DOCUMENT RESUME FL 015 507 AUTHOR Das, Bikram K., Ed. Communicative Language Teaching. Selected Papers from the RELC Seminar
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Naman: a Vanishing Language of Malakula (Vanuatu)
Naman: a vanishing language of Malakula (Vanuatu) Pacific Linguistics 576 Pacific Linguistics is a publisher specialising in grammars and linguistic descriptions, dictionaries and other materials on languages of the Pacific, Taiwan, the Philippines, Indonesia, East Timor, southeast and south Asia, and Australia. Pacific Linguistics, established in 1963 through an initial grant from the Hunter Douglas Fund, is associated with the Research School of Pacific and Asian Studies at The Australian National University. The authors and editors of Pacific Linguistics publications are drawn from a wide range of institutions around the world. Publications are refereed by scholars with relevant expertise, who are usually not members of the editorial board. FOUNDING EDITOR: Stephen A. Wurm EDITORIAL BOARD: John Bowden, Malcolm Ross and Darrell Tryon (Managing Editors), I Wayan Arka, David Nash, Andrew Pawley, Paul Sidwell, Jane Simpson EDITORIAL ADVISORY BOARD: Karen Adams, Arizona State University Lillian Huang, National Taiwan Normal Alexander Adelaar, University of Melbourne University Peter Austin, School of Oriental and African Bambang Kaswanti Purwo, Universitas Atma Studies Jaya Byron Bender, University of Hawai‘i Marian Klamer, Universiteit Leiden Walter Bisang, Johannes Gutenberg- Harold Koch, The Australian National Universität Mainz University Robert Blust, University of Hawai‘i Frantisek Lichtenberk, University of David Bradley, La Trobe University Auckland Lyle Campbell, University of Utah John Lynch, University of the South Pacific James Collins, Universiti Kebangsaan Patrick McConvell, Australian Institute of Malaysia Aboriginal and Torres Strait Islander Bernard Comrie, Max Planck Institute for Studies Evolutionary Anthropology William McGregor, Aarhus Universitet Soenjono Dardjowidjojo, Universitas Atma Ulrike Mosel, Christian-Albrechts- Jaya Universität zu Kiel Matthew Dryer, State University of New York Claire Moyse-Faurie, Centre National de la at Buffalo Recherche Scientifique Jerold A. -
Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities
International Web Journal Revue internationale www.sens-public.org Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities MARIA POPOVA Abstract: The Reality TV appearance results from the media content changes, the infotainment development, the media use enlargement, the creation of quality, mass, thematic universal media products, sold at for low costs and for big profits. The Reality TV significant contribution is the discrepancy between public and private, the viewers’ possibility to see themselves and their problems into participants’ behavior. Although the Reality TV shows present voyeurism, scandal and conflict, media audience may control the program narrative. These programs are entertainment form, but they engage the society with charity, define the media agenda setting, and present definitive socio-cultural models, national peculiarities, which answer to the media audience needs, which are general as cultural sense and social behavior. There are different Reality TV forms worldwide. Most of them represent local edition for the local media audience. In Bulgaria the Reality TV started in 2004 and it has had significant influence of the media content ever since. The Reality TV places substantial problems at the media sphere, connected with media reliability, media post-colonialism, media manipulation, and media pluralism. Keywords: media – Reality TV – media content – media audience – Bulgarian television Contact : [email protected] Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities Maria Popova Media content – between media audience interest and social needs The changes in European media environment have been flowing in parallel directions in the last years. On one hand, the media fragmentarization increases in accordance with primarily declared and explored target media audience needs. -
Sprungbrett Oder Krise? Das Erlebnis Castingshow-Teilnahme
Sprungbrett oder Krise? 48 Maya Götz, Christine Bulla, Caroline Mendel Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2 40221 Düsseldorf Postfach 103443 40025 Düsseldorf Telefon V 021 1/77007-0 Telefax V 021 1/72 71 70 E-Mail V [email protected] LfM-Dokumentation Internet V http://www.lfm-nrw.de ISBN 978-3-940929-28-0 Band 48 Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Eine Befragung von ehemaligen TeilnehmerInnen an Musik-Castingshows Maya Götz, Christine Bulla, Caroline Mendel Ein Kooperationsprojekt des Internationalen Zentralinstituts für das Jugend- und Bildungsfernsehen (IZI) und der Landesanstalt für Medien Nordrhein-Westfalen (LfM) Impressum Herausgeber: Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2, 40221 Düsseldorf www.lfm-nrw.de ISBN 978-3-940929-28-0 Bereich Kommunikation Verantwortlich: Dr. Peter Widlok Redaktion: Regina Großefeste Bereich Medienkompetenz und Bürgermedien Verantwortlich: Mechthild Appelhoff Redaktion: Dr. Meike Isenberg Titelbild: Collage © Wild GbR Lektorat: Viola Rohmann M. A. Gestaltung: disegno visuelle kommunikation, Wuppertal Druck: Börje Halm, Wuppertal April 2013, Auflage: 1.000 Exemplare Nichtkommerzielle Vervielfältigung und Verbreitung ist ausdrücklich erlaubt unter Angabe der Quelle Landesanstalt für Medien Nordrhein-Westfalen (LfM) und der Webseite www.lfm-nrw.de Inhaltsverzeichnis Vorwort 8 Zusammenfassung 9 Einleitung 11 1 Das System Castingshow -
A5portrait 2 Copy
Organized by BCI London EXHIBITION Bulgarian Cultural Institute London November 8, 6.30pm (Until 22 Nov) Sofia Gallery, 186-188 Queen's Gate London SW7 5HL Exhibition opening & Jazz concert Exhibition of works by Dimitar Voinov - Junior – one of the most renowned Bulgarian painters of the new generation. The opening of the exhibition will be followed by a jazz trio concert led by the finalist of Bulgarian ‘Music Idol’ TV show Alex Jekova. Artists Dimitar Voinov - Alex Jekova Junior singer painter Programme 6.30pm - 7.30pm Exhibition opening “The Keys to Paradise” Exhibition will be held from 8 to 22 Nov 8pm - 9pm Jazz Performance By Alex Jekova - vocal, Tony Zlatanov - key & vocal, Rosev Vatev - drum Do you know that... Both of Dimitar Voinov's parents and his wife are painters, and his father (also called) Dimitar Voinov also happens to be one of the most renowned Bulgarian painters. 10 Organized by BCI London LITERATURE Bulgarian Cultural Institute London November 14, 7pm Bulgarian Cultural Institute London 186-188 Queen's Gate London SW7 5HL Literature evening “Alo, Bulgaria!”, is a collection of stories depicting the life of a Bulgarian woman living abroad; revealing the comedy and the tragedy in her journey; showing the truth about being a foreigner in the UK. To be or not to be the main character in the series of your everyday life, that is the question of the book. Author Zdravka Momcheva author Programme Presentation of Zdravka Momcheva’s new book “Alo, Bulgaria!” (Hello, Bulgaria)! 23 JAZZ November 15, 7.30pm The Clapham Grand 21-25 St John's Hill Clapham Junction SW11 1TT European Jazz - big band with special guests The highly acclaimed Bulgarian National Radio big band performs for the first time in the UK a one-night-only show in London, featuring as special guests Liane Carroll - awarded ‘Best Female Vocalist’ at the Ronnie Scott’s Jazz Awards, and Ian Shaw - twice voted ‘Best Jazz Vocalist’ at the BBC Jazz Awards. -
Asheville Music Scene Background Sheet
ASHEVILLE MUSIC SCENE BACKGROUND SHEET GENERAL INFO & RECENT ACCOLADES ► According to an Asheville Area Chamber of Commerce-led case study on the music industry's impact in the local economy: ► Asheville is home to nearly 800 full-time instrumentalists and vocalists. Creative jobs (artists, writers and performers) rank as the number three industry with the greatest earnings in Asheville. ► The job concentration in the musical manufacturing industry in Asheville provides 854 percent more jobs than the national average. ► The music industry grew 52 percent from 2010 to 2016 (at a faster pace than Nashville) and is two times more specialized compared to the national average. ► Many musicians, composers and producers with Asheville ties have been recognized with a coveted Grammy Award. In 2017, "kid-hop" artist Secret Agent 23 Skidoo won Best Children's Album. Nationally acclaimed artists Warren Haynes, Doc Watson, David Holt, Bryan Sutton, Steven Heller, Al Petteway, Gladys Knight and Roberta Flack all have Grammys under their belts. ► Two artists who lived in Asheville, the late soul musician Nina Simone and country music idol Jimmie Rodgers, were both recognized posthumously with Grammy Lifetime Achievement Awards. ► Downtown studio Echo Mountain Recording Studios has produced a multitude of Grammy-acknowledged works such as The Avett Brothers' "The Carpenter," Steep Canyon Rangers' "Nobody Knows You" and Secret Agent 23 Skidoo's "Infinity Plus One." Other artists that have recorded there include Dierks Bentley and Zac Brown Band. ► In 2014, Caleb Johnson helped put Asheville at the national forefront when the local singer won the 13th season of "American Idol." ► Asheville has recently been named "America's next great music city" by both Lonely Planet (January 2019) and Consequence of Sound (November 2017), while JamBase lauded Asheville as a "music oasis" (October 2017) and Fodor's Travel described a music scene "like nothing you've ever experienced" (November 2017). -
A Retrospect of the First Ten Years of the Protestant Mission to China
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com HARVARD COLLEGE LIBRARY 1 ( 6 <s i 6 BOUGHT WITH THE INCOME OF A FUND GIVEN BY ARCHIBALD GARY COOLIDGE '87 AND CLARENCE LEONARD HAY '08 o , ' , ,. M RETROSPECT or THE FIRST TEN YEARS or tBI PROTESTANT MISSION TO € H I N A, h (NOW, IN CONNECTION WITH THB MALAY, DBNOMINATID, TUB ULTRA GANGBS MISSIONS.) Accompanied with Miscellaneous Remarks on the Li terature, History, and Mythology of China, isc. BY WILLIAM MILNE. MALACCA: PRIN1BD AT THB ANOLO-CHIN8SB EHBSS. 1830. ^/L 7 or-, v o .7^rr.'-" s , . r r •• [ ;' ,t "' X "W university" /T i* T / •* I * t'i ~* - „. ..uefl/yjY.. ..... ., ..> J(/L2 2W' ,~i.n ir e4^„^ ^4(^^(^.^.wi^i|t m. 4f~%~$^%. .- )|1 iI< >,„ ^M^yJH. 1 \ - .. PREFACE. ' • ,..: • ,,.,, In presenting the following miscellaneous sheets ,. to the public, I seel great pleasure in acknowledg ing my obligations to a MS. compiled by my rc- '..yered friend, and senior in the Chinese Mission, the .' Reyd. II. Morrison, D. D. on the tenth anniver sary of his arrival in China, (Sept. 4, 1817.) Most • of what the MS. contained, the reader will find t ^disposed of between the beginning of the fourth and middle of the tenth section. It embraced the .principal f.icts and events relative to the Mission during the first sew years of its existence; but they are here rather difserently arranged, and interspersed with various observations. -
Reporting on Forced Labour and Fair Recruitment: An
NOTES NATIONAL HUMAN Funded by RIGHTS COMMISSION the European Union OF MONGOLIA REPORTING ON FORCED LABOUR AND FAIR RECRUITMENT AN ILO TOOLKIT FOR MONGOLIAN JOURNALISTS INTERNATIONAL LABOUR STANDARDS FUNDAMENTAL PRINCIPLES AND RIGHTS AT WORK FREEDOM OF ASSOCIATION AND THE EFFECTIVE RECOGNITION OF THE RIGHT TO COLLECTIVE BARGAINING THE ELIMINATION OF ALL FORMS OF FORCED OR COMPULSARY LABOUR THE EFFECTIVE ABOLITION OF CHILD LABOUR THE ELIMINATION OF DISCRIMINATION IN RESPECT OF EMPLOYMENT AND OCCUPATION GENERAL PRINCIPLES AND OPERATIONAL GUIDELINES FOR FAIR RECRUITMENT DEFINITION OF RECRUITMENT FEES AND RELATED COSTS LABOUR MIGRATION DECENT WORK MIGRANT WORKERS WORKERS RECRUITERS DOMESTIC WORKERS EMPLOYERS’ AND WORKERS’ ORGANIZATIONS A Toolkit for Sri Lankan Journalists | I REPORTING ON FORCED LABOUR AND FAIR RECRUITMENT AN ILO TOOLKIT FOR MONGOLIAN JOURNALISTS Copyright © International Labour Organization 2020 First published 2020 Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or translation, application should be made to ILO Publications (Rights and Licensing), International Labour Office, CH-1211 Geneva 22, Switzerland, or by email: [email protected]. The International Labour Office welcomes such applications. Libraries, institutions and other users registered with a reproduction rights organization may make copies in accordance with the licences issued to them for this purpose. Visit www.ifrro.org to find the reproduction rights organization in your country. Reporting on forced labour and fair recruitment: An ILO toolkit for Mongolian journalists, International Labour Office, Country Office for China and Mongolia – Beijing: ILO, 2020 ISBN: 978-92-2-0324202 (web pdf) Also available in Mongolian: Албадан хөдөлмөр болон ажилд зуучлах, авах харилцаанд шударга байдлыг хангах талаар сурвалжлах нь: Сэтгүүлчдэд зориулсан гарын авлага. -
GOO-80-02119 392P
DOCUMENT RESUME ED 228 863 FL 013 634 AUTHOR Hatfield, Deborah H.; And Others TITLE A Survey of Materials for the Study of theUncommonly Taught Languages: Supplement, 1976-1981. INSTITUTION Center for Applied Linguistics, Washington, D.C. SPONS AGENCY Department of Education, Washington, D.C.Div. of International Education. PUB DATE Jul 82 CONTRACT GOO-79-03415; GOO-80-02119 NOTE 392p.; For related documents, see ED 130 537-538, ED 132 833-835, ED 132 860, and ED 166 949-950. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC16 Plus Postage. DESCRIPTORS Annotated Bibliographies; Dictionaries; *InStructional Materials; Postsecondary Edtmation; *Second Language Instruction; Textbooks; *Uncommonly Taught Languages ABSTRACT This annotated bibliography is a supplement tothe previous survey published in 1976. It coverslanguages and language groups in the following divisions:(1) Western Europe/Pidgins and Creoles (European-based); (2) Eastern Europeand the Soviet Union; (3) the Middle East and North Africa; (4) SouthAsia;(5) Eastern Asia; (6) Sub-Saharan Africa; (7) SoutheastAsia and the Pacific; and (8) North, Central, and South Anerica. The primaryemphasis of the bibliography is on materials for the use of theadult learner whose native language is English. Under each languageheading, the items are arranged as follows:teaching materials, readers, grammars, and dictionaries. The annotations are descriptive.Whenever possible, each entry contains standardbibliographical information, including notations about reprints and accompanyingtapes/records -
Adapting Idols Joost De Bruin and Koos Zwaan
Introduction: Adapting Idols Joost de Bruin and Koos Zwaan Idols is one of the most popular and successful global television formats produced in the last decade. The format has been adapted in over 40 territories all over the world, as the appendix – compiled by Sukhpreet Singh and Martin Kretschmer for this book – shows. The original show, Pop Idol, went to air in the UK in 2001. The next year, local versions of the show were broadcast in Poland, South Africa, the USA, Germany and the Netherlands. By the end of 2004 – exactly three years after the introduction of Pop Idol – 30 territories were screening their own Idols shows, illustrating the rapid global spread of the format. In some cases Idols was produced for transnational geographic regions, such as Asian Idol – with auditions in India, Indonesia, Malaysia, the Philippines, Singapore and Vietnam – and the Pan-Arab Superstar, which featured contestants from Lebanon, Syria, Iraq, Jordan, Libya, Morocco and Algeria. The most recent branch on the global Idols tree at the time of writing is Idol Puerto Rico. The owners of the Idols format, FremantleMedia and 19 Entertainment, have thus managed to capitalize on the work put into the design of the original UK show by turning it into a format and selling it to a range of territories. The goal of Idols shows is to involve a nation (or a region consisting of several different nations) in a quest for a popular music idol who can be admired by all. Idols shows are commonly divided into four distinct phases (Holmes 2004). -
LCSH Section N
N-3 fatty acids Na-Kara language Naba language USE Omega-3 fatty acids USE Nakara language USE Nabak language N-6 fatty acids Na-khi (Chinese people) Nabagraha (Hindu deity) (Not Subd Geog) USE Omega-6 fatty acids USE Naxi (Chinese people) [BL1225.N38-BL1225.N384] N.113 (Jet fighter plane) Na-khi language BT Hindu gods USE Scimitar (Jet fighter plane) USE Naxi language Nabak language (May Subd Geog) N.A.M.A. (Native American Music Awards) Na-len-dra-pa (Sect) (May Subd Geog) UF Naba language USE Native American Music Awards [BQ7675] Wain language N-acetylhomotaurine UF Na-lendra-pa (Sect) BT Finisterre-Huon languages USE Acamprosate Nalendrapa (Sect) Papua New Guinea—Languages N Bar N Ranch (Mont.) BT Buddhist sects Nabaloi (Philippine people) BT Ranches—Montana Sa-skya-pa (Sect) USE Ibaloi (Philippine people) N Bar Ranch (Mont.) Na-lendra-pa (Sect) Nabaloi dialect BT Ranches—Montana USE Na-len-dra-pa (Sect) USE Ibaloi language n-body problem Na-makir language Nabaloi language USE Many-body problem USE Namakura language USE Ibaloi language N-butyl methacrylate Na Nakhō̜n family (Not Subd Geog) Nabandi language USE Butyl methacrylate Na no Kuni USE Ngbandi language N-carboxy-aminoacid-anhydrides UF Na (Kingdom) Nabataean architecture USE Amino acid anhydrides Wa no Na no Kuni USE Architecture, Nabataean N-cars BT Japan—History—To 645 Nabataean art USE General Motors N-cars Na Pali Coast (Hawaii) USE Art, Nabataean N Class (Destroyers) (Not Subd Geog) UF Napali Coast (Hawaii) Nabataean coins BT Destroyers (Warships) BT Coasts—Hawaii USE Coins, Nabataean N. -
Library of Congress Subject Headings for the Pacific Islands
Library of Congress Subject Headings for the Pacific Islands First compiled by Nancy Sack and Gwen Sinclair Updated by Nancy Sack Current to January 2020 Library of Congress Subject Headings for the Pacific Islands Background An inquiry from a librarian in Micronesia about how to identify subject headings for the Pacific islands highlighted the need for a list of authorized Library of Congress subject headings that are uniquely relevant to the Pacific islands or that are important to the social, economic, or cultural life of the islands. We reasoned that compiling all of the existing subject headings would reveal the extent to which additional subjects may need to be established or updated and we wish to encourage librarians in the Pacific area to contribute new and changed subject headings through the Hawai‘i/Pacific subject headings funnel, coordinated at the University of Hawai‘i at Mānoa.. We captured headings developed for the Pacific, including those for ethnic groups, World War II battles, languages, literatures, place names, traditional religions, etc. Headings for subjects important to the politics, economy, social life, and culture of the Pacific region, such as agricultural products and cultural sites, were also included. Scope Topics related to Australia, New Zealand, and Hawai‘i would predominate in our compilation had they been included. Accordingly, we focused on the Pacific islands in Melanesia, Micronesia, and Polynesia (excluding Hawai‘i and New Zealand). Island groups in other parts of the Pacific were also excluded. References to broader or related terms having no connection with the Pacific were not included. Overview This compilation is modeled on similar publications such as Music Subject Headings: Compiled from Library of Congress Subject Headings and Library of Congress Subject Headings in Jewish Studies. -
MUSIC This Text Is Prepared for The
DESIGN CHRONOLOGY TURKEY MUSIC This text is prepared for the 3rd Istanbul Design Biennial ARE WE HUMAN? The Design of the Species 2 seconds, 2 days, 2 years, 200 years, 200,000 years by Alper Maral, Gökhan Akçura and Pelin Derviş with contributions by Tanju Eren and Barış Gün, and the support of Studio-X Istanbul translated by Liz Erçevik Amado, Selin Irazca Geray and Gülce Maşrabacı editorial support by Ceren Şenel, Erim Şerifoğlu graphic design by Selin Pervan WHAT ABOUT MUSIC?* The fact that music is a field of design is a proposition that can still by deemed odd, unfamiliar in Turkey, or more precisely in the Asia Minor – Middle East geography we are situated in; this field is either not taken seriously enough, belittled as trivial, “recreational”, dispensable, or elevated to the status of an elusive “feat” beyond earthly conceptions, practices with an enchanting label of “creativity”, or as is repeated also in many other cultures, considered worthy only as it is reproduced under the sanction of “primeval traditions”. And for this very reason, music, like many other disciplines, has only found the opportunity to shake this status quo and make somewhat novel breakthroughs with the –at times overtly vulgar—moves of Modernism. When we avoid reducing design to merely physical mediums and place emphasis also on its intellectual context, its abstract predicates—ranging from method to model, from imagination to the “artwork”—it would not be misguided to assert that music has been subject to a process which has gained momentum especially with the Republic, while its most primal moves can only be deciphered in the Tanzimat reform era, and that its reflections—products—have gained visibility again along the axis of this process.