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2013-2014 Program Guide.Pub
Community Performance & Art Center Foundation BOARD OF DIRECTORS Chairman Harry Paxton Vice Chair Eloise Fredrickson Secretary Marie Cory Mary Lou Catania Richard Ducote Mike Finkelstein Eugene Friesen Nancy Karsh David Urbaniak Susan Voorhees Mary Wehmeyer STAFF Executive Director Chris Ashcraft Director of Development Al Saterbak Office Manager Amanda Urbaniak Facilities Supervisor George Cantu Sound & Lighting Technicians Phil Wenstrand Mark Marlatt Welcome to CPAC Welcome to the 2013-2014 season at CPAC! This year will feature more than 75 performances including some of the region’s most tal- ented performers such as Arizona’s Official State Balladeer Dolan Ellis, the Larry Redhouse Trio and critically acclaimed western singer Bill Ganz. CPAC will welcome international touring ragtime pianist, Mimi Blais, from Montreal, Canada and the Tucson Arizona Boys Chorus who have performed in dozens of countries throughout the world. CPAC also welcomes back many audience favorites in- cluding magician Rodney Housley, Jack Lasseter, Forever Young, Arthur Migliazza, Lisa Otey, a Tribute to Simon and Garfunkel and much more! Shoestring Theater Company will feature four produc- tions this season including a summer show entitled “Charlie and the Chocolate Factory.” I hope to see you at many of our performances, art shows, classes and events over the coming year. Once again, thank you for your ongoing support of the Community Performance and Art Center. None of this would be possible without your sup- port. Christopher Ashcraft Executive Director Support CPAC Today! Membership and individual donations help fund CPAC’s wide array of diverse arts programs for our community. The arts entertain and educate audiences, bring people of all ages and backgrounds to- gether, promote economic vitality and enrich quality of life. -
“Willie Or Billy” Claiborne, A.K.A
OLD WEST STORUES William Floyd “Willie or Billy” Claiborne, a.k.a. “The Kid” Or was his name Calyborne? Clayborn? Or was it Claborn? Or did Billy even know. There are copies of his signature in at least two of these versions. All his trial documents list him as Clayborne. Viola Slaughter, wife of the noted Arizona lawman John Horton Slaughter, knew him well and spelled it as Claibourne. Well, we do know for sure that he was born in Mississippi. Or was it Louisiana? But more than likely it was in Alabama. The 1870 census shows records that would fit all three states. The record for Mississippi spells the name as Claborn, but the census takers were not the best for spelling. But this one seems to best fit the bill for Billy (Photo at right) and it shows that he was born in Alabama. He stated in court that he was born on October 21, 1860, and was from Mississippi. So we accept the date and the fact that he probably meant that he was raised in Mississippi. He migrated to the Devil’s River area of west Texas where some accounts say he killed two men. He became a cowboy and went to work for John Horton Slaughter. He was part of a crew that drove a Slaughter herd of cattle from Texas to Arizona and stayed. On October 1, 1881, in Charleston, Arizona Territory (now a ghost town), he shot and killed a blacksmith named James Hickey at Harry Queen’s Saloon. Exactly why he did it is not known. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
Benson Safeway Plaza Evacuated for Bomb Scare
VOLUME 015 ISSUE 51 A WEEKLY NEWSPAPER SERVING TOMBSTONE AND THE REST OF COCHISE COUNTY WITH HONEST AND ACCURATE REPORTING Friday, August 7, 2020 60 CENTS WELCOME TO THE ANNUAL DOC HOLLI-DAYS! Doc Holli-Days fore~ This weekend is packed person to meet his fans, in and Greet in Tombstone! How from the OK Corral). Be sure donated to our Tombstone full of Doc themed events in- an effort to promote safety it works: Go to the website to show up about 10 minutes Vigilettes! (501c non-profit, This event weekend is ded- cluding the weekend favorite, of staying home, Billy will www.fullempirepromotions. before your session is sched- charitable organization). icated to celebrating the life DOC HOLLIDAY look-a- be offering an opportunity to com and select the August uled to begin and we will Buck Taylor (Turkey Creek and legend of John Henry like contest which will also connect with him from the 8th Billy Zane Virtual Meet have a private area for your Jack Johnson) will be attend- “DOC” Holliday. Come join include a BIG NOSE KATE comfort of your own home. and Greet. 5 minute sessions 5 minute Virtual Meet and ing this years Annual DOC us this August 7th, 8th and Look-A-Like as well! While we have had to will begin at 11am and book Greet with Billy Zane! You’ll Holli-DAYS. Buck has 118 9th 2020 while we pay tribute We couldn’t be more make adjustments and con- from there depending on or- even get a recording of your movie credits to his name and to everything Doc related! pleased to announce that on tinue to work towards pro- der purchased. -
Ivmbstone 4 — R.V
Tombstone, in Cochise County, is TOMBSTONE IS EASY TO FIND probably the most famous and most 7 — BED & BREAKFASTS \\ ONLY 60 MILES FROM glamorized mining town in America. TUCSON TO TOMBSTONE Prospector Ed Schieffeiin was told he 7 — HOTELS, MOTELS would only find his tombstone in the WILLCOX IVMBSTONE 4 — R.V. PARKS "Apache-infested" San Pedro Valley. BENSON Thus he named his first silver claim 18 — RESTAURANTS "The Town Too Tough Tombstone, and it became the name of 7 — SALOONS the town. On a mesa between the To Die" Dragoon and Huachuca Mountains at 5 — RE-ENACTMENT TOMBSTONE an elevation of 4,540 feet. Tombstone GROUPS-1880 BISBEE incorporated in 1881. GUNFIGHT SHOWS SIERRA VISTA DAILY NOGALES MEXICO DOUGLAS While the area later became notorious for saloons, gambling houses and the 1 — REPERTORY The Trails to Tombstone Earp-Clanton shoot-out, in the 1880's COMPANY Tombstone was larger than Tucson and 2 — STAGE COACH IN JUST AN HOUR FROM had become the most cultivated city in COMPANIES-RIDES TUCSON YOU CAN TRAVEL the West. Massive underground water DAILY in the mines and falling silver prices BACK TO THE 1880'S. ended the boom in 1886. Having sur 10 — MUSEUMS vived the Great Depression and 3 — GOLF COURSES Tombstone Visitor & removal of the County Seat to Bisbee, WITHIN 16 MILES Information Center Tombstone in the 1930's became P.O. Box 280 known as the "Town Too Tough To Die." HIKING, BIKING, Tombstone, Arizona 85638 BIRDING, CAMPING Tel:(520) 457-3929 Visit Our Web Site At: AND GUEST RANCHES wv/w.cityofto m bsto ne.com WITHIN THE AREA Tombstone Chamber of TOMBSTONE Scenic Attractions. -
Jaycees Award Bowling Citations
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Wyatt Earp by Robert Hilliard
Wyatt Earp By Robert Hilliard One of the greatest legends of the American West, Wyatt Berry Stapp Earp was born on March 19, 1848, in Monmouth, Illinois, the third of five sons born to Nicholas and Virginia Ann Earp. The Civil War broke out when Wyatt was 13 years old. Desperate to leave the family farm in Illinois and find adventure, Earp tried several times to join his two older brothers, Virgil and James, in the Union army. But each time, Wyatt was caught before he ever reached the battlefield, and was returned home. At the age of 17 he finally left his family, now living in California, for a new life along the frontier. He worked hauling freight, and then later was hired to grade track for the Union Pacific Railroad. In his downtime he learned to box and became a respectable gambler. In 1869, Earp returned to the fold of his family, who had made a home in Lamar, Missouri. A new, more settled life seemed to await Earp. After his father resigned as constable of the township, Earp replaced him. By 1870 Wyatt married Urilla Sutherland, the daughter of the local hotel owner, built a house in town and was an expecting father. Suddenly, everything changed. Within a year of their marriage Urilla contracted typhus and died, along with her unborn child. Broken and devastated by his wife's death, Wyatt left Lamar, Missouri and set off on a new life devoid of any kind of discipline. In Arkansas, he was arrested for stealing a horse, but managed to avoid punishment by escaping from his jail cell. -
Masculinity, Aging, Illness, and Death in Tombstone and Logan
ORIGINAL SCIENTIFIC PAPER 791-51 DOI:10.5937/ ZRFFP48-18623 DANIJELA L J. P ETKOVIĆ1 UNIVERSITY OF N IŠ FACULTY OF P HILOSOPHY ENGLISH D EPARTMENT (IM)POSSIBLE MARTYRDOM: MASCULINITY, AGING, ILLNESS, AND DEATH IN TOMBSTONE AND LOGAN ABSTRACT. The title of this paper alludes to Hannah Arendt’s famous claim that in Nazi concentration camps martyrdom was made impossible, for the first time in Western history, by the utter anonymity and meaninglessness of inmates’ deaths (Arendt, 2000, p. 133): the paper, in contrast, examines two contem- porary films which, while intersecting normative/heroic masculinity with debilitating illness and death, allow for the possibility of martyrdom. Tomb- stone and Logan , directed by George P. Cosmatos and James Mangold respectively, depict the last days of such pop culture icons of masculinity as John Henry “Doc” Holliday and James Howlett, aka Logan/Wolverine. The films’ thematic focus on the (protracted) ending of life, which is evident not only in the storylines and dialogues but also in the numerous close-ups of emaciated, bleeding, scarred and prostrate male bodies, afflicted with tuberculosis and cancer-like adamantium poisoning, invites, first, a discus- sion of the relationship between the cinematic representations of normative and disabled masculinities. Specifically, since normative masculinity, as opposed to femininity, is synonymous with physical and mental strength, power and domination – including the control of one’s own body – the focus of this discussion is if, and how, the films depict Doc Holliday and Wolverine as feminized by their failing/disobedient bodies, thus contribut- ing to the cultural construction of gender. Secondly, the paper discusses the halo of martyrdom with which the films’ dying men are rewarded as emo- tionally deeply satisfying to the viewer: in Logan and Tombstone , death is not averted but hastened for the sake of friendship, family, and the protec- tion of the vulnerable and the marginalized. -
Chapter Eleven an Angel in Tombstone 1880 – 1881
Baker/Toughnut Angel/11 1 Chapter Eleven An Angel in Tombstone 1880 – 1881 Tombstone, Arizona Territory, 1800s (Courtesy Tombstone Courthouse) Nellie stepped off the stage onto Allen Street’s dusty board sidewalk. She turned to catch her carpetbag when the stage driver lifted it down, but stumbled over the hem of her skirt into the path of a dark-haired man with a full mustache. The stranger grabbed Baker/Toughnut Angel/11 2 her waist. “Whoa. Welcome to Tombstone! Got your balance there, Ma’am?” Nellie pulled her traveling skirt out from under her button-down shoe and noticed the man wore a silver star on his blue shirt. He took her grip from the driver and set it on the sidewalk. “My name’s Virgil Earp.” Next to him two other men attempted not to laugh. Virgil smiled, and indicated the other two with his hand. “May I present my brother, Wyatt, and Doc Holliday?” Earp, not a common name. These must be the Earps who had served as lawmen in Dodge City. She’d read newspaper articles and one of T.J.’s dime novels about Wyatt Earp. Doc Holliday stopped stamping his black boots to remove the dust, bowed at the waist and swept his bowler hat from his head. He smelled of leather and, what was that? Sage? “Indeed, welcome to Tombstone, lovely lady.” He drawled in a bass voice from under another wide black mustache. That made Nellie think of how Papa had always joked that men with mustaches were trying to hide something -- their upper lips. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence. -
Tombstone Arizona Trivia
Tombstone Arizona Trivia HTTP://TOMBSTONETRAVELTIPS.COM/TOMBSTONETRIVIA.HTML Karen McGowan A PRODUCTION OF PICTURE ROCKS NETWORKING LLC | [email protected] ©2017 Picture Rocks Networking LLC / TombstoneTravelTips.com All Rights Reserved Tombstone Arizona Trivia Tombstone Movies • In the Movie Tombstone: William Dafoe had been considered to play Doc Holliday, Richard Gere was considered for Wyatt Earp, & Mickey Rourke was first offered the role of Johnny Ringo – he turned it down • The 1971 movie called Doc stars Stacy Keach as Doc Holliday. The whole Tombstone & O.K. Corral gunfight story takes place from Doc’s viewpoint, with him as the most important and leading character. • The filming locations for the 1993 movie Tombstone were: Old Tucson, Mescal AZ, Babacomari Ranch in Elgin AZ, Patagonia AZ, Empire Ranch in Sonoita AZ, Texas Canyon off Interstate 10, Little Dragoon Mountains, other areas around Elgin AZ, Skeleton Canyon 30 miles NE of Douglas AZ, San Simon Valley in SE AZ, Harshaw AZ, Fort Crittenden near Sonoita & along the San Pedro River. Texas Canyon San Pedro River • Hour of the Gun released in 1967 stars James Garner as Wyatt Earp and Jason Robards as Doc Holliday. Based on the novel Tombstone’s Epitaph by D.D. Martin, it essentially begins with the O.K. Corral shootout. Then moves on to subsequent results between the Earps, and Clanton sympathizing cowboys. • There’s an imitation Boothill cemetery & “Here Lies Lester Moore” tombstone at Knott’s Berry Farm’s “Wild West” theme section in Buena Park, California. Several Tombstone movie intro scenes were shot there & thanks appear in the credits.