Marshall Noice – Selected Exhibits

Total Page:16

File Type:pdf, Size:1020Kb

Marshall Noice – Selected Exhibits Marshall Noice – Selected Exhibits 2015 Hockaday Museum of Art, Kalispell, MT, one man show Waxlander Gallery, Santa Fe, NM, one man show Anne Loucks Gallery, Glencoe, IL, two man show Lanning Gallery, Sedona, AZ, one man show National Cowboy and Western Heritage Museum, group invitational show 2014 Booth Western Art Museum, Cartersville, GA, Western American Art South of The Sweet Tea Line IV, invitational group show Gilcrease Museum, Tulsa, OK, Collector’s Reserve, invitational group show CODA Gallery, Palm Desert, CA, Exploring The Landscape of Color invitational group show 2013 Lustre Gallery, Telluride , CO, one man show Wells Gallery, Kiawah, SC, invitational group show M.A. Doran Gallery, Tulsa, OK, one man show National Cowboy and Western Heritage Museum, group invitational show Waxlander Gallery, Santa Fe, NM, one man show 2012 Waxlander Gallery, Santa Fe, NM, one man show Lustre Gallery, Telluride, CO, one man show Merritt Gallery, Chevy Chase, MD, invitational group show Bill Hester Fine Art, Chapel Hill, NC, one man show 2011 Altamira Fine Art, Jackson, WY, one man show Gilcrease Museum, Tulsa, OK Collector’s Reserve, invitational show The Art of Conservation, Jackson, WY, invitational show Terzian Galleries, Park City, UT, one man show National Cowboy and Western Heritage Museum, Small Works Great Wonders Oklahoma City, OK, invitational show Anne Loucks Gallery, Glencoe, IL, one man show 2010 Collector’s Reserve, Gilcrease Museum, Tulsa OK invitational show Waxlander Gallery, Santa Fe, NM, one man show 2009 Art Feast, Santa Fe , NM, featured artist Waxlander Gallery, Santa Fe, NM, one man show American Art in Miniature, Gilcrease Museum, Tulsa, OK invitational show 2008 Western American Art South of the Sweet Tea Line II, Booth Western Art Museum,Cartersville, GA, group invitational show Sun Valley Contemporary, Ketchum, ID, one man show Waxlander Gallery, Santa Fe, NM, one man show Center Street Gallery, Jackson, WY, one man show M.A. Doran Gallery, Tulsa OK, one man show 2007 American Art in Miniature 2007, Gilcrease Museum, Tulsa, OK, invitational show Waxlander Gallery, Santa Fe, NM, one man show Center Street Gallery, Jackson, WY, one man show Anne Loucks Gallery, Glencoe, IL, one man show 2006 American Art in Miniature 2006, Gilcrease Museum, Tulsa, OK, invitational show Waxlander Gallery, Santa Fe, NM, one man show Center Street Gallery, Jackson, WY, one man show M.A. Doran Gallery, Tulsa, OK, one man show Coda Gallery, Park City Utah, one man show Artifacts Gallery, Bozeman, MT, one man show Hockaday Museum of Art, Kalispell, MT, one man show 2005 Montana Masters, The Nature Conservancy, invitational show Waxlander Gallery, Santa Fe, NM, one man show Center Street Gallery, Jackson, WY, one man show Artifacts Gallery, Bozeman, MT, one man show The Colorist Landscape, Loucks Gallery, Glencoe, IL, invitational show The Contemporary Landscape, M.A. Doran Gallery, Tulsa, OK, invitational show 2004 Hockaday Art Museum, Kalispell, MT, Montana Moderns, invitational show Coda Gallery, Park City, UT, one man show M.A. Doran Gallery, Tulsa, OK, one man show Waxlander Gallery, Santa Fe, NM, one man show Center Street Gallery, Jackson, WY, one man show 2003 Julesplace, Boston, MA, group show Anne Loucks Gallery, Glencoe, IL, two man show Waxlander Gallery, Santa Fe, NM, one man show Center Street Gallery, Jackson, WY, one man show Artifacts Gallery, Bozeman, MT, one man show Hockaday Museum of Art, Kalispell, MT, group invitational show Yellowstone Museum of Art, Billings, MT, group invitational show 2002 M.A. Doran Gallery, Tulsa, OK, one man show Waxlander Gallery, Santa Fe, NM, one man show Center Street gallery, Jackson, WY, one man show Hockaday Museum of Art, Kalispell, MT, group invitational show Ann Loucks Gallery, Glencoe, IL, group show 2001 Waxlander Gallery, Santa Fe, NM, one man show Lucas Gallery, Telluride, CO, one man show Coda Gallery, Park City, UT, one man show Artifacts Gallery, Bozeman, MT, one man show New Mexico Pastel Society, Albuquerque, NM, 10th Annual National Juried Show Center Street Gallery, Jackson, WY, “New Landscapes” group show Evergreen Fine Art, Evergreen, CO, group show M.A. Doran Gallery, Tulsa, OK, National Invitational “Landscape” Yellowstone Art Museum, Billings, MT, group invitational show Holter Museum of Art, Helena, MT, group invitational show 2000 Center Street Gallery, Jackson, WY, one man show M.A. Doran Gallery, Tulsa, OK, one man show Waxlander Gallery, Santa Fe, NM, one man show Danforth Gallery, Livingston, MT, one man show Artifacts Gallery, Bozeman, MT, one man show Coda Gallery, Palm Desert, CA, group show Best In The West, The Canyons Resort, Park City UT, group show 1999 Waxlander Gallery, Santa Fe, NM, one man show Artifacts Gallery, Bozeman, MT, one man show Lucas Gallery, Telluride, CO, group show M.A. Doran Gallery, Tulsa, OK, national invitational landscape show Lawrence Gallery, Sheridan, OR, group show 1998 Clymer Museum, Ellensburg, WA, one man show Seattle Community College Art Gallery, Seattle, WA, one man show Montana Connections, Los Angeles, CA, one man show Dana Gallery, Missoula, MT, one man show Muset for PhotoKunst, Odense, Denmark, group show Waxlander Gallery, Santa Fe, NM, group show Center Street Gallery, Jackson Hole, WY, group show “Montana Showcase” Holter Museum of Art - Helena, MT, group show 1997 Houston Museum of Natural Science, Houston, TX, one man show Waxlander - Khadoure Fine Art, Santa Fe, NM, one man show Broadway Elementary School, Spokane, WA, one man show Waxlander - Khadoure - Fine Art, Santa Fe, NM, group show M.A. Doran Gallery, Tulsa, OK, group show Photo Americas Invitational, Tulsa, OK, group show 1996 National Museum of Wildlife Art, Jackson, WY, one man show Idaho State University, Pocatello, ID, one man show The Photographic Image Gallery, Portland, OR, one man show Turquoise Tortoise Gallery, Sedona, AZ, group show Holter Museum of Art Invitational, Helena, MT, group show John Cleary Gallery, Houston, TX, group show “American Masters in Their Environment”, University of Wisconsin, one man show 1995 The International Photography Hall of Fame Musuem, Oklahoma City, OK, one man show Afterimage Gallery, Dallas TX, one man show Taylor / Godschalx Gallery, St. Norbert College, DePere, WI, one man show 1994 The Bigfork Arts and Cultural Center, Bigfork, MT, one man show St. Mary Interpretive Center, Glacier National Park, one man show Silver Light Gallery, Carmel, CA, group show 1993 Montana’s Cultural Trust Exhibit, Governor’s Mansion, Helena, MT, one man show The Art Museum of Missoula, MT, one man show Western Montana College Fine Arts Gallery, Dillon, MT, one man show 1992 Hockaday Center for the Arts, Kalispell, MT, one man show 1991 23rd Annual Invitational, Yellowstone Art Center, Billings, MT, group show 1990 “Post Westerns,” Yellowstone Art Center, Billings, MT, invitational three man show “Poetry: An Image in Mind,” Beale Park Art Center, Bozeman, MT, group show Gallery 237, Kalispell, MT, group show 1989 Sweet Pea Festival Invitational, Bozeman, MT, group show 1988 Mariani Gallery, University of Northern Colorado, Greeley, CO, one man show Missoula Museum of the Arts Invitational, Missoula, MT, group show Hockaday Center for the Arts Invitational, Kalispell, MT, group show “Art / Document,” The Holter Museum of Art, Helena, MT, group show 1987 Studio 8 Gallery, Kalispell, MT, one man show “The Montana Landscape,” Western Montana College Art Gallery, Dillon, MT, group show Northcutt Gallery, Eastern Montana College, Billings, MT, group show Copper Village Arts Center, Anaconda, MT, group show Custer County Art Center, Miles City, MT, group show 1986 Montana Trade Commission Cultural Exchange Exhibit, Tokyo, Japan, one man show Studio 8 Gallery, Kalispell, MT, group show 1985 “At The Edge” Bigfork Center for the Arts, Bigfork, MT, group show University of Montana Haynes Art Gallery, Bozeman, MT, group show 1984 “New Landscapes” Bozeman Art Gallery, Bozeman, MT, one man show Photokina, Cologne, Germany, one man show 1983 “Portraits of Artists” Missoula Museum of The Arts, Missoula, MT, one man show Lewistown Art Center, Lewistown, MT, one man show Hockaday Center for the Arts, Kalispell, MT, one man show Butte Arts Chateau, Butte, MT, one man show Haynes Art Gallery, Montana State University, Bozeman, MT, group show 1982 “Northern Rockies Annual,” Art West Gallery, Sheridan, WY, invitational group show 1981 Mind’s Eye Gallery, Idaho State University, Pocatello, ID, one man show Seastar Gallery, Bigfork, MT, one man show 1980 Artifacts Gallery, Bozeman, MT, one man show Bebe Kezar Gallery, Whitefish, MT, one man show 1976 Banff Centre, Banff, Alberta, Canada, group show Awards and Honors 2014 Art of The National Parks, Historic Connections, Contemporary Interpretations, Art Book of the Year, National Association of Independent Book Sellers 2012 National Endowment for the Arts, Grant 2012 Montana Arts Council, Grant 2012 Santa Fe Art Feast, Honored Artist 2001 Pastel Society of America Award, Pastel Society of New Mexico National Show 2000 Jackson Hole Fall Arts Festival, honored artist 1999 Flathead Valley Cultural Achievement Award, “Art for Public Viewing” for Kalispell Art on The Streets sculpture project 1996 Flathead Valley Cultural Achievemant Award, “Architectural Achievement” for renovation and preservation of an historic Main Street building 1995 “American Masters in Their Environment” biennial travelling exhibition University of Wisconsin 1995 Gold Award, Printing Craftsmen of Canada for book, Glacier:
Recommended publications
  • 4312-52 DEPARTMENT of the INTERIOR National Park Service
    This document is scheduled to be published in the Federal Register on 04/22/2021 and available online at federalregister.gov/d/2021-08401, and on govinfo.gov 4312-52 DEPARTMENT OF THE INTERIOR National Park Service [NPS-WASO-NAGPRA-NPS0031764; PPWOCRADN0-PCU00RP14.R50000] Notice of Intent to Repatriate Cultural Items: Gilcrease Museum, Tulsa, OK AGENCY: National Park Service, Interior. ACTION: Notice. SUMMARY: The Gilcrease Museum, in consultation with the appropriate Indian Tribes or Native Hawaiian organizations, has determined that the cultural items listed in this notice meet the definitions of sacred objects and objects of cultural patrimony. Lineal descendants or representatives of any Indian Tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request to the Gilcrease Museum. If no additional claimants come forward, transfer of control of the cultural items to the lineal descendants, Indian Tribes, or Native Hawaiian organizations stated in this notice may proceed. DATES: Lineal descendants or representatives of any Indian Tribe or Native Hawaiian organization not identified in this notice that wish to claim these cultural items should submit a written request with information in support of the claim to the Gilcrease Museum at the address in this notice by [INSERT DATE 30 DAYS AFTER PUBLICATION IN THE FEDERAL REGISTER]. ADDRESSES: Laura Bryant, Gilcrease Museum, 1400 N. Gilcrease Museum Road, Tulsa, OK 74127, telephone (918) 596-2747, email [email protected]. SUPPLEMENTARY INFORMATION: Notice is here given in accordance with the Native American Graves Protection and Repatriation Act (NAGPRA), 25 U.S.C.
    [Show full text]
  • Interpretive Master Plan and Feasibility Study January 22, 2019 OVERVIEW OVERVIEW
    GILCREASE MUSEUM Interpretive Master Plan and Feasibility Study January 22, 2019 OVERVIEW The following Core Idea Framework will guide the development of the Gilcrease Museum visitor experience. Each primary core idea has 3 "sub-ideas". Our Changing America is included as part of each primary core idea. This serves to keep the core ideas fresh and relevant, and emphasizes that America is a young, ever-evolving country, with myriad opportunities for inquiry, involvement, and engagement. Thomas Gilcrease Institute of American History & Art | Interpretive Master Plan | Gallagher & Associates A concise number of core concepts allows visitors to CORE IDEAS, quickly grasp complex ideas THEMES, & VISITOR EXPERIENCE Thomas Gilcrease Institute of American History & Art | Interpretive Master Plan | Gallagher & Associates CORE IDEA I THIS AMERICAN LANDSCAPE The American Landscape, and our beautiful, complicated, fragile, awestruck relationship in and with this vast place. Thomas Gilcrease Institute of American History & Art | Interpretive Master Plan | Gallagher & Associates CORE IDEA I THIS AMERICAN LANDSCAPE Juxtapositions of disparate artifacts/art create dialogues that reinforce the meaning of each object. Primary Message How do we experience the American landscape and think about our place within it? It is a natural environment of rich resources and materials to discover, a place that ignites the creativity and passion of artists and innovators, and a landscape that encourages independence and self-expression. Secondary Messages What is the
    [Show full text]
  • December 2006
    Midwest Art History Society NEWSLETTERNumber 33 Fall 2006 MAHS Conference 2007, Indianapolis, Indiana, March 28-31, 2007 The Midwest Art History Society’s Following afternoon sessions at the “Ed Paschke Nonplussed: 1967- 34th annual meeting will be held Eiteljorg Museum, the conference 2004” will be on view at the March 28-31, 2007 in Indianapolis. will culminate in an exciting keynote Herron Galleries. Additional art The primary hosting institution is the event on Friday evening: a perfor- spaces around the city include Herron School of Art and Design at mance by renowned Native American the Indianapolis Museum of Indiana University-Purdue University performance artist James Luna. The Contemporary art (iMOCA), the at Indianapolis. Co-hosts for the Friday events are supported by a grant gallery districts on Massachusetts meeting are the Indianapolis Museum through the Indiana University “New Avenue and in Fountain Square, of Art and the Eiteljorg Museum of Frontiers in the Arts and Humanities” and the Indianapolis Arts Center. American Indians and Western Art. program. Registration forms and travel and All three institutions feature new facil- Indianapolis offers many attrac- lodging information are available ities built within the past two years, tions for visitors interested in the arts. in the back pages of this newsletter with expanded gallery spaces at each. Special exhibitions on view during the and online at the MAHS website. In addition to a full range of topical conference include “Maria Magdelena Proposals for papers are due by session held at the three hosting sites, Campos-Pons: Everything is December 15 to the session chairs.
    [Show full text]
  • Press — Matthew Higginbotham
    Press — Matthew Higginbotham MATTHEW HIGGINBOTHAM Menu Selected Exhibitions 2012 Land As Spirit, Solo Show, Waxlander Gallery, Santa Fe, NM, August 28-September 10 2012 Nature Works, group show , Renaissance Hotel, Tulsa, OK, March 2-4 2011 Collector's Reserve, Gilcrease Museum, Tulsa OK, November 3-6, 2011,Artist Reception, November 3 2011 Ode to Land and Sky, Solo Show, Waxlander Gallery, Santa Fe, NM, August 30-September 12 2010 Collectors Reserve, GILCREASE MUSEUM, Tulsa, Oklahoma 2010 Abundance (solo), WAXALNDER GALLERY, Santa Fe, New Mexico 2010 Nature Works (group), Renaissance Hotel, Tulsa, Oklahoma 2009 American Art in Miniature, GILCREASE MUSEUM, Tulsa, Oklahoma 2009 Resonance (solo), WAXLANDER GALLERY, Santa Fe, New Mexico 2009 Nature Works (group), Renaissance Hotel, Tulsa, Oklahoma 2008 American Art in Miniature (group), GILCREASE MUSEUM, Tulsa, Oklahoma 2008 Living Lands (solo), WAXALNDER GALLERY, Santa Fe, New Mexico 2007 Holiday Show (group), WAXLANDER GALLERY, Santa Fe, New Mexico 2007 Infinite Grace (solo), WAXLANDER GALLERY, Santa Fe, New Mexico 2006 Holiday Show (group), WAXLANDER GALLERY, Santa Fe, New Mexico 2006 Harmony (two person show), WAXLANDER GALLERY, Santa Fe, New Mexico 2006 Of Flowers, Field, and Sky (solo), LYNNE FINE ART, Scottsdale, Arizona 2005 Sacred Shrine (group), OWINGS DEWEY FINE ART, Santa Fe, New Mexico 2005 Grand Opening (group), LENNON FINE ART, Santa Fe, New Mexico 2004 Landscapes (group), WIFORD & VOGT FINE ART, Santa Fe, New Mexico 2003 Holiday Treasures (invitational), OWINGS DEWEY FINE
    [Show full text]
  • Collectors' Reserve
    MEMBERS NEWSLETTER Volume 21, Number 5 September/October 2013 Collectors’ Reserve Art Exhibition and Sale 1 DIRECTor’s reporT Preserving Archival Treasures for Future Generations With the opening of the Helmerich artificial light. It was not until much MEMBERS NEWSLETTER Center for American Research less later that the damaging effects to paper Volume 21, Number 5 September/October 2013 than a year away, the expectation is of prolonged exposure to light were that Gilcrease’s Library and Archival generally understood. collections will receive much more Paper that is made from wood is In this Issue attention than anytime previously. By all organic and, therefore, perishable. It can assessments, the archival records and rare be adversely affected by fluctuations in books are the most under-appreciated, temperature, humidity, and light. Light is and least well-known and researched especially damaging to paper, especially components of the museum’s collections. that which has high proportions of Many of the 100,000 rare books ultra violet rays, e.g., fluorescent and and manuscripts entrusted to Gilcrease daylight. The effects of light exposure are Museum are unique with only one known cumulative and irreversible. Prolonged copy in existence. It is a tremendous exposure can cause inks to fade and responsibility for the museum that is can contribute to chemical degradation committed to making its collections of paper. Valuable documents should accessible to the public and, at the never be displayed under normal lighting Dr. Duane H. King Thomas Moran, Tower Falls and Sulphur Mountain J.O. Lewis, Aboriginal Port-Folio, Hand Colored Stone Charles M.
    [Show full text]
  • J. CHRIS MOREL Artist/Painter Recent Shows/Events/Awards 2021
    J. CHRIS MOREL Artist/Painter Recent Shows/Events/Awards 2021 (upcoming) Small Works Great Wonders Exhibit…National Cowboy Museum OKC 11/2021 2021 Oil Painters of America Salon Show, Quinlan Visual Arts Center, Gainsville GA, 2021 Oil Painters of America Spring Showcase Award Winner 2021 Accepted Signature Membership in the national “Plein Air Painters of America” group. 2021 “Oil Painters of America” National Exhibit California Center of the Arts, Escondido CA. 2021 “Live with Eric Rhoads” 1/4/2021 Facebook Youtube live interview and painting demo 2021 “Plein Air Today-Outdoor Painter article about painting New England, January 2021 2020 Awarded First Place, New Mexico Plein Air Painters 2020 “Fall Color Passages Contest” 2020 National Cowboy Museum OKC, OK “Small Works Great Wonders Show” 2019 “Nedra Matteucci Gallery” One Man Show June 2019 2018 Oil Painters of America National Exhibit 2018 “Joined Wildhorse Gallery Steamboat CO” 2017 Oil Painters of America Regional Exhibit 2008-2020 National Cowboy Museum OKC, OK “Small Works Great Wonders Show” 2016 “Nedra Matteucci Gallery” Two Person Show with sculptor Dan Ostermiller June 2016 2016 New Mexico Magazine annual Art Calendar, NM Dept of Tourism 2014 “Nedra Matteucci Gallery” One Man Show June 2014 2011 “Founders Award” “Maynard Dixon Country Show 2007 “Best of Show, Golden Thunderbird Award” Maynard Dixon Country Show 2006 “Taos Fall Arts Festival” Featured artist Publications and articles: Southwest Art, Western Art and Architecture, Western Art Collector, Art and Antiques. International Artist, Taos Magazine, North Light Publications Art Instruction Books, Art Journey New Mexico coffee table book. “Fine Art Connoisseur “Santa Fean, New Mexico Magazine” and Taos News Tempo.
    [Show full text]
  • Testo Climate Monitoring Solution at the Gilcrease Museum and the Helmerich Center for American Research
    Testo Reference Gilcrease Museum Tulsa, Oklahoma Testo Climate Monitoring Solution at the Gilcrease Museum and the Helmerich Center for American Research. Gilcrease Museum Gilcrease Museum in Tulsa, Oklahoma specializes in the Thomas Gilcrease had a great affinity for the native American history of the American West with collections of Western culture he experienced as a child. His family moved to live on and Native American art. The museum has a collection of the Creek Nation’s tribal land, and in 1899, as a 9-year-old, he over 350,000 pieces including in excess of 12,000 paintings, was enrolled on the Creek Nation tribal rolls. Thomas Gilcrease drawings and prints plus more than 250,000 archeological gained a great wealth later in life when he discovered oil on his objects. Many art objects are made of organic materials: allotment. He never forgot his childhood and became an avid a Native Chief’s headdress, textiles or Western prints/ collector of Native American artifacts and cultural objects. drawings are very fragile and require a reliable system of His passion was extended to Western art and historical artifacts environmental monitoring to provide a continuous flow of related to the settlement of the West. Thomas Gilcrease started data for further analysis in a specialized software. Testo with storage buildings for his art collections at the present Saveris 2 WiFi temperature and humidity loggers are used museum site and in 1955 transferred his collections to the throughout the Museum and the Helmerich Center for City of Tulsa. Gilcrease Museum is managed by The University American Research to provide environmental records.
    [Show full text]
  • Bio for Gallery
    Biographical Information Current Shows and Exhibitions Best of the Best - Woolaroc Museum, Bartlesville, Oklahoma 2017 Hewn from Nature - Spiva Art Center, Joplin, MO 2017 Masters of the American West Fine Art Exhibition - Autry National Center, Los Angeles, California 2007 - 2017 Featured Sculptor 2009 American Masters at The Salmagundi Club - New York, New York 2008, 2016 Prix de West Invitational - National Cowboy and Western Heritage Museum, Oklahoma City, Oklahoma 1997 - 2017 James Earle Fraser Sculpture Award - “Snake in the Grass” 2001 One Man Show - McLarry Fine Art Gallery, Santa Fe, New Mexico 2005, 2007, 2009, 2013, 2015, 2016 Quest for the West - Eiteljorg Museum, Indianapolis, Indiana 2007 - 2017 Western Visions Miniature Show - National Museum of Wildlife Art, Jackson, Wyoming 1998, 2000 - 2013, 2015 - 2017 Featured Sculptor 2008 River Market Sculpture Show - Little Rock, Arkansas 2007 - 2017 Best of Show, - 2nd Annual Exhibition “Sentry Duck” 2008 Birds in Art - Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin 1995,1996, 1998 - 2002, 2004, 2008 - 2009, 2016 Traveling Museum Exhibit 1995,1998,1999 - 2001, 2014 National Sculpture Society Annual Exhibition:- New York, New York 1994 - 1996, 1999 - 2016 NSS Fellows Exhibition 2007 - 2011, 2016 NSS Blessing of Animals - St John the Devine, New York,NY “River Mates” 2017 NSS Margaret Hexter Prize - “Arctic Wrap” 2010 NSS Gold Medal and Maurice B. Hexter Prize - ”Flea Flicker” 2007 C. Percival Dietsch Prize - “Twig Trimmer” 2004 Elliott Gantz and Company Foundry Award - “Salmon
    [Show full text]
  • Symposium Foreword
    Tulsa Law Review Volume 45 Issue 1 Exhibiting Culture: Museums and Indians Fall 2009 Symposium Foreword Judith V. Royster Follow this and additional works at: https://digitalcommons.law.utulsa.edu/tlr Part of the Law Commons Recommended Citation Judith V. Royster, Symposium Foreword, 45 Tulsa L. Rev. 1 (2013). Available at: https://digitalcommons.law.utulsa.edu/tlr/vol45/iss1/1 This Native American Symposia Articles is brought to you for free and open access by TU Law Digital Commons. It has been accepted for inclusion in Tulsa Law Review by an authorized editor of TU Law Digital Commons. For more information, please contact [email protected]. Royster: Symposium Foreword EXHIBITING CULTURE: MUSEUMS AND INDIANS SYMPOSIUM FOREWORD Judith V. Royster* "Exhibiting Culture: Museums and Indians" was a conference held in May 2009 to celebrate the partnership of the University of Tulsa and the Gilcrease Museum. The conference, sponsored by the Native American Law Center at the College of Law, brought together law professors and anthropologists from academia and the world of museums to explore the issues from multiple perspectives. The Native American Law Center is a centerpiece of the University's commitment to the study of Indian law, history, and cultures. Located within the original boundaries of the Muscogee (Creek) Nation, the University traces its origins to the Presbyterian School for Indian Girls in the Indian Territory. With a long history of focusing on Native American issues, the University supports the College of Law in its Indian law programs. The College of Law was the first law school to offer a specialization in Indian law at the J.D.
    [Show full text]
  • SANDY SCOTT: a RETROSPECTIVE Produced by David J
    SANDY SCOTT: A RETROSPECTIVE Produced by David J. Wagner, L.L.C. David J. Wagner, Ph.D., Curator Sandy Scott received her formal art training at the Kansas City Art Institute and later worked as an animation background artist for the motion picture industry. She turned her attention to etchings and printmaking in the 1970’s and to sculpture in the 1980’s. Born in Dubuque, Iowa in 1943 and raised in Tulsa, Oklahoma, she works today in Lander, Wyoming in a studio near the foundry that casts her bronzes. She also maintains studios on Lake of the Woods, Ontario, Canada, and in the mountains of northern Colorado. Sandy is an avid outdoorswoman who loves to hunt and fish. In Canada her friends Dave and Michelle Beaushane who own Nestor Falls Fly-In Outposts frequently fly her and Trish (her long time friend who manages the business end of things) to remote lakes and portages north of Kenora, Ontario. She has made 16 trips to Alaska and has been to Europe, Russia, China and South America to visit the world’s great museums. She believes that to be a good artist, artists must conduct field work to know their subjects and accurately present their subjects to the viewer. Her work is certainly authentic. She has experienced and lived what she depicts. A lifelong interest in aviation has been invaluable to her work as an artist. A licensed pilot for almost 50 years, Sandy says, “I believe my knowledge of aerodynamics has been helpful in achieving the illusion of movement in my bird sculptures.” Her knowledge of aerodynamics was particularly evident in Mallard Duet, a sold out sculpture that won the Ellen P.
    [Show full text]
  • The Gilcrease Museum Management Trust
    The Gilcrease Museum Management Trust Independent Auditor’s Report and Financial Statements June 30, 2018 and 2017 The Gilcrease Museum Management Trust June 30, 2018 and 2017 Contents Independent Auditor’s Report ......................................................................................................... 1 Financial Statements Statements of Financial Position ........................................................................................................ 3 Statements of Activities ...................................................................................................................... 4 Statements of Cash Flows .................................................................................................................. 5 Notes to Financial Statements ............................................................................................................ 6 Independent Auditor’s Report Board of Trustees The University of Tulsa Tulsa, Oklahoma We have audited the accompanying financial statements of The Gilcrease Museum Management Trust, which comprise the statements of financial position as of June 30, 2018 and 2017, and the related statements of activities and cash flows for the years then ended, and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with accounting principles generally accepted in the United States of America; this
    [Show full text]
  • Enslavement to Emancipation: Toward a More Perfect Union Explores North American Slavery from 1520 to Emancipation Through the Lens of Three Rare Documents
    Enslavement to Emancipation: Toward a More Perfect Union Explores North American Slavery from 1520 to Emancipation Through the Lens of Three Rare Documents On View at Gilcrease Museum June 17 through July 4 Images [left to right]: 1520 letter from Diego Columbus to King Charles V of Spain; Gilcrease Curator of History Mark Dolph and Historian and Attorney Hannibal Johnson; authorized copy of the Emancipation Proclamation. Tulsa, OK, June 10, 2021— Growing out of its commitment to illuminating how historic events continue to impact and influence our lives today, Gilcrease Museum will present Enslavement to Emancipation: Toward a More Perfect Union. The exhibition traces the arc of African slavery in the Western Hemisphere and United States, and its legacy today, by bringing together for the first time three foundational documents from the museum’s archival collection—a letter sent by Christopher Columbus’ son to the King of Spain requesting permission to begin bringing enslaved Africans to the Western Hemisphere; a rare, certified, handwritten copy of the Declaration of Independence; and an authorized copy of the Emancipation Proclamation. The exhibition will be on view Thursday, June 17 through Sunday, July 4, 2021. “Enslavement to Emancipation exemplifies the mission of Gilcrease Museum by bringing together works from our collections that illustrate how long-past events continue to shape the 21st century,” said Susan Neal, Executive Director, Gilcrease Museum. “The three archival documents trace the span of more than 300 years of slavery in the Western Hemisphere, and reflect our belief that the history of America is not confined within the boundaries of the continental United States.
    [Show full text]