Twisted Trails of the Wold West by Matthew Baugh © 2006
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Ross Reports -Television Index
ROSS REPORTS -TELEVISION INDEX JANUARY 7-13, 1957 VOLUME NUMBER 2 PROGRAMS ADVERTISERS TALENT 551 Fifth Avenue New York 17 MUrray Hill 2-5910 EDITOR: Jerry Leichter PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT THIS WEEK -- NETWORK DEBUTS & HIGRT.TGHTS Thursday(Jan 10) POOL- 12:30-1pm EST; SPECIAL - President Eisenhower's State of the Union Message - LIVE fromWRC-TV(Wash), to the NBC net, via pool arrangements to the ABC net. § Public service. § Prod- NBC News(Wash) for the pool. § President Eisenhower's State of the Union message to Congress will be simulcast live from the Chamber of the House of Representatives. Saturday(Jan 12) ABC- 7-7:30pm EST; DEBUT - This Is Galen Drake - LIVE fromWABC-TV(NY), 18 sta- tions live and delayed. § Sponsor- Skippy Peanut Division (Peanut Butter), The Beet Foods, Inc., thru Guild, Bascom & Bonfigli,Inc(San Fran). § Pkgr- William Morris Agency(NY); Prod & Dir- Don Appel. § Storyteller Galen Drake is host of this variety show, spinning yarns, discussing timely events, occasionally interviewing guests, and also acting as m.c. for variety portions of the program which will feature singers backed by an orchestra. THIS WEEK -- REGULAR NETWORK SPECIALS NBC- Producers' Showcase (Every 4th Mon,8-9:30pmEST) Jan 7; "Call to Freedom," an NBC 'Project 20' filmed documentary of Austria's struggle for freedom thruthe years, keyed to reopening of the Vienna State Operain 1955; Pod- Henry Salomon; Writers- Salomon, Richard Hanser, Philip Reisman, Jr; Asst Prod- Donald Hyatt; Edited By- Isaac Kleinerman; FILM from WRCA-TV(NY). NBC TV Opera Theatre (6 during season, Sat orSun); Sun, Jan 13, 1:30-4pm EST; "War and Peace," American premiere of Serge Prokofiev's opera; English version by Joseph Machlis; LIVE (COLOR) from WRCA-TV(NY). -
WHEREAS, TMF As the Health Quality Institute
The State of Texas County of El Paso Know All Men By These Presents: WHEREAS, the last decade of the 19th Century saw El Paso and El Paso County labeled as the “Gun Fight Capital of the World.” As one of the last wide-open frontier communities, El Paso had the highest concentration of men with reputations with a gun; and, WHEREAS, on March 30th, 1895 the most famous gunman of them all, John Wesley Hardin arrived in El Paso to assist in prosecuting a case of attempted murder; and, WHEREAS, while serving in Huntsville for the murder of Deputy Sheriff Charles Webb, Hardin read law, and upon his pardon in 1894, passed the bar exam and was admitted to practice law in the State of Texas; and, WHEREAS, on the night of August 19th, 1895 Constable John Selman did shoot John Wesley Hardin as he played dice in the Acme Saloon on San Antonio Street, the body laying on the floor as many citizens of El Paso assembled to get a glimpse of the dead gunfighter; and, WHEREAS, John Wesley Hardin was buried at Concordia Cemetery, where his grave remains today, attracting tourists from around the world; and, WHEREAS, because of John Wesley Hardin, El Paso formed the first local Bar Association in the State of Texas in 1897, to prevent the likes of Hardin from practicing law in the county ever again. NOW, THEREFORE, BE IT RESOLVED by the El Paso County Judge and Commissioners’ Court that true recognition be given that August 19th marks the 116th anniversary of the demise of famed Gunman, turned Attorney, John Wesley Hardin in El Paso. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Re-Imagining Indians: the Counter-Hegemonic Represenations of Victor Masayesva and Chris Eyre
Re-Imagining Indians: The Counter-Hegemonic Represenations of Victor Masayesva and Chris Eyre Item Type text; Electronic Dissertation Authors Cassadore, Edison Duane Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 02/10/2021 09:39:39 Link to Item http://hdl.handle.net/10150/195409 RE-IMAGINING INDIANS: THE COUNTER-HEGEMONIC REPRESENTATIONS OF VICTOR MASAYESVA AND CHRIS EYRE by Edison Duane Cassadore _______________________ Copyright © Edison Duane Cassadore 2007 A Dissertation Submitted to the Faculty of the DEPARTMENT OF COMPARATIVE CULTURAL AND LITERARY STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 7 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Edison Cassadore entitled Re-Imagining Indians: The Counter-Hegemonic Representations of Victor Masayesva and Chris Eyre and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _______________________________________________________________________ Date: September 23, 2005 Barbara Babcock _______________________________________________________________________ -
Copyright by Jason Todd Craft 2004 the Dissertation Committee for Jason Todd Craft Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Jason Todd Craft 2004 The Dissertation Committee for Jason Todd Craft Certifies that this is the approved version of the following dissertation: Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions Committee: Adam Z. Newton, Co-Supervisor John M. Slatin, Co-Supervisor Brian A. Bremen David J. Phillips Clay Spinuzzi Margaret A. Syverson Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions by Jason Todd Craft, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2004 Dedication For my family Acknowledgements Many thanks to my dissertation supervisors, Dr. Adam Zachary Newton and Dr. John Slatin; to Dr. Margaret Syverson, who has supported this work from its earliest stages; and, to Dr. Brian Bremen, Dr. David Phillips, and Dr. Clay Spinuzzi, all of whom have actively engaged with this dissertation in progress, and have given me immensely helpful feedback. This dissertation has benefited from the attention and feedback of many generous readers, including David Barndollar, Victoria Davis, Aimee Kendall, Eric Lupfer, and Doug Norman. Thanks also to Ben Armintor, Kari Banta, Sarah Paetsch, Michael Smith, Kevin Thomas, Matthew Tucker and many others for productive conversations about branding and marketing, comics universes, popular entertainment, and persistent world gaming. Some of my most useful, and most entertaining, discussions about the subject matter in this dissertation have been with my brother, Adam Craft. I also want to thank my parents, Donna Cox and John Craft, and my partner, Michael Craigue, for their help and support. -
Club Add 2 Page Designoct07.Pub
H M. ADVS. HULK V. 1 collects #1-4, $7 H M. ADVS FF V. 7 SILVER SURFER collects #25-28, $7 H IRR. ANT-MAN V. 2 DIGEST collects #7-12,, $10 H POWERS DEF. HC V. 2 H ULT FF V. 9 SILVER SURFER collects #12-24, $30 collects #42-46, $14 H C RIMINAL V. 2 LAWLESS H ULTIMATE VISON TP collects #6-10, $15 collects #0-5, $15 H SPIDEY FAMILY UNTOLD TALES H UNCLE X-MEN EXTREMISTS collects Spidey Family $5 collects #487-491, $14 Cut (Original Graphic Novel) H AVENGERS BIZARRE ADVS H X-MEN MARAUDERS TP The latest addition to the Dark Horse horror line is this chilling OGN from writer and collects Marvel Advs. Avengers, $5 collects #200-204, $15 Mike Richardson (The Secret). 20-something Meagan Walters regains consciousness H H NEW X-MEN v5 and finds herself locked in an empty room of an old house. She's bleeding from the IRON MAN HULK back of her head, and has no memory of where the wound came from-she'd been at a collects Marvel Advs.. Hulk & Tony , $5 collects #37-43, $18 club with some friends . left angrily . was she abducted? H SPIDEY BLACK COSTUME H NEW EXCALIBUR V. 3 ETERNITY collects Back in Black $5 collects #16-24, $25 (on-going) H The End League H X-MEN 1ST CLASS TOMORROW NOVA V. 1 ANNIHILATION A thematic merging of The Lord of the Rings and Watchmen, The End League follows collects #1-8, $5 collects #1-7, $18 a cast of the last remaining supermen and women as they embark on a desperate and H SPIDEY POWER PACK H HEROES FOR HIRE V. -
Click Above for a Preview, Or Download
Fully $9.95 Authorized THE NEW By The In The US Kirby Estate SPOTLIGHTING KIRBY’S LEAST- KNOWN WORK! In The Days Of The Mob ISSUE #32, JULY 2001 Collector Dingbats of Danger Street Soul Love True Divorce Cases The Black Hole The Prisoner Marvel Westerns The Horde and more! A Long-Lost Kirby Interview Mark Evanier on the Fourth World Kirby Checklist UPDATE Unpublished Art including published pages Before They Were Inked, And Much More!! Contents OPENING SHOT . .2 THE NEW (to those who say “We don’t need no stinkin’ unknown Kirby work”, the editor politely says “Phooey”) UNDER THE COVERS . .4 (the story behind the somewhat Glen Campbell-looking fellow on our covers) JACK F.A.Q. s . .6 (Mark Evanier answers a reader’s ISSUE #32, JULY 2001 Collector Frequently Asked Questions about the Fourth World) ANIMATED GESTURES . .11 (Eric Nolen-Weathington begins his ongoing crusade to make sense of some of the animation art Kirby drew) IN HIS OWN WORDS . .12 (Kirby speaks in this long-lost interview from France—oui!) CREDIT CHECK . .22 (Kirby sets a new record, as we present the long-awaited update to the Kirby Checklist, courtesy of Richard Kolkman) GALLERY . .32 (some of Kirby’s least-known and/or never-seen art gets its day in the sun) KIRBY AS A GENRE . .44 (Adam McGovern takes another swat at those pesky Kirby homages that are swarming around his mailbox) INTERNATIONALITIES . .46 (this issue’s look at Jack’s international influence finds Jean-Marie Arnon owes the King a huge debt) TRIVIA . -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
K-Bay Aquarama for HOSPITAL "An Uaisianding Success", Were Scheduled Jan
Property of MAEIN: 79.- Hi.STD:II JAN 1 0 1961 Please Lotu;ii to Room AY/ VOL X, No. I U.S. MARINE CORPS AIR STATION, KANEOHE BAY, HAWAII January 6, 1961 Please, Mr. Weatherman BENEFIT GAME GARNERS $1700 K-Bay Aquarama FOR HOSPITAL "An uaisianding success", were Scheduled Jan. 15 the words used by Mrs. John W. Antonelli, president of the Kane- Plans for Kaneohe Bay's once- the water, release his chute and ohe Marine Officers Wives Club, postponed water ski "Aquarama" begin an underwater swim to in summing up the results of last were once again put on the draw- the beach, emerging directly Monday's benefit football game ing board this week with Jan. In front of the spectator fans. held at Castle High Stadium. 15 set as "target date". The event Another chutist, Cpl. G. N. Despite threatening weather, promises to be the most varied Zigoris, will bailout from the almost 2,000 spectators turned water show ever produced in the same altitude in a real-life demo- out to see the Windward Ma- 50th State. stration of an air-sea rescue by rine All Stars romp over the Taking a long, hard look at helicopter. Leeward Service All Stars. The advance weather predications, sky-diving event fea- final score was 49 to 6. Another show officials told the WIND- tures a 20-second delay free-fall An incomplete tally of pro- WARD MARINE that all events from 5,280 feet by MSgt. R. H. ceeds at press time indicated a originally planned for the Dec. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
The Webfooter
September 2016 Remembering the Wild, Wild Westerns Remembering the Wild, Wild Westerns – see page 2. Webfooters Post Card Club PO Box 17240 Portland OR 97217-0240 www.thewebfooters.com Remembering the Wild, Wild Westerns Before Batman, before Star Trek and space travel to the moon, Westerns ruled prime time television. Warner Brothers stable of Western stars included (l to r) Will Hutchins – Sugarfoot, Peter Brown – Deputy Johnny McKay in Lawman, Jack Kelly – Bart Maverick, Ty Hardin – Bronco, James Garner – Bret Maverick, Wade Preston – Colt .45, and John Russell – Marshal Dan Troupe in Lawman, circa 1958. Westerns became popular in the early years of television, in the era before television signals were broadcast in color. During the years from 1959 to 1961, thirty-two different Westerns aired in prime time. The television stars that we saw every night were larger than life. In addition to the many western movie stars, many of our heroes and role models were the western television actors like John Russell and Peter Brown of Lawman, Clint Walker on Cheyenne, James Garner on Maverick, James Drury as the Virginian, Chuck Connors as the Rifleman and Steve McQueen of Wanted: Dead or Alive, and the list goes on. Western movies that became popular in the 1940s recalled life in the West in the latter half of the 19th century. They added generous doses of humor and musical fun. As western dramas on radio and television developed, some of them incorporated a combination of cowboy and hillbilly shtick in many western movies and later in TV shows like Gunsmoke.