th and Allen >> 8 12 R-14 Killer Bees Desert Honey Enjoy! 1 ALLEN ST.
  • Wyatt Earp, Doc Holliday the Tombstone Judge

    Wyatt Earp, Doc Holliday the Tombstone Judge

    JUSTICE OF THE PEACE WELLS W. SPICER 1912 2012 Celebrating The Wyatt Earp , Centennial . D E V R E S E R Doc Holliday Doc Holliday S T H G I R L L A , Y T E I C O S the L A C I R O T S I H E T A T S Tombstone H Tombstone A T U , N O I S S I M R E P Y B Judge Judge D BY HON. GERALD A. WILLIAMS E S U n October 26, 1881, Wyatt, In 1856, he was elected a county judge. On January 3, 1880, Wells Spicer was Morgan and Virgil Earp and Doc Holliday He continued to seek both fame and for - published in the Arizona Daily Star for one met Ike Clanton, Billy Clanton, Frank tune and ended up heading west to Utah. of the first times. 10 On February 29, 1880, his McLaury and Tom McLaury on Fremont While there, he was appointed a U.S. column described Tombstone as “a popula - Street in Tombstone, Arizona. After 30 sec - Commissioner, a position somewhat similar tion of 1,500 people, with two dance houses, onds of gunfire, in an area as small as most to a modern federal magistrate judge. 4 He a dozen gambling places, over twenty saloons modern family rooms, three men were also specialized in mining law. 5 and more than 500 gamblers. Still there is killed and three were wounded. Wyatt Earp On September 7, 1857 (and while Spicer hope; for I know of two Bibles in town, and I was the only person not shot.