HISTORIC DODGE CITY Walking Tour
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
To All the Craft We've Known Before
400,000 Visitors to Mars…and Counting Liftoff! A Fly’s-Eye View “Spacers”Are Doing it for Themselves September/October/November 2003 $4.95 to all the craft we’ve known before... 23rd International Space Development Conference ISDC 2004 “Settling the Space Frontier” Presented by the National Space Society May 27-31, 2004 Oklahoma City, Oklahoma Location: Clarion Meridian Hotel & Convention Center 737 S. Meridian, Oklahoma City, OK 73108 (405) 942-8511 Room rate: $65 + tax, 1-4 people Planned Programming Tracks Include: Spaceport Issues Symposium • Space Education Symposium • “Space 101” Advanced Propulsion & Technology • Space Health & Biology • Commercial Space/Financing Space Space & National Defense • Frontier America & the Space Frontier • Solar System Resources Space Advocacy & Chapter Projects • Space Law and Policy Planned Tours include: Cosmosphere Space Museum, Hutchinson, KS (all day Thursday, May 27), with Max Ary Oklahoma Spaceport, courtesy of Oklahoma Space Industry Development Authority Oklahoma City National Memorial (Murrah Building bombing memorial) Omniplex Museum Complex (includes planetarium, space & science museums) Look for updates on line at www.nss.org or www.nsschapters.org starting in the fall of 2003. detach here ISDC 2004 Advance Registration Form Return this form with your payment to: National Space Society-ISDC 2004, 600 Pennsylvania Ave. S.E., Suite 201, Washington DC 20003 Adults: #______ x $______.___ Seniors/Students: #______ x $______.___ Voluntary contribution to help fund 2004 awards $______.___ Adult rates (one banquet included): $90 by 12/31/03; $125 by 5/1/04; $150 at the door. Seniors(65+)/Students (one banquet included): $80 by 12/31/03; $100 by 5/1/04; $125 at the door. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
THE CLANTONS and MCLAURYS Like Many of Their Contemporaries, the Clantons Were a Missouri Family That Migrated to the West Following the American Civil War
TOMBSTONE PERSONALITIES THE CLANTONS and MCLAURYS Like many of their contemporaries, the Clantons were a Missouri family that migrated to the west following the American Civil War. In the 1870s Newman “Old Man” Clanton and his sons Phineas (Finn), Ike and William (Billy), relocated to Arizona and started a cattle ranch. By 1877 they operated the largest and most successful cattle ranch in the territory. They also were the epicenter of a large, unruly group of semi-organized criminals known to history as The Cowboys. Although not as organized and close knit as western myth has portrayed them, the Cowboys were a force to be reckoned with. The Clanton’s ranch was their unofficial headquarters and at one point or another, many of the Cowboys worked for the family. While the Clantons were primarily occupied with cattle rustling, other members of the gang robbed stagecoaches, banks and stores. The gang committed many of their crimes across the border in Mexico and Mexican authorities registered many official complaints with the United States, usually to no avail. The two most famous members of the Clanton family are Ike and Billy. Both were involved in the Gunfight at the OK corral, the bloody culmination of events that ended the feud between them and the Earps. The tensions between the two factions were a combination of political, economic and philosophical differences. The Clantons saw the Earps as interlopers who were trying to build their political careers at the expense of them and their Cowboy friends. Ike Clanton has been branded by legend as a blowhard and coward and history backs this up. -
Gunsmoke: an Investigation of Conversational Implicature and Guns & Ammo Magazine
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine Kerry Lynn Winn Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric and Composition Commons Recommended Citation Winn, Kerry Lynn, "Gunsmoke: An investigation of conversational implicature and Guns & Ammo magazine" (2002). Theses Digitization Project. 2069. https://scholarworks.lib.csusb.edu/etd-project/2069 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Kerry Lynn Winn March 2002 GUNSMOKE: AN INVESTIGATION OF CONVERSATIONAL IMPLICATURE AND GUNS & AMMO MAGAZINE A Thesis Presented to the Faculty of California State University, San Bernardino by Kerry Lynn Winn March 2002 Approved by: Ph . D . , I Chair, Sunny Hyon English Date Rong Chen, Ph.D. ABSTRACT In the United States, numerous citizens fear that their Second Amendment right to bear arms will be obliterated. One text that discusses this issue is a popular gun enthusiast's magazine. Guns & Ammo. I will analyze this magazine's content through linguistics, particularly Grice's implicature. As a result I hope it will give me a better viewpoint of the gun community's perspective regarding firearms. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
Miriam Colón-Valle Doctor of Humane Letters As a Lifetime Advocate For
Miriam Colón-Valle Doctor of Humane Letters As a lifetime advocate for equitable access to the arts, the founder of the Puerto Rican Traveling Theater, and a trailblazing stage, film, and television actress, you, Miriam Colón-Valle, are a true Latina icon. Born and raised in Ponce, Puerto Rico, you started in the theater at the age of 12, and in just three short years, you landed your first feature film role, as Lolita in Los peloteros, or The Ball Players. The movie was a production of the civic-minded DIVEDCO, the Division of Community Education of Puerto Rico, a program that sought to stimulate artistic production. At the urging of your teachers and mentors, you moved to New York City to further your training and gained admission to the Actors Studio after a single audition before famed actor-directors Elia Kazan and Lee Strasberg. Your stage credits include performances on Broadway and at Minneapolis’s Guthrie Theater and Los Angeles’s Mark Taper Forum. Your long list of Hollywood credits includes the television series Bonanza, Gunsmoke, and NYPD Blue, as well as the films One-Eyed Jacks and The Appaloosa, both opposite Marlon Brando. You also played Mama Montana in Brian De Palma’s Scarface, starring Al Pacino, and had memorable roles in John Sayles’s Lone Star and City of Hope, Sydney Pollack’s Sabrina, and Billy Bob Thornton’s All the Pretty Horses. More recently, you were honored with the Imagen Award for your title role in 2013’s Bless Me, Última, Carl Franklin’s adaptation of the classic Chicano novel by Rudolfo Anaya. -
Steven Spielberg's Early Career As a Television Director at Universal Studios
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Surugadai University Academic Information Repository Steven Spielberg's Early Career as a Television Director at Universal Studios 著者名(英) Tomohiro Shimahara journal or 駿河台大学論叢 publication title number 51 page range 47-61 year 2016-01 URL http://doi.org/10.15004/00001463 Steven Spielberg’s Early Career as a Television Director at Universal Studios SHIMAHARA Tomohiro Introduction Steven Spielberg (1946-) is one of the greatest movie directors and producers in the history of motion picture. In his four-decade career, Spielberg has been admired for making blockbusters such as Jaws (1975), Close Encounters of the Third Kind (1977), E.T.: the Extra-Terrestrial (1982), Indiana Jones series (1981, 1984, 1989, 2008), Schindler’s List (1993), Jurassic Park series (1993, 1997, 2001, 2015), Saving Private Ryan (1998), Lincoln (2012) and many other smash hits. Spielberg’s life as a filmmaker has been so brilliant that it looks like no one believes that there was any moment he spent at the bottom of the ladder in the movie industry. Much to the surprise of the skeptics, Spielberg was once just another director at Universal Television for the first couple years after launching himself into the cinema making world. Learning how to make good movies by trial and error, Spielberg made a breakthrough with his second feature-length telefilm Duel (1971) at the age of 25 and advanced into the big screen, where he would direct and produce more than 100 movies, including many great hits and some commercial or critical failures, in the next 40-something years. -
Parade ALSO INSIDE L WELCOME to DARLINGTON L TANYA TUCKER & GRAND FUNK RAILROAD L the LADY in BLACK L THINGS to DO
www.newsandpres.net WEDNESDAY, SEPTEMBER 2, 2015 Return of the Southern 500 Parade ALSO INSIDE l WELCOME TO DARLINGTON l TANYA TUCKER & GRAND FUNK RAILROAD l THE LADY IN BLACK l THINGS TO DO CLASSIC DRIVERS A special publication of The News & Press , Darlington, S.C. SOUTHERN 500 B`oodibtjp]\^fjiom\^fÊ a\no) Ij<kkjdioh`ioI``_`_Ê Jk`i2?\tn\R``f ) McLeod Urgent Care Centers WEDNESDAY, SEPTEMBER 2, 2015 2 NEWS AND PRESS DARLINGTON, S.C. SOUTHERN 500 It is no secret that Darlington Raceway Wholds a speecial pllacec in theo heart mof every e to the City of Darlington! NASCAR fan and we are delighted to wel - come you to the 66th running of the Southern 500. During my 12 years as Mayor of the City of Darlington we have seen many changes at Darlington Raceway, but one thing has not changed. Southern hospitality and the Southern 500 go hand-in-hand. Please take time to enjoy the beauty of the City of Darlington and Darlington County during Labor Day weekend. My hat is off to Darlington Raceway pres - ident Chip Wile and the job he and his staff has done in bringing the Southern 500 back to Labor Day weekend. We welcome you the race fan into our hearts and homes during this special time of year. Enjoy the Southern 500 and please drive carefully on the way home as we want you to return next year. Anthony Watkins Mayor City of Darlington, SC Car Museum, 1301 Harry 1765 Harry Byrd Hwy. For The News & Press Byrd Highway; Scarlett’s barbecue, there’s Nick’s Serving Darlington County since 1874 Antiques, 500 E. -
Ivmbstone 4 — R.V
Tombstone, in Cochise County, is TOMBSTONE IS EASY TO FIND probably the most famous and most 7 — BED & BREAKFASTS \\ ONLY 60 MILES FROM glamorized mining town in America. TUCSON TO TOMBSTONE Prospector Ed Schieffeiin was told he 7 — HOTELS, MOTELS would only find his tombstone in the WILLCOX IVMBSTONE 4 — R.V. PARKS "Apache-infested" San Pedro Valley. BENSON Thus he named his first silver claim 18 — RESTAURANTS "The Town Too Tough Tombstone, and it became the name of 7 — SALOONS the town. On a mesa between the To Die" Dragoon and Huachuca Mountains at 5 — RE-ENACTMENT TOMBSTONE an elevation of 4,540 feet. Tombstone GROUPS-1880 BISBEE incorporated in 1881. GUNFIGHT SHOWS SIERRA VISTA DAILY NOGALES MEXICO DOUGLAS While the area later became notorious for saloons, gambling houses and the 1 — REPERTORY The Trails to Tombstone Earp-Clanton shoot-out, in the 1880's COMPANY Tombstone was larger than Tucson and 2 — STAGE COACH IN JUST AN HOUR FROM had become the most cultivated city in COMPANIES-RIDES TUCSON YOU CAN TRAVEL the West. Massive underground water DAILY in the mines and falling silver prices BACK TO THE 1880'S. ended the boom in 1886. Having sur 10 — MUSEUMS vived the Great Depression and 3 — GOLF COURSES Tombstone Visitor & removal of the County Seat to Bisbee, WITHIN 16 MILES Information Center Tombstone in the 1930's became P.O. Box 280 known as the "Town Too Tough To Die." HIKING, BIKING, Tombstone, Arizona 85638 BIRDING, CAMPING Tel:(520) 457-3929 Visit Our Web Site At: AND GUEST RANCHES wv/w.cityofto m bsto ne.com WITHIN THE AREA Tombstone Chamber of TOMBSTONE Scenic Attractions. -
Masculinity, Aging, Illness, and Death in Tombstone and Logan
ORIGINAL SCIENTIFIC PAPER 791-51 DOI:10.5937/ ZRFFP48-18623 DANIJELA L J. P ETKOVIĆ1 UNIVERSITY OF N IŠ FACULTY OF P HILOSOPHY ENGLISH D EPARTMENT (IM)POSSIBLE MARTYRDOM: MASCULINITY, AGING, ILLNESS, AND DEATH IN TOMBSTONE AND LOGAN ABSTRACT. The title of this paper alludes to Hannah Arendt’s famous claim that in Nazi concentration camps martyrdom was made impossible, for the first time in Western history, by the utter anonymity and meaninglessness of inmates’ deaths (Arendt, 2000, p. 133): the paper, in contrast, examines two contem- porary films which, while intersecting normative/heroic masculinity with debilitating illness and death, allow for the possibility of martyrdom. Tomb- stone and Logan , directed by George P. Cosmatos and James Mangold respectively, depict the last days of such pop culture icons of masculinity as John Henry “Doc” Holliday and James Howlett, aka Logan/Wolverine. The films’ thematic focus on the (protracted) ending of life, which is evident not only in the storylines and dialogues but also in the numerous close-ups of emaciated, bleeding, scarred and prostrate male bodies, afflicted with tuberculosis and cancer-like adamantium poisoning, invites, first, a discus- sion of the relationship between the cinematic representations of normative and disabled masculinities. Specifically, since normative masculinity, as opposed to femininity, is synonymous with physical and mental strength, power and domination – including the control of one’s own body – the focus of this discussion is if, and how, the films depict Doc Holliday and Wolverine as feminized by their failing/disobedient bodies, thus contribut- ing to the cultural construction of gender. Secondly, the paper discusses the halo of martyrdom with which the films’ dying men are rewarded as emo- tionally deeply satisfying to the viewer: in Logan and Tombstone , death is not averted but hastened for the sake of friendship, family, and the protec- tion of the vulnerable and the marginalized. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.