Hell on Wheels
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Rootsmagic Document
First Generation 1. Geert Somsen1 was born about 1666 in Aalten, GE, Netherlands. He died about 1730 in Aalten, GE, Netherlands. He has a reference number of [P272]. (Boeinck), ook wel: Sumps. Geert werd op 24-06-1686 (Sint Jan) ingeschreven als lidmaat van de Nederduits Gereformeerde Gemeente Aalten [Boeinck (also: Sumps). Geert was admitted as a member of the Dutch Reformed Church of Aalten on 24-06-1686 (St. John)]. Geert Somsen and Mechtelt Gelkinck had marriage banns published on 28 Apr 1689 in Aalten, GE, Netherlands. They were married on 27 May 1689 in Aalten, GE, Netherlands. Mechtelt Gelkinck1 (daughter of Roelof Somsen and Geesken Rensen) was born before 25 Aug 1662 in Aalten, GE, Netherlands. 2 She was christened on 25 Aug 1662 in Dinxperlo, GE, Netherlands.2 She died in Aalten, GE, Netherlands. She has a reference number of [P273]. ook wel: Meghtelt. Also: Sumps. op 29-09-1688 werd Mechtelt als lidmaat v.d. Nederduits Geref. Ge,. Aalten ingeschreven [also: Meghtelt. Also: Sumps. On 29 Sep 1688 she was registered as Mechtelt as a member of the Dutch Reformed Church in Aalten]. Geert Somsen and Mechtelt Gelkinck had the following children: +2 i. Jantjen Somsen (born on 9 Nov 1690). +3 ii. Roelof Somsen (born about 1692). +4 iii. Geesken Somsen (born in 1695). +5 iv. Wander Somsen (born on 9 Jul 1699). +6 v. Frerik Somsen (born about Jan 1703). Second Generation 2. Jantjen Somsen1 (Geert-1) was born on 9 Nov 1690 in Aalten, GE, Netherlands. She died on 15 Sep 1767 in Dinxperlo, GE, Netherlands. -
WHEREAS, TMF As the Health Quality Institute
The State of Texas County of El Paso Know All Men By These Presents: WHEREAS, the last decade of the 19th Century saw El Paso and El Paso County labeled as the “Gun Fight Capital of the World.” As one of the last wide-open frontier communities, El Paso had the highest concentration of men with reputations with a gun; and, WHEREAS, on March 30th, 1895 the most famous gunman of them all, John Wesley Hardin arrived in El Paso to assist in prosecuting a case of attempted murder; and, WHEREAS, while serving in Huntsville for the murder of Deputy Sheriff Charles Webb, Hardin read law, and upon his pardon in 1894, passed the bar exam and was admitted to practice law in the State of Texas; and, WHEREAS, on the night of August 19th, 1895 Constable John Selman did shoot John Wesley Hardin as he played dice in the Acme Saloon on San Antonio Street, the body laying on the floor as many citizens of El Paso assembled to get a glimpse of the dead gunfighter; and, WHEREAS, John Wesley Hardin was buried at Concordia Cemetery, where his grave remains today, attracting tourists from around the world; and, WHEREAS, because of John Wesley Hardin, El Paso formed the first local Bar Association in the State of Texas in 1897, to prevent the likes of Hardin from practicing law in the county ever again. NOW, THEREFORE, BE IT RESOLVED by the El Paso County Judge and Commissioners’ Court that true recognition be given that August 19th marks the 116th anniversary of the demise of famed Gunman, turned Attorney, John Wesley Hardin in El Paso. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Ranching Catalogue
Catalogue Ten –Part Four THE RANCHING CATALOGUE VOLUME TWO D-G Dorothy Sloan – Rare Books box 4825 ◆ austin, texas 78765-4825 Dorothy Sloan-Rare Books, Inc. Box 4825, Austin, Texas 78765-4825 Phone: (512) 477-8442 Fax: (512) 477-8602 Email: [email protected] www.sloanrarebooks.com All items are guaranteed to be in the described condition, authentic, and of clear title, and may be returned within two weeks for any reason. Purchases are shipped at custom- er’s expense. New customers are asked to provide payment with order, or to supply appropriate references. Institutions may receive deferred billing upon request. Residents of Texas will be charged appropriate state sales tax. Texas dealers must have a tax certificate on file. Catalogue edited by Dorothy Sloan and Jasmine Star Catalogue preparation assisted by Christine Gilbert, Manola de la Madrid (of the Autry Museum of Western Heritage), Peter L. Oliver, Aaron Russell, Anthony V. Sloan, Jason Star, Skye Thomsen & many others Typesetting by Aaron Russell Offset lithography by David Holman at Wind River Press Letterpress cover and book design by Bradley Hutchinson at Digital Letterpress Photography by Peter Oliver and Third Eye Photography INTRODUCTION here is a general belief that trail driving of cattle over long distances to market had its Tstart in Texas of post-Civil War days, when Tejanos were long on longhorns and short on cash, except for the worthless Confederate article. Like so many well-entrenched, traditional as- sumptions, this one is unwarranted. J. Evetts Haley, in editing one of the extremely rare accounts of the cattle drives to Califor- nia which preceded the Texas-to-Kansas experiment by a decade and a half, slapped the blame for this misunderstanding squarely on the writings of Emerson Hough. -
Read an Excerpt
ACROSS THE PLAINS The Journey of the Palace Wagon Family by SANDRA FENlCHEL ASHER Dramatic Publishing Wcxxlstock, lllinois • London, England • Melooume, Australia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** TIle amaleur and stock acting rights to this wen: are controlled exclusively by TIm DRAMATIC PUBUSHING COMPANY without wha;e pennission in writing 00 performance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be paid every time a play is perfonned whether or not it is JI=lted for profit and whether a- not admission is charged. A play is perfonned any time it is acted bef<re an audience. All inquiries conceming amateur and stock rights should be addressed to: DRAMATIC PUBUSlllNG P. O. Box 129, Woodstock, lliioois 60098. COPYRIGHT UW GWES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides lIlIlhcrs with a fair return fa- their creative efforts. Authas earn their living from the royalties they receive fnm book sales and from the perfonnance of their work Conscientious offiervance ofcopyright law is not ooly ethical, it encour ages authors to continue their creative work. This wa-k is fully protected by copyright No altecations, deletions a- substitutions may be made in the work without the pria- written consent of the publisher. No part of this work may be reproduced a- ttansmitted in any form or by any means, electrooic or me chanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without pennission in writing from the publisher. -
Taylor's 1873
1911 4-7contents1886/1871 SPORTING RIFLES ............................ 39 series | 1892 LEVER ACTION ................................... 40-41 1911 FULL SIZE SERIES ..................................... 4-5 1892 ALASKAN TAKE DOWN RIFLE ..................... 42 1911 CLASSIC SERIES ............................................ 6 1876 CENTENNIAL RIFLE ................................... 43 1911 COMPACT SERIES .......................................... 7 1883 BURGESSTM ............................................... 43 8 REVOLVING CARBINE ......................................... 44 taylor tuned | LIGHTNING PUMP ACTION .................................. 44 9-29 1865 SPENCER .................................................. 45 revolvers | 1885 SINGLE-SHOT RIFLE ............................ 46-47 1873 SINGLE ACTION REVOLVER COLLECTION ................................. 9-23 SPRINGFIELD TRAPDOOR .................................... 47 SHORT-STROKE COMPETITION SERIES ................ 10 1874 SHARPS .............................................. 48-50 THE SMOKE WAGONTM ....................................... 11 BABY ROLLING BLOCK CARBINE .......................... 50 THE RUNNIN’ IRON® ................................... 12-13 ROLLING BLOCK MODELS .................................. 51 1873 CATTLEMAN WITH STEEL BACK BADGER SINGLE SHOT RIFLE .............................. 52 STRAP AND TRIGGER GUARD................................ 14 X-CALIBER SURVIVAL RIFLE ................................ 52 TAYLOR MARSHAL ............................................ -
AWESOME, FRANK-LY 'HAV' YOU SEEN HER? Dam Purchased As a Yearling by CB Agency
SUNDAY, MAY 1, 2011 For information about TDN, call 732-747-8060. AWESOME, FRANK-LY ‘HAV’ YOU SEEN HER? Some had cast similarities with the great Dubai Every spring, there is a significant betting move on Millennium (GB) prior to yesterday and Khalid one of Newmarket=s Classic hopefuls, and a few weeks Abdullah=s brilliant Frankel (GB) (Galileo {Ire}) lived up to ago, the money was down on James and Anita Wigan=s all the hype and mass of Havant (GB) (Halling) ahead of the G1 Qipco 1000 expectation with a ruthless Guineas. Something of a dark horse entering today=s demonstration of galloping in the renewal, the unbeaten Sir Michael Stoute trainee had G1 Qipco 2000 Guineas at the subsequent UAE Derby winner Khawlah (Ire) (Cape Newmarket. He had hinted at Cross {Ire}) five lengths behind on the second of her something special to come during two winning efforts in the G3 Oh So Sharp S. over a pioneering two-year-old seven furlongs here at the beginning of October. Up campaign and in his warm-up run against some talented and proven fillies here, she has it in the G3 Greenham S. at Newbury to prove, but her conditioner believes she won=t be two weeks ago, but few expected lacking in the class department. AShe is a scopey filly, is this unprecedented show of very straightforward, and put up two very good superiority. In front from the performances last year,@ Stoute said recently. AThey outset, jockey Tom Queally let the were on ground that was softer than good on both 1-2 favorite--the shortest-priced occasions, so she loves that, and I=m a little bit Frankel since the beaten Apalachee in concerned with the way the weather is behaving. -
Sightings Mid-March to Early April 2009
SIGHTINGS MID-MARCH TO EARLY APRIL 2009 “Sightings” appears monthly, alternating between Winging It and Birding , with the latest news, reports, and rumors from the ABA Area and Mexico. Sightings are compiled from online discussion groups and RBAs, with valuable contributions from a growing network of informants continent-wide. Readers should note, however, that none of these reports has yet been vetted by a records committee. All birders are urged to submit documentation of rare sightings to the appropriate state or provincial committees. For full analysis of these and other bird obser - vations, subscribe to North American Birds , the richly illustrated journal of ornithological record published by the ABA <aba.org/pubs/nab>. Italicized place names denote counties or parishes. Compiled by Michael L. P. Retter was reported in Everglades National Northeast: A “Black” Brant was dis - with special thanks to Paul Lehman, Park, Monroe , FL 4/2; a Brown-crested covered 4/10 at Stratford, Fairfield , Rick Wright, and Peter Donaldson Flycatcher was in Matheson Hammock providing CT with its 1st record. Ross’s SP, Miami-Dade , FL 3/31. Fort Zachary Geese continue to surge in number and Summary: A probable Cuban Black- Taylor SP in Key West, FL once again expand their range to the east; 2 were Hawk in GA was certainly the “cosmic played host to a Loggerhead Kingbird , in ME, 1 was in MA, and another was mind-blower” of the month, but a Log - photographed on 4/12. in PE. The last bird gave the province gerhead Kingbird in FL also created its 2nd record of the species, at North much excitement. -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
Southern New Mexico Historical Review
ISSN 1076-9072 SOUTHERN NEW MEXICO HISTORICAL REVIEW Pasajero del Camino Real Doña Ana County Historical Society Volume XV Las Cruces, New Mexico January 2008 Doña Ana County Historical Society Publisher Rick Hendricks Editor Board of Directors 2008 President: Roger Rothenmaier Vice President: George Helfrich Past President: Dr. Chuck Murrell Secretary: Donna Eichstaedt Treasurer: Xandy Church Historian: Karen George At Large Board Members Buddy Ritter Felix Pfaeffle Marcie Palmer Leslie Bergloff Frank Parrish Richard Majestic Barbara Jean Neal Mary Lou Pendergrass Ex-Officio: Webmaster – Mary Lou Pendergrass Liaison to Branigan Cultural Center – Garland Courts Typography and Printing Insta-Copy Imaging Las Cruces, New Mexico Cover Drawing by Jose Cisneros (Reproduced with permission of the artist) The Southern New Mexico Historical Review (ISSN-1076-9072) is looking for original articles concerning the Southwestern Border Region for future issues. Biography, local and family histories, oral history and well-edited documents are welcome. Charts, illustrations or photographs are encouraged to accompany submissions. We are also in need of book reviewers, proofreaders, and an individual or individuals in marketing and distribution. Copies of the Southern New Mexico Historical Review are available for $7.00. If ordering by mail, please include $2.00 for postage and handling. Correspon- dence regarding the Review should be directed to the Editor of the Southern New Mexico Historical Review at Doña Ana County Historical Society, 16045 Las Cruces, NM 88004. Click on Article to go There Table of Contents Articles Coeds at War: State College Woman Do Their Part in World War II Martha Shipman Andrews ..................................................................................... 1 William and John Hudgens: Double Trouble from Louisiana Roberta Key Haldane .......................................................................................... -
Ashton Patriotic Sublime.5.Pdf (9.823Mb)
commercial spaces like theaters, and to performances spanning the gamut from the solemn, to the joyous. This diversity encompassed celebrations outside the expected calendar of national days. Patriotic sentiment was even a key feature of events celebrating the economic and commercial expansion of the new nation. The commemorative celebration for the laying of the foundation-stone of the Baltimore & Ohio Railroad, the “great national work which is intended and calculated to cement more strongly the union of the Eastern and the Western States,” took place on July 4, 1828.1 It beautifully illustrated the musical ties that bound different spaces together – in this case a parade route, a temporary outdoor civic space, and the permanent space of the Holliday Street Theatre. Organizers chose July Fourth for the event, wishing to signal civic pride and affective patriotism. Baltimore filled with visitors in the days before the celebration, so that on the morning of the Fourth the “immense throng of spectators…filled every window in Baltimore-street, and the pavement below….fifty thousand spectators, at least, must have been present.” The parade was massive and incorporated a great diversity of groups, including “bands of music, trades, and other bodies.” One focal point was a huge model, “completely rigged,” of a naval vessel, the “Union,” complete with uniformed sailors. Bands playing patriotic tunes were interspersed amongst the nationalist imagery on display: militia uniforms, banners emblazoned with patriotic verse, national flags, eagle figures, shields, and more. Charles Carrollton, one of the last surviving signers of the Declaration of Independence, gave the main public address at the site, accompanied by a march composed for the occasion, the “Carrollton March” (see Figure 2.4). -
1 the Flower of Southern Manhood: Race And
THE FLOWER OF SOUTHERN MANHOOD: RACE AND MASCULINITY IN SOUTHERN HIGHER EDUCATION, 1820-1900 By CLAY COOPER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2014 1 © 2014 Clay Cooper 2 To my father and in memory of my mother 3 ACKNOWLEDGMENTS Proper acknowledgements for this work would necessitate thanking every teacher and individual who has ever encouraged my intellectual curiosity and devotion to studying history. This dissertation is the product of the generosity of the North Caroliniana Society for awarding me the Archie K. Davis Research Fellowship and the Virginia Historical Society in presenting me with the Andrew W. Mellon Research Fellowship. Frances Pollard, John McClure, and everyone else at the Virginia Historical Society were very kind to me in my stay and helpful with my research. The entire staff of the Wilson Library special collections at the University of North Carolina were sensational. I would like to thank Cheryl Ferguson and Dana Chandler at Tuskegee University. Diane Jacob at the VMI Archives and Seth McCormick-Goodheart, Lisa McCown, and Vaughn Stanley at Washington and Lee Special Collections offered invaluable assistance and made me feel very much at home in Lexington. I offer my thanks as well to the archivists at Hampton University, the University of Virginia, and the Atlanta University Center. I was fortunate my research took me to so many beautiful places and excellent centers of learning. As I said, I would be remiss if I did not go far back in my past to acknowledge intellectual debts of gratitude.